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Fall Heads Roll
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Fall Heads Roll
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Track Listings
1 | Ride Away |
2 | Blindness |
3 | What About Us |
4 | Pacifying Joint |
5 | Assume |
6 | Midnight in Aspen |
7 | Clasp Hands |
8 | I Can Hear The Grass Grow |
9 | Bo Demmick |
10 | Youwanner |
11 | Aspen Reprise |
12 | The Early Days Of Channel Fuhrer |
13 | Breaking The Rules |
14 | Trust In Me |
Editorial Reviews
Product Description
The fall are widely regarded as one of the greatest punk and post punk bands of all time. Features 14 tracks. Narnack Records. 2005.
Amazon.com
As Mark E. Smith's band head toward their third decade as the shambolic art-punk outfit that all arrogant art school kids must love even after they've gotten over their own arrogance, the amazing thing is not that they exist or still have a following despite Smith's notorious predilection for doing things onstage to his bandmates not even Rick James would have tried. What's amazing is how good their records still are, and the ways that a singer who looks like the specter of death crossed with Andy Capp who has such a limited range is so consistently engaging. Not as blindingly hateful as their prior two albums, Heads Roll is in fact among the group's finest post-Brix releases. As usual, the group's cover choices are Catholic, and "I Can Hear the Grass Grow" by the Move is on par with their take on "Victoria," which is to say, excellent. This album is long and listeners would do well to program out the last third or so, but thanks to modern technology this is not tough to accomplish. --Mike McGonigal
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 9.92 x 5 x 0.31 inches; 2.61 Ounces
- Manufacturer : Narnack Records
- Item model number : 2190298
- Date First Available : January 30, 2007
- Label : Narnack Records
- ASIN : B000AP2ZEE
- Number of discs : 1
- Best Sellers Rank: #284,105 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #5,545 in Adult Alternative (CDs & Vinyl)
- #5,755 in Indie Rock
- #24,040 in Alternative Rock (CDs & Vinyl)
- Customer Reviews:
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He was brilliant then and he remains brilliant now. Over 3 decades, no band to have emerged from the original 77 punk scene can come close to rivaling the Fall in terms of the shear quantity of good music produced. The new band are incredibly hot, more obviously so here than on "Click". Like Captain Beefheart with his voice ravaged by MS on his final recording "Ice Cream for Crow", Smith is so far ahead of his contemporaries that he will be more interesting than them until the moment he keels over and can't even manage a mumble any more. The worst song The Fall ever recorded is of more substance than the best song that a "Franz Ferdinand" could ever imagine.
Their previous full-length "the real new fall lp" is a great album in its own right, and one that can really grow on you, but I just flatly disagree with those reviewers who feel it necessary to cast "fall heads roll" as a somewhat lesser version of it. On the contrary, this record has an intensity that the previous one too often lacks (even though it remains quite engaging). Moreover, the "softer" moments on "fall heads roll" (Midnight Aspen / Reprise) don't at all grate on the rest of the material (which was the major failure of otherwise good early 90s records such as "Extricate," ect), but they instead merge much more organically with their surroundings. One could tell from the last full-length that the Fall had regained much of the sharpness/wit that characterized early classics like "Room to Live" (i love those 'i hate the country' songs), and "fall heads roll" delivers in this area even more satisfyingly.
Mark E. Smith's new wife and keyboardist Eleni plays a significant role throughout the record, and it's great to hear the band gel around her and M. E. Smith. As much as some may hate the parallel, this new(ish) lineup could very well return the band to the creative and catchy heights they achieved in the best of the Brix period. One or two more successive albums like this and there will be little disagreement with such an observation. As it stands now, I'm not quite ready to uncross my fingers. As long as there's not another divorce in the near future (which would very likely thrust Smith into further self-conscious emotional griping that diluted albums like "Extricate"), I will do my best to remain optimistic.
Even in such a case, "Fall Heads Roll" will not become stale anytime soon. Truly a modern classic and, as the previous reviewer suggests, I will not accept any reaction less that enthusiastic from those friends who remain casual spectators into the world of the Fall. And in this case, I don't think I even need to worry about that.
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These songs have been around a few years - live, the final Peel Session from 2004 and on the 'Interim' mini-LP - the latter perhaps working in a similar manner to something short and sweet like 'Slates.' It's all great, all a highlight - I even like 'Early Days of Channel Fuhrer' and the closing 'Trust in Me' (sung by Trafford?) Opener 'Ride Away' is fantastic, not sure why someone said it was awful - it clearly belongs to the 'Kimble'-side of the Fall! 'Pacifying Joint' is where the album kicks into life, Korg-drones against some of that angular garage-punk - it's like Elastica never happened. Lots of these songs are based around that tight garage rock sound, the excellent production exploiting the joys of these songs. 'Assume', 'Youwanner', 'Bo Demmick', the cover of The Move's 'I Can Hear the Grass Grow' and 'Clasp Hands' all fitting the bill and wiping the floor with such pretenders as The Storks, White Stripe & The Yeah Yeah Liars.
...& then there are the songs that join the ranks of the finest Fall-tracks - 'Midnight in Aspen' (reprised like 'Winter'), the epic kraut-garage of live favourite 'Blindness', and the tale of a rabbit from East Germany and Harold Shipman, 'What About Us?' - which has better keyboards and a slightly tighter arrangement than the prior Peel version (the 'Hop!Hop!Hop!' mantra coming in just at the end now).
'Fall Heads Roll' is a fantastic album and was a key highlight of 2005. The band are reportedly back in the studio again with Grant Showbiz ('Dragnet', 'Shiftwork', 'Country on the Click', Billy Bragg, Wilco)- a band in their prime after all these decades. Who'd believe?
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But there's not just Blindness here, there are also some other great tracks too - Youwanner, Pacifying Joint, and What About Us are all very good.
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