2019

By Ian R. MacLeod

It was a pleasure and a privilege to attend this year’s Worldcon in Dublin, and find myself surrounded by friendly, intelligent and well-informed people from across the globe, and in a European city which has clearly risen far above the sour heritage of its theocratic and colonial past. It was also great to meet the many Americans wearing I’m From The USA But I Didn’t Vote For Trump ribbons on their lanyards. What a shame so much of the rest of humanity doesn’t seem to be heading along the same path!

SF for me has always had its heart in the liberal values of the enlightenment, but perhaps right now, with truth seemingly regarded as a mere matter of opinion, and science as just another way of looking at the world, and with our planet heading toward ecological catastrophe as us humans stand passively by in a way which would never convince in any self-respecting novel or disaster movie, it’s time to speak to the future and the things that should matter with an even stronger and angrier voice. If this isn’t the signal for a new New Wave or Golden Age in the genre, I don’t know when we’ll ever get one.

Vector 290

Vector 290 is out:

Vector 290 version 8M

The last two issues of Vector had themes — #288’s ‘Future Economics’ and #289’s ‘African and Afrodiasporic SF’ — but this issue is once more a Deck of Many Things. Andrew Wallace reveals all about judging the Clarke Award. Christina Scholz recounts linguistic revolutions in Milton and Miéville. Stephen Baxter reflects on AI and Thunderbirds and Paul Kincaid discusses the late great Iain [M.] Banks. Katie Stone reviews Sophie Lewis’s Full Surrogacy Now, while Vector Recommends brings you Paul Graham Raven on Nick Harkaway’s Gnomon and Nick Hubble on Ursula K. Le Guin’s The Left Hand of Darkness. We’ve got interviews with Emma Newman and Yoon Ha Lee, and glimpses from SF fandom around the world with reports from WorldCon 2019 and IceCon 2018. We hope you enjoy. 

Cover by Andrea Morreau.