Direct action training, workshop, & panel discussion with Haul No! Protect the Peaks, Indigenous Action, & Louise Benally.

Friday, Oct 13th, 4p-8p 

Free (bring a warm clothing/sleeping bag/tent donation for unsheltered relatives). 

At Mayan Winds Coffee Emporium

2144 N 4th St. Flagstaff AZ

*Masks required!*

How do whitewashed celebrations of Indigenous Peoples’ Day undermine decolonization?

What ways can you directly support regional anti-colonial struggles?

Schedule: 

4:00p-5:30p – Direct Action training

5:30p – Haul No! Resisting Nuclear Colonialism workshop

6:15p – Break for food (Provided, w gluten free & vegan options avail.)

6:45p – Panel Discussion: Supporting Regional Indigenous Resistance Struggles

8:30p – end

www.Indigenousaction.org

Celebrate and support ongoing frontline Indigenous resistance struggles!

Support a queer contingent of @IndigenousAction attend and provide workshops at this year’s Bash Back! Convergence in occupied Chicago.
Funds are needed for travel, food and printing resources and ‘zines.
Venmo, Cashapp, Paypal: IndigenousActionBB

It is so important to bring queer, anti-colonial analysis to this space to connect, share, tear down and attack! We can’t wait to get there and we need your help!

We watched this movie after arguing with social media pro-nuke apologists who accused us of being ill-informed as not having viewed Christopher Nolan’s biopic, so excuse the mess… (and if you haven’t already, read our initial post here for the context).

Oppenheimer is a glorification of the “complicated genius” and ambitions of white men making terrible decisions that imperil the world. 

Many have remarked that the film is not a glorification, yet Christopher Nolan himself says, “Like it or not, J Robert Oppenheimer is the most important person who ever lived.”
Some of you may have even had a burst of laughter during the scene where Truman asked Oppenheimer what he thought the fate of Los Alamos should be and “Oppie” retorted, “Give the land back to the Indians.” But alas, the poisoned scarred landscape today is host to a 10-day “Oppenheimer Festival.” To underscore the disconnect of legacies, a small commemoration near the Churchrock spill site was also held on the anniversary of the Trinity detonation, a few hundred miles away. Yes, what glorification?

The movie is basically a Western à la John Wayne. It very well could have been called, “The Trial of the Sheriff of Los Alamos.”
Oppenheimer rides his horse with a black hat on and pulls a poster down from a fence post. He then strides into a debate on the “Impact of the gadget on civilization.” To respond to the question of how scientists can justify using the Atom Bomb on human beings, Oppenheimer speaks, “We’re theorists yes, we imagine a future and our imaginings horrify us. They won’t fear it until they understand it and they won’t understand it until they’ve used it. When the world learns the terrible secret of Los Alamos our work here will ensure a peace mankind has never seen. A peace based on international cooperation.”

Nolan establishes the only narrative that matters is his attempt at historical redemption, he paints Oppenheimer as a victim. While perhaps not as depoliticized as Nolan alluded to in interviews (as the politics of American loyalty and the Red Scare drive the drama), the consequences of nuclear weapons and energy is barely considered (arguably barely at all considering the issue). This is a political omission of the most insidious sort and the film is even worse for it.

The movie cares more about constructing and clearing Oppenheimer as a victim of McCarthyism than the impacts of the atomic bomb and its deadly legacy of nuclear colonialism. As it’s stated, there’s a “Price to be paid for genius.” Everything else is dramatic notation. Nolan gives Oppenheimer the public hearing he feels like he was denied to ultimately prove he was an American patriot. In the end, the question “Would the world forgive you if you let them crucify you?” matters above all other concerns. The movie poses the argument as “science versus militarism” while the world and Indigenous Peoples continue to suffer the permanent consequences of nuclear weapons and energy in silence. A deadly silence more deafening than Nolan’s cinematic portrayal of the Trinity test. But hey, there’s even a minute of cheering after the test.

Nolan has us listening to the radio while two cities are destroyed and hundreds of thousands of lives are taken. Nolan keeps the camera on his lead actor’s face while the horrors of his bomb are shown on slides. Oppenheimer simply looks away. What more about this film do we need to know? 

15,000 abandoned uranium mines poisoning our bodies, lands, and water. 1,000 bombs detonated on Western Shoshone lands… the list goes on (we only stop here because we’ve stated much more in our original post). All omitted and sentenced to suffer in catastrophic silence. Films like Oppenheimer are only possible because people keep looking away from the deadly reality of nuclear weapons and energy.