Ladies’ night

WXPN 885 greatest songs by women promo

WXPN, the fine public radio station out of the University of Pennsylvania in Philadelphia, has been asking listeners to help pick the 885 greatest songs by women artists.

(Why 885 songs? WXPN is 88.5 FM. They’ll play them all on their annual end-of-year countdown.)

I thought about it for a few days, then waded in at pretty much the last minute. Went through all my LPs and compiled a preliminary list of a couple of dozen songs by women. Then I trimmed that list to 10 songs and filed my ballot on the last possible evening. Deadlines spur action, you know.

We were asked to rank our top 10 songs, with 1 the best and so on.

Here’s my list. Yours will be different. Mine is highly subjective, 10 songs I like, not the 10 greatest songs of all time.

10. “California Nights,” Lesley Gore, 1967. I dig Lesley Gore, and she sang this on “Batman.” A moonlit slice of mid-’60s pop co-written by Marvin Hamlisch.

9. “Lady Marmalade,” Labelle, 1974. A powerhouse, produced by Allen Toussaint and sung by Patti LaBelle, Nona Hendryx and Sarah Dash. Such a great song that Pink, Christina Aguilera, Mya and Lil’ Kim — along with Missy Elliott — memorably covered it for the “Moulin Rouge” soundtrack more than 25 years later, in 2001.

8. “Oh Happy Day,” the Edwin Hawkins Singers with Dorothy Morrison on lead vocals, 1968. A great pop gospel song. I picked the original over the Aretha Franklin/Mavis Staples version from Aretha’s “One Lord, One Faith, One Baptism” LP from almost 20 years later, 1987.

7. “Free Your Mind,” En Vogue, 1992. Funk meets metal, delivering a message that remains necessary to this day, more than 30 years later, sung fiercely by Terry Ellis, Dawn Robinson, Cindy Herron and Maxine Jones.

6. “Put A Little Love In Your Heart,” Jackie DeShannon, 1969. Another song 12-year-old me heard on WLS out of Chicago while cruising The Circuit in Janesville, Wisconsin, with my older cousins. Such a great song that it was a hit all over again when Annie Lennox and Al Green covered it almost 20 years later, in 1988.

5. “Love Is Like An Itching In My Heart,” the Supremes, 1966. Hadn’t heard this upbeat, lighter-than-air piece of Motown pop until introduced to it by my friend Larry Grogan not all that long ago. Quickly became a favorite, as did the LP from which it comes — “The Supremes A’ Go-Go.” (That said, I’m still not a huge Supremes fan.)

4. “The Nitty Gritty,” Gladys Knight and the Pips, 1969. When I learned that Gladys Knight got down to the real nitty gritty and wasn’t just the elegant pop singer of “Midnight Train to Georgia,” well, that blew my mind.

3. “Friendship Train,” Gladys Knight and the Pips, 1969. Yeah, I really dig Gladys Knight as produced by Norman Whitfield. Here, she comes out smoking again, and like En Vogue, delivers a message that remains necessary to this day, more than 50 years later.

2. “Turn The Beat Around,” Vicki Sue Robinson, 1976. Just try to sit still if this song is playing. Its Latin-tinged beat was a breath of fresh air on the dance floors of 1976 (and yes, I remember the dance floors of 1976). Such a great song that it was a hit all over again for Gloria Estefan almost 20 years later, in 1994.

1. “One Less Bell To Answer,” the 5th Dimension with Marilyn McCoo on lead vocals, 1970. It starts cool but turns into a scorcher of a torch song. Marilyn McCoo is such a powerful, evocative and versatile singer. Written by the legendary team of Burt Bacharach and Hal David.

Tough to leave off any of the other women artists on my working list: Bananarama, Barbara Lynn, Bobbie Gentry, Carlene Carter, Donna Summer, Tina Turner, Tracey Ullman, Martha Wash and Izora Armstead (the Weather Girls), Annie Lennox (with Eurythmics), Joan Jett (with the Blackhearts), Petula Clark, Chaka Khan (with Rufus), Aretha Franklin, Mavis Staples and Nancy Sinatra.

Even had one last moment of indecision when my friend Larry Grogan played the Marvelettes’ “He Was Really Sayin’ Something” on his Funky 16 Corners streaming show last night. Oh, that’s a good one, too.

Then you have great and/or interesting and/or fun women artists who didn’t make either of my lists (and this, too, is far from complete): Dolly Parton, Kate Bush, Alison Moyet, Freda Payne, Dionne Warwick, Betty Everett, Nina Simone, Betty Wright, Patti Smith, Chrissie Hynde (with the Pretenders), Debbie Harry (and Blondie), Bonnie Raitt, Erma Franklin, Carolyn Franklin, Darlene Love, Mary Wells, Kim Weston, Martha Reeves and the Vandellas, Merrilee Rush, the Donnas, Ann Wilson and Nancy Wilson (with Heart), Shirley Bassey, Lea Roberts, Merry Clayton, Kim Shattuck (with the Pandoras and the Muffs), Gayle McCormick (with Smith), Chi Coltrane, Janis Joplin, Honey Cone, the Three Degrees, the Sweet Inspirations, Laura Nyro, Laurie Anderson, Melanie, Dusty Springfield, Millie Jackson, the Pointer Sisters, Sharon Jones, Linda Ronstadt, Wanda Jackson, Cher, Dee Dee Sharp, Ann Peebles, hell, even Charo. My friend Jerry probably would put 10 Francoise Hardy songs on his list.

Ask me tomorrow and my top 10 list might be entirely different. But I will be interested to see where my 10 songs wind up among the 885 songs in XPN’s year-end countdown.

Reader’s note: My friend Charlie over at Bloggerhythms has been all in on this, writing a series of solid blog posts about the top 10 songs by women artists on his ballot. Go check them out.

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Filed under November 2023, Sounds

We’ve all come together

Saw this tweet first thing this morning.

So I tuned in WXPN, streaming the fine public radio station out of Philadelphia, a few minutes early and waited eagerly for 10 a.m. — 9 a.m. Green Bay time — to roll around.

“The last new Beatles song has arrived,” host Mike Vasilikos said at the top of the hour, opening his midday show.

He shared a little background on how “Now and Then” came to be — recorded solo on cassette tape by John Lennon in 1977, and that tape shared by Yoko Ono with the other Beatles in the early ’90s. Then he played a short audio clip with Giles Martin setting the stage for the song, discussing its production.

After that, a couple of minutes after the top of the hour, WXPN played the last new Beatles song without any further introduction.

And then …

“You’ve heard the new Beatles song for the first time on XPN and it is out in the world now,” Vasilikos said. “It’s an honor and a pleasure to share this moment with the XPN community.”

What struck me was the question posed by WXPN’s social post. How many of us had come together at the top of that hour to listen to the radio — or to stream it somewhere — to share in what seemed like a big moment in music history?

Saw tweets from people deeply touched by hearing a new Beatles song for the first time, people deeply appreciative for having that experience in their lifetime, which was cool.

But there are many of us — like me — for whom this was not a first-time thing.

My first memory of hearing a new Beatles song for the first time might have been “The Long and Winding Road” in the spring of 1970. I was 12. There must have been some hype around that release, but I don’t remember it.

My most vivid memory of hearing a new (to me) Beatles song for the first time was in the summer of 1976, when “Got to Get You into My Life” hit the radio in support of their “Rock ‘n’ Roll Music” compilation LP. I was 19. Blew me away. Loved its big sound. Still one of my favorites. (“Got to Get You into My Life” was of course on the “Revolver” LP released in 1966, but I’d never had that record.)

The next year, 1977, — and you really had to be there to know how absurd it all was — brought lots of speculation that a band named Klaatu and its self-titled debut LP were actually the Beatles, reunited and recording new songs under a fake name. It wasn’t.

Anyway.

As for the two other so-called new Beatles songs that eventually came along — “Free as a Bird” in 1995 and “Real Love” in 1996, both also written by John and finished by the rest of the band after his death — I have no idea when I heard them for the first time. Oh, they were hyped, but I really didn’t dig either one.

Here’s how they made “Now and Then.”

What I think of “Now and Then” doesn’t matter. Some love it. Some don’t.

But I’m not convinced that “Now and Then” is the last new Beatles song.

There’s just too much hype (and, yes, too much money to be made) to think they won’t unearth another unfinished song and finish it as long as Paul and Ringo are still with us, still capable of doing so.

This was just a day in the life for Beatles fans. A big day, but just a day.

Doesn’t feel as if it’s time yet for that final chord.

Social image of the Beatles asking "Where were you when you heard the LAST new Beatles song for the FIRST time?"

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Filed under November 2023, Sounds

Our record show’s greatest hits

Late October traditionally is record show time here in Green Bay.

This year, however, the Green Bay Record Convention took place two weeks earlier than usual, bumped back to the second Saturday of October. Our venue, an Elks lodge, was booked on the last two October Saturdays with a craft vendor show and its annual Halloween event for kids.

This year, after 16 or so years of going to the show, I missed the party.

Green Bay Record Convention promo flyer, October 2023

I work high school football games from August to October, doing the stats for my brother’s team. On the night before the record show, when I’d typically be helping set up tables, making signs and loading in early-arriving dealers, I was working a game 140 miles away. Before we ever knew the record show date, we’d planned to stay overnight and spend the next day up north, as we say in Wisconsin.

I hope everything went all right at the record show. I haven’t heard any reports one way or the other.

Over the past couple of weeks, my Facebook memories feed has been a steady stream of reminders of the things I’ve enjoyed about past Green Bay Record Conventions. The eager anticipation, the setup, the people, the digging, the finds. Among them:

  • Over those last 16 or so years, I’ve followed the show from a downtown hotel to a suburban hotel to a bowling alley — that was 2015, the first year I worked at the show — to the Eagles Club (which then became a BBQ joint) to the Elks lodge.
  • Last fall, the show was bumped forward to the first Saturday of November, again because of the Elks lodge’s availability. (Football was over by then.)
  • I’ve sold records at the show at least three times, twice doing double duty by setting up near the back door and watching that in addition to selling records.

My table at a Green Bay Record Convention.

A handful of eight gold $1 coins.

  • Some of our dealers are high maintenance.
  • So are some of the shoppers. Ten years ago, in 2013, a couple of hotheads started to get into it at the show. Don’t know what set them off.
  • I’ve twice bought bowls made from vinyl records. Can’t say that I’ve ever used them. (My bowls were made from the Eagles’ “Hotel California,” the Beatles’ “Rubber Soul,” as you see here, plus the Monkees’ self-titled debut LP and Badfinger’s “Ass.”)

Two bowls made of old vinyl records.

  • The first time I ever sold records at the show — 12 years ago, in 2011 — I made $131 and traded a shoe box of 45s for Edwin Starr’s “25 Miles” LP.
  • That first show as a seller was a revelation. Had no idea the other dealers scrambled to dig through your crates, many seeking deals on the best stuff, before the show ever opened to the public.
  • Last year, I bought four DVDs that essentially constitute the Pam Grier Blaxploitation Film Festival plus another blaxploitation classic. (I’ve also bought books, comic books and T-shirts.)

Pam Grier film DVDs

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Filed under October 2023

It’s been a long time

Since we last gathered here …

  • Jimmy Buffett left the party. Didn’t have much to write about him that I hadn’t already written.
  • Hip-hop turned 50. Gave some thought to writing about that, but at the end of the day I am spectacularly unqualified to write about that.

It’s been a quiet summer, thanks largely to having had hip replacement surgery at the end of June and the subsequent rehab for it.

That’s limited my record digging, as you might expect. (New hips don’t like a lot of standing around, even if you are leaning on the record bins.) Doesn’t take long to list the records I’ve found since the beginning of the summer.

Bernard Purdie "Shaft" LP and shipping package from Funk Trunk Records

  • “Shaft” by Bernard Purdie, from 1972. Been looking for that one for a long time. Thanks to Quinn Cunningham at Funk Trunk Records helping me knock if off my wish list. (I know Quinn first from selling at the Milwaukee record show, then from his tiny, steps-down-from-the-sidewalk storefront in Chicago’s Rogers Park neighborhood, and now from his Richmond, Va.-based online store. Highly recommended if you seek hard-to-find soul, R&B, disco, jazz and gospel.)
  • “Let’s Take It To The Stage” by Funkadelic from 1975 and “Traveling Wilburys Volume One” by the Traveling Wilburys from 1988. Both from my friend Mike, who graciously set them aside for me before he sold the rest of his record collection to my friend Todd.
  • “Soulful” by Dionne Warwick from 1969, a 25-cent record bought from my friend Todd to replace a rough copy I found roughly a decade ago.
  • “It’s Been A Long Time” by The New Birth from 1973 and “No Matter What Shape (Your Stomach’s In) by the T-Bones from 1966. Both found in my friend Jim’s garage earlier this month.

Though my new hip is doing great — I don’t think much about it anymore — a quirk of the calendar will keep my record digging limited for the time being.

The next Green Bay Record Convention is coming up in two weeks, on Saturday, Oct. 14. However, I will neither be working at it nor digging at it for the first time in a long time, maybe 15 years. It’s taking place earlier than usual, and I have a prior commitment to working high school football that weekend.

That means more records for you. Go get ’em.

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Filed under September 2023, Sounds

The playlist of a lifetime

From a car-crazy southern Wisconsin town in the late ’60s, a love story.

Deb and Jer were a year apart at Janesville High School — Jer in the Class of ’66, Deb in the Class of ’67 as it became Janesville Craig High School.

Back then, Janesville was home to a GM assembly plant. Big car culture. Summer nights were meant for cruising The Circuit, a long, rectangular loop of one-way streets that went over the Rock River and back again.

Back then, not long out of high school, Deb drove a Mercury Cougar, a muscle car, with its radio tuned to WLS out of Chicago and Top 40 hits pouring out of it.

I gotta think Deb and Jer spent some nights courting on The Circuit before they were married. Didn’t everyone in Janesville? Their wedding in the late summer of 1969 is the first one I remember going to. I was 12. My youngest brother, then 5, was the ring bearer.

Deb and Jer were married for 54 years until he died earlier this month. Five kids, 10 grandkids, four great-grandkids. Jer was 75 and had been undergoing treatment for lymphoma for the past year. Deb is my cousin, so we were all together in Janesville on Sunday to celebrate Jer’s life.

During his memorial service, I was surprised — and then not at all surprised once I gave it some thought — to hear echoes of the Top 40 hits that poured out of those car radios tuned to WLS. Echoes of a wonderful time in their lives.

“My Love” by Petula Clark was the first of the songs chosen by Deb for Jer.

As the memorial service came to a close, another reminder of their love: “I Got You Babe,” by Sonny and Cher.

Perfect choices from a perfect time in their lives.

Jer will forever be in Deb’s heart. Right there next to muscle cars.

Eight years ago, Deb got herself another one, a 50th anniversary Mustang. Jer enjoyed teaching everyone in the family how to drive stick shift on it.

A red 2015 50th anniversary Ford Mustang parked in a driveway.

That’s it, parked in our driveway with me at the wheel, Evan in the front passenger seat and Jer good-naturedly sitting in the back seat. He didn’t need to teach me how to drive stick, but he came along anyway.

Deb and Jer. It was quite a ride, wasn’t it?

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Filed under August 2023, Sounds