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Once in a while, I listen to a book as an audiobook, rather than reading it on paper or on my electronic device. Especially during the pandemic, when I was walking a lot, I loved listening to stories while walking. And clearly, for people who are dyslectic, or who for another reason can’t read easily, they are a real blessing.
But I’ve noted something weird with audio-books that I can’t quite grasp – so perhaps someone here can help me understand what is going on. [click to continue…]
A befriended academic has written a non-scholarly book, and has been approached by a publisher who picked it up and wants to negotiate a contract. She asked her FB-friends for advice, and almost everyone suggested to get an agent. I suspect that very few academics know how to publish smartly outside academia, and whether one should get an agent (and if so, where to get one, and what to know). I confess I know nothing about this myself when it concerns the English-language publishing world — but would be interested to learn more about this too.
Since this blog has a wide readership, perhaps we can call on the collective wisdom and experience here: what should academics who want to publish a (non-academic) trade book know? It would be great if some agents, those who’ve worked with agents, publishers, as well as authors who have traveled this path can share their views and advice.