Pain is a distressing feeling often caused by intense or damaging stimuli, such as stubbing a toe, burning a finger, putting alcohol on a cut, and bumping the "funny bone". Because it is a complex, subjective phenomenon, defining pain has been a challenge. The International Association for the Study of Pain's widely used definition states: "Pain is an unpleasant sensory and emotional experience associated with actual or potential tissue damage, or described in terms of such damage." In medical diagnosis, pain is a symptom.
Pain motivates the individual to withdraw from damaging situations, to protect a damaged body part while it heals, and to avoid similar experiences in the future. Most pain resolves once the noxious stimulus is removed and the body has healed, but it may persist despite removal of the stimulus and apparent healing of the body. Sometimes pain arises in the absence of any detectable stimulus, damage or disease. Simple pain medications are useful in 20% to 70% of cases.
Philosophy of pain may be about suffering in general or more specifically about physical pain. The experience of pain is, due to its seeming universality, a very good portal through which to view various aspects of human life. Discussions in philosophy of mind concerning qualia has given rise to a body of knowledge called philosophy of pain, which is about pain in the narrow sense of physical pain, and which must be distinguished from philosophical works concerning pain in the broad sense of suffering. This article covers both topics.
Two near contemporaries in the 18th and 19th centuries, Jeremy Bentham and the Marquis de Sade had very different views on these matters. Bentham saw pain and pleasure as objective phenomena, and defined utilitarianism on that principle. However the Marquis de Sade offered a wholly different view - which is that pain itself has an ethics, and that pursuit of pain, or imposing it, may be as useful and just as pleasurable, and that this indeed is the purpose of the state - to indulge the desire to inflict pain in revenge, for instance, via the law (in his time most punishment was in fact the dealing out of pain). The 19th-century view in Europe was that Bentham's view had to be promoted, de Sade's (which it found painful) suppressed so intensely that it - as de Sade predicted - became a pleasure in itself to indulge. The Victorian culture is often cited as the best example of this hypocrisy.
Pain (typeset as PAIN) is a musical project from Sweden that mix heavy metal with influences from electronic music and techno. The project started out as a hobby project for front man Peter Tägtgren, whose idea was to fuse heavy metal with 1980s-inspired electro-industrial and techno influences. Tägtgren, who is also the vocalist/guitarist of Hypocrisy and producer of his own The Abyss studios, is the only current member.
Pain's self-titled debut was released in 1997, and since then Pain has released six more albums and a DVD. Starting with their second, all of Pain's albums have made the Swedish charts, thanks in large part to hit singles such as "End of the Line", "Shut Your Mouth", and "Same Old Song". In early February 2006, Blabbermouth.net reported that Pain had signed with Roadrunner Records. Currently, Pain is under the Nuclear Blast Records banner.
In 2008, Pain was on tour as a supporting performer for the Finnish symphonic power metal band Nightwish. During this tour singer Peter Tägtgren, drummer David Wallin, and bassist Johan Husgafvel were assaulted by a gang in Leipzig. Tägtgren received 10 stitches in his face, Wallin suffered a concussion and stitches to his head, and Husgafvel had his nose broken.
"Bitch", also known by its censored title, "Nothing In Between", is a Grammy nominated song co-written with Shelly Peiken and recorded by American artist Meredith Brooks. It was released in May 1997 as the lead single from her debut album Blurring the Edges. "Bitch" contains an un-credited drum sample of "Impeach The President" by The Honey Drippers, written by Roy Charles Hammond.
The song steadily rose on the Billboard charts, eventually peaking at number two for four weeks, only behind "I'll Be Missing You" by Puff Daddy and Faith Evans featuring 112. It debuted and peaked at number six on the UK Singles Chart on 27 July 1997 and stayed in the top ten for four weeks. The song was also a big hit in Oceania, where it reached number two in Australia and four in New Zealand. It ranked at number 79 on VH1's 100 Greatest Songs of the '90s.
"Bitch" was also used in the 2000 Nancy Meyers film What Women Want, starring Mel Gibson and Helen Hunt. The scene is arguably the most memorable part of the film, as Mel Gibson is seen dressing in womans' tights and wearing make-up singing to the chorus of the song. From this point in the film the character is able to "hear" what woman want.
"Bitch" (censored to "B*tch" and "Trick") is a single by American rapper E-40 off his twelfth studio album Revenue Retrievin': Day Shift. The song features fellow West Coast American rapper and former label mate Too Short. The single is the only charting single of the Revenue Retrievin' series. The song receives airplay in the mix on radio stations such as Power 106 in Los Angeles. A popular remix was made also featuring 50 Cent who is featured on the single cover.
In Too Short's verse he points out what makes a man a "B I C T H" and E-40 discusses what makes a female a "bitch."
The music video was released via E-40's official YouTube account on March 11, 2010. In the video Too $hort and E-40 travel through green screen houses and malls, deconstructing the concept of being a "bitch."
The official remix features American rapper 50 Cent and was officially released via his YouTube channel.
The song peaked at #80 on the Billboard Hot R&B/Hip-Hop Songs and on the Hot Rap Songs at #24.
Bitch, literally meaning a female dog, is a slang pejorative for a person, commonly a woman, who is belligerent, unreasonable, malicious, a control freak, rudely intrusive or aggressive. When applied to a man, bitch is a derogatory term for a subordinate. Its original use as a vulgarism, documented to the fourteenth century, suggested high sexual desire in a woman, comparable to a dog in heat. The range of meanings has expanded in modern usage. In a feminist context, it can indicate a strong or assertive woman.
The word bitch is one of the most common curse words in English. According to Dr. Timothy Jay, there are "over 70 different taboo words" but 80 percent of the time only ten words are used, and the word bitch is included in this set of ten.
The term bitch comes from the 1150 word bicche, which was developed from the Old English word bicce. It also may have been derived from the Old Norse word bikkja for "female dog". The Oxford English Dictionary dates the term meaning "female dog" to around 1000 A.D.
This is for you, and you
And you, and you
Now I came up with little bad ass yea gas, to never had ass yea gas
Slept and ate with our peeps but we let the streets raise us
Kept the weed blazin', don't let the drink age us
Used to live outrageous, now we just couch potatoes
Without the wages, to break out the project cages
Make do with what we got, use the logic that God gave us
Losin' faith is enough to make a man crazy
Can't even pay my landlady
How the fuck I'm 'posed to save for my unplanned baby?
Joined the Navy, and my uncle sayin', "Pay me"
Maybe I'm just too damn lazy but you can page me
Lately, been hustlin' grams daily
Holdin' down my spot on the corner like Champ Bailey
But I know I ain't the only one, you feel me?
On the gun, livin' on the run, look how they done momma's only son
X me out like I'm a Roman numeral
Damn, and ain't tryin' to see me again, till my funeral
For so long I been grindin', grindin'
Paid my dues, put my time in, time in
Even went down for tryin', I pushed on
Never once did I give up, give up
Every time I fell I would get up, get up
Always kept my spirit up, I pushed on
Now we finally feelin' plush
Doin' gotta do to keep our nails airbrushed
Jade straight out the box, damn ne'er been touched
Damn I'm feelin' good, B lined me up
Till we never seen a Pontiac diamond toed
Nappy Roots, what it mean to ya? Mines and us
And don't be callin' us slow, we ain't grind it up
Now my people all smiles 'cuz we out the slums
Sayin, "Look at Big Bud ol' sloppy drunk
I remember when he sold tapes out the trunk"
Now here's the routine, jump out the truck, T shirt and blue jeans
'94 Jays with the blue shoe strings
When I first hit the grind ain't stop for shit
And my only motivation was a pot to piss
See it hit me so hard ain't have a penny to myself
I swallowed up my pride and asked Skinny for some help
And I'm sayin'
For so long I been grindin', grindin'
Paid my dues, put my time in, time in
Even went down for tryin', I pushed on
Never once did I give up, give up
Every time I fell I would get up, get up
Always kept my spirit up, I pushed on
Want me to stop, I did, but I couldn't stop the shit
Dawg, I cried for this, stole and lied for this
Scream when I felt this shit
Toured for 16 months straight, lost breath for this
Heh, yelled for this
Sinnin' every night, know I'm goin' to Hell for this
The hurt and the betrayal, compelled by this
Tough wall to climb but Nappy Roots scaled the shit
Just don't let me rap in vain, people pray over this
Don't take my word for it, see for yourself and shit
Everybody out in the wind, ain't no help with this
I coulda thrown in the towel, coulda walked away
Eyes on the prize, so I'm strong today
Simply want it, believe it, think it, breathe it
Chase it, cease it, maintain, keep it
Hold it, control it, never let go of it
Hold on, press on, push on, I'm gone
For so long I been grindin', grindin'
Paid my dues, put my time in, time in
Even went down for tryin', I pushed on
Never once did I give up, give up
Every time I fell I would get up, get up
Always kept my spirit up, I pushed on
For so long I been grindin', grindin'
Paid my dues, put my time in, time in
Even went down for tryin', I pushed on
Never once did I give up, give up
Every time I fell I would get up, get up
Always kept my spirit up, I pushed on
For so long
Paid my dues
Now I, I pushed on
Alright, give up, I pushed on
I never have kept on
Ohh, ooh