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The 2023 Sharjah Biennial features more than 150 artists who address personal and canonical history-making, as well as their own local politics.
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Jeffrey Deitch talks to Artsy about his career in street art, and staging the “first rigorous street art exhibition in Greater China.”
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Hayv Kahraman’s latest show, on view at The Third Line in Dubai, presents dynamic new works in which figures literally grapple with the gut.
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Barry Malin of his eponymous Chelsea gallery explains why he decided to open a second location in Aspen, Colorado.
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Tishan Hsu, Kimsooja, and Wang Tuo are among the artists with unmissable shows happening during the Hong Kong fairs this March.
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Ahead of her exclusive benefit auction on Artsy, we spoke with Loie Hollowell about her boldly assertive new paintings.
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Laura Poitras’s documentary “All the Beauty and the Bloodshed” captures Nan Goldin’s rebellious spirit in her art and fight against the Sackler family.
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The 36th edition of TEFAF in Maastricht brought heavyweight galleries and an expanded section of younger galleries together in a star-studded return.
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Now back in London after 20 years away, the painter celebrates Trinidad’s music and culture in his latest body of work.
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“A Movement in Every Direction” at the Brooklyn Museum considers the afterlife of the Great Migration through newly commissioned works by 12 Black artists.
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Rising collage artist Sess Essoh makes his European solo debut with “Homage” at Galerie Melbye-Konan, on view through March 31st.
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In this section of The Women Artists Market Report 2023, we look at the burgeoning market for late women artists.
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In this section of The Women Artists Market Report 2023, we look at the newest, youngest sector in the art market today.
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How are women artists faring in the art market today? Artsy takes a look at the data in the first of three features on the women’s art market.
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This month, our eyes are on the work of Charlotte Edey, Kevin Umaña, Violeta Maya, Saelia Aparicio, and Caleb Hahne Quintana.
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In this monthly series, we gather thoughts and highlights from Artsy’s in-house art experts on what they’re seeing, looking forward to, and enjoying in the art world this month.
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Abstract Expressionism’s associations with white men are reframed in Whitechapel’s “Action, Gesture, Paint: Women Artists and Global Abstraction 1940–70.”
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A growing number of contemporary artists are exploring themes of mysticism in styles reminiscent of the Transcendental Painting Group.
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Ernie Barnes is having a secondary-market revival at fairs and commercial galleries following his fairytale auction sale of “The Sugar Shack” (1976) last year.
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“The Exhibit,” a new reality competition show, brings together seven American artists at the Hirshhorn Museum.
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Black women gallery owners discuss growth that makes sense, cultivating a global presence, and remaining connected to their gut instincts.
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A new presentation at the Walker Art Center solidifies Kahlil Robert Irving’s rising status and reflects an expansion of his practice.
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