Cactus is a 2008 Australian mystery-thriller film, it is the directing debut for Jasmine Yuen-Carrucan.
Cactus is a road movie centred on a kidnapping.
The movie begins with John Kelly pulling Eli Jones (David Lyons) from his city residence, drugging him and driving across regional Australia for three days. On the journey, John and Eli begin to interact and talk, as well as having a run-in with a rogue cop and encountering "Thommo", a trucker.
The directing debut of Jasmine Yuen Carrucan was shot in New South Wales in the cities of Bathurst, Broken Hill, Cobar, Sydney and Wilcannia. Bryan Brown worked on it as executive producer.
STAR is an interbank network and EFTPOS network in the United States. It is the largest American interbank network, with 2 millionATMs, 134 million cardholders and over 5,700 participating financial institutions. The STAR Network began in 1984 and was acquired by First Data Corporation in 2003. The network is owned and operated by STAR Networks, a subsidiary company of First Data.
The network has existed since the 1980s, and has since included several other networks, mostly in the 2000s:
Cactus was a UK record label that found most of its success with music from the reggae genre in the mid 1970s.
A subsidiary of Creole Records, Cactus released predominantly reggae songs from artists such Rupie Edwards, I-Roy, Pluto, John Holt and Judge Dread. The label had acquired the rights to music from Pyramid Records and had UK chart success with re-releases of Desmond Dekker's "Israelites" and with Dekker's, "Sing a Little Song".
Cactus (Persian :کاکتوس) is a 1998Iranian satirical TV series directed by Mohammad Reza Honarmand. Various actors played in the series including Fathali Oveisi, Khosrow Shakibai, Reza Fieze Norouzi, Rasool Najafian, Soroosh Sehhat and Zohreh Mojabi. Cactus was aired in three parts between 1998 to 2002.
IRIB's Channel 1 broadcast the TV series.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.