'Gallagher' is featured as a movie character in the following productions:
A Feast of Man (2016)
Actors:
Laurence Bond (actor),
Zach Fleming (actor),
Jennifer Golum (actor),
Lloyd Kaufman (actor),
Frank Mosley (actor),
Jesse Rudoy (actor),
Chris Shields (actor),
Marleigh Dunlap (actress),
Katey Parker (actress),
Caroline Golum (producer),
Jim Powers (producer),
John W. Yost (producer),
Caroline Golum (writer),
Dylan Pasture (writer),
Caroline Golum (director),
Genres:
Drama,
Dr. Moreau's House of Pain (2004)
Actors:
Peter Donald Badalamenti II (actor),
Kim Burrows (actor),
Josh Deaver (actor),
Danny Hamamoto (actor),
John Patrick Jordan (actor),
Jack Kennedy (actor),
Martin Nguyen (actor),
Steve Quimby (actor),
Aaron Reigner (actor),
Tony Simmons (actor),
B.J. Smith (actor),
Phillip Smithee (actor),
Bob Uyeda (actor),
Jacob Witkin (actor),
Ling Aum (actor),
Genres:
Horror,
Taglines: Some legends are reborn... And some never die!
Quotes:
Alliana: [to Eric Carson] Take off your shirt.
Contract on Cherry Street (1977)
Actors:
Johnny Barnes (actor),
Jay Black (actor),
Nicky Blair (actor),
Jimmy Boyd (actor),
Richard Corley (actor),
Robert Davi (actor),
Keith Davis (actor),
Robert Davis (actor),
Joe De Santis (actor),
Neil Elliot (actor),
Carmine Foresta (actor),
Gil Frazier (actor),
Martin Gabel (actor),
Sonny Grosso (actor),
Martin Balsam (actor),
Plot: The partner--and best friend--of a tough New York detective is murdered by killers working for a local mob. Infuriated at the inability of the Police Department to bring in the murderers, he decides--with the help of a few of his fellow detectives--to operate on his own, using whatever means necessary, to destroy the gang.
Keywords: assassination, based-on-novel, conspiracy, detective, new-york-city, policeman
Genres:
Drama,
Thriller,
The Gang That Couldn't Shoot Straight (1971)
Actors:
Leopold Badia (actor),
Harry Basch (actor),
Paul Benedict (actor),
Ted Beniades (actor),
William H. Boesen (actor),
Sully Boyar (actor),
Philip Bruns (actor),
Frank Campanella (actor),
Carmine Caridi (actor),
Sam Coppola (actor),
Lou Criscuolo (actor),
Harry Davis (actor),
Robert De Niro (actor),
Walter Flanagan (actor),
Johnny Addie (actor),
Genres:
Comedy,
Crime,
The Story on Page One (1959)
Actors:
Dana Andrews (actor),
Joe Besser (actor),
Robert Burton (actor),
Harry Carter (actor),
William Challee (actor),
Jack Chefe (actor),
Sheridan Comerate (actor),
Bru Danger (actor),
Biff Elliot (actor),
Franklyn Farnum (actor),
Anthony Franciosa (actor),
Chief Leonard George (actor),
Raymond Greenleaf (actor),
Tom Greenway (actor),
Jay Adler (actor),
Plot: When Jo Morris' marriage turned sour and heartless, she found sympathy and companionship with widower Larry Ellis. After Jo's husband is accidentally killed in a struggle over a gun with Larry, the adulterous couple find themselves on trial for their lives, with their lawyers fighting the pair's reluctance to turn against each other.
Keywords: accountant, alibi, assault, bar, courtroom, cross-examination, diner, domineering-mother, extortion, extramarital-affair
Genres:
Drama,
Taglines: A New Image in Suspense!
Quotes:
Victor Santini: He's been with the judge twenty minutes. What could he be saying to him?
Mrs. Ellis: What did the judge say, son?::Larry Ellis: He wished me well.
Mrs. Hattie Brown: I'm smoking like a fish.
A Night to Remember (1958)
Actors:
Bart Allison (actor),
Keith Anderson (actor),
Roger Avon (actor),
Robert Ayres (actor),
Geoffrey Bayldon (actor),
Richard Beale (actor),
Charles Belchier (actor),
Douglas Bradley-Smith (actor),
Michael Bryant (actor),
Jeremy Bulloch (actor),
Peter Burton (actor),
Anthony Bushell (actor),
John Cairney (actor),
Henry Campbell (actor),
Ronald Allen (actor),
Plot: A successful attempt at an even-handed portrayal of the White Star Line's (later part of Cunard) luxury liner R.M.S. Titanic's sinking from the standpoint of 2nd Officer Charles Herbert Lightoller, himself the most senior of the ill-fated ship's Deck Officers to survive the disaster. (Lightoller later went on to distinguish himself as a line British Naval Officer during the First World War and served as a Senior Naval Staff Officer (convoys) during WWII. Between wars he owned and operated a successful family business producing pleasure craft.) His own survival of the sinking, along with several others, is shown atop one of the liner's two "collapsible" lifeboats which was capsized in floating off the liner as it sank. The picture depicts then known facts (c1958) as reported after the sinking; such as the woeful lack of adequate lifeboats, the ship's band playing true to the very end, White Star's co-owner Bruce Ismay's somewhat less than chivalrous departure from the sinking vessel -and- the Titanic's designer (Andrews, on-board) revelation that due to the severity of below-the-water-line damage and that the vaunted watertight compartments were not designed to nor sealed up to the weather deck, would only delay the inevitable as sea water spilled over the top of one to the next from the bows to the stern. It also addresses the mysterious ship seen from the Titanic's bridge stopped some 12-19 miles off and depicts it as being the S.S. Californian, whom - if that steamship had responded, the loss of life could have been far, far less. The Californian is seen stopped due to the ice warnings, the same alerts whose import were undervalued by the Titanic's Captain Smith. She herself had shut-down wireless operations, nominally at 11:00pm as her sole operator retired for the evening, this before the iceberg was struck and the 1st distress calls were made by Titanic. It also addresses somewhat the coal fire in one of Titanic's bunkers - apparently not uncommon back in those days, before her departure into the Atlantic and potential for damage to steel plates below the water line. (This picture predates the calling-into-question of the quality of rivets (metalurgy) which has since come to the fore.) The film also shows the class distinction and its impact as to whom - of the "women and children first," got a seat in a boat; the fact that the first/earliest lifeboats launched were not at full capacity; and that the boats launched from the port and starboard side held to different criteria as to loading. The latter allows the viewer an inference as to the importance for crew and passenger alike as to lifeboat drills which were then (1912) neither required nor ever held aboard Titanic. One of several movies on the subject, it stands well the test-of-time for its "just the facts" approach in the telling and avoidance of conjecture or added melodrama.
Keywords: 1910s, based-on-book, boilers, bravery, church, cqd, disaster, drowning, first-class, freezing
Genres:
Action,
Drama,
History,
Taglines: TITANIC... The greatest sea drama in living memory told as it really happened! The night the unsinkable sank
Quotes:
Dr. O'Laughlin: People first, things second.
Captain Edward J. Smith: [addressing the ship's officers and Ismay on the bridge] Gentlemen, we are in a precarious position. We must be prepared to abandon ship.::[Officers look at each other in sheer surprise]::Captain Edward J. Smith: Mister Murdoch, you will muster the passengers. Mister Lightoller, you will have the boats uncovered and swung out. Mister Boxhall, call all hands and get them to boat stations. Mister Moody, you will help Mister Lightoller. Mister Wilde and Mister Pitman will remain on the bridge. Everything will be done quietly and calmly. There must be no alarm and no panic. I will give the word when the boats are to loaded with the women and children. Carry on, please.::[the officers disperse to carry out their orders]::Ismay: Captain! Aren't you exaggerating the danger?::Captain Edward J. Smith: I'm afraid not.::Ismay: But... Where's Andrews?::Captain Edward J. Smith: I am acting on his advice. This ship is going to founder.::Ismay: But, she can't! In any case, we can't get everyone in the boats.::Captain Edward J. Smith: [grim tone] I know that, sir. Please God, it won't come to that!
Mrs. Sylvia Lightoller: [as Lightoller is preparing to leave for the voyage] Do you think they'll promote you to First Officer after this trip, Bertie?::Second Officer Charles Herbert Lightoller: Well, that depends whether they keep old Wilde on, or not.::Mrs. Sylvia Lightoller: You were First on the "Majestic".::Second Officer Charles Herbert Lightoller: Ah, but that was *temporary*!::Mrs. Sylvia Lightoller: Don't you mind?::Second Officer Charles Herbert Lightoller: No. Bill Murdoch's the one with his nose out of joint this trip. Ambitious fellow, is Bill.::Mrs. Sylvia Lightoller: So are you. You *know* you are.::Second Officer Charles Herbert Lightoller: Well, I'd rather be Second on the "Titanic" than First, or even Chief on any *other* ship*
Capt. Arthur Rostron: [Captain Rostron is urging his Chief Engineer to give him all the speed possible as they race to the rescue] Cut your heating and hot water. Cut anything you like. But I've *got* to have every ounce of steam you can give me.
Mrs. Margaret 'Molly' Brown: [looks around Lifeboat 6 as it's being lowered] Hey, we've only got one sailor with us. That's not enough to manage this boat.::[Calls up to the Boat Deck as other women look around and confirm her observation]::Mrs. Margaret 'Molly' Brown: Hold it there.::Second Officer Charles Herbert Lightoller: [to seamen at falls] Stop lowering.::[Calls down to the boat]::Second Officer Charles Herbert Lightoller: What's the matter?::Mrs. Margaret 'Molly' Brown: Hey son. We only got one sailor in this boat!::Second Officer Charles Herbert Lightoller: [Looks around Boat Deck for any available seamen] Are there any spare hands here?::Maj. Arthur Peuchen: [Looks around, notices there are no seamen around, and steps forward] I'll go, if you like.::Second Officer Charles Herbert Lightoller: Are you a sailor?::Maj. Arthur Peuchen: I'm a yachtsman.::Second Officer Charles Herbert Lightoller: [Indicates lowering ropes for the boat] If you're seaman enough to slip down that lifeline, you can go.::[Yells down to boat]::Second Officer Charles Herbert Lightoller: Below.::Hitchens: Sir.::Second Officer Charles Herbert Lightoller: Let's have that line.::[the lifeline is swung towards the side of the ship. Lightoller grabs it after a couple of tries and holds it for Peuchen]::Second Officer Charles Herbert Lightoller: Right. Good luck.::[Peuchen grabs the line and swings out over the edge. Lightoller watches as he lowers himself down the rope and safely into the boat. Once he's in safely, Lightoller addresses the seamen at the falls]::Second Officer Charles Herbert Lightoller: Lower away together.
Second Officer Charles Herbert Lightoller: [after seeing Joughin step out of a boat to give a lady his place] What's the matter? Aren't you in charge of this boat?::Chief Baker Charles Joughin: Oh, I'm no seaman, sir. [Indicates another member of the kitchen staff who's now at the helm] Joe can manage just as well. Ladies first, eh sir? [Lightoller nods approvingly at Joughin's selflessness]
Steerage steward: [going through the steerage corridors, rousing the passengers] Everybody up, get dressed, get your lifebelts on, at once. Everybody up, get dressed, get your lifebelts on, at once.
Capt. Arthur Rostron: [sees Cottam coming onto the bridge with a wireless update] Oh, what is it, Cottam?::Wireless Operator Harold Thomas Cottam: From the "Titanic", sir. Her engine room's flooded and she's sinking by the head. Her wireless operator says he won't have the power to transmit for much longer. Her captain wants to know how long we'll be.::Capt. Arthur Rostron: [sadly looks at clock in the wheelhouse] Tell them, another two hours. [Cottam wordlessly goes to relay this bad news back to "Titanic"]
Ismay: [trying to urge people to get in the boats] Women and children first.::Mr. Isador Straus: [sees Ismay past and tries to get his wife to follow Ismay's directions] Please, Rachel, get in the boat.::Col. Archibald Gracie: Yes, Mrs. Straus, you must.::Mrs. Straus: I've always stayed with my husband, Colonel. So why should I leave him now?::Mr. Isador Straus: Please, be sensible.::Mrs. Straus: We have been living together for many years, Isador. Where you go, I go.::Col. Archibald Gracie: I'm sure nobody would object to an old gentleman like Mr. Straus going in a boat. I'll ask the officer.::Mr. Isador Straus: No! I will not go before the other men.::Mrs. Straus: We stay.
Quartermaster George Thomas Rowe: [after firing off the last of the distress rockets in a desperate attempt to attract the attention of the "Californian"] That's the last one, sir.::Captain Edward J. Smith: No reply to your signals?::Quartermaster George Thomas Rowe: No sir. I think the bastards must be asleep.::Captain Edward J. Smith: Report to Mister Murdoch. He's shorthanded.::Quartermaster George Thomas Rowe: Aye aye, sir.
The Clown (1953)
Actors:
Don Beddoe (actor),
David Blair (actor),
George Boyce (actor),
Leonard Bremen (actor),
Jules Brock (actor),
Charles Bronson (actor),
Charles Calvert (actor),
Steve Carruthers (actor),
G. Pat Collins (actor),
Tim Considine (actor),
Gene Coogan (actor),
Jonathan Cott (actor),
Tom Dillon (actor),
Joe Evans (actor),
Billy Barty (actor),
Plot: Once a famous Ziegfeld star, Dodo Delwyn, is reduced to playing clowns in burlesque and amusement parks as a result of his drinking. His son Little Dink idolizes Dodo and faithfully believes in a comeback. He persuades "Uncle" Goldie, Dodo's agent in the good old days, to find a booking for Dodo. He can't, and Dink is sent to live with his remarried-and-wealthy mother, Paula. The unhappy Dink runs back to his father. His welcome return gives Dodo the courage needed to try a knockabout TV show offered by Goldie.
Keywords: clown, remake
Genres:
Drama,
Taglines: You'll cry...You'll laugh...You'll love it!
Brute Force (1947)
Actors:
Vince Barnett (actor),
Guy Beach (actor),
James Bell (actor),
Charles Bickford (actor),
Whit Bissell (actor),
Roman Bohnen (actor),
Chet Brandenburg (actor),
Ralph Brooks (actor),
Paul Bryar (actor),
Howland Chamberlain (actor),
Eddy Chandler (actor),
Edmund Cobb (actor),
Jeff Corey (actor),
Gino Corrado (actor),
Bobby Barber (actor),
Plot: At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath.
Keywords: battle, chess, chess-game, chess-piece, death, escape-attempt, evil-man, explosion, fire, fistfight
Genres:
Crime,
Drama,
Film-Noir,
Thriller,
Taglines: Mark Hellinger's POWER PACKED PICTURE! (re-release print ad - mostly caps) MEN CAGED ON THE INSIDE..driven by the thought of their women on the loose! HUMAN DYNAMITE! Told the Raw, Ruthless "KILLERS" Way! Raw! Rough! Ruthless! Man hate! Woman love!
Quotes:
Gallagher: It'll only make things tougher for everybody else.::Joe Collins: I don't care about everybody else.::Gallagher: That's cemetery talk.::Joe Collins: Why not, we're buried, ain't we? Only thing is, we ain't dead.
Gallagher: Those gates only open three times. When you come in, when you've served your time, or when you're dead!
Dr. Walters: [to Captain Munsey] That's why you'd never resign from this prison. Where else whould you find so many helpless flies to stick pins into?
Dr. Walters: Force does make leaders. But you forget one thing: it also destroys them.
Captain Munsey: Just remember there's no reward for bringing 'em back alive. Not in this jungle.
[last lines]::Dr. Walters: Nobody escapes. Nobody ever really escapes.
Warden A.J. Barnes: [At the meeting in the Warden's office] But it's not as easy as all that, Mr. McCollum. This prison... this prison has almost twice as many men as it was built to accomodate. There's not enough work to keep the inmates occupied.::McCollum: Why not?::Warden A.J. Barnes: The world we live in. Yes, we can give them real work. Teach them trades. Produce things. But the civilian manufacturer says we're competing with him. Trade unions say we're putting their people out of work. Nobody wants to help. Not us.::McCollum: [Scoffing] Manufacturers. Unions. You might as well blame the weather! What you're really saying is, you can't handle the situation!::Captain Munsey: Excuse me, sir. I don't think you quite understood what the Warden meant. It's not only a matter of controlling the men. He wants to help them.::McCollum: Munsey, what this prison needs is absolute discipline - not charity! Your loyalty to the warden doesn't change the fact that he may be getting too OLD for his job.::Dr. Walters: Age, Mr. McCollum, is a matter of arteries, not years.::McCollum: It's a pity, Walters, that you're a better philosopher than you are a doctor, but I'm getting tired of you in both roles! I was sent here today for one reason: to tell you that if there's any more trouble, if this prison isn't brought under the strictest control, there'll be an immediate change in practically all personnel. We don't want to be bothered any more! Is that clear, Warden?::Warden A.J. Barnes: [Meekly] Yes.::McCollum: Clear to you, doctor?::Dr. Walters: Oh, absolutely. You can't be bothered. Well, that simplifies everything. The great Public [turning to scowl at McCollum] - and its servants... You put up prisons, thick walls, and then your job is over. Finished. But is it over? You and your "patent medicine" remedies. [Paraphrasing McCollum] "Change the Warden." "New personnel." "Absolute discipline." Do you know what this prison is, Mr. McCollum? One big human bomb! And you say, "Kick it, and it'll be quiet. Smash it, and it won't explode."::McCollum: [Turning to Captain Munsey] Munsey, what do you think of the doctor's viewpoint?::Captain Munsey: I think, sir, that on occasion, the doctor becomes unduly alarmed.::McCollum: Warden?::Warden A.J. Barnes: [Stammering] I... I... I don't know.::McCollum: I do. Like so many dreamers... and drunkards, the doctor's emotional words are empty. [Addressing Dr. Walters] What's your solution?::Dr. Walters: All I know, is that when people are sick, you don't cure them by making them sicker. By your methods we send a man back to society a worse criminal than he was than when they sent him to us.::McCollum: Platitudes, doctor. I'm waiting for your solution.::Dr. Walters: For men like you, Mr. McCollum, there will never be any solution.::McCollum: [Angrily reacting to Dr. Walters] Wait a minute...!::Dr. Walters: All you want is "destroy" instead of "build." What we need here is a little more patience, and much more understanding!::McCollum: We've been patient too long. And as for understanding, I'm positive the purpose of my visit cannot be MISunderstood. You'll remain here, Warden, only as long as there's no further trouble. Good day [turning to glare directly at Dr. Walters]... doctor!::Captain Munsey: I'll see you to the gate, sir. [Captain Munsey and McCollum leave the Warden's office]::Warden A.J. Barnes: I've been Warden here for such a long time. [Sitting down, dejectedly] I wouldn't know where to go, what to do...
Cora Lister: [Flashback scene: Tom Lister is in his prison cell, recalling how he had given his wife Cora an exquisite fur coat] Tom... oh, Tom! It's the most beautiful thing in the whole world!::Tom Lister: It belongs on you.::Cora Lister: [Putting the coat on and admiring herself dreamily in the mirror] It makes me feel so... I don't know... like I was "somebody." Oh, Tom...::Cora Lister: [Suddenly coming to her senses] Where'd you get it? Where'd the money come from? Where'd you get it!::Tom Lister: Cora, I stole the money. I juggled the books and took three thousand dollars.::Cora Lister: You? You STOLE? Why?::Tom Lister: Darling, the way we were going, you wanting things - things you ought to have - and me strapped all the time... we were heading for a split-up. Don't you see? I just had to do it.::Cora Lister: All my life, the one thing I've really wanted is a fur coat. I CAN'T give it up. I WON'T, Tom!::Tom Lister: No, darling...::Cora Lister: But what if something should happen?::Tom Lister: Nothing that happens could matter, unless I lost you... [Loud, ominous knocking on door is heard, returning the scene back to Tom's prison cell]
Calypso: [Guards are taking roll call at the prison cells, calling each inmate's name. When he's called, Calypso, instead of a simple "here," answers with a musical verse, sung Calypso-style] "I'm here Mr. Man, I can't tell no lie. And I'll be right here till the day I die."
'Freshman' Stack: [Joe has just been returned to his cell after spending some time in solitary. His cellmates are bringing him up to date on latest developments] About the stool pigeon, Joe, we made arrangements. Everything is okay.::Joe Collins: Everything's okay? What's okay? Nothing's okay. It never was and it never will be. Not till we're out. You get that? Out.
The Isle of Lost Ships (1929)
Actors:
Jack Ackroyd (actor),
Sam Baker (actor),
Noah Beery (actor),
Ginger Connolly (actor),
Harry Cording (actor),
Robert Homans (actor),
Robert Emmett O'Connor (actor),
Jason Robards Sr. (actor),
Garry Watson (actor),
Margaret Fielding (actress),
Clarissa Selwynne (actress),
Clarissa Selwynne (actress),
Virginia Valli (actress),
Virginia Valli (actress),
Kathrin Clare Ward (actress),
Genres:
,
London After Midnight (1927)
Actors:
Allan Cavan (actor),
Lon Chaney (actor),
Jules Cowles (actor),
Claude King (actor),
Andy MacLennan (actor),
Conrad Nagel (actor),
Henry B. Walthall (actor),
Percy Williams (actor),
Marceline Day (actress),
Polly Moran (actress),
Edna Tichenor (actress),
Tod Browning (producer),
Irving Thalberg (producer),
Tod Browning (writer),
Joseph Farnham (writer),
Plot: When Roger Balfour is found shot dead in his London home, his death is declared a suicide by Inspector Burke of Scotland Yard, even though the executor of Balfour's estate, Sir James Hamlin, insists his friend never would have taken his own life. Five years later, the abandoned Balfour house comes to life again with the arrival of two sinister-looking tenants: a fiendish-looking man with pointed teeth, bulging eyes and a tall beaver hat, and a pale young woman in a long gown. The presence of the strangers prompts Sir James, who lives next door, to call in Inspector Burke again. Also living in the Hamlin household are the other people who were also present in Balfour's house the night he died: Sir James' nephew, Arthur Hibbs; the late Balfour's now-grown daughter, Lucille; and Williams, the butler. Burke expresses skepticism about Sir James' suspicions that the new neighbors might have been involved in Balfour's death, until strange things start happening: Balfour's body disappears from its tomb. The new maid, Smithson, tells a terrifying tale of being menaced in Lucille's bedroom by the stranger in the beaver hat. And a man spotted inside the Balfour house by Burke and Sir James looks distinctly like the late Roger Balfour. A skittish Arthur becomes convinced the neighbors are vampires. Burke takes Lucille aside, and tells her he doesn't believe her father committed suicide. He asks her to trust him. Burke also has a private talk with Arthur. Burke uses hypnosis to put Arthur into a trance, but learns nothing new about Balfour's death. That night, someone fires a shot into Arthur's room, but Arthur isn't there; instead, it's Burke who's slightly wounded. Lucille is abducted by the beaver-hatted man and the butler and brought to her former home. Sir James, acting at Burke's instruction, also shows up at the Balfour house; he's met out front by the beaver-hatted man, who puts him into a hypnotic trance. Arthur breaks into the Balfour house in an attempt to rescue Lucille; he's caught by Burke and a couple of detectives and locked away. It turns out the man with the beaver hat and pointed teeth was really a disguised Inspector Burke, who was aided at times by a double; Smithson, the maid, is an assistant detective; the mysterious young woman, a stage performer working for the police. Under Burke's hypnosis, Sir James re-creates his actions the night Roger Balfour died, with Lucille and the butler, Williams, playing themselves, and Burke's double playing the part of Balfour. It turns out Sir James shot and killed Balfour and made the death appear a suicide after Balfour rejected Sir James as a future husband for young Lucille. Sir James is brought out of his trance and arrested by Burke. The mystery of Balfour's death solved, Lucille and Arthur, who have come to realize how much they love each other, are now free to marry.
Keywords: actor, actress, arrest, bat, bat-wings, book, butler, case, crime-reenactment, devil
Genres:
Drama,
Horror,
Taglines: LON CHANEY in a great Scotland Yard Mystery The Man of a Thousand Faces in a Great Detective Thriller!
Quotes:
Miss Smithson, the New Maid: Honest, Sir James... they're dead people from the grave! Vampires is what they are!::Sir.James Hamlin: Professor Burke is to be our house-guest, Williams. Have rooms prepared for him.::Professor Edward C. Burke: It's unnerving, Mr. Hibbs! The new maid swears to your Uncle that she saw living dead people in the Balfour house!::Sir.James Hamlin: Burke, I've called you in again because I believe these strange people leasing Balfour's house link up with his death.::Professor Edward C. Burke: We found his note... and his own pistol beside him! That's suicide, isn't it?::Sir.James Hamlin: Then what can it all mean? Mysterious people! Lights! Weird noises! And come... see this!
Professor Edward C. Burke: Lucille, I am going to reveal to you that your father did not die by suicide!::Lucille Balfour: You can't mean that someone killed my father!::Professor Edward C. Burke: am going to ask you to put yourself in my hands... to do whatever I say... no matter how trying it may be.::Professor Edward C. Burke: I want you to promise to keep this a secret... from everyone.::Lucille Balfour: Mr. Burke, you make me feel that I should trust you... that you are my friend.::Arthur Hibbs: What was he saying to you?::Lucille Balfour: I can't tell you! Please don't ask me!::Arthur Hibbs: I don't trust him! Why wouldn't he let Uncle send for the police last night?::Arthur Hibbs: And now he is getting you under his spell!::Lucille Balfour: Oh, Arthur... he says that someone killed my father!
Professor Edward C. Burke: Watch my eye and think... think hard. You were in this room that night, remember?::Professor Edward C. Burke: Someone was after your nephew! Or maybe... me!
Luna, Bat Girl: Remember... Lucille... you... are... doing... this... for... your... father.
Luna, Bat Girl: Aw, stop kicking! We got more for doing this than we'd earn in a month at the theatre!
Miss Smithson, the New Maid: I - locked her in there -::Miss Smithson, the New Maid: Oh, sir... it was 'orrible! Miss Lucille was bidding me good-night, - --::Miss Smithson, the New Maid: - and then, sir I screamed, and frightened 'im! And out of the window 'e flew!::Professor Edward C. Burke: Smithson, have you been drinking?::Miss Smithson, the New Maid: Oh, no, sir! If I 'ave... I 'opes I chokes on the next one!
Sir.James Hamlin: Burke... look! It is Roger Balfour!::Sir.James Hamlin: Come, Burke! We're helpless before such creatures as these!::Arthur Hibbs: For one who doesn't believe in vampires, you've taken a sudden interest in them!::Professor Edward C. Burke: Perhaps it's for the same reason that you did, Mr. Hibbs!::Professor Edward C. Burke: Be brave, my dear. Follow my instructions tonight.::Professor Edward C. Burke: Young man, I'll take one of your cigars... and have a little talk with you.::Professor Edward C. Burke: I've suspected you for a long time, Hibbs.::Arthur Hibbs: Yes? And I've suspected you!
Professor Edward C. Burke: Someone was after your nephew! Or maybe... me!::Professor Edward C. Burke: I want to know where you've been all night, Williams!::Williams, Balfour's Butler: I was in bed. The shot awakened me. I put this on and rushed up, sir.
Lucille Balfour: I'm terribly frightened, Sir James! A voice keeps calling to me from the garden!::Lucille Balfour: It sounded exactly like my father calling... 'Lucy, Lucy'!::Professor Edward C. Burke: Now, don't worry, Miss Lucille. If it really is anything... we'll take care of it.