Welcome to The Anvil Review

The Anvil Review started as an experiment. How do we, as anarchists*, engage with the world outside of ourselves. How do we present ourselves to the world or engage with the world’s presentation of us. We started The Anvil Review to address this broad question of engagement through the form of the review essay.

Comedy and the Cathartic Decline of Agency

A stand-up comedian tells a joke at the audience’s expense regarding their sexism. She quickly turns it back on herself, explaining that, despite her feminist credentials, she continually finds herself competing with other women for male attention. Her set continues in thisformula: every joke at our expense is tempered with one at her own. Self-deprecating …

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Death as Defiance

An Anarchist Critique of Modern Medicine “A cell never dies in isolation, but in clear view of its peers…a cell understands better than we humans do the consequences of overstaying one’s welcome. While we humans aspire to immortality, to a cell, immortality is the worst fate possible.” Haider Warraich, M.D. Modern Death: How Medicine Changed …

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Toward a Raver Apocalypticism: Discussing Ophidian & Penta’s “This World”

To the uninitiated, the aggressive stylings of hardcore techno may appear unsettling: an undecipherable collage of synthesizer screeches, distorted/overdriven kick drums, aggressive beats, and schizo-cuts between samples, all played in excess of 180 beats per minute. Modern hardcore techno—particularly in the Dutch tradition—descends from the zany, irreverent, lewd, and carefree Gabber of the 90s. Many …

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Renaming Innocence

This review started out being about Sweet Tooth, the tv show, with a focus on the whiplash of going from the horror comic to the live-action cartoon show. I will talk some about that, but it’s not surprising that a tv show inject pastels into the veins of any original work, especially indy or underground, …

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We Worship Monsters

There’s a story of subculture that’s both been told to me and that I’ve, in some small way, observed in realtime: the story of beautiful and tragic fragility. Tokens pass between friends, are pressed into the hands of lovers. Books are printed, tabled, set out as beacons for others in the hopes of finding and speaking to those like us.

It’s About Slavery, Right?

The official synopsis reads: “#blackAF uncovers the messy, unfiltered, and often hilarious world of what it means to be a ‘new money’ black family trying to ‘get it right’ in a modern world where ‘right’ is no longer a fixed concept.”