Chile: From Uprising to Plebiscite: Street Victories, Electoral Defeats

From the CrimethInc. collective (20/09/2022), sharing voices from chile …

From Uprising to Plebiscite: Street Victories, Electoral Defeats – Perspectives from Chile on the Constitutional Plebiscite

In October 2019, an uprising exploded throughout Chile. For a while, the police and armed forces lost control. Seeking to placate the rebels, the government announced a plebiscite about whether to replace the constitution, a relic of the far-right dictatorship of Augusto Pinochet. A majority of the parties in congress drew up a roadmap for this process, calling it the “Agreement for Social Peace.” In May 2021, elections to determine who would participate in the constitutional process were hailed as a victory for “independent” politics—though we expressed concern that this process would chiefly serve to pacify social movements, pointing out that today, it is much easier to rally opposition to a government than it is to make change via state institutions. As it turned out, in the plebiscite of September 4, 2022, a majority of Chileans voted to reject the proposed constitution—shocking many Chilean leftists, who had not expected such a resounding defeat.

Hoping to gain insight into these events, we sent a series of questions to several thoughtful participants in autonomous social movements. Some of them suspended their rejection of state politics to participate in the constitutional process, while others remained outside the process, taking note of the ways that it shaped the possibilities in Chilean society at large.

Looking on from a distance, the events in Chile strike us as part of a familiar pattern. The institutions of capitalism and the state impoverish and oppress people, precipitating revolt; the defenders of those institutions scramble to channel anger and desire for change back into reforming the prevailing institutions; as they shift their attention to reform and electoral politics, the rebels lose leverage on those who hold power, and the cycle repeats itself.

In fact, electoral politics has served to subdue revolutionary movements since the emergence of modern democracy. In France, immediately after the revolutions of 1848 and 1870, elections served to return reactionaries to power; at the apex of the May 1968 uprising, president Charles de Gaulle regained control by calling a new election for June 23. Transformative social change takes place at a different pace than the establishment of majorities. Seeking to legitimize proposals by majority vote—rather than opening up space for experimentation by decentralizing the processes that distribute agency and legitimacy—will always reduce political possibility to the lowest common denominator.

The same repressive process can play out even via direct democracy, especially when it becomes separated from the force of revolt that offered it leverage in the first place. Movements that wait to reach consensus before taking action tie their hands from the start, as we can see by comparing different encampments during the Occupy movement. In Bosnia in 2014, an uprising that began with the burning of government buildings ended with a whimper when the plenums that had crafted a proposal for social change discovered that the reconstituted government no longer had any need for reform once the threat from the streets had abated. It seems to us that the transformative process of revolt itself is the important thing to self-organize, not formal processes to achieve social change through the institutions of the state. Anything that distracts us from this priority can only weaken our movements.

We still remember how, at the high point of the 2019 revolt, for about a month, Santiago and many other parts of Chile were self-organized via a decentralized network of neighborhood assemblies employing a wide array of decision-making structures. Each one was shaped by the participants, focusing on the matters that concerned them and discussing what could be done immediately with the resources at their disposal. This remains the high-water mark of popular power in Chile.

After the constitution was approved, the cabildos (town hall meetings) began in many of the same spaces. They appeared to mimic the neighborhood assembly format, but focused on discussing the constitutional process. The immediate power that people had experienced in their neighborhood assemblies gave way to a sense that power came from the state—or at least through the state—and that their desires would eventually be fulfilled at the end of a long, orderly, democratic process. (“And you’ll get pie in the sky when you die.”)

Comparing the events in Chile with the grim end results of other left electoral victories in BrazilGreece, and Spain—which admittedly did not go so far as to propose to establish a new constitutional basis for government—it seems to us that anything that draws us back into trying to reform the institutions of power can only sidetrack us and obscure our real proposals by associating them with the inevitable failures of the state. From our perspective, the failure of the constitutional process in Chile is a cautionary tale. At the same time, if we want to foster movements that can reject such compromises and continue building strength through changing circumstances, we will have to innovate ways to make them sustainable.

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Fritz Oerter: Violence or non-violence?

Before the horrors of the First World War and the violence unleashed by the new, post-war German republic against the revolution of 1919-20, the anarchist-syndicalist Fritz Oerter made an impassioned defence of what he called “non-violent socialism”.

If for some on the “left”, including anarchists, this is a “disastrous theory”, Oerter’s 1920 pamphlet Violence or Non-violence? merits far greater consideration than such scorn implies.

Distinguishing between “violence” and “power”, Oerter argues that the former is not only incompatible with socialism – for it is the fundamental instrument of political and economic oppression under capitalism –, it also creates and shapes subjectivities that quickly resort to violence in any situation of frustrated desires, both politically and beyond.

For Oerter, violence is a poison that threatens to permeate any society, at all levels, if it becomes habitual. And for Oerter, it had become a habit. Indeed, it was so much so that the working classes themselves and their supposed political representatives could only imagine freedom from exploitation as resulting from the violent appropriation of state power from the capitalists. But at the same time, this very same habit engendered a culture of violence which rendered the working classes susceptible to political manipulation from above. Violence comes to be perceived as politically and socially cleansing. It does not take a great deal of imagination to see how such a culture would feed German fascism.

If socialism is meaningful as a political project, it is because it identifies justice and equality and peace as one. These cannot be served with the instruments of injustice and inequality, of which violence is an intrinsic part.

In opposition to political “violence”, Oerter espouses economic “power”, that is, it is the task of the working classes to withdraw or retreat from capitalist labour, to refuse to contribute to the reproduction of capitalist social relations, creating alternative economic-social relations. What Oerter understands by power is the potentiality to live autonomously, in freedom and equality. “Power”, in this sense, is not domination, but the capacity to create social life collectively. And for Oerter, this would only be possible in a generalised culture of non-violent solidarity.

Oerter recognised that his destituent socialism – the expression is not his – would provoke a violent response from the ruling classes. He believed however that such violence would only create further conditions for the spread of socialism. And this, some would say, perhaps even many, is naive.

But then Oerter’s naivety is that of someone who believed that justice was possible, but that it depended on a passion, an enthusiasm for justice, born by a story of universal emancipation that he called “non-violent socialism”.

The cynical “left” of our time seems to have fallen back on “national” solutions, with patinas of social-democracy, or even more radical forms of autarky, imagining a freedom of splendid isolation. Both are illusory. Against nationalist and centralising sovereignty, Oerter opposed federalism and against political oppression, he opposed economic solidarity, what Pierre-Joseph Proudhon imagined under the concept of mutualism and what Peter Kropotkin called mutual aid. If we take the concepts of the economy and the working class as broadly as possible, then we are given a picture of socialism in which everyone jointly cares for our common home.

If we may criticise Oerter for anything, it is perhaps in his belief, however implicit, in moral progress. He could not fathom a paralyzing pessimism and even in the darkest of moments, some kind of hope remains.

He wrote, in this regard, that when “an epoch allows itself to wallow in violent and bloody practices, a moment of saturation, an aversion, a sudden disruption of the spirit, occurs, turning it in another direction, sometimes the opposite. We have the right to hope that this disruption will also occur in our epoch.” We can excuse the use of the expression here of “the right to hope” and endeavour to consider the meaning of these words a little further.

In the brilliant documentary film The Faces of War, dedicated to the effort of two visual artists Edik Boghosian and Areg Balayan to register and condemn the violence of war – in this case, among Armenians who were wounded in the recent, multiple military confrontations between Armenia and Azerbaijan –, two testimonials perhaps allow us to understand Oerter’s “hope”.

This war awakened me. As a human being, you have no value there. You’re not recognised as a specialist, as Areg, the father of a family. In other words, all the attributes that characterise you gradually start disappearing. And this continues until you are completely empty, just like when you were born. You become nothing. If it hadn’t happened, I mean, if you hadn’t become nothing, you wouldn’t even understand that …, that too much nothing is everything. I am grateful that I experienced that nothingness and I touched it with the tip of my nose, which had the highest price.

Based on my own experience, I keep saying that war is a bit better than peace. Wherever I say this, it disturbs people. But when I explain what I mean, that say: That’s true. … I see it this way: Doesn’t war bring out the best in people? You wouldn’t give a glass of water to a dying person in times of peace. Because you’re suspicious of others, you don’t want the stranger to harm you. You pretend to be blind and walk ahead. You share your piece of bread with a stranger in war time. So, what now? Is war worse than peace?

Perhaps Oerter’s hope lies in this, that in the darkest moments of human experience, we discover that we are nothing, that all of us are nothing, like newborn children, and that in this shared fragility, we turn to each other as equals.

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Jean-Luc Godard by Jean-Luc Godard

For Jean-Luc Godard …

Nous n’avons jamais prétendu que l’art puisse changer la nature et la qualité des choses, faire du crime une vertu, rendre moralement bon ce qui est moralement mauvais. Nous disons que l’art, en tant qu’art, est affranchi de toute considération morale comme de toute étude philosophique.

L’art a pour objet de nous conduire à la connaissance de nous-mêmes, par la révélation de toutes nos pensées, même les plus secrètes, de toutes nos tendances, de nos vertus, de nos vices, de nos ridicules, et par là de contribuer au développement de notre dignité, au perfectionnement de notre être. Il ne nous a pas été donné pour nous repaître de chimères, nous enivrer d’illusions, nous tromper et nous induire à mal avec des mirages, comme l’entendent les classiques, les romantiques et tous les sectateurs d’un vain idéal ; mais pour nous délivrer de ces illusions pernicieuses, en les dénonçant.

Pierre-Joseph Proudhon, Du principe de l’art et de sa destination sociale (1865)

Spirit borrows from matter the perceptions on which it feeds, and restores them to matter in the form of movement which it has imprinted with its own freedom.

Henri Bergson, Matter and Memory (1939)

There are few artists who have so profoundly shaped an artistic medium as Jean-Luc Godard shaped cinema. And yet because his cinema, at one level, sought to be complete, total, no film filmmaker of his stature is so neglected and ignored today, by so many; celebrated officially, yes, but ignored.

Godard has been called the last of the utopian filmmakers (Libération 14/09/2022). If the expression means anything at all, beyond the banal claim to idealism, it is that Godard – and in his company, one can think of Pasolini, Bertolucci, Bergman, Tarkovsky, Ozu, Tarr, to cite but the most obvious examples that were his contemporaries – made films self-consciously, in the sense that Godard’s films were paralleled, within the very films themselves, by a constant and profound reflection on what cinema is and should be.

Godard did of course write and speak about films, film techniques and recording technologies, directors, actors, and so on, but Godard as artist, as filmmaker, is to be seen and understood through his films, for it is in their moving images and sounds that Godard created, and created again and again, each time seemingly differently, a cinema that he imagined could shape our very way of seeing and being in the world.

In this process, however, over the course of his artistic life, each “film-form” created – the 1960s “nouvelle vague” films, the openly political engaged and “collective” films of the 1970s, the 1980s “religious” fictions, and the cinematographic-essays that were to follow, in a body of work that includes more than a hundred films – could only reveal itself as incomplete, for each self-conscious form could in the end only be superseded or bypassed by other forms, forms always surpassed by life itself. If the artist and the art are inseparable in Godard, then the utopian is condemned to failure. But it is only the failure of totality, the obvious failure that masks its very grandeur: the revelation of what cinematographic creation, and creation, can be, namely, always self-consciously limited and unfinished.

Jean-Luc Godard died this last 13th of September, at his request, through medically assisted suicide. The beauty of so many of the images that he created will remain in the consciousness of many, perhaps carrying others forward to create other worlds of images.

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The Legacy of the St. Imier Congress

The St. Imier Congress of 1872 was one of the defining moments of the anarchist movement within the the broader tradition of European socialism. This year marks the 150th anniversary of the Congress and a gathering has been called for next year to mark the event, in St. Imier, Switzerland.

On this occasion, we share a brief historical piece by Robert Graham, followed by the resolutions adopted by the participants, at what will become known as the Congress of the Anti-authoritarian International.

The Legacy of the St. Imier Congress

This September 15th marks the 150th anniversary of the St. Imier Congress in Switzerland, when delegates representing sections of the International Workingmen’s Association reconstituted the International along anti-authoritarian linesfollowing the expulsion of Michael Bakunin and James Guillaume from the International at the behest of Marx and Engels at the Hague Congress on September 7, 1872. I prepared the following article on the St. Imier Congress and its aftermath for Black Flag Anarchist Review’s Summer 2022 issue on anarchism and the First InternationalThe special conference to celebrate the 150th anniversary of the St. Imier Congress has been postponed to July 2023: www.Anarchy2023.org.

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Gary Snyder and Wild Anarchism

For Gary Snyder

To be truly free one must take on the basic conditions as they are—painful, impermanent, open, imperfect—and then be grateful for impermanence and the freedom it grants us.

Gary Snyder, The Etiquette of Freedom

There is an extraordinary quality in Gary Snyder’s writing, of translucency, which may be mistaken for simplicity. Yet however simple it may appear to be, it is the simplicity of a finely distilled nature laboured over by multitudes, or for the more metaphysically inclined, of a Leibnizian monad, “a perpetual living mirror of the universe”.

Perhaps it is because he writes first as a poet and then as an essayist, or it is that his life, a “poetic life”, has so shaped him that his words strike us as well polished stones, resonating with an experience of rooted place.

But let us not serve to judge his written work, but rather to share it modestly, with a substantial selection from his essay, “The Etiquette of Freedom” (from the collection of essays, The Practice of the Wild, San Francisco, North Point Press, 1990), a short manifesto like piece of 1962 entitled “Buddhist Anarchism”, filmed interviews and a lecture, and an important essay dedicated to Snyder by Paul Messersmith-Glavin reflecting on his political ecology, “Between Social Ecology and Deep Ecology: Gary Snyder’s Ecological Philosophy”, and of course, poetry.

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Franco “Bifo” Berardi: From futurist fascism to geriatric fascism

There are weeks to go until the 100th anniversary of Benito Mussolini’s Blackshirt March on Rome.

With less than 30 days before the elections that could put a woman in power for the first time, and a fascist, the philosopher and militant Franco “Bifo” Berardi analyses the old and the new face of the brown beast. (PuroChamuyo 26/08/2022)

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Theses of the Socialist Patients’ Collective

Pieter Bruegel the Elder, Cutting out the stone of madness

The desire to live is something in dispute: there is no desire; we are increasingly obedient, more submissive. Our vital energies are being expropriated and captured through different devices, which corner us in impotence, confusion, indifference, stupidity. But there are symptoms that resist, that refuse to adapt to the feeling of emotional defeat. What is today a politics of the symptom? How can we appropriate our crises? What are our sensory, neuro-chemical, erotic, affective and psycho-political strategies? How can we articulate different and unequal malaises? Who is capitalising on the weariness, the anger, the disappointment, the hate?

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Amador Fernández-Savater: Having superpowers – Reading as an experience of emancipation

Erik Desmazières, Library of Babel

For N al-K …

The value of information does not survive the moment in which it was new. It lives only at that moment; it has to surrender to it completely and explain itself to it without losing any time. A story is different. It does not expend itself. It preserves and concentrates its strength and is capable of releasing it even after a long time.

Walter Benjamin, The Storyteller

The vitality of language lies in its ability to limn the actual, imagined and possible lives of its speakers, readers, writers. Although its poise is sometimes in displacing experience it is not a substitute for it. It arcs toward the place where meaning may lie.

Toni Morrison

In celebration of the storyteller and the reader of stories, a short essay by Amador Fernández-Savater.

I remember/ the exact moment in which I realised that/ I had learned to read/ not as when I pretended to do so/ but as when/ I actually read/ a space opened up in space/ it seemed unreal and then/ it seemed real to me / and I came of age and I went in / sorry, I wanted to say / and I went in and I came of age

María Salgado, Salitre

Is reading a kind of subversive experience today? Does it enable heterogeneous ways of being in the world, against the current or in rupture with hegemonic ones?

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Virginia Woolf: Thoughts on Peace in an Air Raid

Virginia Woolf, in times of war …

The Germans were over this house last night and the night before that. Here they are again. It is a queer experience, lying in the dark and listening to the zoom of a hornet which may at any moment sting you to death. It is a sound that interrupts cool and consecutive thinking about peace. Yet it is a sound—far more than prayers and anthems—that should compel one to think about peace. Unless we can think peace into existence we—not this one body in this one bed but millions of bodies yet to be born—will lie in the same darkness and hear the same death rattle overhead. Let us think what we can do to create the only efficient air-raid shelter while the guns on the hill go pop pop pop and the searchlights finger the clouds and now and then, sometimes close at hand, sometimes far away a bomb drops.

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Virginia Woolf: Anarchy against war

The daughters of educated men who were called, to their resentment, ‘feminists’ were in fact the advance guard of your own movement. They were fighting the same enemy that you are fighting and for the same reasons. They were fighting the tyranny of the patriarchal state as you are fighting the tyranny of the Fascist state. Thus we are merely carrying on the same fight that our mothers and grandmothers fought; their words prove it; your words prove it. But now with your letter before us we have your assurance that you are fighting with us, not against us. That fact is so inspiring that another celebration seems called for. What could be more fitting than to write more dead words, more corrupt words, upon more sheets of paper and burn them—the words, Tyrant, Dictator, for example? But, alas, those words are not yet obsolete. We can still shake out eggs from newspapers; still smell a peculiar and unmistakable odour in the region of Whitehall and Westminster. And abroad the monster has come more openly to the surface. There is no mistaking him there. He has widened his scope. He is interfering now with your liberty; he is dictating how you shall live; he is making distinctions not merely between the sexes, but between the races. You are feeling in your own persons what your mothers felt when they were shut out, when they were shut up, because they were women. Now you are being shut out, you are being shut up, because you are Jews, because you are democrats, because of race, because of religion. It is not a photograph that you look upon any longer; there you go, trapesing along in the procession yourselves. And that makes a difference. The whole iniquity of dictatorship, whether in Oxford or Cambridge, in Whitehall or Downing Street, against Jews or against women, in England, or in Germany, in Italy or in Spain is now apparent to you. But now we are fighting together. The daughters and sons of educated men are fighting side by side. That fact is so inspiring, even if no celebration is possible, that if this one guinea could be multiplied a million times all those guineas should be at your service without any other conditions than those that you have imposed upon yourself. Take this one guinea then and use it to assert ‘the rights of all—all men and women—to the respect in their persons of the great principles of Justice and Equality and Liberty.’ Put this penny candle in the window of your new society, and may we live to see the day when in the blaze of our common freedom the words tyrant and dictator shall be burnt to ashes, because the words tyrant and dictator shall be obsolete.

Virginia Woolf, Three Guineas

‘Yet these roaring waters,’ said Neville, ‘upon which we build our crazy platforms are more stable than the wild, the weak and inconsequent cries that we utter when, trying to speak, we rise; when we reason and jerk out these false sayings, “I am this; I am that!” Speech is false.

Virginia Woolf, The Waves

Virginia Woolf’s essay Three Guineas (1938) is a work for our times. Written as a polyphonic dialogue, it labours to unmask the roots of war in patriarchal society and culture. If Woolf endeavours with care and detail to lay out the conditions in which war may be prevented, these are however neither simple nor transparent, nor obviously attainable.

To say that Three Guineas is of our times is not just to affirm the current relevance of the theme of the essay, the origins and prevention of war – though it is also that. It is to assert its contemporaneity, that is, its untimeliness.

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