Satan (1991 film)

Satan (Russian: Сатана) is a 1991 Soviet thriller film directed by Viktor Aristov. It was entered into the 41st Berlin International Film Festival where it won the Silver Bear - Special Jury Prize.

Cast

References

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1991 in film

The year 1991 in film involved some significant events.

Highest-grossing films

The top ten films released in 1991 by worldwide gross are as follows:

Events

Awards

Academy Awards Golden Globe Awards

Palme d'Or (Cannes Film Festival):

Satan

Satan (Hebrew: שָּׂטָן satan, meaning "adversary";Arabic: شيطان shaitan, meaning; "astray", "distant", or sometimes "devil") is a figure appearing in the texts of the Abrahamic religions who brings evil and temptation, and is known as the deceiver who leads humanity astray. Some religious groups teach that he originated as an angel who fell out of favor with God, seducing humanity into the ways of sin, and who has power in the fallen world. In the Hebrew Bible and the New Testament, Satan is primarily an accuser and adversary, a decidedly malevolent entity, also called the devil, who possesses demonic qualities.

In Theistic Satanism, Satan is considered a positive force and deity who is either worshipped or revered. In LaVeyan Satanism, Satan is regarded as holding virtuous characteristics.

Judaism

Hebrew Bible

The original Hebrew term satan is a noun from a verb meaning primarily "to obstruct, oppose", as it is found in Numbers 22:22, 1 Samuel 29:4, Psalms 109:6.Ha-Satan is traditionally translated as "the accuser" or "the adversary". The definite article ha- (English: "the") is used to show that this is a title bestowed on a being, versus the name of a being. Thus, this being would be referred to as "the satan".

Satan (disambiguation)

Satan is an embodiment of antagonism, often synonymous with the devil.

The word may also refer to:

In music

Fictional characters

Other uses

See also

Dante's Satan

In Dante’s Inferno, Satan is portrayed as a giant demon, frozen mid-breast in ice at the center of Hell. Satan has three faces and a pair of bat-like wings affixed under each chin. As Satan beats his wings, he creates a cold wind which continues to freeze the ice surrounding him, and the other sinners in the Ninth Circle. The winds he creates are felt throughout the other circles of Hell. Each of his three mouths chews on Judas, Brutus, and Cassius. Scholars consider Satan to be “a once splendid being (indeed the most perfect of God’s creatures) from whom all personality has now drained away.” Satan, also known as Lucifer, was formerly the Angel of Light and once tried to usurp the power of God. As punishment, God banishes Satan out of Heaven to an eternity in Hell as the ultimate sinner. Dante illustrates a less powerful Satan than most standard depictions; he is slobbering, wordless, and receives the same punishments in Hell as the rest of the sinners. In the text, Dante vividly illustrates Satan’s grotesque physical attributes.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: