Orbital is the first album from Orbital, released in 1991. It is often referred to as the "Green Album", to differentiate it from the band's second album, titled Orbital 2 (known as the "Brown Album"), which bears only the band's name on the cover.
The original European release includes live versions of "Chime" and "Midnight". Orbital was released in 1992 with a significantly different cover and track listing in the United States, incorporating remixes and non-album singles. All tracks on the U.S. release had also been remastered using the Bedini Audio Spectral Enhancer (B.A.S.E.) to enhance their stereophonic effects.
Orbital may refer to:
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Orbital is a Franco-Belgian comics series written by Sylvain Runberg, illustrated by Serge Pellé and published by Dupuis in French and Cinebook in English.
The story follows a pair of IDO agents on their intergalactic diplomatic peace missions. The agents are Mezoke Izzua, a Sandjarrian, and Caleb Swany, a Human. The missions reveal a rich universe of various interwoven plots by various political and interest factions involving numerous cultures and races across the galaxy.
Since May 2009, Cinebook Ltd has been publishing Orbital. The following volumes have been released:
Orbital is the second album from British electronica duo Orbital. In the United States the album had the title Orbital 2 on the spine of the album: in the rest of the world outside the US the album was released without a title, and it is commonly known as The Brown Album to differentiate it from Orbital's similarly untitled 1991 debut album, which had a green cover. It was released in May 1993 and reached the #28 on the UK album charts.
On Orbital the duo aimed to make more atmospheric music than the dance raves of their first album. They used more complex rhythms and denser arrangements on the appropriately monickered pieces entitled "Lush" but still proving themselves capable of making quality pop music on "Halcyon + On + On", with vocals from Kirsty Hawkshaw of Opus III.
The album begins with "Time Becomes", which features the same speech sample (by actor Michael Dorn in Star Trek: The Next Generation - Time squared - Season 2 Ep. 13, Worf - 20’30 : « There is the theory of Möbius. A twist in the fabric of space where time becomes a loop ») which opened their first album. The piece uses phasing, a technique popularized by Steve Reich, in which two identical samples are repeated at slightly different speeds.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.
Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.