She’s Got It by The Leonard Simpson Duo; Mittrom by Mach-Hommy & Earl Sweatshirt; Open the Brain by Quelle Chris; Snake Oil Scientist by Marlowe; and Aunties Steak & Rice Hold the Cabbage by Camoflauge Monk (from Chopin Prelude in E Minor by Les Baxter). #SpotifyWrapped
Blue Beanie Day in support of web standards is celebrated around the world on November 30. Hey, that’s today.
So how can you help? Glad you asked! Take a self-portrait wearing a blue beanie (toque, tuque, cap) and post it to your website and social media channels with the hashtag #BlueBeanieDay.
And for that extra extra, slap a blue beanie on your web and social media avatars, as well.
Do this on November 30 as a reminder to design accessible, web-standards-based websites 365 days a year. Thank you. Love you.
One year to the day since he left us.
Herewith, a scene from last night’s interview with legendary web & book designer (and Dean of The Cooper Union School of Art) Mike Essl, who shared his portfolio, career highlights, early web design history, and more. Fun!
If you get a chance to meet, work with, or learn from Mike, take it. He’s brilliant, hilarious, warmly human, and one of the most creative people you’ll ever have the good fortune to know.
So ended Day 2 of An Event Apart Online Together Fall Summit 2021. Day 3 begins in less than two hours. You can still join us … or watch later On Demand.
Vitreous humor lines the backs of our eyeballs. We are born with a full supply of the stuff, but as we age, it begins to dry out or evaporate or some damn thing—the ophthalmologist shining a beam into my eye wasn’t overly explicit on this point.
Sometimes the stuff detaches and comes to the front of the eye. It can be discolored, particularly if the detached part used to be close to the optic nerve. The result is a vitreous floater, which is like having a microscopic slide of an insect’s leg in front of one of your eyes. One eye sees the world. The other eye sees the world but also sees the microscopic slide of the insect’s leg.
At times the “slide” moves around. At night there can also be white flashes that go off every two minutes or so—spaced just far enough apart to work like Chinese water torture.
The ophthalmologist told me it’s caused by aging, it happens to most people eventually, and there’s nothing doctors can do about it, other than monitor the situation to make sure it doesn’t get worse—because if it gets worse, that could be a sign of something more serious.
The ophthalmologist at the space-age eye hospital told me that over time I would see less of it, or learn to ignore it, or something—he wasn’t overly explicit on this point.
I’m to go back and see him again in a month.
Even people who didn’t get deathly ill. Who aren’t still struggling to recover. Who didn’t lose a loved one—or more than one. Who didn’t bear the brunt of it because of their race and class. Who didn’t lose a job because of it.
Those who didn’t miss out on senior year. Or the play. Or the prom, quinceanera, or bat mitzvah. Those who didn’t sit alone for months. Didn’t shutter their family’s business. Didn’t die of a curable disease because the hospital was full.
Even those who had enough to eat and someone to talk to. Who did not lose their homes. Those whose animals survived.
Even the lucky ones who had internet access and books and music. And who, when a vaccine came along, had access to it, and were not dissuaded by madness.
Even the most privileged among us are living with trauma.
Not one of us has escaped. Not one is unchanged.
Take a moment to be gentle with yourself, and with all whom you encounter. Even the monsters are crying inside.
I DREAMED I’d boarded a ship that was slowly making its way to an exotic vacation locale, somewhere on the other side of the world. I’d bought a giant new steamer trunk for the voyage. I thought I’d have a cabin to myself, but, below decks, the ship was like a passenger train, with row upon row of seats. Voyagers had to sleep sitting up in these seats, and we had to hunt for a vacant seat. At first, I had a row of seats to myself, but I realized that the remaining seats would soon be filled, and perhaps by a group of noisy, aggressive people who knew each other. I’d be the odd one out. So I moved into an occupied row, next to a Japanese passenger who was already half-asleep, his hat pulled halfway down over his eyes, and was traveling by himself, like me. My arrival woke him, slightly, and he nodded to acknowledge me, then closed his eyes again. I realized, as I settled in beside him, each of us slouching away from the other for privacy, that I did not have my trunk with me, and did not know where it was being held. I couldn’t even be sure that it had made it onto the ship.
The ship docked at an American city for a quick break. It was a quaint old town, with buildings that seemed to date back hundreds of years, including a picturesque ruin or two. The dock was filled with similarly set-up cruise ships; this was obviously a major rest stop for the seaborne travel industry. The dock was infinite, an endless perspective of identical cruise ships, each disgorging thousands of passengers who merged into an oncoming throng. So many were coming that they raised the dust before them. I wondered how the quaint old town could possibly accommodate so many travelers.
I had wandered into the city for many blocks when I realized I didn’t have my wallet with me—it was packed in the trunk, presumably back on the ship. I came to this sudden understanding while trying to complete a trivial purchase at the register of a small store.
“I came on a ship, my wallet’s on board, perhaps we could call the ship and have them read you my credit card number?” I suggested to the frowning cashier.
“Which ship?”
I didn’t know.
“Where’s she headed?”
I suddenly didn’t know that, either.
“Look, I’m on a three-week cruise,” I said. “I don’t remember where I’m going. I don’t know why my family’s not with me.”
The embarrassing admission did little to improve my standing with the cashier.
Cross-fade.
I had given up and was trudging back to the ship when I realized I did not know where it was docked. I asked townspeople where the dock was located, but they frowned at me as if I were mentally ill or horribly disfigured, and scurried quickly away.
So I wandered, through blocks that resembled Dresden after the Allied bombardment, with no adults to be seen—only underfed, half-naked children, who darted past like hurrying ghosts, presumably scouring the bombed-out buildings for scraps of food or dry places to shelter.
Dissolve.
After hours of walking at random, I began to pass buildings that looked vaguely familiar, and thought that I must be approaching the dock again. I could hear distant gulls, their cries half-muted and oddly modulated as they echoed off the broken buildings of the old city.
If I came out upon the dock, would I remember which ship I’d been traveling on?
What was my name? Could my luggage identify me if I knew where the crew had stowed it? Could I describe my luggage to help them search for it? No, it was new and I was unfamiliar with its design. I couldn’t even remember what I’d packed, except for a faint impression that I’d stowed the contents in many small boxes inside the trunk.
But to even reach that impasse of being unable to describe my luggage, I’d have to first identify my ship, and they all looked the same. My ship might already have left. And I didn’t even know its destination.
7 June 2021
Apropos of nothing in particular, I present my all-time listening (first 5.25 rows) and more recent listening:
Because I’m weird that way: Sometimes I’ll listen extensively to a particular artist from my collection whom I might not have played in a while, simply to bump them higher in the mosaic or reposition them for a more pleasing composition.
If Spotify exposes you to new music, Last.fm helps remind you of great music in your existing collection that may have slipped your mind. (Not an advertisement. I use last.fm and get great pleasure from how it helps me discover and fuss with my music, as I once spent hours in the old days stacking and rearranging my LPs and tapes.)
And that’s how I stay out of the pool halls.
Public Service P.S: If you do decide to try last.fm, please, by all means, pay the small monthly subscription fee if you can. Doing so supports the under-resourced team that keeps the service going. It also removes the ads, making the site usable (the ads are a nightmare), and gives you the option to view your music as a visual grid, like those shown in my screenshots. The grid-view makes the site. It gives you, not just a visual record collection, but a visual artist collection, if you’ll allow the conceit. I love it.
An earlier version of this post also appears on my Facebook stream.
New episodes of Harrison Wheeler’s Technically Speaking podcast are coming, and Technically Speaking will run live interviews at San Francisco Design Week June 7–13.
The podcast amplifies voices of underrepresented leaders who want to inspire the next generation of black and brown designers through authentic, thought-provoking, and immersive storytelling.
Learn more on the podcast’s homepage, listen to past episodes, and sign up for the newsletter to be notified about upcoming content.
Snow White pushed a stack of ceramic espresso dishes off of the kitchen counter this morning, to see how many of them would smash into a thousand tiny pieces. The answer was most of them.
I couldn’t find my broom, so I had to clean the scattered ceramic chips by stooping over a dustpan. Which made me wheeze and gasp for breath.
So the whole thing turned out great, because I’ll be able to tell my doctor, when I see him on Tuesday for my first annual physical in two years, that my COVID long-haul symptoms have not improved one bit. Which I might otherwise have lied to myself about.
In a few hours, we’ll kick off Day 1 of An Event Apart Online Together: Spring Summit, a three-day web design conference for front-end and UX professionals, starring fifteen extraordinary speakers. If you’ve signed up to join us, I look forward to learning and chatting with you. If you can’t attend, you’re welcome to follow along on Twitter via hashtag #AEAOT.
P.S. Be sure to check out our Speaker Resources for attendees (and folks following along).
Our static tools and linear workflows aren’t the right fit for the flexible, diverse reality of today’s Web. Making prototyping a central element of your workflows will radically change how you approach problem solution and save you a lot of headaches – and money. But most importantly, you will be creating the right products and features in a way that resonates with the true nature of the Web. A discourse on processes, flexibility, the Web as a material, and how we build things.
Saving Your Web Workflows with Prototyping – Matthias Ott
As a child, I loved summer—no school! I could stay indoors all day and read! But summer camp, which I dreaded, ended my romance with that season. Even as an adult, no longer forced “for my own good” to do things I hate, the humid misery of August in New York is a hell I wouldn’t wish on anyone. Where were we? New York has two glorious seasons: Spring and Fall. They last only a few days each, it feels like, but that bitter brevity contributes to their sweetness. Spring has a slight edge over Fall in my heart, especially after the twelve months we’ve had.
Photo by Sergey Shmidt on Unsplash
Jeremy Wagner’s “Now THAT’S What I Call Service Worker!” provides innovative techniques to harness the power of Progressive Web Apps with smaller HTML payloads and better performance for repeat visitors.
“Why are you uncomfortable having a nonbinary cat?”
…my teenage daughter demanded as we sat together on the couch.