-
How to Write A Splendid Libretto
New videos DAILY: https://bigth.ink
Join Big Think Edge for exclusive video lessons from top thinkers and doers: https://bigth.ink/Edge
----------------------------------------------------------------------------------
The intention of the internet was not to threaten democracy, but it's becoming clear that's exactly what it's doing.To fix this problem, we must broaden the scope — politically, socially, and culturally — of who has power and governance over our digital technologies.The most vulnerable communities should be involved in a solution that can coexist with Silicon Valley.
Beyond the Valley: How Innovators around the World are Overcoming Inequality and Creating the Technologies of Tomorrow (The MIT Press)
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published: 24 Apr 2012
-
4 08 Opera - Libretto, Recitative, and Aria
published: 12 Nov 2015
-
LIBRETTO
wystąpił: Mirosław Bujko
reżyseria, montaż: Jędrzej Bączyk
zdjęcia: Filip Drożdż
dźwięk: Dariusz Wancerz
światło: Romeo Machała
makeup: Adrianna Orych
koncepcja, produkcja: Mateusz Cieślak
producent wykonawczy: TAMTAM STUDIO
kierownik produkcji: Eliza Miszczyk
producent: IMiT © 2018
Film jest częścią Orkiestrownika, nowoczesnego przewodnika po muzyce klasycznej w formie bezpłatnej aplikacji mobilnej. Narzędzie krok po kroku wprowadza w świat orkiestry, pokazuje
instrumentarium, muzyków, dyrygenta, próbę i koncert. Wszystko w formie unikatowej aplikacji multimedialnej, dostępnej na: www.orkiestrownik.pl
muzyka:
published: 20 Nov 2019
-
We Love Opera! What is a libretto in an opera?
A quick definition of the "libretto" in an opera. Pick one up ahead of time if you want to know the story going in!
Want to go to the opera, but you're not sure you'll understand what's going on? "We Love Opera" is a video series from Socratica that will help you understand what opera is all about. Opera can be exciting, funny, sad, and beautiful. Opera is for everyone!
Please Subscribe!
http://www.youtube.com/subscription_center?add_user=SocraticaStudios
Opera Lover: Louise McCartney
Director: Michael Harrison
Written and Produced by Kimberly Hatch Harrison
♦♦♦♦♦♦♦♦♦♦
Ways to support our channel:
► Join our Patreon : https://www.patreon.com/socratica
► Make a one-time PayPal donation: https://www.paypal.me/socratica
► We also accept Bitcoin @ 1EttYyGwJmpy9bLY2UcmEqMJuBfaZ1...
published: 23 Nov 2012
-
Vide Cor Meum - original libretto in Italian / latin with translation.
Vide Cor Meum is a song composed by Patrick Cassidy, based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vita Nuova.
The song was produced by Patrick Cassidy and Hans Zimmer and was performed by Libera / Lyndhurst Orchestrathe, conducted by Gavin Greenaway. Singers are Danielle de Niese and Bruno Lazzaretti, who play Beatrice and Dante, respectively.
The song first appeared in the movie Hannibal, while Dr. Hannibal Lecter and Inspector Pazzi see an outdoor opera in Florence, and was especially composed for the movie.
published: 07 Aug 2009
-
Vide Cor Meum - libretto in Italian / Latin with translation.
Vide Cor Meum is a song composed by Patrick Cassidy based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vita Nuova. The song was produced by Patrick Cassidy and Hans Zimmer and was performed by Libera / Lyndhurst Orchestrathe, conducted by Gavin Greenaway. Singers are Danielle de Niese and Bruno Lazzaretti, who play Beatrice and Dante, respectively.
The song first appeared in the movie Hannibal, while Dr. Hannibal Lecter and Inspector Pazzi see an outdoor opera in Florence, and was especially composed for the movie.
published: 04 Dec 2009
-
Libretto & Buscrates - Rappas ft. Vic Spencer
Stream/Bandcamp: https://t.co/TxaMrInLSs
Fat Beats: https://www.fatbeats.com/products/libretto-buscrates-eternal-ridin-2xlp
Directed by: Mason Rippel
Watts/Portland Rapper Libretto & producer Buscrates release the Official Music Video for "Rappas" featuring Vic Spencer. Appearing on their recent album Eternal Ridin', Libretto and Vic Spencer take turns aiming shots at the fake rap cats in the industry today.
Buscrates brings the jazz with his cool, laid back production giving Vic and Libretto enough room to float all over the beat. "Rappas" mixes smooth, summertime energy with aggressive lyrics and tones as Libretto continues to chin check the culture vultures and bring back that raw, rugged Hip Hop.
Libretto and Buscrates' recent collaborative project Eternal Ridin' is now available...
published: 30 Jul 2019
-
Libretto : retour sur 20 ans d'édition avec Eric Lahirigoyen
En 2018, Libretto fête ses 20 ans ! L'occasion de revenir avec son actuel Directeur éditorial, Eric Lahirigoyen, sur deux décennies d'édition. Et notamment sur ce qui fait le caractère unique de Libretto, une collection devenue maison d'édition, où le texte est au centre des préoccupations.
Retrouvez ici le site dédié aux 20 ans de Libretto : https://libretto20ans.fr/
Et la page Babelio traitant de cet anniversaire de Libretto : https://www.babelio.com/20-ans-libretto
Retrouvez-nous sur :
F A C E B O O K : Babelio
T W I T T E R : @Babelio
I N S T A G R A M : @babelio_
P I N T E R E S T : Babelio
S N A P C H A T : babelio_off
published: 31 May 2018
4:23
How to Write A Splendid Libretto
New videos DAILY: https://bigth.ink
Join Big Think Edge for exclusive video lessons from top thinkers and doers: https://bigth.ink/Edge
----------------------...
New videos DAILY: https://bigth.ink
Join Big Think Edge for exclusive video lessons from top thinkers and doers: https://bigth.ink/Edge
----------------------------------------------------------------------------------
The intention of the internet was not to threaten democracy, but it's becoming clear that's exactly what it's doing.To fix this problem, we must broaden the scope — politically, socially, and culturally — of who has power and governance over our digital technologies.The most vulnerable communities should be involved in a solution that can coexist with Silicon Valley.
Beyond the Valley: How Innovators around the World are Overcoming Inequality and Creating the Technologies of Tomorrow (The MIT Press)
----------------------------------------------------------------------------------
RAMESH SRINIVASAN
Ramesh Srinivasan is Professor of Information Studies and Design Media Arts at UCLA. He makes regular appearances on NPR, The Young Turks, MSNBC, and Public Radio International, and his writings have been published in the Washington Post, Quartz, Huffington Post, CNN, and elsewhere.
----------------------------------------------------------------------------------
TRANSCRIPT:
RAMESH SRINIVASAN: What has occurred is the internet, which was a publicly funded infrastructure, the web was also a nonprofit initiative. These technologies took all of our public input and monetized that and we directed that content in ways that suited these corporate interests. The intention wasn't to necessarily threaten our democracy or any other institutions that we rely on as Americans and many citizens across the world, but that's been the effect of all of this. And the reason why is the principles of democracy rely on a very open sort of media environment and also factuality. And what has occurred through these technology platforms is not only have they become the places we've gone to to democratically communicate, to access news, specifically Facebook in this case, but what has been made visible to us is dependent on choices that are hidden from plain sight. They are choices that are not even made by the technology companies themselves. They are made by complex computer systems that are optimized for one output and one output only which is to keep us glued, to keep our attention, to keep us online.
So that actually has a splintering effect on a democracy because in a democracy all of us expect some sort of common baseline of information. We expect some exposure to facts. We expect some exposure to a range of different opinions. We do expect though that has eroded a sort of civil sense of dialogue though that does exist but it's less so the case. What we don't expect and represents a threat to democracy are invisible silos where we are exposed to inflammatory, trolling, gaslighting and at times deliberately false content. But that's the new normal when it comes to algorithmic platforms and that's why this all needs to be dealt with right now.
So a digital economy and world that work for the 99 percent are one where, is one where technologies don't support the interests of some at the cost of others. They're sort of a zero sum mentality that can end up costing all of us actually at the end of the day. A digital economy produces prosperity and value for all. It does support business interests. It does support the great developments for consumers that a lot of digital platforms have provided, but that doesn't come at the cost of economic security, of worker security, of diverse opinions, of racial minorities, of indigenous peoples, of women. The issue is that right now our digital world through the technologies that have globalized to the world are more or less structured, influenced and dominated by a few technology companies that are located in a small sliver of the world – Silicon Valley, in Seattle and also actually in China. And they all have different kind of outcomes. But the people who are leading these companies not only are they supposed to develop technologies for their private interest, never mind the effects on the rest of us, but they tend to be in terms of demographics not representative of the vast majority of their users. We don't see many women. We don't see many racial minorities. We do see some Asian and white males.
And so as a result intentionally or not they are coding into the digital world outcomes that are generative of greater inequality. And it's really important to just situate this on top of what our world looks like right now and even our country looks like. Three people or so with the equivalent wealth to 195 million in this country. Whoever would have imagined that. That all has happened in the past few decades. Globally seven or eight people depending on what estimates yo...
For the full transcript, check out https://bigthink.com/videos/democracy-2641357380
https://wn.com/How_To_Write_A_Splendid_Libretto
New videos DAILY: https://bigth.ink
Join Big Think Edge for exclusive video lessons from top thinkers and doers: https://bigth.ink/Edge
----------------------------------------------------------------------------------
The intention of the internet was not to threaten democracy, but it's becoming clear that's exactly what it's doing.To fix this problem, we must broaden the scope — politically, socially, and culturally — of who has power and governance over our digital technologies.The most vulnerable communities should be involved in a solution that can coexist with Silicon Valley.
Beyond the Valley: How Innovators around the World are Overcoming Inequality and Creating the Technologies of Tomorrow (The MIT Press)
----------------------------------------------------------------------------------
RAMESH SRINIVASAN
Ramesh Srinivasan is Professor of Information Studies and Design Media Arts at UCLA. He makes regular appearances on NPR, The Young Turks, MSNBC, and Public Radio International, and his writings have been published in the Washington Post, Quartz, Huffington Post, CNN, and elsewhere.
----------------------------------------------------------------------------------
TRANSCRIPT:
RAMESH SRINIVASAN: What has occurred is the internet, which was a publicly funded infrastructure, the web was also a nonprofit initiative. These technologies took all of our public input and monetized that and we directed that content in ways that suited these corporate interests. The intention wasn't to necessarily threaten our democracy or any other institutions that we rely on as Americans and many citizens across the world, but that's been the effect of all of this. And the reason why is the principles of democracy rely on a very open sort of media environment and also factuality. And what has occurred through these technology platforms is not only have they become the places we've gone to to democratically communicate, to access news, specifically Facebook in this case, but what has been made visible to us is dependent on choices that are hidden from plain sight. They are choices that are not even made by the technology companies themselves. They are made by complex computer systems that are optimized for one output and one output only which is to keep us glued, to keep our attention, to keep us online.
So that actually has a splintering effect on a democracy because in a democracy all of us expect some sort of common baseline of information. We expect some exposure to facts. We expect some exposure to a range of different opinions. We do expect though that has eroded a sort of civil sense of dialogue though that does exist but it's less so the case. What we don't expect and represents a threat to democracy are invisible silos where we are exposed to inflammatory, trolling, gaslighting and at times deliberately false content. But that's the new normal when it comes to algorithmic platforms and that's why this all needs to be dealt with right now.
So a digital economy and world that work for the 99 percent are one where, is one where technologies don't support the interests of some at the cost of others. They're sort of a zero sum mentality that can end up costing all of us actually at the end of the day. A digital economy produces prosperity and value for all. It does support business interests. It does support the great developments for consumers that a lot of digital platforms have provided, but that doesn't come at the cost of economic security, of worker security, of diverse opinions, of racial minorities, of indigenous peoples, of women. The issue is that right now our digital world through the technologies that have globalized to the world are more or less structured, influenced and dominated by a few technology companies that are located in a small sliver of the world – Silicon Valley, in Seattle and also actually in China. And they all have different kind of outcomes. But the people who are leading these companies not only are they supposed to develop technologies for their private interest, never mind the effects on the rest of us, but they tend to be in terms of demographics not representative of the vast majority of their users. We don't see many women. We don't see many racial minorities. We do see some Asian and white males.
And so as a result intentionally or not they are coding into the digital world outcomes that are generative of greater inequality. And it's really important to just situate this on top of what our world looks like right now and even our country looks like. Three people or so with the equivalent wealth to 195 million in this country. Whoever would have imagined that. That all has happened in the past few decades. Globally seven or eight people depending on what estimates yo...
For the full transcript, check out https://bigthink.com/videos/democracy-2641357380
- published: 24 Apr 2012
- views: 3927
7:05
LIBRETTO
wystąpił: Mirosław Bujko
reżyseria, montaż: Jędrzej Bączyk
zdjęcia: Filip Drożdż
dźwięk: Dariusz Wancerz
światło: Romeo Machała
makeup: Adrianna Orych
konc...
wystąpił: Mirosław Bujko
reżyseria, montaż: Jędrzej Bączyk
zdjęcia: Filip Drożdż
dźwięk: Dariusz Wancerz
światło: Romeo Machała
makeup: Adrianna Orych
koncepcja, produkcja: Mateusz Cieślak
producent wykonawczy: TAMTAM STUDIO
kierownik produkcji: Eliza Miszczyk
producent: IMiT © 2018
Film jest częścią Orkiestrownika, nowoczesnego przewodnika po muzyce klasycznej w formie bezpłatnej aplikacji mobilnej. Narzędzie krok po kroku wprowadza w świat orkiestry, pokazuje
instrumentarium, muzyków, dyrygenta, próbę i koncert. Wszystko w formie unikatowej aplikacji multimedialnej, dostępnej na: www.orkiestrownik.pl
muzyka:
https://wn.com/Libretto
wystąpił: Mirosław Bujko
reżyseria, montaż: Jędrzej Bączyk
zdjęcia: Filip Drożdż
dźwięk: Dariusz Wancerz
światło: Romeo Machała
makeup: Adrianna Orych
koncepcja, produkcja: Mateusz Cieślak
producent wykonawczy: TAMTAM STUDIO
kierownik produkcji: Eliza Miszczyk
producent: IMiT © 2018
Film jest częścią Orkiestrownika, nowoczesnego przewodnika po muzyce klasycznej w formie bezpłatnej aplikacji mobilnej. Narzędzie krok po kroku wprowadza w świat orkiestry, pokazuje
instrumentarium, muzyków, dyrygenta, próbę i koncert. Wszystko w formie unikatowej aplikacji multimedialnej, dostępnej na: www.orkiestrownik.pl
muzyka:
- published: 20 Nov 2019
- views: 8698
0:43
We Love Opera! What is a libretto in an opera?
A quick definition of the "libretto" in an opera. Pick one up ahead of time if you want to know the story going in!
Want to go to the opera, but you're not s...
A quick definition of the "libretto" in an opera. Pick one up ahead of time if you want to know the story going in!
Want to go to the opera, but you're not sure you'll understand what's going on? "We Love Opera" is a video series from Socratica that will help you understand what opera is all about. Opera can be exciting, funny, sad, and beautiful. Opera is for everyone!
Please Subscribe!
http://www.youtube.com/subscription_center?add_user=SocraticaStudios
Opera Lover: Louise McCartney
Director: Michael Harrison
Written and Produced by Kimberly Hatch Harrison
♦♦♦♦♦♦♦♦♦♦
Ways to support our channel:
► Join our Patreon : https://www.patreon.com/socratica
► Make a one-time PayPal donation: https://www.paypal.me/socratica
► We also accept Bitcoin @ 1EttYyGwJmpy9bLY2UcmEqMJuBfaZ1HdG9
♦♦♦♦♦♦♦♦♦♦
Connect with us!
Facebook: https://www.facebook.com/SocraticaStudios/
Instagram: https://www.instagram.com/SocraticaStudios/
Twitter: https://twitter.com/Socratica
♦♦♦♦♦♦♦♦♦♦
https://wn.com/We_Love_Opera_What_Is_A_Libretto_In_An_Opera
A quick definition of the "libretto" in an opera. Pick one up ahead of time if you want to know the story going in!
Want to go to the opera, but you're not sure you'll understand what's going on? "We Love Opera" is a video series from Socratica that will help you understand what opera is all about. Opera can be exciting, funny, sad, and beautiful. Opera is for everyone!
Please Subscribe!
http://www.youtube.com/subscription_center?add_user=SocraticaStudios
Opera Lover: Louise McCartney
Director: Michael Harrison
Written and Produced by Kimberly Hatch Harrison
♦♦♦♦♦♦♦♦♦♦
Ways to support our channel:
► Join our Patreon : https://www.patreon.com/socratica
► Make a one-time PayPal donation: https://www.paypal.me/socratica
► We also accept Bitcoin @ 1EttYyGwJmpy9bLY2UcmEqMJuBfaZ1HdG9
♦♦♦♦♦♦♦♦♦♦
Connect with us!
Facebook: https://www.facebook.com/SocraticaStudios/
Instagram: https://www.instagram.com/SocraticaStudios/
Twitter: https://twitter.com/Socratica
♦♦♦♦♦♦♦♦♦♦
- published: 23 Nov 2012
- views: 12239
3:48
Vide Cor Meum - original libretto in Italian / latin with translation.
Vide Cor Meum is a song composed by Patrick Cassidy, based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vi...
Vide Cor Meum is a song composed by Patrick Cassidy, based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vita Nuova.
The song was produced by Patrick Cassidy and Hans Zimmer and was performed by Libera / Lyndhurst Orchestrathe, conducted by Gavin Greenaway. Singers are Danielle de Niese and Bruno Lazzaretti, who play Beatrice and Dante, respectively.
The song first appeared in the movie Hannibal, while Dr. Hannibal Lecter and Inspector Pazzi see an outdoor opera in Florence, and was especially composed for the movie.
https://wn.com/Vide_Cor_Meum_Original_Libretto_In_Italian_Latin_With_Translation.
Vide Cor Meum is a song composed by Patrick Cassidy, based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vita Nuova.
The song was produced by Patrick Cassidy and Hans Zimmer and was performed by Libera / Lyndhurst Orchestrathe, conducted by Gavin Greenaway. Singers are Danielle de Niese and Bruno Lazzaretti, who play Beatrice and Dante, respectively.
The song first appeared in the movie Hannibal, while Dr. Hannibal Lecter and Inspector Pazzi see an outdoor opera in Florence, and was especially composed for the movie.
- published: 07 Aug 2009
- views: 558822
4:10
Vide Cor Meum - libretto in Italian / Latin with translation.
Vide Cor Meum is a song composed by Patrick Cassidy based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vit...
Vide Cor Meum is a song composed by Patrick Cassidy based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vita Nuova. The song was produced by Patrick Cassidy and Hans Zimmer and was performed by Libera / Lyndhurst Orchestrathe, conducted by Gavin Greenaway. Singers are Danielle de Niese and Bruno Lazzaretti, who play Beatrice and Dante, respectively.
The song first appeared in the movie Hannibal, while Dr. Hannibal Lecter and Inspector Pazzi see an outdoor opera in Florence, and was especially composed for the movie.
https://wn.com/Vide_Cor_Meum_Libretto_In_Italian_Latin_With_Translation.
Vide Cor Meum is a song composed by Patrick Cassidy based on Dante's "La Vita Nuova", specifically on the sonnet "A ciascun'alma presa", in chapter 3 of the Vita Nuova. The song was produced by Patrick Cassidy and Hans Zimmer and was performed by Libera / Lyndhurst Orchestrathe, conducted by Gavin Greenaway. Singers are Danielle de Niese and Bruno Lazzaretti, who play Beatrice and Dante, respectively.
The song first appeared in the movie Hannibal, while Dr. Hannibal Lecter and Inspector Pazzi see an outdoor opera in Florence, and was especially composed for the movie.
- published: 04 Dec 2009
- views: 3837367
5:26
Libretto & Buscrates - Rappas ft. Vic Spencer
Stream/Bandcamp: https://t.co/TxaMrInLSs
Fat Beats: https://www.fatbeats.com/products/libretto-buscrates-eternal-ridin-2xlp
Directed by: Mason Rippel
Watts/Po...
Stream/Bandcamp: https://t.co/TxaMrInLSs
Fat Beats: https://www.fatbeats.com/products/libretto-buscrates-eternal-ridin-2xlp
Directed by: Mason Rippel
Watts/Portland Rapper Libretto & producer Buscrates release the Official Music Video for "Rappas" featuring Vic Spencer. Appearing on their recent album Eternal Ridin', Libretto and Vic Spencer take turns aiming shots at the fake rap cats in the industry today.
Buscrates brings the jazz with his cool, laid back production giving Vic and Libretto enough room to float all over the beat. "Rappas" mixes smooth, summertime energy with aggressive lyrics and tones as Libretto continues to chin check the culture vultures and bring back that raw, rugged Hip Hop.
Libretto and Buscrates' recent collaborative project Eternal Ridin' is now available on 2LP Limited Edition Vinyl presented by Portland label Liquid Beat Records, and is available now through their Bandcamp site, Fat Beats Distribution, and fine record stores worldwide!
https://wn.com/Libretto_Buscrates_Rappas_Ft._Vic_Spencer
Stream/Bandcamp: https://t.co/TxaMrInLSs
Fat Beats: https://www.fatbeats.com/products/libretto-buscrates-eternal-ridin-2xlp
Directed by: Mason Rippel
Watts/Portland Rapper Libretto & producer Buscrates release the Official Music Video for "Rappas" featuring Vic Spencer. Appearing on their recent album Eternal Ridin', Libretto and Vic Spencer take turns aiming shots at the fake rap cats in the industry today.
Buscrates brings the jazz with his cool, laid back production giving Vic and Libretto enough room to float all over the beat. "Rappas" mixes smooth, summertime energy with aggressive lyrics and tones as Libretto continues to chin check the culture vultures and bring back that raw, rugged Hip Hop.
Libretto and Buscrates' recent collaborative project Eternal Ridin' is now available on 2LP Limited Edition Vinyl presented by Portland label Liquid Beat Records, and is available now through their Bandcamp site, Fat Beats Distribution, and fine record stores worldwide!
- published: 30 Jul 2019
- views: 1783
8:04
Libretto : retour sur 20 ans d'édition avec Eric Lahirigoyen
En 2018, Libretto fête ses 20 ans ! L'occasion de revenir avec son actuel Directeur éditorial, Eric Lahirigoyen, sur deux décennies d'édition. Et notamment sur ...
En 2018, Libretto fête ses 20 ans ! L'occasion de revenir avec son actuel Directeur éditorial, Eric Lahirigoyen, sur deux décennies d'édition. Et notamment sur ce qui fait le caractère unique de Libretto, une collection devenue maison d'édition, où le texte est au centre des préoccupations.
Retrouvez ici le site dédié aux 20 ans de Libretto : https://libretto20ans.fr/
Et la page Babelio traitant de cet anniversaire de Libretto : https://www.babelio.com/20-ans-libretto
Retrouvez-nous sur :
F A C E B O O K : Babelio
T W I T T E R : @Babelio
I N S T A G R A M : @babelio_
P I N T E R E S T : Babelio
S N A P C H A T : babelio_off
https://wn.com/Libretto_Retour_Sur_20_Ans_D'Édition_Avec_Eric_Lahirigoyen
En 2018, Libretto fête ses 20 ans ! L'occasion de revenir avec son actuel Directeur éditorial, Eric Lahirigoyen, sur deux décennies d'édition. Et notamment sur ce qui fait le caractère unique de Libretto, une collection devenue maison d'édition, où le texte est au centre des préoccupations.
Retrouvez ici le site dédié aux 20 ans de Libretto : https://libretto20ans.fr/
Et la page Babelio traitant de cet anniversaire de Libretto : https://www.babelio.com/20-ans-libretto
Retrouvez-nous sur :
F A C E B O O K : Babelio
T W I T T E R : @Babelio
I N S T A G R A M : @babelio_
P I N T E R E S T : Babelio
S N A P C H A T : babelio_off
- published: 31 May 2018
- views: 705