Boon

Boon may refer to:

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Boon (TV series)

Boon is a British television crime drama starring Michael Elphick, David Daker, and later Neil Morrissey. It was created by Jim Hill and Bill Stair and filmed by Central Television for ITV. It revolved around the life of an ex-fireman called Ken Boon.

Premise

Ken Boon (Elphick) and Harry Crawford (Daker) were both old-fashioned 'smokeys' (firemen) in the West Midlands Fire Service. In episode 1 Crawford takes early retirement and moves to Spain to open a bar, leaving Ken behind. In the same opening episode, Ken attends a house fire where a child is trapped upstairs. Realising he must act quickly he goes into the house without breathing apparatus, rescues the child but is severely injured by inhaling toxic smoke. He attempts to prove he can still make it but he is declared unfit for duty after collapsing during a practice-simulation because his lungs have been permanently damaged, and he is forced to retire from working in Fire Service.

He started a market garden called 'The Ponderosa' in a village about ten miles outside of Birmingham but found that it wasn't working out. As he struggled to pay bills and keep afloat, he was surprised when a visitor arrived at the garden; Harry had returned from Spain to Birmingham, after his wife Alison had left him for a young hairdresser. Harry had acquired a hotel in Birmingham and offered a 'port in a storm' for Ken.

Boon (novel)

Boon is a 1915 work of literary satire by H. G. Wells. It purports, however, to be by the fictional character Reginald Bliss, and for some time after publication Wells denied authorship. Boon is best known for its part in Wells's debate on the nature of literature with Henry James, who is caricatured in the book. But in Boon Wells also mocks himself, calling into question and ridiculing a notion he held dear—that of humanity's collective consciousness.

Summary

Boon opens with an introduction by Wells, calling it "an indiscreet, ill-advised book." Wells pretends to repudiate any public identification with the work: "Bliss is Bliss and Wells is Wells. And Bliss can write all sorts of things that Wells could not do."

As he was to do in The Research Magnificent, Wells creates a literary character (Reginald Bliss) who is making a book out of the literary remains of an author who has recently died (George Boon, a popular author of books and plays). Bliss attributes Boon's death to depression on account of the war. Bliss expresses disappointment that among Boon's papers (kept in "barrels in the attic") he has found "nothing but fragments" and "a curious abundance of queer little drawings," many of which are reproduced'.