Generał

GeneraÅ‚ (pronounced [ɡɛˈnÉ›raw]), is the generic Polish language term for the rank of General. In narrow sense it is used to denote the rank of a Four-star general introduced on August 15, 2002 (formerly generaÅ‚ armii - general of the army). It is currently the highest military rank of the Polish Army, with the rank of Marshal of Poland currently being unused. The symbols of the rank are the wężyk generalski (pronounced [ˈvɛ̃Ê?ɨk É¡É›nɛˈralskʲi]), or "general's wavy line", and four stars, featured both on the rogatywka, sleeves of the uniform and above the breast pocket of a field uniform.

Background

In Polish military traditions the highest rank was always the rank of Marshal of Poland, with three General's grades below. However, the system differed significantly from other systems of rank insignia used in both armies of the Warsaw Pact and the NATO. Because of lack of the rank of four-star general, the Polish ranks were usually a grade higher than their name suggested. Thus the rank of Generał brygady was an equivalent of Major General rather than Brigadier General as the name suggested.

Genus

A genus (/ˈdÊ’iË?nÉ™s/, pl. genera) is a taxonomic rank used in the biological classification of living and fossil organisms in biology. In the hierarchy of biological classification, genus comes above species and below family. In binomial nomenclature, the genus name forms the first part of the binomial species name for each species within the genus.

The composition of a genus is determined by a taxonomist. The standards for genus classification are not strictly codified, so different authorities often produce different classifications for genera. There are some general practices used, however, including the idea that a newly defined genus should fulfill these three criteria to be descriptively useful:

Genus (music)

Genus (Gr.: γένος [genos], pl. γένη [genē], lat. genus, pl. genera "type, kind") is a term used in the Ancient Greek and Roman theory of music to describe certain classes of intonations of the two movable notes within a tetrachord.

Aristoxenos (in his fragmentary treatise on rhythm) names 'genera' some patterns of rhythm. The tetrachordal concept is also found in the modal theory of Byzantine music and relates to the jins of Arabic music.

Tetrachords