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W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba m...
published: 20 Jan 2013
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Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A p...
published: 02 Mar 2018
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Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine ...
published: 05 Mar 2009
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Mozart Requiem (Riccardo Muti 1987)
Mozart Requiem (Riccardo Muti 1987)
Requiem in D minor KV 626
00:00 1. Introitus: Requiem aeternam
05:20 2. Kyrie eleison
08:23 3. Sequenz: Dies irae
10:18 4. Tuba mirum
14:14 5. Rex tremendae
16:47 6. Recordare
22:21 7. Confutatis
24:53 8. Lacrimosa
28:25 9. Offertorium : Domine Jesu Christe
32:33 10. Hostias et preces tibi
37:15 11. Sanctus
39:05 12. Benedictus
44:24 13. Agnus Dei
48:08 14. Communio: Lux aeterna
Patrizia Pace (soprano)
Waltraud Meier (mezzo-soprano)
Frank Lopardo (tenor)
James Morris (bass)
Riccardo Muti (conductor)
Berliner Philharmoniker
Swedish Radio Chorus
Stockholm Chanber Choir
1987/02/14-15 (ⓟ 1987) Stereo (DDD), Philhar...
published: 17 Jan 2019
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Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#S...
published: 07 Apr 2020
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Mozart - Requiem in D minor (Complete/Full) [HD]
Like,subscribe and share for more :)
published: 10 Oct 2015
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Mozart - Lacrimosa
Mozart - Lacrimosa
published: 22 May 2008
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Mozart- Requiem In D Minor, K 626 - Requiem
Herbert Kraus: Vienna Mozart Ensemble
published: 05 Jul 2011
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Lacrimosa - Requiem em ré menor (K. 626) - W.A Mozart
Lacrimosa - Requiem em ré menor (K. 626) - W.A.Mozart
published: 19 Jul 2016
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Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu p...
published: 26 Oct 2015
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Wolfgang Amadeus Mozart - Requiem [Confutatis/Lacrimosa]
Wolfgang Amadeus Mozart, compositor
Requiem, Misa en Re menor, K.626:
Sequentia:
Confutatis (coro).
Lacrimosa (coro)
Symphonieorchester des Bayerischen Rundfunks
Chor des Bayerischen Rundfunks dirigido por Wolfgang Seeliger Marie McLaughlin, soprano
Leonard Bernstein, director
© 1989
published: 24 Oct 2011
53:04
W.A. Mozart - Requiem in D minor KV 626 - H. von Karajan - Berlin Philarmonic Orchestra
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, s...
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba mirum
(bajo)
Tuba mirum spargens sonum
per sepulcra regionum
coget omnes ante thronum.
(tenor)
Mors stupebit et natura
cum resurget creatura
judicanti responsura.
Liber scriptus proferetur
in quo totum continetur
unde mundus iudicetur.
(contralto)
Iudex ergo cum sedebit
quidquid latet apparebit,
nil inultum remanebit.
(soprano y cuarteto)
Quid sum miser tum dicturus?
Quem pratonum rogaturus,
cum vix iustus sit securus?
14:32 5.- Rex tremendae
(coro)
Rex tremendae majestatis
qui salvandos salvas gratis,
salva me fons pietatis!
16:58 6.- Recordare
(cuarteto)
Recordare, Iesu pie
quod sum causa tuae viae,
ne me perdas illa die.
Quarens me, sedisti lassus,
redemisti crucem passus;
tantus labor non sit cassus.
Iuste iudex ultionis,
donum fac remissionis
ante diem rationis.
Ingemisco, tanquam reus,
culpa rubet vultus meus;
supplicanti parce, Deus.
Qui Mariam absolvisti
et Latronem exaudisti
mihi quoque spem dedisti.
Preces meae non sunt dignae,
sed tu bonus fac benigne
ne perenni cremer igne.
Inter oves locum praesta
et ab haedis me secuestra
statuens in parte dextra.
22:16 7.- Confutatis
(coro)
Confutatis maledictis,
flammis acribus addictis,
voca me cum benedictis.
Oro supplex et acclinis,
cor contritum quasi cinis,
gere curam mei finis.
24:36 8.- Lacrimosa
(coro)
Lacrimosa dies illa
qua resurget et favilla
iudicandus homo reus.
Huic ergo parce, Deus.
Pe Iesu, Domine,
dona eis requiem. Amen.
OFFERTORIUM
27:59 9.- Domine Iesu
(coro)
Domine Iesu Christe, Rex gloriae,
libera animas omnium fidelium defunctorum
de poenis inferni et de profundo lacu.
Libera eas de ore leonis,
ne absorbeat eas tartarus,
ne cadant in obscurum,
(cuarteto)
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
(coro)
quam olim Abrahae promisisti
et semini eius.
31:47 10.- Hostias et preces
(coro)
Hostias et preces tibi, Domine,
laudis offerimus.
Tu suscipe pro animabus illis,
quarum hodie memoriam facimus.
Fac eas, Domine,
de morte transire ad vitam,
quam olim Abrahae promisisti
et semini eius.
36:16 11.- Sanctus
(coro)
Sanctus, sanctus,
sanctus Dominus Deus sabaoth.
Pleni sunt caeli et terra gloria tua.
Hosanna in excelsis.
38:01 12.- Benedictus
(cuarteto)
Benedictus qui venit
in nomine Domini.
(coro)
Hosanna in excelsis.
43:16 13.- Agnus Dei
(coro)
Agnus Dei, qui tollis peccata mundi,
miserere nobis.
Agnus Dei, qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
COMMUNIO
46:51 14.- Lux aeternam
(soprano y coro)
Lux aeternam luceat eis, Domine,
cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis,
cum sanctis tuis in aeternum, quia pius es.
The Requièm Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
Structure
The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie eleison (choir)
III. Sequentia (text based on sections of the Dies Irae): Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir)
IV. Offertorium: Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus: Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio: Lux aeterna (soprano solo and choir)
https://wn.com/W.A._Mozart_Requiem_In_D_Minor_Kv_626_H._Von_Karajan_Berlin_Philarmonic_Orchestra
Wolfgang Amadeus Mozart's Requiem in D minor KV 626.
Herbert von Karajan , Berlin Philharmonic Orchestra.
Agnes Baltsa, alt/contralto.
Anna Tomowa-Sintow, soprano.
Werner Krenn, tenor.
José van Dam, bass.
Wiener Singverein.
Rudolf Scholz, organ.
Lyrics
INTROITUS
00:00 1.- Requiem aeternam
(coro)
Requiem aeternam dona eis, Domine
et lux perpetua luceat eis.
(soprano)
Te decet hymnus, Deus, in Sion (Salmo 63)
et tibi reddetur votum in Ierusalem.
(coro)
exaudi orationem meam,
ad te omnis caro veniet.
05:39 2.- Kyrie eleison
(coro)
Kyrie eleison.
Christie eleison.
SEQUENZ
08:27 3.- Dies irae
(coro)
Dies irae, dies illa
solvet saeclum in favilla,
teste David cum Sibylla.
Quantus tremor est futurus
quando iudex est venturus
cuncta stricte discussurus!
10:18 4.- Tuba mirum
(bajo)
Tuba mirum spargens sonum
per sepulcra regionum
coget omnes ante thronum.
(tenor)
Mors stupebit et natura
cum resurget creatura
judicanti responsura.
Liber scriptus proferetur
in quo totum continetur
unde mundus iudicetur.
(contralto)
Iudex ergo cum sedebit
quidquid latet apparebit,
nil inultum remanebit.
(soprano y cuarteto)
Quid sum miser tum dicturus?
Quem pratonum rogaturus,
cum vix iustus sit securus?
14:32 5.- Rex tremendae
(coro)
Rex tremendae majestatis
qui salvandos salvas gratis,
salva me fons pietatis!
16:58 6.- Recordare
(cuarteto)
Recordare, Iesu pie
quod sum causa tuae viae,
ne me perdas illa die.
Quarens me, sedisti lassus,
redemisti crucem passus;
tantus labor non sit cassus.
Iuste iudex ultionis,
donum fac remissionis
ante diem rationis.
Ingemisco, tanquam reus,
culpa rubet vultus meus;
supplicanti parce, Deus.
Qui Mariam absolvisti
et Latronem exaudisti
mihi quoque spem dedisti.
Preces meae non sunt dignae,
sed tu bonus fac benigne
ne perenni cremer igne.
Inter oves locum praesta
et ab haedis me secuestra
statuens in parte dextra.
22:16 7.- Confutatis
(coro)
Confutatis maledictis,
flammis acribus addictis,
voca me cum benedictis.
Oro supplex et acclinis,
cor contritum quasi cinis,
gere curam mei finis.
24:36 8.- Lacrimosa
(coro)
Lacrimosa dies illa
qua resurget et favilla
iudicandus homo reus.
Huic ergo parce, Deus.
Pe Iesu, Domine,
dona eis requiem. Amen.
OFFERTORIUM
27:59 9.- Domine Iesu
(coro)
Domine Iesu Christe, Rex gloriae,
libera animas omnium fidelium defunctorum
de poenis inferni et de profundo lacu.
Libera eas de ore leonis,
ne absorbeat eas tartarus,
ne cadant in obscurum,
(cuarteto)
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
(coro)
quam olim Abrahae promisisti
et semini eius.
31:47 10.- Hostias et preces
(coro)
Hostias et preces tibi, Domine,
laudis offerimus.
Tu suscipe pro animabus illis,
quarum hodie memoriam facimus.
Fac eas, Domine,
de morte transire ad vitam,
quam olim Abrahae promisisti
et semini eius.
36:16 11.- Sanctus
(coro)
Sanctus, sanctus,
sanctus Dominus Deus sabaoth.
Pleni sunt caeli et terra gloria tua.
Hosanna in excelsis.
38:01 12.- Benedictus
(cuarteto)
Benedictus qui venit
in nomine Domini.
(coro)
Hosanna in excelsis.
43:16 13.- Agnus Dei
(coro)
Agnus Dei, qui tollis peccata mundi,
miserere nobis.
Agnus Dei, qui tollis peccata mundi,
dona nobis pacem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
COMMUNIO
46:51 14.- Lux aeternam
(soprano y coro)
Lux aeternam luceat eis, Domine,
cum sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis,
cum sanctis tuis in aeternum, quia pius es.
The Requièm Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.
Structure
The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie eleison (choir)
III. Sequentia (text based on sections of the Dies Irae): Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir)
IV. Offertorium: Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus: Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio: Lux aeterna (soprano solo and choir)
- published: 20 Jan 2013
- views: 1625469
50:49
Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano...
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
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https://wn.com/Mozart_Requiem_(Orchestre_National_De_France_James_Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
Retrouvez tous les concerts filmés de France Musique sur https://www.francemusique.fr/concerts
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
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- published: 02 Mar 2018
- views: 5039493
8:54
Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the...
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
https://wn.com/Mozart_Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
- published: 05 Mar 2009
- views: 101367222
54:05
Mozart Requiem (Riccardo Muti 1987)
Mozart Requiem (Riccardo Muti 1987)
Requiem in D minor KV 626
00:00 1. Introitus: Requiem aeternam
05:20 2. Kyrie eleison
08:23 3. Seque...
Mozart Requiem (Riccardo Muti 1987)
Requiem in D minor KV 626
00:00 1. Introitus: Requiem aeternam
05:20 2. Kyrie eleison
08:23 3. Sequenz: Dies irae
10:18 4. Tuba mirum
14:14 5. Rex tremendae
16:47 6. Recordare
22:21 7. Confutatis
24:53 8. Lacrimosa
28:25 9. Offertorium : Domine Jesu Christe
32:33 10. Hostias et preces tibi
37:15 11. Sanctus
39:05 12. Benedictus
44:24 13. Agnus Dei
48:08 14. Communio: Lux aeterna
Patrizia Pace (soprano)
Waltraud Meier (mezzo-soprano)
Frank Lopardo (tenor)
James Morris (bass)
Riccardo Muti (conductor)
Berliner Philharmoniker
Swedish Radio Chorus
Stockholm Chanber Choir
1987/02/14-15 (ⓟ 1987) Stereo (DDD), Philharmonie, Berlin
Producer: James Mallinson
Balance Engineer: John Kurlander
Digitally remastered at Abbey Road Studios by Andrew Walter ⓟ 1998
- Our SuperClassic Channel give our deepest sympathies to everyone struggling with covid-19
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- Unser SuperClassic Channel spricht allen, die mit covid-19 zu kämpfen haben, unser tiefstes Mitgefühl aus
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방문해 주셔서 감사합니다
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https://wn.com/Mozart_Requiem_(Riccardo_Muti_1987)
Mozart Requiem (Riccardo Muti 1987)
Requiem in D minor KV 626
00:00 1. Introitus: Requiem aeternam
05:20 2. Kyrie eleison
08:23 3. Sequenz: Dies irae
10:18 4. Tuba mirum
14:14 5. Rex tremendae
16:47 6. Recordare
22:21 7. Confutatis
24:53 8. Lacrimosa
28:25 9. Offertorium : Domine Jesu Christe
32:33 10. Hostias et preces tibi
37:15 11. Sanctus
39:05 12. Benedictus
44:24 13. Agnus Dei
48:08 14. Communio: Lux aeterna
Patrizia Pace (soprano)
Waltraud Meier (mezzo-soprano)
Frank Lopardo (tenor)
James Morris (bass)
Riccardo Muti (conductor)
Berliner Philharmoniker
Swedish Radio Chorus
Stockholm Chanber Choir
1987/02/14-15 (ⓟ 1987) Stereo (DDD), Philharmonie, Berlin
Producer: James Mallinson
Balance Engineer: John Kurlander
Digitally remastered at Abbey Road Studios by Andrew Walter ⓟ 1998
- Our SuperClassic Channel give our deepest sympathies to everyone struggling with covid-19
- Superclassic channel I miei sentiti sentmenti pet tutti che confrontono la covid19.
- Expresamos nuestras condolencias a todos los que han sido víctimas de esta pandemia de coronavirus
- Unser SuperClassic Channel spricht allen, die mit covid-19 zu kämpfen haben, unser tiefstes Mitgefühl aus
- Notre chaîne SuperClassic offre nos plus sincères sympathies à tous ceux qui luttent contre Covid-19
----------------------------------------------
Thank you
for visiting
Please Subscribe to my channel and click on like button.
訪問していただきありがとうございます
このチャンネルをサポートするために、この音楽を購読、共有、いいね
Grazie per la visita
Cliccare sul tasto "subscribe" sul mio canale
Danke für Ihren Besuch
Bitte abonnieren Sie meinen Kanal und klicken Sie auf die Schaltfläche "Gefällt mir"
Gracias por su visita
Suscríbete a mi canal y haz clic en el botón Me gusta.
Merci pour votre visite
Veuillez vous abonner à ma chaîne et cliquer sur le bouton J'aime
Спасибо за посещение
Подпишитесь на мой канал и нажмите кнопку «Нравится»
방문해 주셔서 감사합니다
구독과 좋아요를 부탁드리겠습니다. 이채널을 유지하는 힘이 됩니다.
謝謝你的拜訪
请订阅我的频道,然后点击“赞”按钮
----------------------------------------------
- published: 17 Jan 2019
- views: 20891
53:50
Mozart – Requiem (with subtitles in 15 languages, Español, Português, English, Latin . . . )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Укр...
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#SinfoniaIuventus
https://wn.com/Mozart_–_Requiem_(With_Subtitles_In_15_Languages,_Español,_Português,_English,_Latin_._._._)
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, 한국어, עברי, Italiano, Latin, 日本語, Polski, Português, Русский, Українська.
0:00 Applause
0:55 Introitus: Requiem aeternam
5:40 Kyrie eleison
Sequenz
8:06 Dies irae
9:47 Tuba mirum
13:31 Rex tremendae
15:51 Recordare
21:31 Confutatis
23:50 Lacrimosa
Offertorium
27:21 Domine Jesu
30:45 Versus: Hostias et preces
34:45 Sanctus
36:30 Benedictus
41:46 Agnus Dei
44:47 Communio: Lux aeterna
50:21 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#SinfoniaIuventus
- published: 07 Apr 2020
- views: 1064152
46:55
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot...
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_In_D_Minor,_K._626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
- published: 26 Oct 2015
- views: 679028
8:12
Wolfgang Amadeus Mozart - Requiem [Confutatis/Lacrimosa]
Wolfgang Amadeus Mozart, compositor
Requiem, Misa en Re menor, K.626:
Sequentia:
Confutatis (coro).
Lacrimosa (coro)
Symphonieorchester des Bayerischen...
Wolfgang Amadeus Mozart, compositor
Requiem, Misa en Re menor, K.626:
Sequentia:
Confutatis (coro).
Lacrimosa (coro)
Symphonieorchester des Bayerischen Rundfunks
Chor des Bayerischen Rundfunks dirigido por Wolfgang Seeliger Marie McLaughlin, soprano
Leonard Bernstein, director
© 1989
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_Confutatis_Lacrimosa
Wolfgang Amadeus Mozart, compositor
Requiem, Misa en Re menor, K.626:
Sequentia:
Confutatis (coro).
Lacrimosa (coro)
Symphonieorchester des Bayerischen Rundfunks
Chor des Bayerischen Rundfunks dirigido por Wolfgang Seeliger Marie McLaughlin, soprano
Leonard Bernstein, director
© 1989
- published: 24 Oct 2011
- views: 1616634