'John Keats' is featured as a movie character in the following productions:
Bright Star (2009)
Actors:
Jonathan Aris (actor),
Sebastian Armesto (actor),
Roger Ashton-Griffiths (actor),
Riccardo Bacigalupo (actor),
Samuel Barnett (actor),
Thomas Brodie-Sangster (actor),
Tony Fish (actor),
Vincent Franklin (actor),
Will Garthwaite (actor),
Sam Gaukroger (actor),
Alfred Harmsworth (actor),
Guy Mannerings (actor),
Gerard Monaco (actor),
Lucas Motion (actor),
Olly Alexander (actor),
Plot: It's 1818 in Hampstead Village on the outskirts of London. Poet Charles Brown lives in one half of a house, the Dilkes family who live in the other half. Through their association with the Dilkes, the fatherless Brawne family know Mr. Brown. The Brawne's eldest daughter, Fanny Brawne, and Mr. Brown don't like each other. She thinks he's arrogant and rude, and he feels that she is pretentious, knowing only how to sew (admittedly well as she makes all her own fashionable clothes), flirt and give opinions on subjects about which she knows nothing. Insecure struggling poet 'John Keats (I)' (qv) comes to live with his friend, Mr. Brown. Miss Brawne and Mr. Keats have a mutual attraction to each other, a relationship which however is slow to develop in part since Mr. Brown does whatever he can to keep the two apart. But other obstacles face the couple, including their eventual overwhelming passion for each other clouding their view of what the other does, Mr. Keats' struggling career which offers him little in the way of monetary security (which will lead to Mrs. Brawne not giving consent for them to marry), and health issues which had earlier taken the life of Mr. Keats' brother, Tom.
Keywords: 1810s, 19th-century, baby, bee, blood, bluebells, book, book-seller, bookshop, boy
Genres:
Biography,
Drama,
Romance,
Taglines: First Love Burns Brightest A thing of beauty is a joy forever.
Quotes:
John Keats: [about writing poetry] It ought to come like leaves to a tree, or it better not come at all.
Fanny Brawne: [the night before he leaves] You know I would do anything::John Keats: I have a conscience.
Charles Armitage Brown: I failed John Keats. I did not know til now how tightly he wound himself around my heart.
Margaret 'Toots' Brawne: [explaining to the bookseller why her sister Fanny wants to get John Keats' latest poem book] My sister has met the author and she wants to read it for herself to see if he's an idiot or not.
Fanny Brawne: I still don't know how to work out a poem.::John Keats: A poem needs understanding through the senses. The point of diving into a lake is not immediately to swim to the shore but to be in the lake, to luxuriate in the sensation of water. You do not work the lake out, it is a experience beyond thought. Poetry soothes and emboldens the soul to accept the mystery.::Fanny Brawne: I love mystery.
John Keats: I had such a dream last night. I was floating above the trees with my lips connected to those of a beautiful figure, for what seemed like an age. Flowery treetops sprung up beneath us and we rested on them with the lightness of a cloud.::Fanny Brawne: Who was the figure?::John Keats: I must have had my eyes closed because I can't remember.::Fanny Brawne: And yet you remember the treetops.::John Keats: Not so well as I remember the lips.::Fanny Brawne: Whose lips? Were they my lips?
[first lines]::[general chatter]::Mrs. Brawne: Hello, Joy.::Dilke Maid: Hello.::Mrs. Brawne: Is all well?::Dilke Maid: Very good, thank you.
[last lines]::Fanny Brawne: [last lines before credits, speaking Keat's poem Bright Star] Bright star, would I were stedfast as thou art - / Not in lone splendour hung aloft the night / And watching, with eternal lids apart, / Like nature's patient, sleepless Eremite, / The moving waters at their priestlike task / Of pure ablution round earth's human shores, / Or gazing on the new soft-fallen masque / Of snow upon the mountains and the moors - / No - yet still stedfast, still unchangeable / Pillow'd upon my fair love's ripening breast, / To feel for ever its soft swell and fall, / Awake for ever in a sweet unrest, / Still, still to hear her tender-taken breath, / And so live ever - or else swoon in death.
[last title cards]::Title card: Fanny Brawne walked the Heath for many years, often far into the night. She never forgot John Keats or removed his ring. / Keats died at twenty five, believing himself a failure. Today he is recognised as one of the greatest of the Romantic Poets.
[last lines]::John Keats: [voice over credits, from Ode to a Nightingale] Forlorn! the very word is like a bell / To toll me back from thee to my sole self! / Adieu! the fancy cannot cheat so well / As she is fam'd to do, deceiving elf. / Adieu! adieu! thy plaintive anthem fades / Past the near meadows, over the still stream, / Up the hill-side; and now 'tis buried deep / In the next valley-glades: / Was it a vision, or a waking dream? / Fled is that music: - Do I wake or sleep?
The Poetry Hall of Fame (1993)
Actors:
John Betjeman (actor),
Victor Bevine (actor),
LeVar Burton (actor),
Robert Culp (actor),
Jim Dale (actor),
Henry Fonda (actor),
Will Geer (actor),
Jack Gwillim (actor),
Fred Gwynne (actor),
Roger Hammond (actor),
Paul Hecht (actor),
Alan Howard (actor),
Neil Hunt (actor),
Mel Johnson Jr. (actor),
Stephen G. Arlen (actor),
Genres:
,
-
John Keats 1: Life & Legacy
A whistle-stop tour through the life and legacy of John Keats, from his personal troubles to his veneration as a key figure of the Romantic movement.
NOTES
Note on Keats’ Critical Reception: Out of the work published in his lifetime, only Keats’ final volume was well-received. 'Lamia, Isabella, The Eve of St. Agnes, and Other Poems' (1820) was published just seven months before he died, and was praised in both 'The Examiner' and 'Edinburgh Review'. The positive feedback, however, was rather a case of too little, too late. Keats was already caught in the throes of consumption, and his peers even came to blame the illness on the critical onslaught that he had endured over 'Endymion'. This melodramatic and rather inaccurate myth was perpetuated by Byron (who claimed that Keats was ‘snuffed ...
published: 15 Oct 2016
-
An Introduction to John Keats
English 10 - Brit Lit
published: 04 Oct 2018
-
Six Odes of John Keats | In-Depth Summary & Analysis
Six Odes of John Keats explained with poem summaries in just a few minutes!
Course Hero Literature Instructor Russell Jaffe provides an in-depth analysis of the six odes of John Keats.
Download the free study guide of Six Odes of John Keats here: https://www.coursehero.com/lit/Six-Odes-of-John-Keats/
In his six odes, John Keats uses traditional forms to explore universal themes of love, beauty, and the passage of time.
Keats piquantly investigates the boundaries between the dream world and reality, pleasure and pain. Drawing on the Greek tradition, his sonnets traverse the range of human emotions.
As he meditates on the song of a nightingale or the ancient qualities of a Grecian urn, he finds that his feelings are not easily distinguishable and bleed into each other. Sadness lead...
published: 20 Apr 2020
-
The strangely encouraging life of John Keats
#johnkeats #poetry #literature A brief (9 minute) audio biography of John Keats written and narrated by John Webster with images of locations associated with the poet. Why 'strangely encouraging'?
Because Keats:
overcame childhood traumas, put those traumas into his creative journey, abandoned a potentially lucrative career to be true to his vocation, turned himself into a world-class poet in a three-year period, arrived at his achievement through determination and false starts as well as instinctive genius, and created a body of work that would eventually secure his place as a poet as great as any of his time.
More on Keats and his legacy in the video 'The First Fab Four' - details at
www.thefirstfabfour.co.uk
published: 16 Sep 2016
-
When I Have Fears – John Keats (Powerful Life Poetry)
Read by James Smillie
-
John Keats was a revered English poet who devoted his short life to the perfection of poetry.
published: 14 Mar 2021
-
The Cockney Romantics: John Keats and his Friends
The younger generation of English Romantics were Londoners through and through. They were known as the 'Cockney School of Poetry'.
A lecture by Sir Jonathan Bate FBA, Gresham Professor of Rhetoric 14 May 2019
https://www.gresham.ac.uk/lectures-and-events/cockney-romantics-john-keats
The word Romanticism makes us think of mountain tops and stormy seas, but the younger generation of English Romantics (above all, John Keats) were Londoners through and through. They were even mocked as ‘the Cockney School of Poetry’.
Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival cri...
published: 24 May 2019
-
John Keats- Ode to a Nightingale
HDHDHDHD. YOU WON'T REGRET IT.
30 Min. making this, 2 hours rendering in Full HD, 1 1/2 hours uploading it. I also upped the bass a little to give his voice a little boom. /like it needed it. So uh Enjoy his face and voice. :)
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness, --
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O, for a draught of vintage! that hath been
Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Pro...
published: 16 Aug 2011
-
English Literature | John Keats: life and works
John Keats (London, 31 October 1795 – Rome, 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley.
In this video we analyse his the main features of his poetry, with special attention to "Ode on a Grecian Urn" and "La Belle Dame sans Merci".
--------------------------
Playlist English Literature:
https://www.youtube.com/watch?v=rlMdNl2jSIA&list;=PL1jS3rEXFQxO0wOo8Hmwn-CoD2KqZFbxo
Hashtag:
#johnkeats #romanticism #englishliterature #literature #literaryhelp #books #reading #bookstagram #book #poetry #library
-------------------------
SOCIAL MEDIA and CONTACTS:
Instagram: @sara_albanese_ita - https://bit.ly/2HatMB0
Facebook: Scripta Manent - Sara Albanese - https://bit.ly/2...
published: 16 Sep 2020
-
John Keats in Hindi
#JohnKeats #Keats
published: 10 Sep 2019
-
Poetry and Immortality: John Keats' 'Ode to a Nightingale' - Professor Belinda Jack
What is Keats' poem about, and why is it one of the greatest poems ever written?
http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-to-a-nightingale
‘Thou wast not born for Death! immortal bird/ No hungry generations tread thee down.’
Keats’ ‘Ode to a Nightingale’ contains these curious lines. How can a bird be ‘immortal’? The poem is partly about immortality, but how does its complex poetic web work?
The transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-to-a-nightingale
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to acc...
published: 04 Jun 2015
7:38
John Keats 1: Life & Legacy
A whistle-stop tour through the life and legacy of John Keats, from his personal troubles to his veneration as a key figure of the Romantic movement.
NOTES
No...
A whistle-stop tour through the life and legacy of John Keats, from his personal troubles to his veneration as a key figure of the Romantic movement.
NOTES
Note on Keats’ Critical Reception: Out of the work published in his lifetime, only Keats’ final volume was well-received. 'Lamia, Isabella, The Eve of St. Agnes, and Other Poems' (1820) was published just seven months before he died, and was praised in both 'The Examiner' and 'Edinburgh Review'. The positive feedback, however, was rather a case of too little, too late. Keats was already caught in the throes of consumption, and his peers even came to blame the illness on the critical onslaught that he had endured over 'Endymion'. This melodramatic and rather inaccurate myth was perpetuated by Byron (who claimed that Keats was ‘snuffed out by an article’), Percy Shelley (in his poem, 'Adonais'), and by Keats’ own tombstone; against his wishes, Charles Brown and Joseph Severn included in the inscription that he died ‘at the Malicious Power of his Enemies’.
Note on Fanny Brawne’s Reputation: Brawne’s reputation as a ‘flirt’ has (surprisingly) been much debated by scholars. Some, for instance, have blamed the Victorians and their strict code of sexual propriety for exaggerating her flirtatious nature; when Keats’ love letters were published in 1878, the respectable classes were scandalised by their passionate feeling and quick to label Brawne as a ‘bad influence’ on the beloved poet. For a discussion of Brawne’s reputation see Bate, Keats, p.421-424.
REFERENCES
Epitaph: Walter Jackson Bate, John Keats (London: Oxford University Press, 1967), p.694.
Description of Keats’ Physical Appearance: Bate, Keats, p.18, p.114-115.
Description of Keats’ Personality: Bate, Keats, 17-18. Martin Halpern, ‘Keats and the “Spirit that Laughest”, Keats-Shelley Journal, Vol. 15, 1966, p.69.
Death of Edward Keats: Chronology published in John Keats, Selected Letters, ed. Robert Gittings (Oxford: Oxford University Press, 2009), p.xxxix.
Death of Thomas Keats, Frances Jennings & Tom Keats: Chronology published in John Keats, Selected Poems, ed. John Barnard (London: Penguin Books Ltd., 2007), p.ix-xii.
Emigration of George Keats: Chronology published in Keats, Selected Poems, ed. Barnard, p.xi.
Keats Abandons his Medical Career: Kelvin Everest, entry: John Keats, The Oxford Dictionary of National Biography, http://www.oxforddnb.com/, last accessed 16th October.
Review of Endymion: John Wilson Croker, review of Keats’ Endymion, The Quarterly Review, April 1818, http://www.lordbyron.org/doc.php?choose=JoCroke.1818.Keats.xml, last accessed 11th October 2016.
Attacks on ‘The Cockney School of Poetry’: John Gibson Lockhart, ‘On the Cockney School of Poetry, No.I-VIII’, Blackwood’s Edinburgh Magazine, October 1817 – July 1825, http://www.lordbyron.org/contents.php?doc=JoLockh.Cockney.Contents, last accessed 11th October 2016.
Description of Fanny Brawne’s Personality: Jane Campion, Introduction, So Bright and Delicate: Love Letters and Poems of John Keats to Fanny Brawne (London: Penguin Books Ltd., 2009), p.vii-viii.
Keats & Fanny Brawne are Engaged: Chronology published in Keats, Selected Poems, p.xiii.
Financial Troubles Impact Marriage Prospects: Bate, Keats, p.535.
Keats’ Journey to Rome & Death: Bate, Keats, p.655-696.
‘If I should die…’: Letter from John Keats to Fanny Brawne, February (?) 1820, Keats, Selected Letters, ed. Gittings, p.335.
Romanticism: M. H. Abrams, entry: Romantic Era, A Glossary of Literary Terms: Ninth Edition (Boston: Wadsworth Cengage Learning, 2009), p.255. The following are useful introductory websites (all last accessed 11th October, 2016):
- https://masterworksbritlit.wordpress.com/2010/03/19/introduction-to-romanticism/
- http://academic.brooklyn.cuny.edu/english/melani/cs6/rom.html
- https://www.bl.uk/romantics-and-victorians/articles/the-romantics
‘I think I shall be…’: Letter from John Keats to George and Georgiana Keats, October 1818, Keats, Selected Letters, ed. Gittings, p.151.
(This is an educational and non-commercial video. WordLine has tried to follow Fair Use guidelines whenever using pre-existing images or footage.)
https://wn.com/John_Keats_1_Life_Legacy
A whistle-stop tour through the life and legacy of John Keats, from his personal troubles to his veneration as a key figure of the Romantic movement.
NOTES
Note on Keats’ Critical Reception: Out of the work published in his lifetime, only Keats’ final volume was well-received. 'Lamia, Isabella, The Eve of St. Agnes, and Other Poems' (1820) was published just seven months before he died, and was praised in both 'The Examiner' and 'Edinburgh Review'. The positive feedback, however, was rather a case of too little, too late. Keats was already caught in the throes of consumption, and his peers even came to blame the illness on the critical onslaught that he had endured over 'Endymion'. This melodramatic and rather inaccurate myth was perpetuated by Byron (who claimed that Keats was ‘snuffed out by an article’), Percy Shelley (in his poem, 'Adonais'), and by Keats’ own tombstone; against his wishes, Charles Brown and Joseph Severn included in the inscription that he died ‘at the Malicious Power of his Enemies’.
Note on Fanny Brawne’s Reputation: Brawne’s reputation as a ‘flirt’ has (surprisingly) been much debated by scholars. Some, for instance, have blamed the Victorians and their strict code of sexual propriety for exaggerating her flirtatious nature; when Keats’ love letters were published in 1878, the respectable classes were scandalised by their passionate feeling and quick to label Brawne as a ‘bad influence’ on the beloved poet. For a discussion of Brawne’s reputation see Bate, Keats, p.421-424.
REFERENCES
Epitaph: Walter Jackson Bate, John Keats (London: Oxford University Press, 1967), p.694.
Description of Keats’ Physical Appearance: Bate, Keats, p.18, p.114-115.
Description of Keats’ Personality: Bate, Keats, 17-18. Martin Halpern, ‘Keats and the “Spirit that Laughest”, Keats-Shelley Journal, Vol. 15, 1966, p.69.
Death of Edward Keats: Chronology published in John Keats, Selected Letters, ed. Robert Gittings (Oxford: Oxford University Press, 2009), p.xxxix.
Death of Thomas Keats, Frances Jennings & Tom Keats: Chronology published in John Keats, Selected Poems, ed. John Barnard (London: Penguin Books Ltd., 2007), p.ix-xii.
Emigration of George Keats: Chronology published in Keats, Selected Poems, ed. Barnard, p.xi.
Keats Abandons his Medical Career: Kelvin Everest, entry: John Keats, The Oxford Dictionary of National Biography, http://www.oxforddnb.com/, last accessed 16th October.
Review of Endymion: John Wilson Croker, review of Keats’ Endymion, The Quarterly Review, April 1818, http://www.lordbyron.org/doc.php?choose=JoCroke.1818.Keats.xml, last accessed 11th October 2016.
Attacks on ‘The Cockney School of Poetry’: John Gibson Lockhart, ‘On the Cockney School of Poetry, No.I-VIII’, Blackwood’s Edinburgh Magazine, October 1817 – July 1825, http://www.lordbyron.org/contents.php?doc=JoLockh.Cockney.Contents, last accessed 11th October 2016.
Description of Fanny Brawne’s Personality: Jane Campion, Introduction, So Bright and Delicate: Love Letters and Poems of John Keats to Fanny Brawne (London: Penguin Books Ltd., 2009), p.vii-viii.
Keats & Fanny Brawne are Engaged: Chronology published in Keats, Selected Poems, p.xiii.
Financial Troubles Impact Marriage Prospects: Bate, Keats, p.535.
Keats’ Journey to Rome & Death: Bate, Keats, p.655-696.
‘If I should die…’: Letter from John Keats to Fanny Brawne, February (?) 1820, Keats, Selected Letters, ed. Gittings, p.335.
Romanticism: M. H. Abrams, entry: Romantic Era, A Glossary of Literary Terms: Ninth Edition (Boston: Wadsworth Cengage Learning, 2009), p.255. The following are useful introductory websites (all last accessed 11th October, 2016):
- https://masterworksbritlit.wordpress.com/2010/03/19/introduction-to-romanticism/
- http://academic.brooklyn.cuny.edu/english/melani/cs6/rom.html
- https://www.bl.uk/romantics-and-victorians/articles/the-romantics
‘I think I shall be…’: Letter from John Keats to George and Georgiana Keats, October 1818, Keats, Selected Letters, ed. Gittings, p.151.
(This is an educational and non-commercial video. WordLine has tried to follow Fair Use guidelines whenever using pre-existing images or footage.)
- published: 15 Oct 2016
- views: 77735
11:11
Six Odes of John Keats | In-Depth Summary & Analysis
Six Odes of John Keats explained with poem summaries in just a few minutes!
Course Hero Literature Instructor Russell Jaffe provides an in-depth analysis of t...
Six Odes of John Keats explained with poem summaries in just a few minutes!
Course Hero Literature Instructor Russell Jaffe provides an in-depth analysis of the six odes of John Keats.
Download the free study guide of Six Odes of John Keats here: https://www.coursehero.com/lit/Six-Odes-of-John-Keats/
In his six odes, John Keats uses traditional forms to explore universal themes of love, beauty, and the passage of time.
Keats piquantly investigates the boundaries between the dream world and reality, pleasure and pain. Drawing on the Greek tradition, his sonnets traverse the range of human emotions.
As he meditates on the song of a nightingale or the ancient qualities of a Grecian urn, he finds that his feelings are not easily distinguishable and bleed into each other. Sadness leads into an appreciation of beauty and vice versa. His acknowledgment of this complexity serves as a pointed commentary on the human condition.
Thoroughly Romantic in theme and content, these poems speak to emotion and feeling rather than rationality. Yet, they are insightful and full of sharp-eyed observations.
British Romantic poet John Keats’s six odes were composed in 1818, with most of them written during the spring. These verses are addressed to people, a goddess, a bird, and different emotions. In composing these poems, Keats also experiments with different structures and forms, borrowing from and blending the styles of famous sonneteers, including Shakespeare, John Milton, and Petrarch.
The Six Odes of John Keats explore many important themes, including the ideal versus reality, as confusion occurs in a few of Keats's odes and is often accompanied by disappointment at having to return to real life; pleasure versus pain, as most of the odes begin in an appreciation of beauty or pleasure that often turns to reflection on how pleasure and pain are linked, as are beauty and suffering; and immorality versus morality, as Keats questions whether a person can live on through their art or their words. Important symbols include nature, the Grecian urn, and the nightingale.
Explore Course Hero’s collection of free literature study guides, Q&A; pairs, and infographics here: https://www.coursehero.com/lit/
About Course Hero:
Course Hero helps empower students and educators to succeed! We’re fueled by a passionate community of students and educators who share their course-specific knowledge and resources to help others learn. Learn more at http://www.coursehero.com
Master Your Classes™ with Course Hero!
Get the latest updates:
Facebook: https://www.facebook.com/coursehero
Twitter: https://twitter.com/coursehero
https://wn.com/Six_Odes_Of_John_Keats_|_In_Depth_Summary_Analysis
Six Odes of John Keats explained with poem summaries in just a few minutes!
Course Hero Literature Instructor Russell Jaffe provides an in-depth analysis of the six odes of John Keats.
Download the free study guide of Six Odes of John Keats here: https://www.coursehero.com/lit/Six-Odes-of-John-Keats/
In his six odes, John Keats uses traditional forms to explore universal themes of love, beauty, and the passage of time.
Keats piquantly investigates the boundaries between the dream world and reality, pleasure and pain. Drawing on the Greek tradition, his sonnets traverse the range of human emotions.
As he meditates on the song of a nightingale or the ancient qualities of a Grecian urn, he finds that his feelings are not easily distinguishable and bleed into each other. Sadness leads into an appreciation of beauty and vice versa. His acknowledgment of this complexity serves as a pointed commentary on the human condition.
Thoroughly Romantic in theme and content, these poems speak to emotion and feeling rather than rationality. Yet, they are insightful and full of sharp-eyed observations.
British Romantic poet John Keats’s six odes were composed in 1818, with most of them written during the spring. These verses are addressed to people, a goddess, a bird, and different emotions. In composing these poems, Keats also experiments with different structures and forms, borrowing from and blending the styles of famous sonneteers, including Shakespeare, John Milton, and Petrarch.
The Six Odes of John Keats explore many important themes, including the ideal versus reality, as confusion occurs in a few of Keats's odes and is often accompanied by disappointment at having to return to real life; pleasure versus pain, as most of the odes begin in an appreciation of beauty or pleasure that often turns to reflection on how pleasure and pain are linked, as are beauty and suffering; and immorality versus morality, as Keats questions whether a person can live on through their art or their words. Important symbols include nature, the Grecian urn, and the nightingale.
Explore Course Hero’s collection of free literature study guides, Q&A; pairs, and infographics here: https://www.coursehero.com/lit/
About Course Hero:
Course Hero helps empower students and educators to succeed! We’re fueled by a passionate community of students and educators who share their course-specific knowledge and resources to help others learn. Learn more at http://www.coursehero.com
Master Your Classes™ with Course Hero!
Get the latest updates:
Facebook: https://www.facebook.com/coursehero
Twitter: https://twitter.com/coursehero
- published: 20 Apr 2020
- views: 2538
9:51
The strangely encouraging life of John Keats
#johnkeats #poetry #literature A brief (9 minute) audio biography of John Keats written and narrated by John Webster with images of locations associated with th...
#johnkeats #poetry #literature A brief (9 minute) audio biography of John Keats written and narrated by John Webster with images of locations associated with the poet. Why 'strangely encouraging'?
Because Keats:
overcame childhood traumas, put those traumas into his creative journey, abandoned a potentially lucrative career to be true to his vocation, turned himself into a world-class poet in a three-year period, arrived at his achievement through determination and false starts as well as instinctive genius, and created a body of work that would eventually secure his place as a poet as great as any of his time.
More on Keats and his legacy in the video 'The First Fab Four' - details at
www.thefirstfabfour.co.uk
https://wn.com/The_Strangely_Encouraging_Life_Of_John_Keats
#johnkeats #poetry #literature A brief (9 minute) audio biography of John Keats written and narrated by John Webster with images of locations associated with the poet. Why 'strangely encouraging'?
Because Keats:
overcame childhood traumas, put those traumas into his creative journey, abandoned a potentially lucrative career to be true to his vocation, turned himself into a world-class poet in a three-year period, arrived at his achievement through determination and false starts as well as instinctive genius, and created a body of work that would eventually secure his place as a poet as great as any of his time.
More on Keats and his legacy in the video 'The First Fab Four' - details at
www.thefirstfabfour.co.uk
- published: 16 Sep 2016
- views: 28313
1:46
When I Have Fears – John Keats (Powerful Life Poetry)
Read by James Smillie
-
John Keats was a revered English poet who devoted his short life to the perfection of poetry.
Read by James Smillie
-
John Keats was a revered English poet who devoted his short life to the perfection of poetry.
https://wn.com/When_I_Have_Fears_–_John_Keats_(Powerful_Life_Poetry)
Read by James Smillie
-
John Keats was a revered English poet who devoted his short life to the perfection of poetry.
- published: 14 Mar 2021
- views: 200904
50:35
The Cockney Romantics: John Keats and his Friends
The younger generation of English Romantics were Londoners through and through. They were known as the 'Cockney School of Poetry'.
A lecture by Sir Jonathan Ba...
The younger generation of English Romantics were Londoners through and through. They were known as the 'Cockney School of Poetry'.
A lecture by Sir Jonathan Bate FBA, Gresham Professor of Rhetoric 14 May 2019
https://www.gresham.ac.uk/lectures-and-events/cockney-romantics-john-keats
The word Romanticism makes us think of mountain tops and stormy seas, but the younger generation of English Romantics (above all, John Keats) were Londoners through and through. They were even mocked as ‘the Cockney School of Poetry’.
Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival critic.
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/
https://wn.com/The_Cockney_Romantics_John_Keats_And_His_Friends
The younger generation of English Romantics were Londoners through and through. They were known as the 'Cockney School of Poetry'.
A lecture by Sir Jonathan Bate FBA, Gresham Professor of Rhetoric 14 May 2019
https://www.gresham.ac.uk/lectures-and-events/cockney-romantics-john-keats
The word Romanticism makes us think of mountain tops and stormy seas, but the younger generation of English Romantics (above all, John Keats) were Londoners through and through. They were even mocked as ‘the Cockney School of Poetry’.
Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival critic.
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/
- published: 24 May 2019
- views: 17105
5:36
John Keats- Ode to a Nightingale
HDHDHDHD. YOU WON'T REGRET IT.
30 Min. making this, 2 hours rendering in Full HD, 1 1/2 hours uploading it. I also upped the bass a little to give his voice...
HDHDHDHD. YOU WON'T REGRET IT.
30 Min. making this, 2 hours rendering in Full HD, 1 1/2 hours uploading it. I also upped the bass a little to give his voice a little boom. /like it needed it. So uh Enjoy his face and voice. :)
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness, --
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O, for a draught of vintage! that hath been
Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain --
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music: -- Do I wake or sleep?
https://wn.com/John_Keats_Ode_To_A_Nightingale
HDHDHDHD. YOU WON'T REGRET IT.
30 Min. making this, 2 hours rendering in Full HD, 1 1/2 hours uploading it. I also upped the bass a little to give his voice a little boom. /like it needed it. So uh Enjoy his face and voice. :)
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness, --
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O, for a draught of vintage! that hath been
Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain --
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music: -- Do I wake or sleep?
- published: 16 Aug 2011
- views: 1192864
19:06
English Literature | John Keats: life and works
John Keats (London, 31 October 1795 – Rome, 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic ...
John Keats (London, 31 October 1795 – Rome, 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley.
In this video we analyse his the main features of his poetry, with special attention to "Ode on a Grecian Urn" and "La Belle Dame sans Merci".
--------------------------
Playlist English Literature:
https://www.youtube.com/watch?v=rlMdNl2jSIA&list;=PL1jS3rEXFQxO0wOo8Hmwn-CoD2KqZFbxo
Hashtag:
#johnkeats #romanticism #englishliterature #literature #literaryhelp #books #reading #bookstagram #book #poetry #library
-------------------------
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Facebook: Scripta Manent - Sara Albanese - https://bit.ly/2AFLHKj
Twitter: @SaraAlbanese_IT - https://bit.ly/2RHUsNr
Official Website: Sara Albanese - https://bit.ly/2M4K510
E-Mail: admaioratutor@gmail.com
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Chi sono: Sara Albanese, nata a Treviso nel 1982, si è laureata presso la Facoltà di Lingue e Letterature Straniere dell’Università Ca’ Foscari di Venezia, diventando poi Docente di Lingua e Letteratura Tedesca ed Inglese, scrittrice, traduttrice e mediatrice linguistica.
Ad Maiora: corsi compattati, approccio alle lingue stranieri, approfondimenti letterari, interpretazioni filosofiche, consigli per affrontare esami universitari e di scuola superiore.
https://wn.com/English_Literature_|_John_Keats_Life_And_Works
John Keats (London, 31 October 1795 – Rome, 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley.
In this video we analyse his the main features of his poetry, with special attention to "Ode on a Grecian Urn" and "La Belle Dame sans Merci".
--------------------------
Playlist English Literature:
https://www.youtube.com/watch?v=rlMdNl2jSIA&list;=PL1jS3rEXFQxO0wOo8Hmwn-CoD2KqZFbxo
Hashtag:
#johnkeats #romanticism #englishliterature #literature #literaryhelp #books #reading #bookstagram #book #poetry #library
-------------------------
SOCIAL MEDIA and CONTACTS:
Instagram: @sara_albanese_ita - https://bit.ly/2HatMB0
Facebook: Scripta Manent - Sara Albanese - https://bit.ly/2AFLHKj
Twitter: @SaraAlbanese_IT - https://bit.ly/2RHUsNr
Official Website: Sara Albanese - https://bit.ly/2M4K510
E-Mail: admaioratutor@gmail.com
--------------------------
For DONATIONS to Ad Maiora with PAYPAL (admaioratutor@gmail.com):
https://www.paypal.me/albanesesara
--------------------------
🔔Subscribe to Ad Maiora🔔
https://shorturl.at/coqS6
Make sure to enable ALL push notifications!
--------------------------
Chi sono: Sara Albanese, nata a Treviso nel 1982, si è laureata presso la Facoltà di Lingue e Letterature Straniere dell’Università Ca’ Foscari di Venezia, diventando poi Docente di Lingua e Letteratura Tedesca ed Inglese, scrittrice, traduttrice e mediatrice linguistica.
Ad Maiora: corsi compattati, approccio alle lingue stranieri, approfondimenti letterari, interpretazioni filosofiche, consigli per affrontare esami universitari e di scuola superiore.
- published: 16 Sep 2020
- views: 3614
49:45
Poetry and Immortality: John Keats' 'Ode to a Nightingale' - Professor Belinda Jack
What is Keats' poem about, and why is it one of the greatest poems ever written?
http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-...
What is Keats' poem about, and why is it one of the greatest poems ever written?
http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-to-a-nightingale
‘Thou wast not born for Death! immortal bird/ No hungry generations tread thee down.’
Keats’ ‘Ode to a Nightingale’ contains these curious lines. How can a bird be ‘immortal’? The poem is partly about immortality, but how does its complex poetic web work?
The transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-to-a-nightingale
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/
https://wn.com/Poetry_And_Immortality_John_Keats'_'Ode_To_A_Nightingale'_Professor_Belinda_Jack
What is Keats' poem about, and why is it one of the greatest poems ever written?
http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-to-a-nightingale
‘Thou wast not born for Death! immortal bird/ No hungry generations tread thee down.’
Keats’ ‘Ode to a Nightingale’ contains these curious lines. How can a bird be ‘immortal’? The poem is partly about immortality, but how does its complex poetic web work?
The transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/poetry-immortality-john-keats-ode-to-a-nightingale
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/
- published: 04 Jun 2015
- views: 100697