"Nothing" is a song co-written and recorded by American country music artist Dwight Yoakam. It was released in October 1995 as the first single from the album Gone. The song reached #20 on the Billboard Hot Country Singles & Tracks chart. The song was written by Yoakam and Kostas.
Nothing is a song from the musical A Chorus Line. It is sung by the Hispanic character Diana.
This song is the major centerpiece of Montage - Part 2.
City Beat explains "Diana...talks about a teacher who berated her". All About Theatre talks about "Diana's recollections of a horrible high school acting class". The Independent describes it as "an account of her humiliations at the hands of a high-school Method Acting teacher".
The Arts Desk describes it as "the song about theatrical pretension". Metro Theatre Arts wrote the song had "the essence of a star waiting to bloom". CT Theatre News and Reviews described the song as "dead-on and quite moving". The Independent "hilarious, gutsy to attack...that is one of the best songs in Marvin Hamlisch's snappy, agile score".
"Nothing" is a song recorded by American singer-songwriter Janet Jackson. It was released on March 23, 2010 by A&M Records and So So Def Recordings as a soundtrack single from the film Why Did I Get Married Too?, which starred Jackson. The song was later included on Jackson's compilation album Icon: Number Ones. It was written by Jackson, Johntá Austin, Bryan-Michael Cox and Jermaine Dupri and produced by Jackson, Cox, and Dupri. Initially titled "Trust in Me", the song was written about the different character's personas and emotions in the film.
"Nothing" received mostly positive reviews from music critics, who praised it as "classic pop", and noted that it was possibly influenced by her brother Michael Jackson's recent death. Despite the fact that it was not officially released to radio formats for airplay, the song managed to achieve moderate rotation on adult contemporary and jazz formats. A music video for the song was directed by Tim Palen and premiered in April 2010. Jackson performed "Nothing" on the ninth season finale of American Idol and on the Essence Music Festival, which Jackson headlined.
Delta Cafés (Portuguese pronunciation: [dɛɫtɐ kɐfɛʃ]) is a Portuguese coffee roasting and coffee packaging company headquartered in Campo Maior, Alentejo. The company was founded in 1961 and is among the top market leaders in the Iberian Peninsula. The company belongs to Nabeiro Group, the personal conglomerate of its founder Rui Nabeiro, which include interests on agribusiness, agriculture, real estate, hotels, and other services.
Delta Cafés was founded by Rui Nabeiro in 1961 in the town of Campo Maior, Alentejo in a small 50-m² warehouse, which could only handle two 30 kg roasters. In 1998, the Nabeiro/Delta Cafés Group was restructured and gave rise to 22 companies organized into strategic areas, with turnover of approximately €160 million. In the 2000s, it become the market leader for coffee in Portugal, with a market share of 38%. It has 47,000 direct retail clients (among the largest of which is Sonae, a leading Portuguese retailer) and 3,000 employees. Also in the 2007, Delta Cafés launched its own espresso products, Delta Q, based on a proprietary system of single-serving "capsules" containing ground coffee and rooibos, and specialized machines to brew espresso from the contents of the capsules in a similar way to that of Nestlé's Nespresso brand portfolio.
Delta is a horizontally scrolling shooter computer game originally released for the Commodore 64 by Thalamus Ltd in 1987. It was programmed by Stavros Fasoulas and the music was written by Rob Hubbard. The menu-music is based on the theme of Koyaanisqatsi by Philip Glass and the in-game-music is based on Pink Floyd's On the Run. The game was also released for the ZX Spectrum in 1990 as Delta Charge.
The game was released as Delta Patrol in the United States by Electronic Arts for its Amazing Software line of action-oriented software programs, in 1987 on the Commodore 64.
The player controls a spaceship and gains power-up points by destroying formations of enemies. Some enemy formations instead subtract power-up points for the player, so the player must take note of which formations to destroy. Periodically blocks containing the power-ups (higher speed, faster rate of fire) appear and the player can pick one of them up: The more points the player has collected, the more powerful are the power-ups that can be chosen. Unavailable power-ups are gray and kill the player if he flies into them, making them part of the obstacles in the game. The effects of the power-ups are lost over time and must therefore be regained. The player gets a choice between in-game music or in-game sound effects. There is also a high score table but no way to save it when the game is turned off.
Memorial Hall, immediately north of Harvard Yard in Cambridge, Massachusetts, is an imposing High Victorian Gothic building honoring the sacrifices made by Harvard men in defense of the Union during the American Civil War—"a symbol of Boston's commitment to the Unionist cause and the abolitionist movement in America."
Built on a former playing field known as the Delta, it was described by Henry James as consisting of
James' "three divisions" are known today as (respectively) Sanders Theater; Annenberg Hall (formerly Alumni Hall or the Great Hall); and Memorial Transept. Beneath Annenberg Hall, Loker Commons offers a number of student facilities.
Between 1865 and 1868 an alumni "Committee of Fifty" raised $370,000 (equal to one-twelfth of Harvard's entire endowment at the time) toward a new building in memory of Harvard men who had fought for the Union in the American Civil War, particularly the 136 dead—a "Hall of Alumni in which students and graduates might be inspired by the pictured and sculpted presence of her founders, benefactors, faculty, presidents, and most distinguished sons." When, about the same time, a $40,000 bequest was received from Charles Sanders (class of 1802) for "a hall or theatre to be used on [any] public occasion connected with the College, whether literary or festive", a vision was formed of a single building containing a large theater as well as a large open hall, and thus meeting both goals.
Well for a moment it was over then I don't think that it's over, now Now we can go on this way
Like nothing happened; nothing changed a bit But I wouldn't bet my life on it The feeling just
won't go away Leave me alone There's nothing wrong You wouldn't listen then Well fuck you I won't
tell you now If there is anything you feel Listen to what it tells you It won't hurt a bit to kneel
There was a time when I was easy 'cause Now I'm acting on my worst I know that I have you to
thank You never listened to a word I said And I just don't feel sorry now That it's you who has to