- published: 04 Apr 2013
- views: 7023812
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Philip Glass - Metamorphosis (1988)
I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Steinway officially stopped production of the Model O in 1924, but I guess this one was built around 1925-1926 according to serial number)
"Metamorphosis One" – 00:00
"Metamorphosis Two" – 06:54
"Metamorphosis Three" – 13:59
"Metamorphosis Four" – 19:09
"Metamorphosis Five" – 26:29
///
Starting today, Metamorphosis are available in all major streaming services*
Listen / Love / Share: https://album.link/T6mHCbPks7X4w
"Metamorphosis", refers to and was inspired by the 1915 short story The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for a documentary film called The Thin Blue Line directed by Errol Morris.
"Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts.
*I prepared this release to celebrate 4 million streams of this composition in my interpretation on Youtube (a bit late though, because the number of views has grown since then). After several unlucky attempts to make this recording on different instruments and in different studios I returned to the same living room and the same piano - Steinway & Sons model O made in 1926. I can not possibly explain this, but despite all the obvious technical obstacles that stand before you while recording in a regular room, with all the uncontrolled reflections, with the old piano in poor condition which makes you suffer a lot, with all the additional vibrations, rattling strings, hammers that require voicing, with a creaking chair - it turns out to be exactly how I perceive this music. So, one piano, 2 microphones, beloved Philip Glass, and my personal story with the place where this record session took place.
#Coversart
- published: 01 Dec 2016
- views: 5307269
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4 : 20:13
05. Metamorphosis 5 : 26:04
06. Mad Rush : 31:46
07. Wichita vortex sutra : 49:05
08. Glassworks, opening : 56:10
09. The hours : 1:00:55
10. Modern Love waltz : 1:09:06
- published: 12 Aug 2014
- views: 2300360
Photo Video Album. Pictures from the world.
Music from the movie "The Hours" by Philip Glass.
- published: 28 Jul 2009
- views: 4554061
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush.
Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush
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- published: 09 Mar 2015
- views: 1408861
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael Riesman and Nico Muhly.
0:00 The Poet Acts
3:39 Morning Passages
8:32 Something She Has to Do
11:00 I'm Going to Make a Cake
14:08 An Unwelcome Friend
17:51 Dead Things
22:23 Why Does Someone Have to Die?
25:58 Tearing Herself Away
30:13 Escape!
33:05 Choosing Life
36:05 The Hours
!!!One of my Philip Glass recordings - a suite of pieces used in the 2002 Stephen Daldry’s film The Hours and arranged for piano solo by Michael Riesman and Nico Muhly, which many of you have probably already seen/heard on my YT channel, has finally become available for listening and downloads on all major streaming services! Choose the one you use here: https://album.link/hsngzxktdz46s
New version of The Hours by Philip Glass arranged for piano solo by Michael Riesman and Nico Muhly (with some edits made by me) and recorded in a small wooden church in a remote Dutch village using a 70-something years old C. Bechstein Model C grand piano, which most definitely contributed to achieving a unique sound and atmosphere:
https://youtu.be/2ylqRW74CIY
*The Hours is the original soundtrack album, on the Elektra/Nonesuch label, of the 2002 film The Hours, starring Nicole Kidman, Meryl Streep and Julianne Moore. The original score was composed by Philip Glass.
Coversart on streaming platforms:
Spotify: https://spoti.fi/2lOovVE
Apple Music: https://music.apple.com/artist/coversart/1475897456
Deezer: https://www.deezer.com/artist/71521152
Tidal: https://listen.tidal.com/artist/16525089
Youtube Music: https://music.youtube.com/channel/UCwd0KPSDjP73Cju6Ib4wdWA
Coversart on social media:
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https://www.instagram.com/CoversArtMusic/
#PhilipGlass #TheHours #CoversartMusic
- published: 20 Jan 2016
- views: 1189227
Tracklist below.
iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id653601102
Physical sale: http://brilliantclassics.com/articles/g/glass-solo-piano-music/
Spotify: https://open.spotify.com/album/5upYxk2zN25WaSSsKR0i3F
Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations.
This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured in the collection is Metamorphosis, a set of five variations that evolve over the course of the entire work to create a stirring final movement. Also present are extracts from the soundtrack of Stephen Daldry’s film The Hours, as well as ‘Truman Sleeps’ from The Truman Show (which earned Glass a Golden Globe award for ‘Best Original Score’). The collection ends with the ‘Trilogy’ Sonata, containing piano transcriptions of Glass’s three ‘portrait’ operas: Einstein on the Beach, Satyagraha and Akhnaten.
Dutch pianist and composer Jeroen Van Veen studied at the Utrecht Conservatory and has played with many orchestras throughout Europe and the USA, under renowned conductors such as Howard Williams, Peter Eötvös and Robert Craft. An accomplished recitalist, van Veen has also appeared at festivals including the Reder Piano Festival and the Festival der Kunsten (Bad Gleichenberg). His compositional style is closely related to minimalism, and contains elements of jazz, blues and pop music.
Other information:
- Recorded 23–28 October 2006, Barbara Church, Culemborg, The Netherlands.
- A new compilation of the music for piano solo by Philip Glass, icon of minimalism. In his piano music, Glass presents structures of repeated patterns which slowly and gradually, seemingly unconsciously, change in rhythm, speed or form, creating a fascinating sound landscape of slowly shifting colours and patterns.
- Dutch pianist Jeroen van Veen is a champion of the minimalist piano school. His earlier set of minimalist piano works (BC 9171) has won rave reviews in the international press: “The leading exponent of minimalism (Fanfare)”, “10/10” performance/recording, Classicstoday.
00:00:00 Glassworks – opening(arr. Jeroen van Veen)
00:08:53 Metamorphosis: No.1
00:15:57 Metamorphosis: No.2
00:22:51 Metamorphosis: No.3
00:27:15 Metamorphosis: No.4
00:33:08 Metamorphosis: No.5
00:39:15 Mad Rush
00:54:28 Wichita Vortex Sutra
01:01:54 Glassworks – opening
01:11:19 The Hours: The Poet Acts
01:14:55 The Hours: Morning Passages
01:20:20 The Hours: Something She Has To Do
01:23:51 The Hours: I’m Going To Make A Cake
01:27:36 The Hours: An Unwelcome Friend
01:32:08 The Hours: Dead Things
01:36:04 The Hours: Why Does Someone Have to Die?
01:39:41 The Hours: Tearing Herself Away
01:43:49 The Hours: Escape!
01:47:23 The Hours: Choosing Life
01:51:33 The Hours: The Hours
01:58:46 ‘Truman Sleeps’ from The Truman Show
02:00:57 Glassworks – opening
02:07:07 Olympian
02:11:06 Modern Love Waltz
02:16:04 How Now
02:41:13 ‘Trilogy’ Sonata: I. Einstein on the Beach – Knee Play No. 4
02:48:56 ‘Trilogy’ Sonata: II. Satyagraha – Act III Conclusion
02:57:46 ‘Trilogy’ Sonata: III. Akhnaten – Dance (from Scene 3)
Artist:
Jeroen van Veen (piano)
- published: 25 Apr 2017
- views: 489834
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey Reggio com música do compositor Philip Glass.
É o filme mais conhecido da trilogia Qatsi, que é composta com as seqüências Powaqqatsi (1988) e Naqoyqatsi(2002).
A trilha sonora deste documentário possui grande importância pois o desenrolar tem a velocidade e o tom ditados por ela. Não existem diálogos e também não são feitas narrações durante todo o documentário.
São apresentadas cenas em paisagens naturais e urbanas, muitas delas com a velocidade de exibição alterada. Algumas cenas são passadas mais rapidamente e outras mais lentamente que o normal, criando, com a trilha sonora, uma idéia diferente da passagem do tempo. Vários dos efeitos apresentados se tornaram clichês usados em outros filmes e programas de televisão.
A palavra koyaanisqatsi tem origem na língua Hopi e quer dizer "vida desequilibrada", ou "vida louca". O significado é revelado ao final do documentário antes da apresentação dos créditos. No final do documentário são cantadas três profecias do povo Hopi em sua própria língua, as quais também têm aqui suas traduções.
- " Se escavarmos preciosidades da terra , convidaremos ao desastre "
- " Próximo ao dia da purificação haverá teias de aranha a rodar no céu"
- " Um pote de cinzas pode um dia ser jogado do céu , o que poderia queimar a terra e ferver seus oceanos"
- "Qatsi - vida / Koyaanis -- louco / Fragmentação -- Desordem , Desiquilibrio
- "Um mode de vida que requer outro modo de faze-lo".
O filme leva sua audiência a refletir sobre os aspectos da vida moderna que nos fazem viver sem harmonia com a natureza, bem como a pressão exercida pelas inovações tecnológicas que tornam o cotidiano cada vez mais rápido.
this post and koyaanisqatsi Hopi Remix
Produção DJ Sylvio "Dumato" Muller
Branquinegríndios Produções
only promotional
- published: 10 Sep 2010
- views: 1253172
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies)
Featuring Paul Esswood as Akhnaten, Milagro Vargas as Nefertiti,
Melinda Lieberman as Queen Tye, Tero Hannula as Horemhab,
Helmut Holzapfel as Amon High Priest, Cornelius Hauptmann as Aye,
Daughters of Akhnaten - Victoria Schneider as Bekhetaten,
Lynne Wilhelm-Koniger as Meretaten, Maria Koupilova-Ticha as Maketaten,
Christina Wachtler as Ankhesenpaaten, Geraldine Rose as Neferneferuaten,
Angelika Schwarz as Sotopenre
Writer - David Warilow
Act 1 : Year of Akhnate Reign - Thebes (Total Time 20:24)
1.Prelude : Refrain, Verse 1, Verse 2
2.Prelude : Verse 3
3.Scene 1: The Funeral of Amenhotep III
4.Scene 2: The Connection of Akhnaten (Total Time 26:18)
5.Scene 3 : The Window of Appearances
Act II: Years 5 to 15 - Thebes and Akhnaten (Total Time 25:29)
6.Scene 1: The Temple
7.Scene 2: Akhnaten and Nefertiti
Scene 3: The City - Dance (Beginning)
1.Narration: The City
(Album Total Time 72:11)
Scene 3: The City - Dance (Conclusion) (Total Time 18:45)
2.Dance
3.Scene 4:Hymn
Act III: Year 17 and the Present - Akhetaten (Total Time 19:19)
4.Scene 1: The Family
5.Scene 2: Attack and Fall
6.Scene 3: The Ruins (Total Time 18:06)
7.Scene 4: Epilogue
(Album Total Time 56:10)
The total play time is shorter than the real time original because by shorten some of the passages it gives the experience more flow. Real Time (128:21) Play Time (127:37)
- published: 09 Sep 2018
- views: 348248
The Truman Show / The 1st Extended Version Nowhere Else But Here
- published: 07 Mar 2011
- views: 2478658
developed with YouTube
Philip Glass
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Philip_Glass
Concerto grosso
The concerto grosso (pronounced [konˈtʃɛrto ˈɡrɔsso]; Italian for big concert(o), plural concerti grossi [konˈtʃɛrti ˈɡrɔssi]) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.
The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of 10 compositions published in Lucca in 1698.
The first major composer to use the term concerto grosso was Arcangelo Corelli. After Corelli's death, a collection of twelve of his concerti grossi was published; not long after, composers such as Francesco Geminiani, Pietro Locatelli and Giuseppe Torelli wrote concertos in the style of Corelli. He also had a strong influence on Antonio Vivaldi.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Concerto_grosso
Concerto Grosso (Tamberg)
Eino Tamberg's Concerto Grosso, Op. 5, was composed in 1956. It was awarded a gold medal at the 6th World Festival of Youth and Students the following year and was subsequently performed through both the Eastern and Western Blocs, launching the Estonian composer's career.
Tamberg's Concerto Grosso is scored for a wind quintet consisting of flute, clarinet, trumpet, alto saxophone and bassoon, piano, percussion and a string orchestra, and consists of three movements lasting ca. 25 minutes:
A high-spirited neoclassical composition, it is representative of the mild modernism promoted by the Soviet regime though the Thaw after years of harsh artistic repression, and it is notable for its use of the saxophone, which had been banned in 1949 as a decadent instrument. Tamberg would use no less than three saxophones in his next composition, the Symphonic Dances.
Quotes
References
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Concerto_Grosso_(Tamberg)
Concerto Grosso (Vaughan Williams)
Concerto Grosso is a work for string orchestra by Ralph Vaughan Williams. Originally composed in 1950 for a performance by the Rural Schools Music Association conducted by Sir Adrian Boult, the piece is unique in that the orchestra is split into three sections based on skill: Concertino (Advanced), Tutti (Intermediate), and Ad Lib (Novice) which only plays open strings. The piece is in five movements, and performances generally run for 14 minutes.
Movements
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Concerto_Grosso_(Vaughan_Williams)
Grosso
Grosso is a comune (municipality) in the Province of Turin in the Italian region Piedmont, located about 25 kilometres (16 mi) northwest of Turin. As of 31 December 2004, it had a population of 1,002 and an area of 4.3 square kilometres (1.7 sq mi).
Grosso borders the following municipalities: Corio, Mathi, Nole, and Villanova Canavese.
Demographic evolution
References
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Grosso
Grosso (surname)
Grosso or Del Grosso is an Italian surname:
See also
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Grosso_(surname)
Groschen
Groschen (Latin: Grossus, German: 
Groschen , Italian: grosso or grossone, Czech: groš, Lithuanian: grašis, Estonian: kross, Polish: grosz, Albanian: grosh, Hungarian: garas, Russian, Ukrainian, Macedonian and Bulgarian: грош (groš), Romanian: groș) was the (sometimes colloquial) name for a coin used in various German-speaking states as well as some non-German-speaking countries of Central Europe (Bohemia, Poland), the Danubian Principalities. The name, like that of the English groat, derives from the Italian denaro grosso, or large penny, via the Czech form groš.
The Qirsh (also Gersh, Grush, Γρόσι (Grósi) and Kuruş), Arabic, Ethiopian, Hebrew, Greek and Turkish names for currency denominations in and around the territories formerly part of the Ottoman Empire, are derived from the same Italian origin.
History
Names like Groschen, grossus/grossi, grosso, grossone, grosz, gros, groš, groat, Groten, garas etc. were used in the Middle Ages for all thick silver coins, as opposed to thin silver coins such as deniers or pennies. Historically it was equal to between several and a dozen denarii.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Groschen
Radio Stations - Grosso
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Philip Glass
ALBUMS
- Voices for Didgeridoo and Organ / Organ Suite released: 2014
- How Now, Strung Out released: 2014
- Galileo Galilei released: 2013
- Harpsichord Concertos released: 2013
- Concert of the Sixth Sun released: 2013
- Visitors released: 2013
- Symphony no. 3 / The Hours released: 2013
- Cello Concerto No. 2: Naqoyqatsi released: 2013
- Tara Hugo Sings Philip Glass released: 2012
- Metamorphosis released: 2012
- The Passion of Ramakrishna released: 2012
- Metamorphosis - The Hours released: 2012
- Rework released: 2012
- Phaedra, Modern Love Waltz and 21 Robert Moran Orchestrations released: 2011
- Works for Saxophone Quartet released: 2011
- Symphony No. 9 released: 2011
- In the Penal Colony released: 2011
- Mad Rush: Solo Piano Music of Philip Glass released: 2011
- The Concerto Project, Volume IV: Double Concerto for Violin, Cello & Orchestra / Tirol Concerto for Piano & Orchestra released: 2011
- Concerto for Cello and Orchestra no. 1 released: 2011
- From the Philip Glass Recording Archive, Volume VI: The Music of Philip Glass and Foday Musa Suso released: 2011
- Glassworks + Music in Similar Motion (Signal feat. conductor: Brad Lubman, keyboards: Michael Riesman) released: 2011
- Kepler released: 2011
- Orphée released: 2010
- String Quartets nos. 1-4 released: 2010
- Violin Concerto No. 2: The American Four Seasons released: 2010
- Itaipu and Three Songs released: 2010
- The Orange Mountain Music Philip Glass Sampler, Volume I released: 2010
- The Juniper Tree released: 2009
- Minimal Music released: 2009
- From the Philip Glass Recording Archive, Volume V: The Secret Agent released: 2009
- A Madrigal Opera. Cameo. A Symphonic Poem released: 2009
- Symphony No. 7 "Toltec" (Bruckner Orchester Linz & Linz Opera Chorus, conductor: Dennis Russell Davies) released: 2009
- Piano Music: Four Movements for Two Pianos / Etudes for Piano / The Hours released: 2009
- In the Upper Room released: 2009
- Music in Twelve Parts released: 2008
- Violin Concerto; Low Symphony released: 2008
- Sentieri Selvaggi Plays Gavin Bryars & Philip Glass released: 2008
- Philip Glass Soundtracks (piano: Michael Riesman) released: 2008
- The Concerto Project, Volume III released: 2008
- Another Look at Harmony, Part IV released: 2008
- From the Philip Glass Recording Archive, Volume 4: Neverwas released: 2008
- Waiting for the Barbarians released: 2008
- Les Animaux amoureux released: 2008
- From the Philip Glass Recording Archive, Volume III: Film Scores: Jenipapo released: 2008
- Complete String Quartets released: 2008
- Glass Box: A Nonesuch Retrospective released: 2008
- Philip Glass: Portrait released: 2008
- Songs and Poems for Solo Cello released: 2008
- From the Philip Glass Recording Archive, Volume 1: Theater Music released: 2007
- Dracula released: 2007
- Cassandra's Dream released: 2007
- From the Philip Glass Recording Archive, Volume II: Orchestral Music released: 2007
- Best of Philip Glass released: 2007
- Music with Changing Parts (Icebreaker) released: 2007
- Theater Music, Volume 1 released: 2007
- Book of Longing released: 2007
- Symphony No. 4, "Heroes" / The Light (Bournemouth Symphony Orchestra feat. conductor: Marin Alsop) released: 2007
- Notes on a Scandal released: 2007
- Dances & Sonata released: 2006
- Metamorphosis (piano: Branka Parlić) released: 2006
- Philip Glass Ensemble Live in Monterrey, Mexico released: 2006
- Analog released: 2006
- The Witches of Venice released: 2006
- Roving Mars released: 2006
- The Illusionist released: 2006
- The Concerto Project, Volume II released: 2006
- Symphony No. 8 released: 2006
- The Voyage released: 2006
- Symphony No. 6 "Plutonian Ode" released: 2005
- Dennis Russell Davies Performs Philip Glass: Tirol Concerto for Piano and Orchestra and Selections from Passages released: 2004
- Metamorphosis released: 2004
- The Music of Undertow released: 2004
- The Concerto Project, Volume I (Royal Liverpool Philharmonic feat. conductor: Gerard Schwarz) released: 2004
- Solo Piano released: 2003
- Heroes / Low Symphonies released: 2003
- 600 Lines / How Now released: 2003
- Music From the Thin Blue Line released: 2003
- The Ultimate Philip Glass released: 2003
- Trivium released: 2001
- Koyaanisqatsi released: 2001
- Philip on Film: Filmworks by Philip Glass released: 2001
- Piano Music released: 1999
- Minimal Piano Works, Volume I (Piano: Jeroen van Veen) released: 1999
- Symphony No. 2 released: 1998
- Circles (piano: Arturo Stalteri) released: 1998
- Glassmasters released: 1997
- Music in Twelve Parts released: 1996
- Music from Dunvagen released: 1995
- Barber / Dvořák / Glass released: 1993
- Music in Twelve Parts released: 1990
- Einstein on the Beach released: 1990
- Dance Nos. 1 & 3 released: 1980
- Music in Twelve Parts, Parts 1 & 2 released: 1974
- The World of Philip Glass released:
- How Now released:
- 2001-xx-xx: Metropolitan Opera, New York City, NY, USA (Metropolitan Opera) released:
- Philip Glass: The Piano Music (piano: John Lenehan) released:
- 2009-08-12: Prom 37: Royal Albert Hall, Westminster, London, UK released:
- Monsters of Grace released:
Harpsichord Concertos
Released 2013- Suite Antique: I. Prelude: Moderato con moto tranquillo
- Suite Antique: II. Ostinato: Vivace
- Suite Antique: III. Aria: Andante
- Suite Antique: IV. Waltz: A Jazz waltz
- Suite Antique: V. Chanson: Andante espressivo ma con moto
- Suite Antique: VI. Rondeau: Vivace
- Concerto for Harpsichord and Chamber Orchestra: I.
- Concerto for Harpsichord and Chamber Orchestra: II.
- Concerto for Harpsichord and Chamber Orchestra: III.
- Concerto pour Clavecin et Ensemble Instrumental: I. Toccata I
- Concerto pour Clavecin et Ensemble Instrumental: II. Toccata II
- Concerto pour Clavecin et Ensemble Instrumental: III. Andantino
- Concerto pour Clavecin et Ensemble Instrumental: IV. Menuet
- Concerto pour Clavecin et Ensemble Instrumental: V. Finale
Cello Concerto No. 2: Naqoyqatsi
Released 2013- Cello Concerto No. 2 "Naqoyqatsi": 1. Naqoyqatsi
- Cello Concerto No. 2 "Naqoyqatsi": 2. Massman
- Cello Concerto No. 2 "Naqoyqatsi": 3. New World
- Cello Concerto No. 2 "Naqoyqatsi": 4. Intensive Times
- Cello Concerto No. 2 "Naqoyqatsi": 5. Old World
- Cello Concerto No. 2 "Naqoyqatsi": 6. Point Blank
- Cello Concerto No. 2 "Naqoyqatsi": 7. The Vivid Unknown
Metamorphosis
Released 2012- Opening (from Glassworks)
- Helen's Tune (from The Candyman): Cue 2a
- Helen's Tune (from The Candyman): Cue 2b
- Helen's Tune (from The Candyman): Cue 2c
- Metamorphosis: I. Moderate
- Metamorphosis: II. Flowing
- Metamorphosis: III. Moderately Fast
- Metamorphosis: IV. Flowing
- Metamorphosis: V. Moderate
- Modern Love Waltz
- Why Does Someone Have to Die? (from The Hours)
- "Trilogy" Sonata: I. Knee Play no. 4 (from Einstein on the Beach)
- "Trilogy" Sonata: II. Act III (from Satyagraha)
- "Trilogy" Sonata: III. Dance (from Akhnaten)
- Closing (from Glassworks)
Metamorphosis - The Hours
Released 2012- Opening Piece From Glassworks
- Metamorphosis One - Moderate
- Metamorphosis Two - Flowing
- Metamorphosis Three - Moderately Fast
- Metamorphosis Four - Flowing
- Metamorphosis Five - Moderate
- The Hours - The Poet Acts
- The Hours - Something She Has to Do
- The Hours - I'm Going to Make a Cake
- The Hours - An Unwelcome Friend
- The Hours - Closing Life
- The Hours - The Hours
Phaedra, Modern Love Waltz and 21 Robert Moran Orchestrations
Released 2011- Phaedra: Scene 2
- Phaedra: Scene 4
- Phaedra: Scene 6
- Phaedra: Scene 14
- Phaedra: Scene 15a
- Modern Love Waltz
- Modern Love Waltz with 2 drummers
- Modern Love Waltz with 3 marimbas
- Modern Love Waltz with 5 vibraphones
- Modern Love Waltz with 2 drummers and 3 marimbas
- Modern Love Waltz with 6 strings
- Modern Love Waltz with 2 drummers and 5 vibraphones
- Modern Love Waltz with 3 marimbas and 5 vibraphones
- Modern Love Waltz with 8 keyboards
- Modern Love Waltz with 10 percussionists
- Modern Love Waltz with 11 winds
- Modern Love Waltz with 6 strings and 8 keyboards
- Modern Love Waltz with 6 strings and 10 percussionists
- Modern Love Waltz with 6 strings and 11 winds
- Modern Love Waltz with 8 keyboards and 10 percussionists
- Modern Love Waltz with 8 keyboards and 11 winds
- Modern Love Waltz with 10 percussionists and 11 winds
- Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists
- Modern Love Waltz with 6 strings, 8 keyboards and 11 winds
- Modern Love Waltz with 6 strings, 10 percussionists and 11 winds
- Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds
- Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds
Works for Saxophone Quartet
Released 2011- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): I. 1957: Award Montage
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): II. November 25: Ichigaya
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): III. Grandmother and Kimitake
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): IV. 1962: Body Building
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): V. Blood Oath
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): VI. Mishima / Closing (End Credits)
- Saxophone Quartet: I. -
- Saxophone Quartet: II. -
- Saxophone Quartet: III. -
- Saxophone Quartet: IV. -
- Songs for Tony: I. -
- Songs for Tony: II. -
- Songs for Tony: III. -
- Songs for Tony: IV. -
In the Penal Colony
Released 2011- In the Penal Colony: The Machine
- In the Penal Colony: Prologue
- In the Penal Colony: Scene 1
- In the Penal Colony: Scene 2
- In the Penal Colony: Scene 3
- In the Penal Colony: Scene 4
- In the Penal Colony: Scene 5
- In the Penal Colony: Scene 6
- In the Penal Colony: Scene 7
- In the Penal Colony: Scene 8
- In the Penal Colony: Scene 9
- In the Penal Colony: Scene 10
- In the Penal Colony: Scene 11
- In the Penal Colony: Scene 12
- In the Penal Colony: Scene 13
- In the Penal Colony: Scene 14
- In the Penal Colony: Scene 15
- In the Penal Colony: Scene 16
- In the Penal Colony: Epilogue
The Concerto Project, Volume IV: Double Concerto for Violin, Cello & Orchestra / Tirol Concerto for Piano & Orchestra
Released 2011- Double Concerto for Violin, Cello & Orchestra: Duet No. 1
- Double Concerto for Violin, Cello & Orchestra: Part 1
- Double Concerto for Violin, Cello & Orchestra: Duet No. 2
- Double Concerto for Violin, Cello & Orchestra: Part 2
- Double Concerto for Violin, Cello & Orchestra: Duet No. 3
- Double Concerto for Violin, Cello & Orchestra: Part 3
- Double Concerto for Violin, Cello & Orchestra: Duet No. 4
- Tirol Concerto for Piano & Orchestra: I
- Tirol Concerto for Piano & Orchestra: II
- Tirol Concerto for Piano & Orchestra: III
From the Philip Glass Recording Archive, Volume VI: The Music of Philip Glass and Foday Musa Suso
Released 2011Glassworks + Music in Similar Motion (Signal feat. conductor: Brad Lubman, keyboards: Michael Riesman)
Released 2011Orphée
Released 2010- Orphée: Act I, Scene I. "le Café" (The Café)
- Orphée: Act I, Scene II. "la Route" (The Road)
- Orphée: Act I, Scene III. "le Chalet" (The Chalet)
- Orphée: Act I, Scene IV. "Chez Orphée" (Orphée's House)
- Orphée: Act I, Scene V. "la Chambre d'Orphée" (Orphée's Bedroom)
- Orphée: Act I, Scene VI. "le Studio d'Orphée" (Orphée's Studio)
- Orphée: Act I, Scene VII. "le Bureau du Commissaire" (Commissioner's Office)
- Orphée: Act I, Scene VIII. "la Poursuite" (The Chase)
- Orphée: Act I, Scene IX. "Chez Orphée" (Orphée's House)
String Quartets nos. 1-4
Released 2010- String Quartet no. 2 "Company": I
- String Quartet no. 2 "Company": II
- String Quartet no. 2 "Company": III
- String Quartet no. 2 "Company": IV
- String Quartet no. 3 "Mishima": I. 1957: Award Montage
- String Quartet no. 3 "Mishima": II. November 25: Ichigaya
- String Quartet no. 3 "Mishima": III. Grandmother and Kimitake
- String Quartet no. 3 "Mishima": IV. 1962: Body Building
- String Quartet no. 3 "Mishima": V. Blood Oath
- String Quartet no. 3 "Mishima": VI. Mishima / Closing
- String Quartet no. 1: I
- String Quartet no. 1: II
- String Quartet no. 4 "Buczak": I
- String Quartet no. 4 "Buczak": II
- String Quartet no. 4 "Buczak": III
Violin Concerto No. 2: The American Four Seasons
Released 2010- Violin Concerto No. 2 "The American Four Seasons": Prologue
- Violin Concerto No. 2 "The American Four Seasons": I
- Violin Concerto No. 2 "The American Four Seasons": Song No. 1
- Violin Concerto No. 2 "The American Four Seasons": II
- Violin Concerto No. 2 "The American Four Seasons": Song No. 2
- Violin Concerto No. 2 "The American Four Seasons": III
- Violin Concerto No. 2 "The American Four Seasons": Song No. 3
- Violin Concerto No. 2 "The American Four Seasons": IV
The Orange Mountain Music Philip Glass Sampler, Volume I
Released 2010- Etudes for Solo Piano, Volume I, Nos. 1-10: II. Etude No.2
- Candyman: Music Box
- Saxophone: Concerto for Saxophone Quartet
- The Thin Blue Line: Help Me
- Orphée Suite for Solo Piano: Orphée's Bedroom
- The Fog of War: 100,000 People
- Channels & Winds
- The Hours Solo Piano: Escape!
- Concerto Fantasy: Movement 1
- Undertow: The Chase
- Etude No.2 (Superveille)
- Analog: Etoile Polaire
- Piano Concerto No.2 "The Vision": Movement 1
- The Witches of Venice: The Plant-Boy's Song
- Dracula Solo Piano: Renfield
- Funeral of Amenhotep III (Edited)
- Cassandra's Dream: A Drive in the Country
- Waiting for the Barbarians: Dreamscape No.3
- Molly Is a Dreamer
- Neverwas: Neverwas Restored
- Koyaanisqatsi: The Grid (edit)
The Juniper Tree
Released 2009- The Juniper Tree: Prologue
- The Juniper Tree: Act One: Scene One
- The Juniper Tree: Scene Two
- The Juniper Tree: Scene Three
- The Juniper Tree: Bird Song
- The Juniper Tree: Epilogue
- The Juniper Tree: Act Two: Scene One
- The Juniper Tree: Interlude
- The Juniper Tree: Scene Two
- The Juniper Tree: Final Scene - Trio
Symphony No. 7 "Toltec" (Bruckner Orchester Linz & Linz Opera Chorus, conductor: Dennis Russell Davies)
Released 2009Piano Music: Four Movements for Two Pianos / Etudes for Piano / The Hours
Released 2009- Four Movements for Two Pianos: I.
- Four Movements for Two Pianos: II.
- Four Movements for Two Pianos: III.
- Four Movements for Two Pianos: IV.
- Etude no. 1 (original 1994 version)
- Etude no. 2 (original 1994 version)
- Etude no. 3 (original 1994 version)
- Etude no. 4 (original 1994 version)
- Etude no. 5 (original 1994 version)
- Etude no. 6 (original 1994 version)
- The Hours: Morning Passages
- The Hours: Escape!
- The Hours: The Poet Acts
Another Look at Harmony, Part IV
Released 2008- Another Look at Harmony, Part IV: I. Opening section - choral plainchant in minims
- Another Look at Harmony, Part IV: II. Choral plainchant elaborated with quaver movement
- Another Look at Harmony, Part IV: III. Harmonic and rhythmic exploration leading to
- Another Look at Harmony, Part IV: 4. Oscillating and repeated chords - then new melodic line added
- Another Look at Harmony, Part IV: V. Organ interlude on C pedal with gentle cross-rhythms
- Another Look at Harmony, Part IV: VI. Choral re-entry in repeated sequences with organ obligato
- Another Look at Harmony, Part IV: VII. Final section - choir and organ with shifting harmonic roots
From the Philip Glass Recording Archive, Volume 4: Neverwas
Released 2008- Main Title Neverwas
- "I Want the Job"
- "Hi Gabriel"
- Meeting Maggie
- First Patient
- Records Room
- The Pierson Estate
- Remembering Thomas
- "I Am the King"
- "Weirder and Weirder"
- "You're a Reporter!"
- Dungeon Break
- The Riverknight
- Discovering Neverwas/Ghastly Arrives
- The Castle / "My Name Is Zachary Small"
- End Titles
- Neverwas Restored
Waiting for the Barbarians
Released 2008- Waiting for the Barbarians: Act 1. Prelude
- Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison"
- Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1
- Waiting for the Barbarians: Act 1, Scene Three. "You sent for me."
- Waiting for the Barbarians: Act 1, Scene Four. "You're working late."
- Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture..."
- Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap"
- Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2
- Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?"
- Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians"
- Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?"
- Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3
- Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?"
- Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains)
- Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?"
Les Animaux amoureux
Released 2008- Swans Take Flight
- The Bath
- The Gaze, the Scents
- The Battle
- Ballet of the Birds
- The Birth of the Fawn
- The Peacock and the Japanese Cranes
- The Grebe's Race on Water
- The Kangaroos
- From Insects to Whales
- The Happy Couples
- The Orangutans and the Small Ducks
- From Gazelles to Kangaroos
- The Return of the Animals
- The Swans Return / End Title
Complete String Quartets
Released 2008- String Quartet No. 3 "Mishima": I. 1957: Award Montage
- String Quartet No. 3 "Mishima": II. November 25: Ichigaya
- String Quartet No. 3 "Mishima": III. 1934: Grandmother and Kimitake
- String Quartet No. 3 "Mishima": IV. 1962: Body Building
- String Quartet No. 3 "Mishima": V. Blood Oath
- String Quartet No. 3 "Mishima": VI. Mishima/Closing
- String Quartet No. 2 "Company": I
- String Quartet No. 2 "Company": II
- String Quartet No. 2 "Company": III
- String Quartet No. 2 "Company": IV
- String Quartet No. 4 "Buczak": I
- String Quartet No. 4 "Buczak": II
- String Quartet No. 4 "Buczak": III
From the Philip Glass Recording Archive, Volume 1: Theater Music
Released 2007- The Sound of a Voice: Suite
- In the Summer House
- "My One and Only Hope..."
- Gertrude's Paradise
- Mr. Solares' Picnic Lunch
- "Molly Is a Dreamer."
- Enter Vivian
- The Beach / Lionel and Molly
- Vivian's Death / Two Marriages
- "Life Is Tragic, Mrs. Constable."
- Gertrude Leaves the Summer House
- Left Alone...
- The Lobster Bowl
- Back to Sad Things
- Gertrude Returns
- "I Knew You'd Come Back."
- A Choice
- Lionel Departs
- "When I Was a Little Girl..."
Dracula
Released 2007- Dracula
- Journey to the Inn
- The Inn
- The Crypt
- Carriage Without a Driver
- The Castle
- The Drawing Room
- Excellent, Mr. Renfield
- The Three Consorts of Dracula
- The Storm
- Horrible Tragedy
- London Fog
- In the Theatre
- Lucy's Bitten
- Seward Sanatorium
- Renfield
- In His Cell
- When the Dream Comes
- Dracula Enters
- Or a Wolf
- Women in White
- Renfield in the Drawing Room
- Dr. Van Helsing and Dracula
- Mina on the Terrace
- Mina's Bedroom/The Abbey
- The End of Dracula
- Dracula Epilogue
Best of Philip Glass
Released 2007- Songs From Liquid Days: Lightning
- Glassworks: Facades
- Satyagraha: Evening Song
- The Photographer: A Gentleman's Honor (vocal)
- Akhnaten: Hymn to the Sun
- Metamorphosis Four
- Songs From Liquid Days: Open the Kingdom
- In the Upper Room: Dance II
- Glassworks: Glasspiece No. 1: Rubric
- Songs From Liquid Days: Changing Opinion
Theater Music, Volume 1
Released 2007- The Sound of a Voice - Suite
- In the Summer House
- "My One and Only Hope..."
- Gertrude's Paradise
- Mr. Solares' Picnic Lunch
- "Molly Is a Dreamer."
- Enter Vivian
- The Beach/Lionel and Molly
- Vivian's Death/Two Marriages
- "Life Is Tragic, Mrs. Constable."
- Gertrude Leaves the Summer House
- Left Alone...
- The Lobster Bowl
- Back to Sad Things
- Gertrude Returns
- "I Knew You'd Come Back."
- A Choice
- Lionel Departs
- "When I Was a Little Girl..."
Symphony No. 4, "Heroes" / The Light (Bournemouth Symphony Orchestra feat. conductor: Marin Alsop)
Released 2007Analog
Released 2006- Étoile Polaire
- Victor's Lament (From Étoile Polaire)
- River Run (From Étoile Polaire)
- Mon Père, Mon Père (From Étoile Polaire)
- Are Years What? (For Marianne Moore)
- Lady Day (From Étoile Polaire)
- Ange Des Orages (From Étoile Polaire)
- Ave (From Étoile Polaire)
- Ik-Ook (From Étoile Polaire)
- Montage (From Étoile Polaire)
- Part IV (From Dressed Like an Egg)
- Part V (From Dressed Like an Egg)
- Part VI (From Dressed Like an Egg)
- Mad Rush for organ
The Witches of Venice
Released 2006- The Lagoon
- The Philosophers Have Arrived
- No Solution
- The Fairies
- "Life Is Hard"
- "I'm Not a Fool"
- The Plant-Boy's Song
- The Witches Rush In
- The Wind Blows
- The Witches Palace
- Inside the Palace
- Ghosts and Skeletons!
- The Ogre
- Ogre's Song
- Plant-Boy Flees
- Dance of the Witches
- Witch Mother
- Gondolas Bringing Guests
- "Away Pigeon, Away!"
- Plant-Boy's Tears
- In the Chandelier
- Glorious Escape!
- A Happy Ending
- Life Is Hard, a Good Red Wine
The Illusionist
Released 2006- The Illusionist
- Do You Know Me?
- Chance Encounter
- The Locket
- The Orange Tree
- The Mirror
- Wish I Would See You Again
- The Sword
- Meeting in the Carriage
- Sophie
- The Secret Plot
- Sophie's Ride to the Castle
- The Accident
- The New Theater
- Frankel Appears
- A Shout From the Crowd
- Eisenheim Disappears
- The Search
- The Missing Gem
- The Chase
- Life in the Mountains
Dennis Russell Davies Performs Philip Glass: Tirol Concerto for Piano and Orchestra and Selections from Passages
Released 2004The Concerto Project, Volume I (Royal Liverpool Philharmonic feat. conductor: Gerard Schwarz)
Released 2004- Concerto for Cello and Orchestra: I
- Concerto for Cello and Orchestra: II
- Concerto for Cello and Orchestra: III
- Concerto Fantasy for Two Timpanists and Orchestra: I
- Concerto Fantasy for Two Timpanists and Orchestra: II
- Concerto Fantasy for Two Timpanists and Orchestra: Cadenza
- Concerto Fantasy for Two Timpanists and Orchestra: III
Music from Dunvagen
Released 1995- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Passages
- Passages
- Closing
- Facades
- Phaedra
- Phaedra
- Company
- Company
- Company
- Mindwalk
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Love divided by
- Love divided by
- Love divided by
- In The Upper Room
- In The Upper Room
- In The Upper Room
- In The Upper Room
- Tse
- Tse
- Harris (Thin blue line)
- Comets & vegas (Thin blue line)
- Strange & abstract (Thin blue line)
- Civil Wars (Köln)
- A brief history of time
- A brief history of time
- A brief history of time
- A brief history of time
- A brief history of time
- Dressed like an egg
- Floe 87
Barber / Dvořák / Glass
Released 1993- String Quartet, Op. 11: I. Molto allegro e appassionato
- String Quartet, Op. 11: IIa. Molto adagio
- String Quartet, Op. 11: IIb. Molto allegro (come prima)
- String Quartet in F major "American", Op. 96: I. Allegro ma non troppo
- String Quartet in F major "American", Op. 96: II. Lento
- String Quartet in F major "American", Op. 96: III. Molto vivace
- String Quartet in F major "American", Op. 96: IV. Finale - vivace ma non troppo
- String Quartet No. 1: Part One
- String Quartet No. 1: Ambient Pause
- String Quartet No. 1: Part Two
The World of Philip Glass
- I "Subterraneans" from "Low" Symphony
- Land of the Dead (from Music from "The Screens")
- Said's Treason (from Music from "The Screens")
- The Orchard (from Music from "The Screens")
- Night on the Balcony (from Music from "The Screens")
- Concerto for Violin and Orchestra
- Amazon River from "Aguas da Amazonia"
- "Heroes" Symphony: II. "Abdulmajid"
- "Heroes" Symphony: IV. "V2 Schneider"
2001-xx-xx: Metropolitan Opera, New York City, NY, USA (Metropolitan Opera)
- [introduction]
- [introduction (continued)]
- Act 1: Leo Tolstoy: On the Kuru Field of Justice
- Act 1: Leo Tolstoy: Tolstoy Farm (1910)
- Act 1: Leo Tolstoy: The Vow (1906)
- [applause] / [outro]
- [introduction]
- Act 2: Rabindranath Tagore: Confrontation and Rescue (1896)
- Act 2: Rabindranath Tagore: Indian Opinion (1906)
- Act 2: Rabindranath Tagore: Protest (1908)
- [applause] / [outro]
- [introduction]
- Act 3: Martin Luther King, Jr.: New Castle March (1913): a.
- Act 3: Martin Luther King, Jr.: New Castle March (1913): b.
- Act 3: Martin Luther King, Jr.: New Castle March (1913): c.
- [applause] / [outro]
2009-08-12: Prom 37: Royal Albert Hall, Westminster, London, UK
- Violin Concerto No. 1: I. quarter note = 104 — quarter note = 120
- Violin Concerto No. 1: II. quarter note = ca. 108
- Violin Concerto No. 1: III. quarter note = ca. 150 — Coda: Poco meno quarter note = 104
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": I. "The Corn"
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": II. "The Hikuri (the Sacred Root)"
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": III. "The Blue Deer"
-
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
published: 04 Apr 2013 -
Philip Glass - Metamorphosis | complete
Philip Glass - Metamorphosis (1988) I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Steinway officially stopped production of the Model O in 1924, but I guess this one was built around 1925-1926 according to serial number) "Metamorphosis One" – 00:00 "Metamorphosis Two" – 06:54 "Metamorphosis Three" – 13:59 "Metamorphosis Four" – 19:09 "Metamorphosis Five" – 26:29 /// Starting today, Metamorphosis are available in all major streaming services* Listen / Love / Share: https://album.link/T6mHCbPks7X4w "Metamorphosis", refers to and was inspired by the 1915 short story The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for a do...
published: 01 Dec 2016 -
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
Este video no me pertenece REsubo este discazo q bajaron 01. Metamorphosis 1 : 0:00 02. Metamorphosis 2 : 6:40 03. Metamorphosis 3 : 14:48 04. Metamorphosis 4 : 20:13 05. Metamorphosis 5 : 26:04 06. Mad Rush : 31:46 07. Wichita vortex sutra : 49:05 08. Glassworks, opening : 56:10 09. The hours : 1:00:55 10. Modern Love waltz : 1:09:06
published: 12 Aug 2014 -
The Hours - Philip Glass
Photo Video Album. Pictures from the world. Music from the movie "The Hours" by Philip Glass.
published: 28 Jul 2009 -
Philip Glass joue Mad Rush
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush. Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca? Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT Suivez-nous sur nos différentes plateformes Sur le web http://www.icimusique.ca Sur Facebook https://www.facebook.com/icimusique/ Sur Twitter https://www.twitter.com/icimusique Sur Instagram https://www.instagram.com/icimusique/
published: 09 Mar 2015 -
Philip Glass - Music from The Hours | complete
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael Riesman and Nico Muhly. 0:00 The Poet Acts 3:39 Morning Passages 8:32 Something She Has to Do 11:00 I'm Going to Make a Cake 14:08 An Unwelcome Friend 17:51 Dead Things 22:23 Why Does Someone Have to Die? 25:58 Tearing Herself Away 30:13 Escape! 33:05 Choosing Life 36:05 The Hours !!!One of my Philip Glass recordings - a suite of pieces used in the 2002 Stephen Daldry’s film The Hours and arranged for piano solo by Michael Riesman and Nico Muhly, which many of you have probably already seen/heard on my YT channel, has finally become available for listening and downloads on all major streaming services! Choose the one you use here: https://album.link/hsngzxktdz46s New version of The Hours b...
published: 20 Jan 2016 -
Glass: Solo Piano Music (Full Album) played by Jeroen van Veen
Tracklist below. iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id653601102 Physical sale: http://brilliantclassics.com/articles/g/glass-solo-piano-music/ Spotify: https://open.spotify.com/album/5upYxk2zN25WaSSsKR0i3F Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations. This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured ...
published: 25 Apr 2017 -
Philip Glass. - Koyaanisqatsi (original version)
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey Reggio com música do compositor Philip Glass. É o filme mais conhecido da trilogia Qatsi, que é composta com as seqüências Powaqqatsi (1988) e Naqoyqatsi(2002). A trilha sonora deste documentário possui grande importância pois o desenrolar tem a velocidade e o tom ditados por ela. Não existem diálogos e também não são feitas narrações durante todo o documentário. São apresentadas cenas em paisagens naturais e urbanas, muitas delas com a velocidade de exibição alterada. Algumas cenas são passadas mais rapidamente e outras mais lentamente que o normal, criando, com a trilha sonora, uma idéia diferente da passagem do tempo. Vários dos efeitos apresentados se tornaram clichês usados em outros filmes e pro...
published: 10 Sep 2010 -
PHILIP GLASS - AKHNATEN
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies) Featuring Paul Esswood as Akhnaten, Milagro Vargas as Nefertiti, Melinda Lieberman as Queen Tye, Tero Hannula as Horemhab, Helmut Holzapfel as Amon High Priest, Cornelius Hauptmann as Aye, Daughters of Akhnaten - Victoria Schneider as Bekhetaten, Lynne Wilhelm-Koniger as Meretaten, Maria Koupilova-Ticha as Maketaten, Christina Wachtler as Ankhesenpaaten, Geraldine Rose as Neferneferuaten, Angelika Schwarz as Sotopenre Writer - David Warilow Act 1 : Year of Akhnate Reign - Thebes (Total Time 20:24) 1.Prelude : Refrain, Verse 1, Verse 2 2.Prelude : Verse 3 3.Scene 1: The Funeral of Amenhotep III 4.Scene 2: The Connection of Akhnaten (Total Time 26:18) 5.Scene 3 : The Window of Appearances Act II: Years 5 to 15 -...
published: 09 Sep 2018 -
Philip Glass - Truman Sleeps (Extended Version)
The Truman Show / The 1st Extended Version Nowhere Else But Here
published: 07 Mar 2011
developed with YouTube
39:32
Philip Glass - Glassworks (complete)
- Order: Reorder
- Duration: 39:32
- Uploaded Date: 04 Apr 2013
- views: 7023812
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
https://wn.com/Philip_Glass_Glassworks_(Complete)
Philip Glass - Glassworks (complete)
- published: 04 Apr 2013
- views: 7023812
33:04
Philip Glass - Metamorphosis | complete
- Order: Reorder
- Duration: 33:04
- Uploaded Date: 01 Dec 2016
- views: 5307269
Philip Glass - Metamorphosis (1988)
I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Stei...
Philip Glass - Metamorphosis (1988)
I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Steinway officially stopped production of the Model O in 1924, but I guess this one was built around 1925-1926 according to serial number)
"Metamorphosis One" – 00:00
"Metamorphosis Two" – 06:54
"Metamorphosis Three" – 13:59
"Metamorphosis Four" – 19:09
"Metamorphosis Five" – 26:29
///
Starting today, Metamorphosis are available in all major streaming services*
Listen / Love / Share: https://album.link/T6mHCbPks7X4w
"Metamorphosis", refers to and was inspired by the 1915 short story The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for a documentary film called The Thin Blue Line directed by Errol Morris.
"Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts.
*I prepared this release to celebrate 4 million streams of this composition in my interpretation on Youtube (a bit late though, because the number of views has grown since then). After several unlucky attempts to make this recording on different instruments and in different studios I returned to the same living room and the same piano - Steinway & Sons model O made in 1926. I can not possibly explain this, but despite all the obvious technical obstacles that stand before you while recording in a regular room, with all the uncontrolled reflections, with the old piano in poor condition which makes you suffer a lot, with all the additional vibrations, rattling strings, hammers that require voicing, with a creaking chair - it turns out to be exactly how I perceive this music. So, one piano, 2 microphones, beloved Philip Glass, and my personal story with the place where this record session took place.
#Coversart
https://wn.com/Philip_Glass_Metamorphosis_|_Complete
Philip Glass - Metamorphosis (1988)
I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Steinway officially stopped production of the Model O in 1924, but I guess this one was built around 1925-1926 according to serial number)
"Metamorphosis One" – 00:00
"Metamorphosis Two" – 06:54
"Metamorphosis Three" – 13:59
"Metamorphosis Four" – 19:09
"Metamorphosis Five" – 26:29
///
Starting today, Metamorphosis are available in all major streaming services*
Listen / Love / Share: https://album.link/T6mHCbPks7X4w
"Metamorphosis", refers to and was inspired by the 1915 short story The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for a documentary film called The Thin Blue Line directed by Errol Morris.
"Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts.
*I prepared this release to celebrate 4 million streams of this composition in my interpretation on Youtube (a bit late though, because the number of views has grown since then). After several unlucky attempts to make this recording on different instruments and in different studios I returned to the same living room and the same piano - Steinway & Sons model O made in 1926. I can not possibly explain this, but despite all the obvious technical obstacles that stand before you while recording in a regular room, with all the uncontrolled reflections, with the old piano in poor condition which makes you suffer a lot, with all the additional vibrations, rattling strings, hammers that require voicing, with a creaking chair - it turns out to be exactly how I perceive this music. So, one piano, 2 microphones, beloved Philip Glass, and my personal story with the place where this record session took place.
#Coversart
- published: 01 Dec 2016
- views: 5307269
1:12:46
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
- Order: Reorder
- Duration: 1:12:46
- Uploaded Date: 12 Aug 2014
- views: 2300360
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4...
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4 : 20:13
05. Metamorphosis 5 : 26:04
06. Mad Rush : 31:46
07. Wichita vortex sutra : 49:05
08. Glassworks, opening : 56:10
09. The hours : 1:00:55
10. Modern Love waltz : 1:09:06
https://wn.com/Philip_Glass_Metamorphosis_Full_Album_2006_Piano_Branka_Parlic
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4 : 20:13
05. Metamorphosis 5 : 26:04
06. Mad Rush : 31:46
07. Wichita vortex sutra : 49:05
08. Glassworks, opening : 56:10
09. The hours : 1:00:55
10. Modern Love waltz : 1:09:06
- published: 12 Aug 2014
- views: 2300360
7:46
The Hours - Philip Glass
- Order: Reorder
- Duration: 7:46
- Uploaded Date: 28 Jul 2009
- views: 4554061
Photo Video Album. Pictures from the world.
Music from the movie "The Hours" by Philip Glass.
Photo Video Album. Pictures from the world.
Music from the movie "The Hours" by Philip Glass.
https://wn.com/The_Hours_Philip_Glass
Photo Video Album. Pictures from the world.
Music from the movie "The Hours" by Philip Glass.
- published: 28 Jul 2009
- views: 4554061
15:17
Philip Glass joue Mad Rush
- Order: Reorder
- Duration: 15:17
- Uploaded Date: 09 Mar 2015
- views: 1408861
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush.
Consultez no...
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush.
Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush
Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca?
Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT
Suivez-nous sur nos différentes plateformes
Sur le web
http://www.icimusique.ca
Sur Facebook
https://www.facebook.com/icimusique/
Sur Twitter
https://www.twitter.com/icimusique
Sur Instagram
https://www.instagram.com/icimusique/
https://wn.com/Philip_Glass_Joue_Mad_Rush
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush.
Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush
Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca?
Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT
Suivez-nous sur nos différentes plateformes
Sur le web
http://www.icimusique.ca
Sur Facebook
https://www.facebook.com/icimusique/
Sur Twitter
https://www.twitter.com/icimusique
Sur Instagram
https://www.instagram.com/icimusique/
- published: 09 Mar 2015
- views: 1408861
42:44
Philip Glass - Music from The Hours | complete
- Order: Reorder
- Duration: 42:44
- Uploaded Date: 20 Jan 2016
- views: 1189227
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael Riesman and Nico Muhly.
0:00 The Poet Acts
3:39 Morning Passages...
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael Riesman and Nico Muhly.
0:00 The Poet Acts
3:39 Morning Passages
8:32 Something She Has to Do
11:00 I'm Going to Make a Cake
14:08 An Unwelcome Friend
17:51 Dead Things
22:23 Why Does Someone Have to Die?
25:58 Tearing Herself Away
30:13 Escape!
33:05 Choosing Life
36:05 The Hours
!!!One of my Philip Glass recordings - a suite of pieces used in the 2002 Stephen Daldry’s film The Hours and arranged for piano solo by Michael Riesman and Nico Muhly, which many of you have probably already seen/heard on my YT channel, has finally become available for listening and downloads on all major streaming services! Choose the one you use here: https://album.link/hsngzxktdz46s
New version of The Hours by Philip Glass arranged for piano solo by Michael Riesman and Nico Muhly (with some edits made by me) and recorded in a small wooden church in a remote Dutch village using a 70-something years old C. Bechstein Model C grand piano, which most definitely contributed to achieving a unique sound and atmosphere:
https://youtu.be/2ylqRW74CIY
*The Hours is the original soundtrack album, on the Elektra/Nonesuch label, of the 2002 film The Hours, starring Nicole Kidman, Meryl Streep and Julianne Moore. The original score was composed by Philip Glass.
Coversart on streaming platforms:
Spotify: https://spoti.fi/2lOovVE
Apple Music: https://music.apple.com/artist/coversart/1475897456
Deezer: https://www.deezer.com/artist/71521152
Tidal: https://listen.tidal.com/artist/16525089
Youtube Music: https://music.youtube.com/channel/UCwd0KPSDjP73Cju6Ib4wdWA
Coversart on social media:
https://www.facebook.com/CoversArtMusic/
https://www.instagram.com/CoversArtMusic/
#PhilipGlass #TheHours #CoversartMusic
https://wn.com/Philip_Glass_Music_From_The_Hours_|_Complete
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael Riesman and Nico Muhly.
0:00 The Poet Acts
3:39 Morning Passages
8:32 Something She Has to Do
11:00 I'm Going to Make a Cake
14:08 An Unwelcome Friend
17:51 Dead Things
22:23 Why Does Someone Have to Die?
25:58 Tearing Herself Away
30:13 Escape!
33:05 Choosing Life
36:05 The Hours
!!!One of my Philip Glass recordings - a suite of pieces used in the 2002 Stephen Daldry’s film The Hours and arranged for piano solo by Michael Riesman and Nico Muhly, which many of you have probably already seen/heard on my YT channel, has finally become available for listening and downloads on all major streaming services! Choose the one you use here: https://album.link/hsngzxktdz46s
New version of The Hours by Philip Glass arranged for piano solo by Michael Riesman and Nico Muhly (with some edits made by me) and recorded in a small wooden church in a remote Dutch village using a 70-something years old C. Bechstein Model C grand piano, which most definitely contributed to achieving a unique sound and atmosphere:
https://youtu.be/2ylqRW74CIY
*The Hours is the original soundtrack album, on the Elektra/Nonesuch label, of the 2002 film The Hours, starring Nicole Kidman, Meryl Streep and Julianne Moore. The original score was composed by Philip Glass.
Coversart on streaming platforms:
Spotify: https://spoti.fi/2lOovVE
Apple Music: https://music.apple.com/artist/coversart/1475897456
Deezer: https://www.deezer.com/artist/71521152
Tidal: https://listen.tidal.com/artist/16525089
Youtube Music: https://music.youtube.com/channel/UCwd0KPSDjP73Cju6Ib4wdWA
Coversart on social media:
https://www.facebook.com/CoversArtMusic/
https://www.instagram.com/CoversArtMusic/
#PhilipGlass #TheHours #CoversartMusic
- published: 20 Jan 2016
- views: 1189227
3:04:13
Glass: Solo Piano Music (Full Album) played by Jeroen van Veen
- Order: Reorder
- Duration: 3:04:13
- Uploaded Date: 25 Apr 2017
- views: 489834
Tracklist below.
iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id653601102
Physical sale: http://brilliantclassics.com/articles/g/glass-solo-pi...
Tracklist below.
iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id653601102
Physical sale: http://brilliantclassics.com/articles/g/glass-solo-piano-music/
Spotify: https://open.spotify.com/album/5upYxk2zN25WaSSsKR0i3F
Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations.
This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured in the collection is Metamorphosis, a set of five variations that evolve over the course of the entire work to create a stirring final movement. Also present are extracts from the soundtrack of Stephen Daldry’s film The Hours, as well as ‘Truman Sleeps’ from The Truman Show (which earned Glass a Golden Globe award for ‘Best Original Score’). The collection ends with the ‘Trilogy’ Sonata, containing piano transcriptions of Glass’s three ‘portrait’ operas: Einstein on the Beach, Satyagraha and Akhnaten.
Dutch pianist and composer Jeroen Van Veen studied at the Utrecht Conservatory and has played with many orchestras throughout Europe and the USA, under renowned conductors such as Howard Williams, Peter Eötvös and Robert Craft. An accomplished recitalist, van Veen has also appeared at festivals including the Reder Piano Festival and the Festival der Kunsten (Bad Gleichenberg). His compositional style is closely related to minimalism, and contains elements of jazz, blues and pop music.
Other information:
- Recorded 23–28 October 2006, Barbara Church, Culemborg, The Netherlands.
- A new compilation of the music for piano solo by Philip Glass, icon of minimalism. In his piano music, Glass presents structures of repeated patterns which slowly and gradually, seemingly unconsciously, change in rhythm, speed or form, creating a fascinating sound landscape of slowly shifting colours and patterns.
- Dutch pianist Jeroen van Veen is a champion of the minimalist piano school. His earlier set of minimalist piano works (BC 9171) has won rave reviews in the international press: “The leading exponent of minimalism (Fanfare)”, “10/10” performance/recording, Classicstoday.
00:00:00 Glassworks – opening(arr. Jeroen van Veen)
00:08:53 Metamorphosis: No.1
00:15:57 Metamorphosis: No.2
00:22:51 Metamorphosis: No.3
00:27:15 Metamorphosis: No.4
00:33:08 Metamorphosis: No.5
00:39:15 Mad Rush
00:54:28 Wichita Vortex Sutra
01:01:54 Glassworks – opening
01:11:19 The Hours: The Poet Acts
01:14:55 The Hours: Morning Passages
01:20:20 The Hours: Something She Has To Do
01:23:51 The Hours: I’m Going To Make A Cake
01:27:36 The Hours: An Unwelcome Friend
01:32:08 The Hours: Dead Things
01:36:04 The Hours: Why Does Someone Have to Die?
01:39:41 The Hours: Tearing Herself Away
01:43:49 The Hours: Escape!
01:47:23 The Hours: Choosing Life
01:51:33 The Hours: The Hours
01:58:46 ‘Truman Sleeps’ from The Truman Show
02:00:57 Glassworks – opening
02:07:07 Olympian
02:11:06 Modern Love Waltz
02:16:04 How Now
02:41:13 ‘Trilogy’ Sonata: I. Einstein on the Beach – Knee Play No. 4
02:48:56 ‘Trilogy’ Sonata: II. Satyagraha – Act III Conclusion
02:57:46 ‘Trilogy’ Sonata: III. Akhnaten – Dance (from Scene 3)
Artist:
Jeroen van Veen (piano)
https://wn.com/Glass_Solo_Piano_Music_(Full_Album)_Played_By_Jeroen_Van_Veen
Tracklist below.
iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id653601102
Physical sale: http://brilliantclassics.com/articles/g/glass-solo-piano-music/
Spotify: https://open.spotify.com/album/5upYxk2zN25WaSSsKR0i3F
Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations.
This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured in the collection is Metamorphosis, a set of five variations that evolve over the course of the entire work to create a stirring final movement. Also present are extracts from the soundtrack of Stephen Daldry’s film The Hours, as well as ‘Truman Sleeps’ from The Truman Show (which earned Glass a Golden Globe award for ‘Best Original Score’). The collection ends with the ‘Trilogy’ Sonata, containing piano transcriptions of Glass’s three ‘portrait’ operas: Einstein on the Beach, Satyagraha and Akhnaten.
Dutch pianist and composer Jeroen Van Veen studied at the Utrecht Conservatory and has played with many orchestras throughout Europe and the USA, under renowned conductors such as Howard Williams, Peter Eötvös and Robert Craft. An accomplished recitalist, van Veen has also appeared at festivals including the Reder Piano Festival and the Festival der Kunsten (Bad Gleichenberg). His compositional style is closely related to minimalism, and contains elements of jazz, blues and pop music.
Other information:
- Recorded 23–28 October 2006, Barbara Church, Culemborg, The Netherlands.
- A new compilation of the music for piano solo by Philip Glass, icon of minimalism. In his piano music, Glass presents structures of repeated patterns which slowly and gradually, seemingly unconsciously, change in rhythm, speed or form, creating a fascinating sound landscape of slowly shifting colours and patterns.
- Dutch pianist Jeroen van Veen is a champion of the minimalist piano school. His earlier set of minimalist piano works (BC 9171) has won rave reviews in the international press: “The leading exponent of minimalism (Fanfare)”, “10/10” performance/recording, Classicstoday.
00:00:00 Glassworks – opening(arr. Jeroen van Veen)
00:08:53 Metamorphosis: No.1
00:15:57 Metamorphosis: No.2
00:22:51 Metamorphosis: No.3
00:27:15 Metamorphosis: No.4
00:33:08 Metamorphosis: No.5
00:39:15 Mad Rush
00:54:28 Wichita Vortex Sutra
01:01:54 Glassworks – opening
01:11:19 The Hours: The Poet Acts
01:14:55 The Hours: Morning Passages
01:20:20 The Hours: Something She Has To Do
01:23:51 The Hours: I’m Going To Make A Cake
01:27:36 The Hours: An Unwelcome Friend
01:32:08 The Hours: Dead Things
01:36:04 The Hours: Why Does Someone Have to Die?
01:39:41 The Hours: Tearing Herself Away
01:43:49 The Hours: Escape!
01:47:23 The Hours: Choosing Life
01:51:33 The Hours: The Hours
01:58:46 ‘Truman Sleeps’ from The Truman Show
02:00:57 Glassworks – opening
02:07:07 Olympian
02:11:06 Modern Love Waltz
02:16:04 How Now
02:41:13 ‘Trilogy’ Sonata: I. Einstein on the Beach – Knee Play No. 4
02:48:56 ‘Trilogy’ Sonata: II. Satyagraha – Act III Conclusion
02:57:46 ‘Trilogy’ Sonata: III. Akhnaten – Dance (from Scene 3)
Artist:
Jeroen van Veen (piano)
- published: 25 Apr 2017
- views: 489834
3:29
Philip Glass. - Koyaanisqatsi (original version)
- Order: Reorder
- Duration: 3:29
- Uploaded Date: 10 Sep 2010
- views: 1253172
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey Reggio com música do compositor Philip Glass.
É o filme mais conhecido...
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey Reggio com música do compositor Philip Glass.
É o filme mais conhecido da trilogia Qatsi, que é composta com as seqüências Powaqqatsi (1988) e Naqoyqatsi(2002).
A trilha sonora deste documentário possui grande importância pois o desenrolar tem a velocidade e o tom ditados por ela. Não existem diálogos e também não são feitas narrações durante todo o documentário.
São apresentadas cenas em paisagens naturais e urbanas, muitas delas com a velocidade de exibição alterada. Algumas cenas são passadas mais rapidamente e outras mais lentamente que o normal, criando, com a trilha sonora, uma idéia diferente da passagem do tempo. Vários dos efeitos apresentados se tornaram clichês usados em outros filmes e programas de televisão.
A palavra koyaanisqatsi tem origem na língua Hopi e quer dizer "vida desequilibrada", ou "vida louca". O significado é revelado ao final do documentário antes da apresentação dos créditos. No final do documentário são cantadas três profecias do povo Hopi em sua própria língua, as quais também têm aqui suas traduções.
- " Se escavarmos preciosidades da terra , convidaremos ao desastre "
- " Próximo ao dia da purificação haverá teias de aranha a rodar no céu"
- " Um pote de cinzas pode um dia ser jogado do céu , o que poderia queimar a terra e ferver seus oceanos"
- "Qatsi - vida / Koyaanis -- louco / Fragmentação -- Desordem , Desiquilibrio
- "Um mode de vida que requer outro modo de faze-lo".
O filme leva sua audiência a refletir sobre os aspectos da vida moderna que nos fazem viver sem harmonia com a natureza, bem como a pressão exercida pelas inovações tecnológicas que tornam o cotidiano cada vez mais rápido.
this post and koyaanisqatsi Hopi Remix
Produção DJ Sylvio "Dumato" Muller
Branquinegríndios Produções
only promotional
https://wn.com/Philip_Glass._Koyaanisqatsi_(Original_Version)
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey Reggio com música do compositor Philip Glass.
É o filme mais conhecido da trilogia Qatsi, que é composta com as seqüências Powaqqatsi (1988) e Naqoyqatsi(2002).
A trilha sonora deste documentário possui grande importância pois o desenrolar tem a velocidade e o tom ditados por ela. Não existem diálogos e também não são feitas narrações durante todo o documentário.
São apresentadas cenas em paisagens naturais e urbanas, muitas delas com a velocidade de exibição alterada. Algumas cenas são passadas mais rapidamente e outras mais lentamente que o normal, criando, com a trilha sonora, uma idéia diferente da passagem do tempo. Vários dos efeitos apresentados se tornaram clichês usados em outros filmes e programas de televisão.
A palavra koyaanisqatsi tem origem na língua Hopi e quer dizer "vida desequilibrada", ou "vida louca". O significado é revelado ao final do documentário antes da apresentação dos créditos. No final do documentário são cantadas três profecias do povo Hopi em sua própria língua, as quais também têm aqui suas traduções.
- " Se escavarmos preciosidades da terra , convidaremos ao desastre "
- " Próximo ao dia da purificação haverá teias de aranha a rodar no céu"
- " Um pote de cinzas pode um dia ser jogado do céu , o que poderia queimar a terra e ferver seus oceanos"
- "Qatsi - vida / Koyaanis -- louco / Fragmentação -- Desordem , Desiquilibrio
- "Um mode de vida que requer outro modo de faze-lo".
O filme leva sua audiência a refletir sobre os aspectos da vida moderna que nos fazem viver sem harmonia com a natureza, bem como a pressão exercida pelas inovações tecnológicas que tornam o cotidiano cada vez mais rápido.
this post and koyaanisqatsi Hopi Remix
Produção DJ Sylvio "Dumato" Muller
Branquinegríndios Produções
only promotional
- published: 10 Sep 2010
- views: 1253172
2:07:38
PHILIP GLASS - AKHNATEN
- Order: Reorder
- Duration: 2:07:38
- Uploaded Date: 09 Sep 2018
- views: 348248
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies)
Featuring Paul Esswood as Akhnaten, Milagro Vargas as Nefertiti,
Melinda Lieberman as Quee...
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies)
Featuring Paul Esswood as Akhnaten, Milagro Vargas as Nefertiti,
Melinda Lieberman as Queen Tye, Tero Hannula as Horemhab,
Helmut Holzapfel as Amon High Priest, Cornelius Hauptmann as Aye,
Daughters of Akhnaten - Victoria Schneider as Bekhetaten,
Lynne Wilhelm-Koniger as Meretaten, Maria Koupilova-Ticha as Maketaten,
Christina Wachtler as Ankhesenpaaten, Geraldine Rose as Neferneferuaten,
Angelika Schwarz as Sotopenre
Writer - David Warilow
Act 1 : Year of Akhnate Reign - Thebes (Total Time 20:24)
1.Prelude : Refrain, Verse 1, Verse 2
2.Prelude : Verse 3
3.Scene 1: The Funeral of Amenhotep III
4.Scene 2: The Connection of Akhnaten (Total Time 26:18)
5.Scene 3 : The Window of Appearances
Act II: Years 5 to 15 - Thebes and Akhnaten (Total Time 25:29)
6.Scene 1: The Temple
7.Scene 2: Akhnaten and Nefertiti
Scene 3: The City - Dance (Beginning)
1.Narration: The City
(Album Total Time 72:11)
Scene 3: The City - Dance (Conclusion) (Total Time 18:45)
2.Dance
3.Scene 4:Hymn
Act III: Year 17 and the Present - Akhetaten (Total Time 19:19)
4.Scene 1: The Family
5.Scene 2: Attack and Fall
6.Scene 3: The Ruins (Total Time 18:06)
7.Scene 4: Epilogue
(Album Total Time 56:10)
The total play time is shorter than the real time original because by shorten some of the passages it gives the experience more flow. Real Time (128:21) Play Time (127:37)
https://wn.com/Philip_Glass_Akhnaten
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies)
Featuring Paul Esswood as Akhnaten, Milagro Vargas as Nefertiti,
Melinda Lieberman as Queen Tye, Tero Hannula as Horemhab,
Helmut Holzapfel as Amon High Priest, Cornelius Hauptmann as Aye,
Daughters of Akhnaten - Victoria Schneider as Bekhetaten,
Lynne Wilhelm-Koniger as Meretaten, Maria Koupilova-Ticha as Maketaten,
Christina Wachtler as Ankhesenpaaten, Geraldine Rose as Neferneferuaten,
Angelika Schwarz as Sotopenre
Writer - David Warilow
Act 1 : Year of Akhnate Reign - Thebes (Total Time 20:24)
1.Prelude : Refrain, Verse 1, Verse 2
2.Prelude : Verse 3
3.Scene 1: The Funeral of Amenhotep III
4.Scene 2: The Connection of Akhnaten (Total Time 26:18)
5.Scene 3 : The Window of Appearances
Act II: Years 5 to 15 - Thebes and Akhnaten (Total Time 25:29)
6.Scene 1: The Temple
7.Scene 2: Akhnaten and Nefertiti
Scene 3: The City - Dance (Beginning)
1.Narration: The City
(Album Total Time 72:11)
Scene 3: The City - Dance (Conclusion) (Total Time 18:45)
2.Dance
3.Scene 4:Hymn
Act III: Year 17 and the Present - Akhetaten (Total Time 19:19)
4.Scene 1: The Family
5.Scene 2: Attack and Fall
6.Scene 3: The Ruins (Total Time 18:06)
7.Scene 4: Epilogue
(Album Total Time 56:10)
The total play time is shorter than the real time original because by shorten some of the passages it gives the experience more flow. Real Time (128:21) Play Time (127:37)
- published: 09 Sep 2018
- views: 348248
7:04
Philip Glass - Truman Sleeps (Extended Version)
- Order: Reorder
- Duration: 7:04
- Uploaded Date: 07 Mar 2011
- views: 2478658
The Truman Show / The 1st Extended Version Nowhere Else But Here
The Truman Show / The 1st Extended Version Nowhere Else But Here
https://wn.com/Philip_Glass_Truman_Sleeps_(Extended_Version)
The Truman Show / The 1st Extended Version Nowhere Else But Here
- published: 07 Mar 2011
- views: 2478658
-
Handel, Allegro from Concerto Grosso in G Major op. 6 no. 1 ~ House of Dreams
See Tafelmusik live in Toronto: http://ow.ly/JcDum House of Dreams DVD+CD available now! Buy online: http://ow.ly/ENMoP Tafelmusik Baroque Orchestra presents a magical journey to the meeting places of baroque art and music -- visit five European homes where exquisite works by Bach, Handel, Vivaldi and Marais are played against a backdrop of gorgeous paintings by Vermeer, Canaletto and Watteau. Beautifully filmed in Toronto, at the Handel House in London UK and in the gondolas, historic buildings and cafés of Venice, Italy. This is a totally memorized performance by the virtuoso players of Tafelmusik. DVD includes a bonus track interview with Handel House Director Sarah Baldwell. A CD soundtrack is included. Jeanne Lamon, Music Director Alison Mackay, Programmed and Scripted Violin: J...
published: 21 Jan 2014 -
Arcangelo Corelli Concerto Grosso Nr.8 op. 6
Arcangelo Corelli Concerto Grosso Nr. 8 op. 6 Vivace - Grave Allegro Adagio - Allegro - Adagio Vivace Allegro Pastorale ad libitum Perpetuum Mobile Orchestra Robert Kowalski Violino solo Marek Zwiebel Violino solo Igor Longato Direttore - Concertatore
published: 31 Oct 2016 -
Arcangelo Corelli: Concerto Grosso Opus 6 No. 4 in D Major; Adagio & Allegro : Voices of Music
Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :) The opening Adagio and Allegro from Corelli's Concerto Grosso No. 4 in D Major, performed on original instruments by the Early Music ensemble Voices of Music. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco B...
published: 01 Aug 2014 -
Ernest Bloch - Concerto Grosso No. 1 (1925)
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer. Please support my channel: https://ko-fi.com/bartjebartmans Concerto Grosso No. 1 for string orchestra with piano obbligato (1925 Santa Fe - Cleveland) 1. Prelude 2. Dirge 3. Pastorale and Rustic Dances 4. Fugue Irit Rob, piano and the Israel Chamber Orchestra conducted by Yoav Talmi The work was Bloch's first published concerto grosso of two. According to Alexander J. Morin, the work was created in response to complaints by Bloch's students at the Cleveland Institute of Music about "the inadequacies of tonality in shaping the music for the next century." Music critic Olin Downes wrote, "The Bloch concerto was on the whole the best written and the most effective of the new works, even though it lacks som...
published: 26 Jan 2017 -
Vittorio Giannini (1903-1966): Concerto grosso (full)
I: Allegro. II: Moderato III: Allegro con brio
published: 21 Jan 2013 -
Alfred Schnittke - Concerto Grosso No. 1
- Composer: Alfred Schnittke (24 November 1934 -- 3 August 1998) - Orchestra: Chamber Orchestra of Europe - Conductor: Heinrich Schiff - Soloists: Gidon Kremer (violin), Tatiana Grindenko (violin), Yuri Smirnov (harpsichord), Yuri Smirnov (prepared piano) - Year of recording: 1988 Concerto Grosso No. 1, for 2 violins, harpsichord, prepared piano & 21 strings, written in 1977. 00:00 - I. Preludio. Andante 05:01 - II. Toccata. Allegro 09:27 - III. Recitativo. Lento 16:22 - IV. Cadenza. [without tempo indication] 18:54 - V. Rondo. Agitato 26:00 - VI. Postludio. Andante - Allegro - Andante If Alfred Schnittke is a "poster child" of musical postmodernism, his Concerto Grosso No. 1 (1977) is his poster work. One of the few orchestral works written after 1945 to enter the repertoire of ensembl...
published: 02 Dec 2015 -
Ton Koopman - Corelli: Concerto grosso op. 6 nº 8 - Orquesta Sinfónica de Galicia
A. Corelli. Concerto grosso op. 6 nº 8 "Fatto per la notte di Natale" Orquesta Sinfónica de Galicia - Ton Koopman, director. Grabación realizada en el Palacio de la Ópera de A Coruña el 21 de diciembre de 2012. www.sinfonicadegalicia.com https://twitter.com/osggalicia https://www.facebook.com/sinfonicadegalicia
published: 10 Mar 2013 -
Karl Jenkins - Palladio Concerto Grosso
I. Allegretto II. Largo III. Vivace Seoul Proart Orchestra Alessandro Calcagnile, Conductor 2014.4.21 Seramic Palace Hall, Seoul
published: 28 Apr 2014 -
Concerto Grosso Per i New Trolls - New Trolls(Full Album)(HD)
00:00 Allegro 02:20 Adagio 07:15 Cadenza - Andante con moto 11:28 Shadows (Per Jimi Hendrix) 17:01 Nella sala prove, improvvisazioni dei New Trolls registrate in diretta
published: 21 May 2017 -
Karl Jenkins - Concerto grosso for strings 'Palladio' I. Allegretto (with sheet music)
Karl Jenkins - Concerto grosso for string orchestra 'Palladio', I. Allegretto with sheet music Copyrights belong to Karl Jenkins. No copyright infringement intended.
published: 30 Jun 2012 -
Avison/Scarlatti - Concerto Grosso No. 3 in D Minor
CHARLES AVISON (1709 - 1770) *based upon keyboard sonatas by GIUSEPPE DOMENICO SCARLATTI (1685 - 1757) Concerto grosso No. 3 for two violins, cello, strings and basso continuo in D minor 1. Largo andante 2. Allegro spiritoso 3. Amoroso 4. Allegro Performed by Cafe Zimmermann Directed by Pablo Valetti *The keyboard pieces transcribed by Avison are respectively K. 89b, K. 37, K. 38, and K. 1
published: 14 Aug 2009
developed with YouTube
3:41
Handel, Allegro from Concerto Grosso in G Major op. 6 no. 1 ~ House of Dreams
- Order: Reorder
- Duration: 3:41
- Uploaded Date: 21 Jan 2014
- views: 121945
See Tafelmusik live in Toronto: http://ow.ly/JcDum
House of Dreams DVD+CD available now!
Buy online: http://ow.ly/ENMoP
Tafelmusik Baroque Orchestra presents ...
See Tafelmusik live in Toronto: http://ow.ly/JcDum
House of Dreams DVD+CD available now!
Buy online: http://ow.ly/ENMoP
Tafelmusik Baroque Orchestra presents a magical journey to the meeting places of baroque art and music -- visit five European homes where exquisite works by Bach, Handel, Vivaldi and Marais are played against a backdrop of gorgeous paintings by Vermeer, Canaletto and Watteau. Beautifully filmed in Toronto, at the Handel House in London UK and in the gondolas, historic buildings and cafés of Venice, Italy. This is a totally memorized performance by the virtuoso players of Tafelmusik. DVD includes a bonus track interview with Handel House Director Sarah Baldwell. A CD soundtrack is included.
Jeanne Lamon, Music Director
Alison Mackay, Programmed and Scripted
Violin: Jeanne Lamon, Patricia Ahern, Thomas Georgi, Geneviève Gilardeau, Aisslinn Nosky, CHristopher Verrette, Julia Wedman, Cristina Zacharias
Viola: Patrick G. Jordan, Elly Winer
Violoncello: Christina Mahler, Allen Whear
Bass: Alison Mackay
Oboe: John Abberger, Marco Cera
Bassoon: Dominic Teresi
Lute: Lucas Harris
Harpsichord: Charlotte Nediger
Percussion: Ben Grossman
https://wn.com/Handel,_Allegro_From_Concerto_Grosso_In_G_Major_Op._6_No._1_~_House_Of_Dreams
See Tafelmusik live in Toronto: http://ow.ly/JcDum
House of Dreams DVD+CD available now!
Buy online: http://ow.ly/ENMoP
Tafelmusik Baroque Orchestra presents a magical journey to the meeting places of baroque art and music -- visit five European homes where exquisite works by Bach, Handel, Vivaldi and Marais are played against a backdrop of gorgeous paintings by Vermeer, Canaletto and Watteau. Beautifully filmed in Toronto, at the Handel House in London UK and in the gondolas, historic buildings and cafés of Venice, Italy. This is a totally memorized performance by the virtuoso players of Tafelmusik. DVD includes a bonus track interview with Handel House Director Sarah Baldwell. A CD soundtrack is included.
Jeanne Lamon, Music Director
Alison Mackay, Programmed and Scripted
Violin: Jeanne Lamon, Patricia Ahern, Thomas Georgi, Geneviève Gilardeau, Aisslinn Nosky, CHristopher Verrette, Julia Wedman, Cristina Zacharias
Viola: Patrick G. Jordan, Elly Winer
Violoncello: Christina Mahler, Allen Whear
Bass: Alison Mackay
Oboe: John Abberger, Marco Cera
Bassoon: Dominic Teresi
Lute: Lucas Harris
Harpsichord: Charlotte Nediger
Percussion: Ben Grossman
- published: 21 Jan 2014
- views: 121945
13:35
Arcangelo Corelli Concerto Grosso Nr.8 op. 6
- Order: Reorder
- Duration: 13:35
- Uploaded Date: 31 Oct 2016
- views: 102959
Arcangelo Corelli Concerto Grosso Nr. 8 op. 6
Vivace - Grave
Allegro
Adagio - Allegro - Adagio
Vivace
Allegro
Pastorale ad libitum
Perpetuum Mobile Orchest...
Arcangelo Corelli Concerto Grosso Nr. 8 op. 6
Vivace - Grave
Allegro
Adagio - Allegro - Adagio
Vivace
Allegro
Pastorale ad libitum
Perpetuum Mobile Orchestra
Robert Kowalski Violino solo
Marek Zwiebel Violino solo
Igor Longato Direttore - Concertatore
https://wn.com/Arcangelo_Corelli_Concerto_Grosso_Nr.8_Op._6
Arcangelo Corelli Concerto Grosso Nr. 8 op. 6
Vivace - Grave
Allegro
Adagio - Allegro - Adagio
Vivace
Allegro
Pastorale ad libitum
Perpetuum Mobile Orchestra
Robert Kowalski Violino solo
Marek Zwiebel Violino solo
Igor Longato Direttore - Concertatore
- published: 31 Oct 2016
- views: 102959
3:49
Arcangelo Corelli: Concerto Grosso Opus 6 No. 4 in D Major; Adagio & Allegro : Voices of Music
- Order: Reorder
- Duration: 3:49
- Uploaded Date: 01 Aug 2014
- views: 233810
Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :)
The opening Adagio and Allegro...
Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :)
The opening Adagio and Allegro from Corelli's Concerto Grosso No. 4 in D Major, performed on original instruments by the Early Music ensemble Voices of Music.
Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :)
These videos cost thousands of dollars to make, and the money comes from individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, https://www.voicesofmusic.org/
Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/
Q. Where can I buy CDs?
Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :)
Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC
300 years ago, Corelli's concertos, Op. 6, were published in 1714 in Amsterdam: these works dramatically affected the style of the baroque concerto for the next generation of composers. The reception of this magnificent collection, one of the crown jewels of baroque instrumental music, is in no small part due to the music publishing boom which began around 1690, as well as Corelli's signature set of trio sonatas, Opus 5, of which as Michal Talbot notes "at least 42 editions had appeared by 1800". The wide availability of Corelli's works created an international Corellian style. The concertos are written in an expanded trio sonata style, in which the two solo violins and cello form a small ensemble within the larger tutti framework. The fourth concerto is noteworthy for its suave and serene introduction, the gracefulness of the dance movement, the exceptionally well-balanced counterpoint and harmony, and the furious concluding coda which flows out of the second ending of the last movement.
HD Video from the Voices of Music Lamentations of Jeremiah concert, April, 2014. In the year 1702, the Avvisi di Roma noted that for a performance during Holy Week of Scarlatti's Lamentations, the orchestra also played "a superb concerto for basses, violones, violins and violas of Arcangelo" (Griffin, The Late Baroque Serenata). For the 300th anniversary of Corelli's concertos, we will be releasing on video selections from Corelli's Opus 6 as well as Handel's Opus 6.
Voices of Music
David Tayler & Hanneke van Proosdij, directors
Kati Kyme & Elizabeth Blumenstock
solo baroque violins
Shirley Edith Hunt, solo baroque cello
Gabrielle Wunsch & Maxine Nemerovski
ripieno baroque violins
Lisa Grodin, baroque viola
Farley Pearce, violone
Hanneke van Proosdij, baroque organ
David Tayler, archlute
#Corelli #ConcertoGrosso
https://wn.com/Arcangelo_Corelli_Concerto_Grosso_Opus_6_No._4_In_D_Major_Adagio_Allegro_Voices_Of_Music
Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :)
The opening Adagio and Allegro from Corelli's Concerto Grosso No. 4 in D Major, performed on original instruments by the Early Music ensemble Voices of Music.
Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :)
These videos cost thousands of dollars to make, and the money comes from individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, https://www.voicesofmusic.org/
Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/
Q. Where can I buy CDs?
Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :)
Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC
300 years ago, Corelli's concertos, Op. 6, were published in 1714 in Amsterdam: these works dramatically affected the style of the baroque concerto for the next generation of composers. The reception of this magnificent collection, one of the crown jewels of baroque instrumental music, is in no small part due to the music publishing boom which began around 1690, as well as Corelli's signature set of trio sonatas, Opus 5, of which as Michal Talbot notes "at least 42 editions had appeared by 1800". The wide availability of Corelli's works created an international Corellian style. The concertos are written in an expanded trio sonata style, in which the two solo violins and cello form a small ensemble within the larger tutti framework. The fourth concerto is noteworthy for its suave and serene introduction, the gracefulness of the dance movement, the exceptionally well-balanced counterpoint and harmony, and the furious concluding coda which flows out of the second ending of the last movement.
HD Video from the Voices of Music Lamentations of Jeremiah concert, April, 2014. In the year 1702, the Avvisi di Roma noted that for a performance during Holy Week of Scarlatti's Lamentations, the orchestra also played "a superb concerto for basses, violones, violins and violas of Arcangelo" (Griffin, The Late Baroque Serenata). For the 300th anniversary of Corelli's concertos, we will be releasing on video selections from Corelli's Opus 6 as well as Handel's Opus 6.
Voices of Music
David Tayler & Hanneke van Proosdij, directors
Kati Kyme & Elizabeth Blumenstock
solo baroque violins
Shirley Edith Hunt, solo baroque cello
Gabrielle Wunsch & Maxine Nemerovski
ripieno baroque violins
Lisa Grodin, baroque viola
Farley Pearce, violone
Hanneke van Proosdij, baroque organ
David Tayler, archlute
#Corelli #ConcertoGrosso
- published: 01 Aug 2014
- views: 233810
24:26
Ernest Bloch - Concerto Grosso No. 1 (1925)
- Order: Reorder
- Duration: 24:26
- Uploaded Date: 26 Jan 2017
- views: 156330
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer.
Please support my channel:
https://ko-fi.com/bartjebartmans
Concerto Grosso N...
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer.
Please support my channel:
https://ko-fi.com/bartjebartmans
Concerto Grosso No. 1 for string orchestra with piano obbligato (1925 Santa Fe - Cleveland)
1. Prelude
2. Dirge
3. Pastorale and Rustic Dances
4. Fugue
Irit Rob, piano and the Israel Chamber Orchestra conducted by Yoav Talmi
The work was Bloch's first published concerto grosso of two. According to Alexander J. Morin, the work was created in response to complaints by Bloch's students at the Cleveland Institute of Music about "the inadequacies of tonality in shaping the music for the next century."
Music critic Olin Downes wrote, "The Bloch concerto was on the whole the best written and the most effective of the new works, even though it lacks some of the power and color" of other works.A third concerto grosso evolved into his work Sinfonia Breve.
https://wn.com/Ernest_Bloch_Concerto_Grosso_No._1_(1925)
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer.
Please support my channel:
https://ko-fi.com/bartjebartmans
Concerto Grosso No. 1 for string orchestra with piano obbligato (1925 Santa Fe - Cleveland)
1. Prelude
2. Dirge
3. Pastorale and Rustic Dances
4. Fugue
Irit Rob, piano and the Israel Chamber Orchestra conducted by Yoav Talmi
The work was Bloch's first published concerto grosso of two. According to Alexander J. Morin, the work was created in response to complaints by Bloch's students at the Cleveland Institute of Music about "the inadequacies of tonality in shaping the music for the next century."
Music critic Olin Downes wrote, "The Bloch concerto was on the whole the best written and the most effective of the new works, even though it lacks some of the power and color" of other works.A third concerto grosso evolved into his work Sinfonia Breve.
- published: 26 Jan 2017
- views: 156330
15:18
Vittorio Giannini (1903-1966): Concerto grosso (full)
- Order: Reorder
- Duration: 15:18
- Uploaded Date: 21 Jan 2013
- views: 14014
I: Allegro.
II: Moderato
III: Allegro con brio
I: Allegro.
II: Moderato
III: Allegro con brio
https://wn.com/Vittorio_Giannini_(1903_1966)_Concerto_Grosso_(Full)
I: Allegro.
II: Moderato
III: Allegro con brio
- published: 21 Jan 2013
- views: 14014
28:17
Alfred Schnittke - Concerto Grosso No. 1
- Order: Reorder
- Duration: 28:17
- Uploaded Date: 02 Dec 2015
- views: 477986
- Composer: Alfred Schnittke (24 November 1934 -- 3 August 1998)
- Orchestra: Chamber Orchestra of Europe
- Conductor: Heinrich Schiff
- Soloists: Gidon Kremer ...
- Composer: Alfred Schnittke (24 November 1934 -- 3 August 1998)
- Orchestra: Chamber Orchestra of Europe
- Conductor: Heinrich Schiff
- Soloists: Gidon Kremer (violin), Tatiana Grindenko (violin), Yuri Smirnov (harpsichord), Yuri Smirnov (prepared piano)
- Year of recording: 1988
Concerto Grosso No. 1, for 2 violins, harpsichord, prepared piano & 21 strings, written in 1977.
00:00 - I. Preludio. Andante
05:01 - II. Toccata. Allegro
09:27 - III. Recitativo. Lento
16:22 - IV. Cadenza. [without tempo indication]
18:54 - V. Rondo. Agitato
26:00 - VI. Postludio. Andante - Allegro - Andante
If Alfred Schnittke is a "poster child" of musical postmodernism, his Concerto Grosso No. 1 (1977) is his poster work. One of the few orchestral works written after 1945 to enter the repertoire of ensembles worldwide, its uneasy fusion of old and new, high and low, and grave and comical captures what is most Schnittkean about Schnittke. This is no mean feat: the "Schnittkean" is a quality so conflicted, so nomadic and self-deconstructing, that it is almost illusory; the second one catches up to it, it's just fallen through a trap door. Likewise, Concerto Grosso No. 1 is a high-velocity funhouse of masks. Their unveiling is uproarious and caustically black, their liveliness optimistic, but their trajectory doomed.
This unveiling is also Schnittke's central compositional strategy, something he calls "polystylism." More than mere eclecticism, "polystylism" is for Schnittke a musical last resort for building large works; it is a means for dynamic musical theater, whether comedy or tragedy; it is also, as Schnittke believes, the best way of creating successful musical tension amidst unprecedented musical freedom. And so polystylism is eclectic, but never indifferent; it always intends to confront, surprise, and subvert with utmost calculation. Hence the Schnittkean paradox: things stick together by falling apart, in exactly the right places, at exactly the right times.
- The Concerto Grosso No. 1 has already fallen apart when it begins. Though the entire complement of Baroque instrumentation is present (two violin soloists, harpsichord, prepared piano, string orchestra), the work begins with only prepared piano, sounding remarkably like a gaggle of pots and pans as it thumps through a childlike "sentimental song"; only after this foreboding "Prelude" do the other instruments enter.
- The second movement (Toccata) starts as a cutting Vivaldi parody, but quickly distends into a wall of ferocious dissonance. A hapless race through musical history begins: music-box Mozart, heroic-period Beethoven, an overwrought parody of early 12-tone Webern -- all in turn drown in a cacophonous current, an "Ur-discord" lurking behind all other styles. The movement ends with the soloists flailing mechanically amidst stabbing orchestral chords.
- Schnittke continues the Baroque concerto sequence with the ensuing slow Recitativo. Soloists and orchestra steadfastly maintain a call-and-response, but its outlines are blurred by thick chromatic clusters and a disturbing lamentation. The Recitativo eventually devolves into a slow, rising slide modeled on a scream; yet through its furious static you can perceive the real joke, as the soloists drill out licks from Tchaikovsky's famous Violin Concerto.
- An adamant but confused cadenza for the soloists leads to...
- a culminating Rondo, at which point Vivaldi barrels back into view; but so does "Grandmother Schnittke," hilariously banging out her favorite tango on, of all things, the harpsichord. The tango jumps into the fray, along with everything else, and the Rondo, model of "one-thing-after-another" musical forms, now becomes a game of "all-things-at-once." The tone is catastrophic but hardly serious, and soon enough the prepared piano shatters everything with its returning "sentimental song."
- The remaining Postlude supplies an appropriate anti-conclusion; the whole Concerto is now but floating fragments of previous motives and styles, resting on a luminous screen of string-harmonics. Schnittke here perfects his own archetypal conclusion, to permeate his next decade's work: a tone both doomed and supremely open to the future. At once epitaph and phoenix, it embraces the paradox of Schnittke's music and the magnetism of this popular work.
The concerto grosso is dedicated: "Gidon Kremer, Tatjana Gridenko und Saulus Sondeckis gewidmet".
https://wn.com/Alfred_Schnittke_Concerto_Grosso_No._1
- Composer: Alfred Schnittke (24 November 1934 -- 3 August 1998)
- Orchestra: Chamber Orchestra of Europe
- Conductor: Heinrich Schiff
- Soloists: Gidon Kremer (violin), Tatiana Grindenko (violin), Yuri Smirnov (harpsichord), Yuri Smirnov (prepared piano)
- Year of recording: 1988
Concerto Grosso No. 1, for 2 violins, harpsichord, prepared piano & 21 strings, written in 1977.
00:00 - I. Preludio. Andante
05:01 - II. Toccata. Allegro
09:27 - III. Recitativo. Lento
16:22 - IV. Cadenza. [without tempo indication]
18:54 - V. Rondo. Agitato
26:00 - VI. Postludio. Andante - Allegro - Andante
If Alfred Schnittke is a "poster child" of musical postmodernism, his Concerto Grosso No. 1 (1977) is his poster work. One of the few orchestral works written after 1945 to enter the repertoire of ensembles worldwide, its uneasy fusion of old and new, high and low, and grave and comical captures what is most Schnittkean about Schnittke. This is no mean feat: the "Schnittkean" is a quality so conflicted, so nomadic and self-deconstructing, that it is almost illusory; the second one catches up to it, it's just fallen through a trap door. Likewise, Concerto Grosso No. 1 is a high-velocity funhouse of masks. Their unveiling is uproarious and caustically black, their liveliness optimistic, but their trajectory doomed.
This unveiling is also Schnittke's central compositional strategy, something he calls "polystylism." More than mere eclecticism, "polystylism" is for Schnittke a musical last resort for building large works; it is a means for dynamic musical theater, whether comedy or tragedy; it is also, as Schnittke believes, the best way of creating successful musical tension amidst unprecedented musical freedom. And so polystylism is eclectic, but never indifferent; it always intends to confront, surprise, and subvert with utmost calculation. Hence the Schnittkean paradox: things stick together by falling apart, in exactly the right places, at exactly the right times.
- The Concerto Grosso No. 1 has already fallen apart when it begins. Though the entire complement of Baroque instrumentation is present (two violin soloists, harpsichord, prepared piano, string orchestra), the work begins with only prepared piano, sounding remarkably like a gaggle of pots and pans as it thumps through a childlike "sentimental song"; only after this foreboding "Prelude" do the other instruments enter.
- The second movement (Toccata) starts as a cutting Vivaldi parody, but quickly distends into a wall of ferocious dissonance. A hapless race through musical history begins: music-box Mozart, heroic-period Beethoven, an overwrought parody of early 12-tone Webern -- all in turn drown in a cacophonous current, an "Ur-discord" lurking behind all other styles. The movement ends with the soloists flailing mechanically amidst stabbing orchestral chords.
- Schnittke continues the Baroque concerto sequence with the ensuing slow Recitativo. Soloists and orchestra steadfastly maintain a call-and-response, but its outlines are blurred by thick chromatic clusters and a disturbing lamentation. The Recitativo eventually devolves into a slow, rising slide modeled on a scream; yet through its furious static you can perceive the real joke, as the soloists drill out licks from Tchaikovsky's famous Violin Concerto.
- An adamant but confused cadenza for the soloists leads to...
- a culminating Rondo, at which point Vivaldi barrels back into view; but so does "Grandmother Schnittke," hilariously banging out her favorite tango on, of all things, the harpsichord. The tango jumps into the fray, along with everything else, and the Rondo, model of "one-thing-after-another" musical forms, now becomes a game of "all-things-at-once." The tone is catastrophic but hardly serious, and soon enough the prepared piano shatters everything with its returning "sentimental song."
- The remaining Postlude supplies an appropriate anti-conclusion; the whole Concerto is now but floating fragments of previous motives and styles, resting on a luminous screen of string-harmonics. Schnittke here perfects his own archetypal conclusion, to permeate his next decade's work: a tone both doomed and supremely open to the future. At once epitaph and phoenix, it embraces the paradox of Schnittke's music and the magnetism of this popular work.
The concerto grosso is dedicated: "Gidon Kremer, Tatjana Gridenko und Saulus Sondeckis gewidmet".
- published: 02 Dec 2015
- views: 477986
15:30
Ton Koopman - Corelli: Concerto grosso op. 6 nº 8 - Orquesta Sinfónica de Galicia
- Order: Reorder
- Duration: 15:30
- Uploaded Date: 10 Mar 2013
- views: 339321
A. Corelli. Concerto grosso op. 6 nº 8 "Fatto per la notte di Natale" Orquesta Sinfónica de Galicia - Ton Koopman, director. Grabación realizada en el Palacio d...
A. Corelli. Concerto grosso op. 6 nº 8 "Fatto per la notte di Natale" Orquesta Sinfónica de Galicia - Ton Koopman, director. Grabación realizada en el Palacio de la Ópera de A Coruña el 21 de diciembre de 2012.
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https://wn.com/Ton_Koopman_Corelli_Concerto_Grosso_Op._6_Nº_8_Orquesta_Sinfónica_De_Galicia
A. Corelli. Concerto grosso op. 6 nº 8 "Fatto per la notte di Natale" Orquesta Sinfónica de Galicia - Ton Koopman, director. Grabación realizada en el Palacio de la Ópera de A Coruña el 21 de diciembre de 2012.
www.sinfonicadegalicia.com https://twitter.com/osggalicia
https://www.facebook.com/sinfonicadegalicia
- published: 10 Mar 2013
- views: 339321
17:03
Karl Jenkins - Palladio Concerto Grosso
- Order: Reorder
- Duration: 17:03
- Uploaded Date: 28 Apr 2014
- views: 110211
I. Allegretto
II. Largo
III. Vivace
Seoul Proart Orchestra
Alessandro Calcagnile, Conductor
2014.4.21 Seramic Palace Hall, Seoul
I. Allegretto
II. Largo
III. Vivace
Seoul Proart Orchestra
Alessandro Calcagnile, Conductor
2014.4.21 Seramic Palace Hall, Seoul
https://wn.com/Karl_Jenkins_Palladio_Concerto_Grosso
I. Allegretto
II. Largo
III. Vivace
Seoul Proart Orchestra
Alessandro Calcagnile, Conductor
2014.4.21 Seramic Palace Hall, Seoul
- published: 28 Apr 2014
- views: 110211
39:01
Concerto Grosso Per i New Trolls - New Trolls(Full Album)(HD)
- Order: Reorder
- Duration: 39:01
- Uploaded Date: 21 May 2017
- views: 137969
00:00 Allegro
02:20 Adagio
07:15 Cadenza - Andante con moto
11:28 Shadows (Per Jimi Hendrix)
17:01 Nella sala prove, improvvisazioni dei New Trolls registrate ...
00:00 Allegro
02:20 Adagio
07:15 Cadenza - Andante con moto
11:28 Shadows (Per Jimi Hendrix)
17:01 Nella sala prove, improvvisazioni dei New Trolls registrate in
diretta
https://wn.com/Concerto_Grosso_Per_I_New_Trolls_New_Trolls(Full_Album)(Hd)
00:00 Allegro
02:20 Adagio
07:15 Cadenza - Andante con moto
11:28 Shadows (Per Jimi Hendrix)
17:01 Nella sala prove, improvvisazioni dei New Trolls registrate in
diretta
- published: 21 May 2017
- views: 137969
3:44
Karl Jenkins - Concerto grosso for strings 'Palladio' I. Allegretto (with sheet music)
- Order: Reorder
- Duration: 3:44
- Uploaded Date: 30 Jun 2012
- views: 2088370
Karl Jenkins - Concerto grosso for string orchestra 'Palladio', I. Allegretto with sheet music
Copyrights belong to Karl Jenkins.
No copyright infringement int...
Karl Jenkins - Concerto grosso for string orchestra 'Palladio', I. Allegretto with sheet music
Copyrights belong to Karl Jenkins.
No copyright infringement intended.
https://wn.com/Karl_Jenkins_Concerto_Grosso_For_Strings_'Palladio'_I._Allegretto_(With_Sheet_Music)
Karl Jenkins - Concerto grosso for string orchestra 'Palladio', I. Allegretto with sheet music
Copyrights belong to Karl Jenkins.
No copyright infringement intended.
- published: 30 Jun 2012
- views: 2088370
10:04
Avison/Scarlatti - Concerto Grosso No. 3 in D Minor
- Order: Reorder
- Duration: 10:04
- Uploaded Date: 14 Aug 2009
- views: 121024
CHARLES AVISON (1709 - 1770)
*based upon keyboard sonatas by GIUSEPPE DOMENICO SCARLATTI (1685 - 1757)
Concerto grosso No. 3 for two violins, cello, strings...
CHARLES AVISON (1709 - 1770)
*based upon keyboard sonatas by GIUSEPPE DOMENICO SCARLATTI (1685 - 1757)
Concerto grosso No. 3 for two violins, cello, strings and basso continuo in D minor
1. Largo andante
2. Allegro spiritoso
3. Amoroso
4. Allegro
Performed by Cafe Zimmermann
Directed by Pablo Valetti
*The keyboard pieces transcribed by Avison are respectively K. 89b, K. 37, K. 38, and K. 1
https://wn.com/Avison_Scarlatti_Concerto_Grosso_No._3_In_D_Minor
CHARLES AVISON (1709 - 1770)
*based upon keyboard sonatas by GIUSEPPE DOMENICO SCARLATTI (1685 - 1757)
Concerto grosso No. 3 for two violins, cello, strings and basso continuo in D minor
1. Largo andante
2. Allegro spiritoso
3. Amoroso
4. Allegro
Performed by Cafe Zimmermann
Directed by Pablo Valetti
*The keyboard pieces transcribed by Avison are respectively K. 89b, K. 37, K. 38, and K. 1
- published: 14 Aug 2009
- views: 121024
39:32
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
published: 04 Apr 2013
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
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- published: 04 Apr 2013
- views: 7023812
Philip Glass - Glassworks (complete)
33:04
Philip Glass - Metamorphosis | complete
Philip Glass - Metamorphosis (1988)
I made this record using an old amazing (one of my fa...
published: 01 Dec 2016
Philip Glass - Metamorphosis | complete
Philip Glass - Metamorphosis | complete
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- published: 01 Dec 2016
- views: 5307269
Philip Glass - Metamorphosis (1988)
I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Steinway officially stopped production of the Model O in 1924, but I guess this one was built around 1925-1926 according to serial number)
"Metamorphosis One" – 00:00
"Metamorphosis Two" – 06:54
"Metamorphosis Three" – 13:59
"Metamorphosis Four" – 19:09
"Metamorphosis Five" – 26:29
///
Starting today, Metamorphosis are available in all major streaming services*
Listen / Love / Share: https://album.link/T6mHCbPks7X4w
"Metamorphosis", refers to and was inspired by the 1915 short story The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for a documentary film called The Thin Blue Line directed by Errol Morris.
"Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts.
*I prepared this release to celebrate 4 million streams of this composition in my interpretation on Youtube (a bit late though, because the number of views has grown since then). After several unlucky attempts to make this recording on different instruments and in different studios I returned to the same living room and the same piano - Steinway & Sons model O made in 1926. I can not possibly explain this, but despite all the obvious technical obstacles that stand before you while recording in a regular room, with all the uncontrolled reflections, with the old piano in poor condition which makes you suffer a lot, with all the additional vibrations, rattling strings, hammers that require voicing, with a creaking chair - it turns out to be exactly how I perceive this music. So, one piano, 2 microphones, beloved Philip Glass, and my personal story with the place where this record session took place.
#Coversart
1:12:46
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
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01. Metamorphosis 1 : 0:00
02. ...
published: 12 Aug 2014
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
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- published: 12 Aug 2014
- views: 2300360
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REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4 : 20:13
05. Metamorphosis 5 : 26:04
06. Mad Rush : 31:46
07. Wichita vortex sutra : 49:05
08. Glassworks, opening : 56:10
09. The hours : 1:00:55
10. Modern Love waltz : 1:09:06
7:46
The Hours - Philip Glass
Photo Video Album. Pictures from the world.
Music from the movie "The Hours" by Philip Gla...
published: 28 Jul 2009
The Hours - Philip Glass
The Hours - Philip Glass
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- published: 28 Jul 2009
- views: 4554061
Photo Video Album. Pictures from the world.
Music from the movie "The Hours" by Philip Glass.
15:17
Philip Glass joue Mad Rush
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 ...
published: 09 Mar 2015
Philip Glass joue Mad Rush
Philip Glass joue Mad Rush
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- published: 09 Mar 2015
- views: 1408861
Le pianiste et compositeur Philip Glass était en concert à Montréal le samedi 7 mars 2015 à la Maison symphonique, où il a joué la pièce Mad Rush.
Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush
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42:44
Philip Glass - Music from The Hours | complete
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael...
published: 20 Jan 2016
Philip Glass - Music from The Hours | complete
Philip Glass - Music from The Hours | complete
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- published: 20 Jan 2016
- views: 1189227
Philip Glass - Music from The Hours | Live & Complete | Arranged for piano solo by Michael Riesman and Nico Muhly.
0:00 The Poet Acts
3:39 Morning Passages
8:32 Something She Has to Do
11:00 I'm Going to Make a Cake
14:08 An Unwelcome Friend
17:51 Dead Things
22:23 Why Does Someone Have to Die?
25:58 Tearing Herself Away
30:13 Escape!
33:05 Choosing Life
36:05 The Hours
!!!One of my Philip Glass recordings - a suite of pieces used in the 2002 Stephen Daldry’s film The Hours and arranged for piano solo by Michael Riesman and Nico Muhly, which many of you have probably already seen/heard on my YT channel, has finally become available for listening and downloads on all major streaming services! Choose the one you use here: https://album.link/hsngzxktdz46s
New version of The Hours by Philip Glass arranged for piano solo by Michael Riesman and Nico Muhly (with some edits made by me) and recorded in a small wooden church in a remote Dutch village using a 70-something years old C. Bechstein Model C grand piano, which most definitely contributed to achieving a unique sound and atmosphere:
https://youtu.be/2ylqRW74CIY
*The Hours is the original soundtrack album, on the Elektra/Nonesuch label, of the 2002 film The Hours, starring Nicole Kidman, Meryl Streep and Julianne Moore. The original score was composed by Philip Glass.
Coversart on streaming platforms:
Spotify: https://spoti.fi/2lOovVE
Apple Music: https://music.apple.com/artist/coversart/1475897456
Deezer: https://www.deezer.com/artist/71521152
Tidal: https://listen.tidal.com/artist/16525089
Youtube Music: https://music.youtube.com/channel/UCwd0KPSDjP73Cju6Ib4wdWA
Coversart on social media:
https://www.facebook.com/CoversArtMusic/
https://www.instagram.com/CoversArtMusic/
#PhilipGlass #TheHours #CoversartMusic
3:04:13
Glass: Solo Piano Music (Full Album) played by Jeroen van Veen
Tracklist below.
iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id65360110...
published: 25 Apr 2017
Glass: Solo Piano Music (Full Album) played by Jeroen van Veen
Glass: Solo Piano Music (Full Album) played by Jeroen van Veen
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- published: 25 Apr 2017
- views: 489834
Tracklist below.
iTunes: https://itunes.apple.com/album/glass-solo-piano-music/id653601102
Physical sale: http://brilliantclassics.com/articles/g/glass-solo-piano-music/
Spotify: https://open.spotify.com/album/5upYxk2zN25WaSSsKR0i3F
Accepted onto the early admissions programme of the University of Chicago, Philip Glass graduated aged just nineteen with a degree in Mathematics and Philosophy, practising the piano in his spare time. Subsequently studying at the Juilliard School, Glass’s name has since become synonymous with the minimalist style. His film compositions have earned him a Golden Globe as well as three Academy Award nominations.
This selection of pieces showcases Glass’s music for solo piano, with each of the works baring the hallmarks of minimalism. Among the pieces featured in the collection is Metamorphosis, a set of five variations that evolve over the course of the entire work to create a stirring final movement. Also present are extracts from the soundtrack of Stephen Daldry’s film The Hours, as well as ‘Truman Sleeps’ from The Truman Show (which earned Glass a Golden Globe award for ‘Best Original Score’). The collection ends with the ‘Trilogy’ Sonata, containing piano transcriptions of Glass’s three ‘portrait’ operas: Einstein on the Beach, Satyagraha and Akhnaten.
Dutch pianist and composer Jeroen Van Veen studied at the Utrecht Conservatory and has played with many orchestras throughout Europe and the USA, under renowned conductors such as Howard Williams, Peter Eötvös and Robert Craft. An accomplished recitalist, van Veen has also appeared at festivals including the Reder Piano Festival and the Festival der Kunsten (Bad Gleichenberg). His compositional style is closely related to minimalism, and contains elements of jazz, blues and pop music.
Other information:
- Recorded 23–28 October 2006, Barbara Church, Culemborg, The Netherlands.
- A new compilation of the music for piano solo by Philip Glass, icon of minimalism. In his piano music, Glass presents structures of repeated patterns which slowly and gradually, seemingly unconsciously, change in rhythm, speed or form, creating a fascinating sound landscape of slowly shifting colours and patterns.
- Dutch pianist Jeroen van Veen is a champion of the minimalist piano school. His earlier set of minimalist piano works (BC 9171) has won rave reviews in the international press: “The leading exponent of minimalism (Fanfare)”, “10/10” performance/recording, Classicstoday.
00:00:00 Glassworks – opening(arr. Jeroen van Veen)
00:08:53 Metamorphosis: No.1
00:15:57 Metamorphosis: No.2
00:22:51 Metamorphosis: No.3
00:27:15 Metamorphosis: No.4
00:33:08 Metamorphosis: No.5
00:39:15 Mad Rush
00:54:28 Wichita Vortex Sutra
01:01:54 Glassworks – opening
01:11:19 The Hours: The Poet Acts
01:14:55 The Hours: Morning Passages
01:20:20 The Hours: Something She Has To Do
01:23:51 The Hours: I’m Going To Make A Cake
01:27:36 The Hours: An Unwelcome Friend
01:32:08 The Hours: Dead Things
01:36:04 The Hours: Why Does Someone Have to Die?
01:39:41 The Hours: Tearing Herself Away
01:43:49 The Hours: Escape!
01:47:23 The Hours: Choosing Life
01:51:33 The Hours: The Hours
01:58:46 ‘Truman Sleeps’ from The Truman Show
02:00:57 Glassworks – opening
02:07:07 Olympian
02:11:06 Modern Love Waltz
02:16:04 How Now
02:41:13 ‘Trilogy’ Sonata: I. Einstein on the Beach – Knee Play No. 4
02:48:56 ‘Trilogy’ Sonata: II. Satyagraha – Act III Conclusion
02:57:46 ‘Trilogy’ Sonata: III. Akhnaten – Dance (from Scene 3)
Artist:
Jeroen van Veen (piano)
3:29
Philip Glass. - Koyaanisqatsi (original version)
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey ...
published: 10 Sep 2010
Philip Glass. - Koyaanisqatsi (original version)
Philip Glass. - Koyaanisqatsi (original version)
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- published: 10 Sep 2010
- views: 1253172
Koyaanisqatsi: Life out of balance é um documentário lançado em 1983 dirigido por Godfrey Reggio com música do compositor Philip Glass.
É o filme mais conhecido da trilogia Qatsi, que é composta com as seqüências Powaqqatsi (1988) e Naqoyqatsi(2002).
A trilha sonora deste documentário possui grande importância pois o desenrolar tem a velocidade e o tom ditados por ela. Não existem diálogos e também não são feitas narrações durante todo o documentário.
São apresentadas cenas em paisagens naturais e urbanas, muitas delas com a velocidade de exibição alterada. Algumas cenas são passadas mais rapidamente e outras mais lentamente que o normal, criando, com a trilha sonora, uma idéia diferente da passagem do tempo. Vários dos efeitos apresentados se tornaram clichês usados em outros filmes e programas de televisão.
A palavra koyaanisqatsi tem origem na língua Hopi e quer dizer "vida desequilibrada", ou "vida louca". O significado é revelado ao final do documentário antes da apresentação dos créditos. No final do documentário são cantadas três profecias do povo Hopi em sua própria língua, as quais também têm aqui suas traduções.
- " Se escavarmos preciosidades da terra , convidaremos ao desastre "
- " Próximo ao dia da purificação haverá teias de aranha a rodar no céu"
- " Um pote de cinzas pode um dia ser jogado do céu , o que poderia queimar a terra e ferver seus oceanos"
- "Qatsi - vida / Koyaanis -- louco / Fragmentação -- Desordem , Desiquilibrio
- "Um mode de vida que requer outro modo de faze-lo".
O filme leva sua audiência a refletir sobre os aspectos da vida moderna que nos fazem viver sem harmonia com a natureza, bem como a pressão exercida pelas inovações tecnológicas que tornam o cotidiano cada vez mais rápido.
this post and koyaanisqatsi Hopi Remix
Produção DJ Sylvio "Dumato" Muller
Branquinegríndios Produções
only promotional
2:07:38
PHILIP GLASS - AKHNATEN
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies)
Featuring Paul Esswoo...
published: 09 Sep 2018
PHILIP GLASS - AKHNATEN
PHILIP GLASS - AKHNATEN
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- published: 09 Sep 2018
- views: 348248
The Stuttgart State Opera Orchestra & Chorus (Dennis Russell Davies)
Featuring Paul Esswood as Akhnaten, Milagro Vargas as Nefertiti,
Melinda Lieberman as Queen Tye, Tero Hannula as Horemhab,
Helmut Holzapfel as Amon High Priest, Cornelius Hauptmann as Aye,
Daughters of Akhnaten - Victoria Schneider as Bekhetaten,
Lynne Wilhelm-Koniger as Meretaten, Maria Koupilova-Ticha as Maketaten,
Christina Wachtler as Ankhesenpaaten, Geraldine Rose as Neferneferuaten,
Angelika Schwarz as Sotopenre
Writer - David Warilow
Act 1 : Year of Akhnate Reign - Thebes (Total Time 20:24)
1.Prelude : Refrain, Verse 1, Verse 2
2.Prelude : Verse 3
3.Scene 1: The Funeral of Amenhotep III
4.Scene 2: The Connection of Akhnaten (Total Time 26:18)
5.Scene 3 : The Window of Appearances
Act II: Years 5 to 15 - Thebes and Akhnaten (Total Time 25:29)
6.Scene 1: The Temple
7.Scene 2: Akhnaten and Nefertiti
Scene 3: The City - Dance (Beginning)
1.Narration: The City
(Album Total Time 72:11)
Scene 3: The City - Dance (Conclusion) (Total Time 18:45)
2.Dance
3.Scene 4:Hymn
Act III: Year 17 and the Present - Akhetaten (Total Time 19:19)
4.Scene 1: The Family
5.Scene 2: Attack and Fall
6.Scene 3: The Ruins (Total Time 18:06)
7.Scene 4: Epilogue
(Album Total Time 56:10)
The total play time is shorter than the real time original because by shorten some of the passages it gives the experience more flow. Real Time (128:21) Play Time (127:37)
7:04
Philip Glass - Truman Sleeps (Extended Version)
The Truman Show / The 1st Extended Version Nowhere Else But Here
published: 07 Mar 2011
Philip Glass - Truman Sleeps (Extended Version)
Philip Glass - Truman Sleeps (Extended Version)
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- published: 07 Mar 2011
- views: 2478658
The Truman Show / The 1st Extended Version Nowhere Else But Here
Philip Glass
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Philip_Glass
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3:41
Handel, Allegro from Concerto Grosso in G Major op. 6 no. 1 ~ House of Dreams
See Tafelmusik live in Toronto: http://ow.ly/JcDum
House of Dreams DVD+CD available now!
...
published: 21 Jan 2014
Handel, Allegro from Concerto Grosso in G Major op. 6 no. 1 ~ House of Dreams
Handel, Allegro from Concerto Grosso in G Major op. 6 no. 1 ~ House of Dreams
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- published: 21 Jan 2014
- views: 121945
See Tafelmusik live in Toronto: http://ow.ly/JcDum
House of Dreams DVD+CD available now!
Buy online: http://ow.ly/ENMoP
Tafelmusik Baroque Orchestra presents a magical journey to the meeting places of baroque art and music -- visit five European homes where exquisite works by Bach, Handel, Vivaldi and Marais are played against a backdrop of gorgeous paintings by Vermeer, Canaletto and Watteau. Beautifully filmed in Toronto, at the Handel House in London UK and in the gondolas, historic buildings and cafés of Venice, Italy. This is a totally memorized performance by the virtuoso players of Tafelmusik. DVD includes a bonus track interview with Handel House Director Sarah Baldwell. A CD soundtrack is included.
Jeanne Lamon, Music Director
Alison Mackay, Programmed and Scripted
Violin: Jeanne Lamon, Patricia Ahern, Thomas Georgi, Geneviève Gilardeau, Aisslinn Nosky, CHristopher Verrette, Julia Wedman, Cristina Zacharias
Viola: Patrick G. Jordan, Elly Winer
Violoncello: Christina Mahler, Allen Whear
Bass: Alison Mackay
Oboe: John Abberger, Marco Cera
Bassoon: Dominic Teresi
Lute: Lucas Harris
Harpsichord: Charlotte Nediger
Percussion: Ben Grossman
13:35
Arcangelo Corelli Concerto Grosso Nr.8 op. 6
Arcangelo Corelli Concerto Grosso Nr. 8 op. 6
Vivace - Grave
Allegro
Adagio - Allegro - ...
published: 31 Oct 2016
Arcangelo Corelli Concerto Grosso Nr.8 op. 6
Arcangelo Corelli Concerto Grosso Nr.8 op. 6
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- published: 31 Oct 2016
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Arcangelo Corelli Concerto Grosso Nr. 8 op. 6
Vivace - Grave
Allegro
Adagio - Allegro - Adagio
Vivace
Allegro
Pastorale ad libitum
Perpetuum Mobile Orchestra
Robert Kowalski Violino solo
Marek Zwiebel Violino solo
Igor Longato Direttore - Concertatore
3:49
Arcangelo Corelli: Concerto Grosso Opus 6 No. 4 in D Major; Adagio & Allegro : Voices of Music
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published: 01 Aug 2014
Arcangelo Corelli: Concerto Grosso Opus 6 No. 4 in D Major; Adagio & Allegro : Voices of Music
Arcangelo Corelli: Concerto Grosso Opus 6 No. 4 in D Major; Adagio & Allegro : Voices of Music
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- published: 01 Aug 2014
- views: 233810
Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :)
The opening Adagio and Allegro from Corelli's Concerto Grosso No. 4 in D Major, performed on original instruments by the Early Music ensemble Voices of Music.
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Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC
300 years ago, Corelli's concertos, Op. 6, were published in 1714 in Amsterdam: these works dramatically affected the style of the baroque concerto for the next generation of composers. The reception of this magnificent collection, one of the crown jewels of baroque instrumental music, is in no small part due to the music publishing boom which began around 1690, as well as Corelli's signature set of trio sonatas, Opus 5, of which as Michal Talbot notes "at least 42 editions had appeared by 1800". The wide availability of Corelli's works created an international Corellian style. The concertos are written in an expanded trio sonata style, in which the two solo violins and cello form a small ensemble within the larger tutti framework. The fourth concerto is noteworthy for its suave and serene introduction, the gracefulness of the dance movement, the exceptionally well-balanced counterpoint and harmony, and the furious concluding coda which flows out of the second ending of the last movement.
HD Video from the Voices of Music Lamentations of Jeremiah concert, April, 2014. In the year 1702, the Avvisi di Roma noted that for a performance during Holy Week of Scarlatti's Lamentations, the orchestra also played "a superb concerto for basses, violones, violins and violas of Arcangelo" (Griffin, The Late Baroque Serenata). For the 300th anniversary of Corelli's concertos, we will be releasing on video selections from Corelli's Opus 6 as well as Handel's Opus 6.
Voices of Music
David Tayler & Hanneke van Proosdij, directors
Kati Kyme & Elizabeth Blumenstock
solo baroque violins
Shirley Edith Hunt, solo baroque cello
Gabrielle Wunsch & Maxine Nemerovski
ripieno baroque violins
Lisa Grodin, baroque viola
Farley Pearce, violone
Hanneke van Proosdij, baroque organ
David Tayler, archlute
#Corelli #ConcertoGrosso
24:26
Ernest Bloch - Concerto Grosso No. 1 (1925)
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer.
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published: 26 Jan 2017
Ernest Bloch - Concerto Grosso No. 1 (1925)
Ernest Bloch - Concerto Grosso No. 1 (1925)
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- published: 26 Jan 2017
- views: 156330
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer.
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Concerto Grosso No. 1 for string orchestra with piano obbligato (1925 Santa Fe - Cleveland)
1. Prelude
2. Dirge
3. Pastorale and Rustic Dances
4. Fugue
Irit Rob, piano and the Israel Chamber Orchestra conducted by Yoav Talmi
The work was Bloch's first published concerto grosso of two. According to Alexander J. Morin, the work was created in response to complaints by Bloch's students at the Cleveland Institute of Music about "the inadequacies of tonality in shaping the music for the next century."
Music critic Olin Downes wrote, "The Bloch concerto was on the whole the best written and the most effective of the new works, even though it lacks some of the power and color" of other works.A third concerto grosso evolved into his work Sinfonia Breve.
15:18
Vittorio Giannini (1903-1966): Concerto grosso (full)
I: Allegro.
II: Moderato
III: Allegro con brio
published: 21 Jan 2013
Vittorio Giannini (1903-1966): Concerto grosso (full)
Vittorio Giannini (1903-1966): Concerto grosso (full)
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- published: 21 Jan 2013
- views: 14014
I: Allegro.
II: Moderato
III: Allegro con brio
28:17
Alfred Schnittke - Concerto Grosso No. 1
- Composer: Alfred Schnittke (24 November 1934 -- 3 August 1998)
- Orchestra: Chamber Orch...
published: 02 Dec 2015
Alfred Schnittke - Concerto Grosso No. 1
Alfred Schnittke - Concerto Grosso No. 1
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- published: 02 Dec 2015
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- Composer: Alfred Schnittke (24 November 1934 -- 3 August 1998)
- Orchestra: Chamber Orchestra of Europe
- Conductor: Heinrich Schiff
- Soloists: Gidon Kremer (violin), Tatiana Grindenko (violin), Yuri Smirnov (harpsichord), Yuri Smirnov (prepared piano)
- Year of recording: 1988
Concerto Grosso No. 1, for 2 violins, harpsichord, prepared piano & 21 strings, written in 1977.
00:00 - I. Preludio. Andante
05:01 - II. Toccata. Allegro
09:27 - III. Recitativo. Lento
16:22 - IV. Cadenza. [without tempo indication]
18:54 - V. Rondo. Agitato
26:00 - VI. Postludio. Andante - Allegro - Andante
If Alfred Schnittke is a "poster child" of musical postmodernism, his Concerto Grosso No. 1 (1977) is his poster work. One of the few orchestral works written after 1945 to enter the repertoire of ensembles worldwide, its uneasy fusion of old and new, high and low, and grave and comical captures what is most Schnittkean about Schnittke. This is no mean feat: the "Schnittkean" is a quality so conflicted, so nomadic and self-deconstructing, that it is almost illusory; the second one catches up to it, it's just fallen through a trap door. Likewise, Concerto Grosso No. 1 is a high-velocity funhouse of masks. Their unveiling is uproarious and caustically black, their liveliness optimistic, but their trajectory doomed.
This unveiling is also Schnittke's central compositional strategy, something he calls "polystylism." More than mere eclecticism, "polystylism" is for Schnittke a musical last resort for building large works; it is a means for dynamic musical theater, whether comedy or tragedy; it is also, as Schnittke believes, the best way of creating successful musical tension amidst unprecedented musical freedom. And so polystylism is eclectic, but never indifferent; it always intends to confront, surprise, and subvert with utmost calculation. Hence the Schnittkean paradox: things stick together by falling apart, in exactly the right places, at exactly the right times.
- The Concerto Grosso No. 1 has already fallen apart when it begins. Though the entire complement of Baroque instrumentation is present (two violin soloists, harpsichord, prepared piano, string orchestra), the work begins with only prepared piano, sounding remarkably like a gaggle of pots and pans as it thumps through a childlike "sentimental song"; only after this foreboding "Prelude" do the other instruments enter.
- The second movement (Toccata) starts as a cutting Vivaldi parody, but quickly distends into a wall of ferocious dissonance. A hapless race through musical history begins: music-box Mozart, heroic-period Beethoven, an overwrought parody of early 12-tone Webern -- all in turn drown in a cacophonous current, an "Ur-discord" lurking behind all other styles. The movement ends with the soloists flailing mechanically amidst stabbing orchestral chords.
- Schnittke continues the Baroque concerto sequence with the ensuing slow Recitativo. Soloists and orchestra steadfastly maintain a call-and-response, but its outlines are blurred by thick chromatic clusters and a disturbing lamentation. The Recitativo eventually devolves into a slow, rising slide modeled on a scream; yet through its furious static you can perceive the real joke, as the soloists drill out licks from Tchaikovsky's famous Violin Concerto.
- An adamant but confused cadenza for the soloists leads to...
- a culminating Rondo, at which point Vivaldi barrels back into view; but so does "Grandmother Schnittke," hilariously banging out her favorite tango on, of all things, the harpsichord. The tango jumps into the fray, along with everything else, and the Rondo, model of "one-thing-after-another" musical forms, now becomes a game of "all-things-at-once." The tone is catastrophic but hardly serious, and soon enough the prepared piano shatters everything with its returning "sentimental song."
- The remaining Postlude supplies an appropriate anti-conclusion; the whole Concerto is now but floating fragments of previous motives and styles, resting on a luminous screen of string-harmonics. Schnittke here perfects his own archetypal conclusion, to permeate his next decade's work: a tone both doomed and supremely open to the future. At once epitaph and phoenix, it embraces the paradox of Schnittke's music and the magnetism of this popular work.
The concerto grosso is dedicated: "Gidon Kremer, Tatjana Gridenko und Saulus Sondeckis gewidmet".
15:30
Ton Koopman - Corelli: Concerto grosso op. 6 nº 8 - Orquesta Sinfónica de Galicia
A. Corelli. Concerto grosso op. 6 nº 8 "Fatto per la notte di Natale" Orquesta Sinfónica d...
published: 10 Mar 2013
Ton Koopman - Corelli: Concerto grosso op. 6 nº 8 - Orquesta Sinfónica de Galicia
Ton Koopman - Corelli: Concerto grosso op. 6 nº 8 - Orquesta Sinfónica de Galicia
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- published: 10 Mar 2013
- views: 339321
A. Corelli. Concerto grosso op. 6 nº 8 "Fatto per la notte di Natale" Orquesta Sinfónica de Galicia - Ton Koopman, director. Grabación realizada en el Palacio de la Ópera de A Coruña el 21 de diciembre de 2012.
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17:03
Karl Jenkins - Palladio Concerto Grosso
I. Allegretto
II. Largo
III. Vivace
Seoul Proart Orchestra
Alessandro Calcagnile, Co...
published: 28 Apr 2014
Karl Jenkins - Palladio Concerto Grosso
Karl Jenkins - Palladio Concerto Grosso
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- published: 28 Apr 2014
- views: 110211
I. Allegretto
II. Largo
III. Vivace
Seoul Proart Orchestra
Alessandro Calcagnile, Conductor
2014.4.21 Seramic Palace Hall, Seoul
39:01
Concerto Grosso Per i New Trolls - New Trolls(Full Album)(HD)
00:00 Allegro
02:20 Adagio
07:15 Cadenza - Andante con moto
11:28 Shadows (Per Jimi Hendr...
published: 21 May 2017
Concerto Grosso Per i New Trolls - New Trolls(Full Album)(HD)
Concerto Grosso Per i New Trolls - New Trolls(Full Album)(HD)
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- published: 21 May 2017
- views: 137969
00:00 Allegro
02:20 Adagio
07:15 Cadenza - Andante con moto
11:28 Shadows (Per Jimi Hendrix)
17:01 Nella sala prove, improvvisazioni dei New Trolls registrate in
diretta
3:44
Karl Jenkins - Concerto grosso for strings 'Palladio' I. Allegretto (with sheet music)
Karl Jenkins - Concerto grosso for string orchestra 'Palladio', I. Allegretto with sheet m...
published: 30 Jun 2012
Karl Jenkins - Concerto grosso for strings 'Palladio' I. Allegretto (with sheet music)
Karl Jenkins - Concerto grosso for strings 'Palladio' I. Allegretto (with sheet music)
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- published: 30 Jun 2012
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Karl Jenkins - Concerto grosso for string orchestra 'Palladio', I. Allegretto with sheet music
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No copyright infringement intended.
10:04
Avison/Scarlatti - Concerto Grosso No. 3 in D Minor
CHARLES AVISON (1709 - 1770)
*based upon keyboard sonatas by GIUSEPPE DOMENICO SCARLATTI ...
published: 14 Aug 2009
Avison/Scarlatti - Concerto Grosso No. 3 in D Minor
Avison/Scarlatti - Concerto Grosso No. 3 in D Minor
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CHARLES AVISON (1709 - 1770)
*based upon keyboard sonatas by GIUSEPPE DOMENICO SCARLATTI (1685 - 1757)
Concerto grosso No. 3 for two violins, cello, strings and basso continuo in D minor
1. Largo andante
2. Allegro spiritoso
3. Amoroso
4. Allegro
Performed by Cafe Zimmermann
Directed by Pablo Valetti
*The keyboard pieces transcribed by Avison are respectively K. 89b, K. 37, K. 38, and K. 1
Handel, Allegro from Concerto Grosso in G Major op...
Arcangelo Corelli Concerto Grosso Nr.8 op. 6...
Arcangelo Corelli: Concerto Grosso Opus 6 No. 4 in...
Ernest Bloch - Concerto Grosso No. 1 (1925)...
Vittorio Giannini (1903-1966): Concerto grosso (f...
Alfred Schnittke - Concerto Grosso No. 1...
Ton Koopman - Corelli: Concerto grosso op. 6 nº 8 ...
Karl Jenkins - Palladio Concerto Grosso...
Concerto Grosso Per i New Trolls - New Trolls(Full...
Karl Jenkins - Concerto grosso for strings 'Pallad...
Avison/Scarlatti - Concerto Grosso No. 3 in D Mino...
Trial 1: All Men Are Equal
"In this court, all men are equal." You have heard
those words many times before. "All men are equal." But
what about all women ? Are women the equal of men ?
There are those who tell us that they are.
Last week, an auspicious meeting of women was held in
Kalamazoo. The meeting was addressed by a very
prominent lady who is noted for her modesty. She is so
modest that she blindfolds herself when taking a bath.
Modesty runs in her family. She has a nephew who is
just ten years of age. Sometimes, the nephew says "I'm
going to the forbidden name store." The little fellow
is too modest to say "I'm going to the A & P." Well,
here is what that modest lady said to the gathering of
women in Kalamazoo :
"My sisters : Thetime has come when we must stand up
and declare ourselves. For too long have we been
trodden under the feet of men. For too long have we
been treated as second-class citizens by men who say
that we are only good for cooking their meals, mending
their socks, and raising their babies.
"You have a boyfriend, and he calls you his queen.
Then, when he marries you, he crowns you. These are the
kind of men who, when they become romantic or, I should
say, when they are in a certain mood, they want to kiss
you and kiss you and kiss you again.
"My sisters, I say to you : Put your faces against it,
and, if the man takes from you without your permission,
look him squarely in the face, roll your eyes at him,
and say to him ‘How dare you, you male chauvinist pig !
You put that kiss right back where you got it from.’
"My sisters, we are in bondage, and we need to be
liberated. Liberation is our cry. Just yesterday, I
talked with a woman who is the mother of fifteen
children. She said ‘Yes, I want to be liberated from
the bedroom.’
"And so, my sisters, the time has come when we must let
this male chauvinist understand that the hand that
changes the diapers is the hand that shall rule the
world.
"And now, my sisters, let us stand and sing our
national song. For the benefit of you who have not yet
memorized the words, here they are :
The woman's day is drawing near, it's written in the
stars
The fall of men is very near, proclaim it from your
cars.
Sisters, rise ! You flags unfurl ! Don't be a little
girl.
Say "Down with men, their power must end : Women shall