- published: 10 Mar 2010
- views: 22936
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A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours.
The filmscore is heartbraking as the life itself. Simple facts expressed with beautiful melancholy. Addictive. Graphics and Video by Ritva Nybacka
Wikipedia: The Hours is a 2002 drama film directed by Stephen Daldry, and starring Nicole Kidman, Meryl Streep, Julianne Moore, and Ed Harris. The screenplay by David Hare is based on the 1999 Pulitzer Prize-winning novel of the same title by Michael Cunningham.
The film's score by Philip Glass won the BAFTA Award for Best Film Music .
This is the vinyl rip for Midori Takada - Through The Looking Glass
One of the most enticing and truly intoxicating pieces of recent years, Midori Takada's Through The Looking Glass is a very dreamlike journey in 4 chapters. Beyond its very impressive soundscapes and overall atmosphere, it's well known for its innovative recording techniques. Here's some information about how the tracks came to be:
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The title of the album, Through The Looking Glass, was adopted from Lewis Carroll's Alice In Wonderland. In the logic of Lewis Carroll, who was also a mathematician, one can discern a word beyond personal expression that has no relation to personal sentiment of desire. Sound separates itself from personal expression and in sound itself lies the possibility of substance. Midori says: "Within the tracks, numbers are intertwined symbolically - they are fluid while the tempo is ever-changing. On the reverse side, all the melodies are overturned. Through this process, it is constructed and formulated into a system. As the structure of this music became more system-based, I tried to disengage it from any self-expression. That is why I named this album Through The Looking Glass. The reflection on the mirror seems to show something, but I did not want to indulge in that. I wanted rather to force discernment of my true self that was beyond the reflection."
The "different directions" she used to explore that concept are ingenious. On the first track, "Mr. Henri Rousseau's Dream," she created a three-dimensional sound sculpture by carefully taking the distance between the microphone and each instrument into account. Takada says that she was trying to construct a perspective in sound." On "Crossing", Takada overdubbed an initial rhythm over a new rhythm, placing two performances that were still physically reverberating through the performer on top of one another, constructing a minimal, but heavy, percussive edifice. On the track "Trompe-l'oeil", Takada used offset rhythms to blur and expand that percussive resonance of the instruments, thickening the sound color. This track is also notable for the fact that Takada performed this composition using only a Cole bottle, bells, and a reed organ with a foot pedal! She describes the final track, "Catastrophe ε" as "an accelerando from start to finish, without allowing tempo and time to slip into one place". That Accelerando is thhe most aggressive progression on the album. As the tempo gradually increases, the piano and reed organ slowly build a wall of sound. The acceleration directs the listener's attention inward, towards the music itself, as opposed to its performance.
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I was very pleasantly surprised to find this little rarity on display on some shelf in a new nifty little boutique record store in my town, and picked it up right away as I was searching for it for quite a while. To me this is one of the most astounding, ground breaking records of our era. The history and the process of making this record and how carefully it was crafted (whether it's the philosophy of it or the fact that each instrument was layered infinitely to compensate any errors that could not be erased since it was recorded analogically) just add to the mix. If you will - give it a good listen with a good headset or system, in a dark room, and wait till the nearly Koyaanisquatsi-ish ending will make your heart pound with the force of a thousand suns.
Perfect for: M E D I T A T I O N
Format: LP
Please support the artists! If you dug it as much as I did when I first heard it on YouTube as well, please consider supporting the artist by getting it here: http://paltoflats.com/release/midori-takada-through-the-looking-glass
All materials presented on this channel are copyrighted by their respective copyright owners, and are subject to use for informational purposes only. If you want this removed, please contact me and I will remove it as soon as possible.
- published: 12 Aug 2017
- views: 349496
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_user=doki66
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The time has come for CREAM - the latest product that will fix your life. This is the story of Dr. Bellifer, a scientific genius, who after years of smashing particles together, reveals his revolutionary new product: a cream with the power to fix all of the world’s problems.
This launch is made possible by my lovely Patreon supporters:
https://www.patreon.com/davidfirth
Thanks to the super Patroids. You will see their names in the credits. Please join us for more wonderful content.
OFFICIAL SALAD FINGERS STORE: https://saladfingers.shop/
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- published: 30 May 2017
- views: 17340804
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: http://bit.ly/PrinceRupert
READ THE ADDITIONAL INFO HERE! (Click "Show More"!)
Please help me justify putting this much time and effort into a video by clicking "LIKE" and SHARING this as much as possible. Click the following: Tweet: http://bit.ly/TweetRupert Facebook: http://bit.ly/PrinceRupert Please share with any science blogs or outlets you think would enjoy it.
Videos like this don't just happen. They require lots of time, and lots of favors from very smart and kind people willing to help me and you learn. PLEASE take a moment and read the following information and support those who supported me.
This is the camera we used for the ultra-high speed shots. It has the "FAST" option.
http://www.visionresearch.com/v16102/
You absolutely have to check out the stuff Cal Makes. We're just goofing off in this video, but the guy is some type of glass wizard genius. It would make me happy if you bought something from him and he felt like the audience appreciated all the time he donated to this video. He basically gave me 2 entire nights of his entire shop.
http://orbixhotglass.com/
I feel like we're friends at this point, and he is open to the idea of doing more videos in the future and teach me more about what he knows about glass. Let's make it worth his time.
I'm a HUGE FAN of the song Gordon wrote for this video. His landlord would really appreciated if you downloaded it so he could make rent this month.
http://ashellinthepit.bandcamp.com/track/manta
It looks like he's assembling a new album that I may like more than Mammals:
http://ashellinthepit.bandcamp.com/album/hydrophile-in-progress
Show him some love.
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This video involved about 2 months of research, and me reaching out to several individuals. I would like to thank everyone who took time out of their schedule to contribute to my wacky research. A big thanks to the following people:
My wife and kids. I'm sorry this took so long and I wasn't the kind of active father I want to be during the 5 weeks it took to make this.
Dr. Martyn Poliakoff for getting me access to documents which details experiments on the Prince Rupert's Drop by the Royal Society
http://rsnr.royalsocietypublishing.org/content/41/1/1.full.pdf+html (behind a pay wall)
Being able to calculate the failure front velocity of a Prince Rupert's drop is a pretty big deal. For years this was a scientific mystery. High speed camera technology is only recently fast enough to provide data like this. Thanks to Vision Research for letting me use the V1610 to try to unravel this mystery for the public in general.
Rob Kuefner for reaching out to me and offering to convert certain equations into LaTeX format for me.
Dr. Jeff Evans from UAH. A friend and neighbor who just happens to have a PhD and be an expert in fracture mechanics. http://bit.ly/YLezDA Thank you for helping me by pointing me in the right direction in the early stages of my research. It's time we hangout again.
Brian: thanks for letting me use your green screen and telling me about Orbix in the first place. I stayed up there til about 1 or 2 am two nights in a row acting stupid in front of of the camera all alone. Now that I look back at that footage without the context of this video, it's all very strange.
Thanks to Loïc Samuel for taking time to make the custom TNT Degradation graphic!
P.S. There was some old guy walking around the track at the park when I was filming me jumping on the bridge railing. I'm pretty sure you kept walking until I was done just to make sure you wouldn't have to take me to the hospital if I broke my leg. I'll never meet you again, but I'm grateful for this kind gesture you didn't know I noticed.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Tweet ideas to me @SmarterYouTube
Instead of saving for my kids' college, I make videos using the money I would have saved.
The thought is it will help educate the world as a whole, and one day generate enough revenue to pay for their education. Until then if you appreciate what you've learned in this video and the effort that went in to it, please SHARE THE VIDEO!
- published: 23 Mar 2013
- views: 13491148
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes
by THOMAS HUIZENGA
At first glance, Devonté Hynes and Philip Glass might appear like musical opposites. Hynes, the 31-year-old British producer and songwriter who performs under the name Blood Orange, makes hit records with Solange and Carly Rae Jepson. Glass, the 80-year-old Baltimore-born New Yorker who writes operas and film scores, is one of classical music's legendary artists.
But walk into Hynes' third floor loft in New York's Chinatown and you'll find a photo of Glass on his piano. Hynes, it turns out, is a fan. He discovered Glass' music by chance as a London teenager, when he bought the 1982 album Glassworks on the strength of its crystalline cover image alone. What he heard after he brought it home transfixed him. Today, he says Glass' influence "seeps" into his music — the interlocking marimba parts in "Best to You" or the feather light ostinato that ignites "Better Than Me." Last year, he surprised a few ears when he played excerpts from Glass' solo piano suite Metamorphosis during a live session on SiriusXM.
This spring, Hynes invited Glass to his apartment where they sat at a piano, compared chords and traded stories. Ninety minutes later, their wide ranging conversation had touched on the pulse of New York City, the pains of striking out on your own as a musician, what role the arts play in society today and Hamilton. Plus about a hundred other ideas.
Perhaps the most potent virtue Hynes and Glass share is an instinctive ear for collaboration. Glass has worked with everyone from Ravi Shankar and Paul Simon to dozens of filmmakers, dancers, poets and visual artists. Hynes moves adroitly, too. These days he pairs up with Sky Ferreira, FKA Twigs, Haim and ballet dancer Maria Kochetkova, but in his teens he joined a dance-punk band named Test Icicles, then moved on to the quirky folk-pop of Lightspeed Champion.
Maybe it's that willingness to let something unknown percolate into a new idea. And maybe that's why these two musicians, some 50 years apart in age, decided to meet on a cloudy April afternoon in Chinatown to let yet another intriguing collaboration blossom.
- published: 21 Sep 2017
- views: 176692
developed with YouTube
Philip Glass
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Philip_Glass
Philip Glass
ALBUMS
- Voices for Didgeridoo and Organ / Organ Suite released: 2014
- How Now, Strung Out released: 2014
- Galileo Galilei released: 2013
- Harpsichord Concertos released: 2013
- Concert of the Sixth Sun released: 2013
- Visitors released: 2013
- Symphony no. 3 / The Hours released: 2013
- Cello Concerto No. 2: Naqoyqatsi released: 2013
- Tara Hugo Sings Philip Glass released: 2012
- Metamorphosis released: 2012
- The Passion of Ramakrishna released: 2012
- Metamorphosis - The Hours released: 2012
- Rework released: 2012
- Phaedra, Modern Love Waltz and 21 Robert Moran Orchestrations released: 2011
- Works for Saxophone Quartet released: 2011
- Symphony No. 9 released: 2011
- In the Penal Colony released: 2011
- Mad Rush: Solo Piano Music of Philip Glass released: 2011
- The Concerto Project, Volume IV: Double Concerto for Violin, Cello & Orchestra / Tirol Concerto for Piano & Orchestra released: 2011
- Concerto for Cello and Orchestra no. 1 released: 2011
- From the Philip Glass Recording Archive, Volume VI: The Music of Philip Glass and Foday Musa Suso released: 2011
- Glassworks + Music in Similar Motion (Signal feat. conductor: Brad Lubman, keyboards: Michael Riesman) released: 2011
- Kepler released: 2011
- Orphée released: 2010
- String Quartets nos. 1-4 released: 2010
- Violin Concerto No. 2: The American Four Seasons released: 2010
- Itaipu and Three Songs released: 2010
- The Orange Mountain Music Philip Glass Sampler, Volume I released: 2010
- The Juniper Tree released: 2009
- Minimal Music released: 2009
- From the Philip Glass Recording Archive, Volume V: The Secret Agent released: 2009
- A Madrigal Opera. Cameo. A Symphonic Poem released: 2009
- Symphony No. 7 "Toltec" (Bruckner Orchester Linz & Linz Opera Chorus, conductor: Dennis Russell Davies) released: 2009
- Piano Music: Four Movements for Two Pianos / Etudes for Piano / The Hours released: 2009
- In the Upper Room released: 2009
- Music in Twelve Parts released: 2008
- Violin Concerto; Low Symphony released: 2008
- Sentieri Selvaggi Plays Gavin Bryars & Philip Glass released: 2008
- Philip Glass Soundtracks (piano: Michael Riesman) released: 2008
- The Concerto Project, Volume III released: 2008
- Another Look at Harmony, Part IV released: 2008
- From the Philip Glass Recording Archive, Volume 4: Neverwas released: 2008
- Waiting for the Barbarians released: 2008
- Les Animaux amoureux released: 2008
- From the Philip Glass Recording Archive, Volume III: Film Scores: Jenipapo released: 2008
- Complete String Quartets released: 2008
- Glass Box: A Nonesuch Retrospective released: 2008
- Philip Glass: Portrait released: 2008
- Songs and Poems for Solo Cello released: 2008
- From the Philip Glass Recording Archive, Volume 1: Theater Music released: 2007
- Dracula released: 2007
- Cassandra's Dream released: 2007
- From the Philip Glass Recording Archive, Volume II: Orchestral Music released: 2007
- Best of Philip Glass released: 2007
- Music with Changing Parts (Icebreaker) released: 2007
- Theater Music, Volume 1 released: 2007
- Book of Longing released: 2007
- Symphony No. 4, "Heroes" / The Light (Bournemouth Symphony Orchestra feat. conductor: Marin Alsop) released: 2007
- Notes on a Scandal released: 2007
- Dances & Sonata released: 2006
- Metamorphosis (piano: Branka Parlić) released: 2006
- Philip Glass Ensemble Live in Monterrey, Mexico released: 2006
- Analog released: 2006
- The Witches of Venice released: 2006
- Roving Mars released: 2006
- The Illusionist released: 2006
- The Concerto Project, Volume II released: 2006
- Symphony No. 8 released: 2006
- The Voyage released: 2006
- Symphony No. 6 "Plutonian Ode" released: 2005
- Dennis Russell Davies Performs Philip Glass: Tirol Concerto for Piano and Orchestra and Selections from Passages released: 2004
- Metamorphosis released: 2004
- The Music of Undertow released: 2004
- The Concerto Project, Volume I (Royal Liverpool Philharmonic feat. conductor: Gerard Schwarz) released: 2004
- Solo Piano released: 2003
- Heroes / Low Symphonies released: 2003
- 600 Lines / How Now released: 2003
- Music From the Thin Blue Line released: 2003
- The Ultimate Philip Glass released: 2003
- Trivium released: 2001
- Koyaanisqatsi released: 2001
- Philip on Film: Filmworks by Philip Glass released: 2001
- Piano Music released: 1999
- Minimal Piano Works, Volume I (Piano: Jeroen van Veen) released: 1999
- Symphony No. 2 released: 1998
- Circles (piano: Arturo Stalteri) released: 1998
- Glassmasters released: 1997
- Music in Twelve Parts released: 1996
- Music from Dunvagen released: 1995
- Barber / Dvořák / Glass released: 1993
- Music in Twelve Parts released: 1990
- Einstein on the Beach released: 1990
- Dance Nos. 1 & 3 released: 1980
- Music in Twelve Parts, Parts 1 & 2 released: 1974
- The World of Philip Glass released:
- How Now released:
- 2001-xx-xx: Metropolitan Opera, New York City, NY, USA (Metropolitan Opera) released:
- Philip Glass: The Piano Music (piano: John Lenehan) released:
- 2009-08-12: Prom 37: Royal Albert Hall, Westminster, London, UK released:
- Monsters of Grace released:
Harpsichord Concertos
Released 2013- Suite Antique: I. Prelude: Moderato con moto tranquillo
- Suite Antique: II. Ostinato: Vivace
- Suite Antique: III. Aria: Andante
- Suite Antique: IV. Waltz: A Jazz waltz
- Suite Antique: V. Chanson: Andante espressivo ma con moto
- Suite Antique: VI. Rondeau: Vivace
- Concerto for Harpsichord and Chamber Orchestra: I.
- Concerto for Harpsichord and Chamber Orchestra: II.
- Concerto for Harpsichord and Chamber Orchestra: III.
- Concerto pour Clavecin et Ensemble Instrumental: I. Toccata I
- Concerto pour Clavecin et Ensemble Instrumental: II. Toccata II
- Concerto pour Clavecin et Ensemble Instrumental: III. Andantino
- Concerto pour Clavecin et Ensemble Instrumental: IV. Menuet
- Concerto pour Clavecin et Ensemble Instrumental: V. Finale
Cello Concerto No. 2: Naqoyqatsi
Released 2013- Cello Concerto No. 2 "Naqoyqatsi": 1. Naqoyqatsi
- Cello Concerto No. 2 "Naqoyqatsi": 2. Massman
- Cello Concerto No. 2 "Naqoyqatsi": 3. New World
- Cello Concerto No. 2 "Naqoyqatsi": 4. Intensive Times
- Cello Concerto No. 2 "Naqoyqatsi": 5. Old World
- Cello Concerto No. 2 "Naqoyqatsi": 6. Point Blank
- Cello Concerto No. 2 "Naqoyqatsi": 7. The Vivid Unknown
Metamorphosis
Released 2012- Opening (from Glassworks)
- Helen's Tune (from The Candyman): Cue 2a
- Helen's Tune (from The Candyman): Cue 2b
- Helen's Tune (from The Candyman): Cue 2c
- Metamorphosis: I. Moderate
- Metamorphosis: II. Flowing
- Metamorphosis: III. Moderately Fast
- Metamorphosis: IV. Flowing
- Metamorphosis: V. Moderate
- Modern Love Waltz
- Why Does Someone Have to Die? (from The Hours)
- "Trilogy" Sonata: I. Knee Play no. 4 (from Einstein on the Beach)
- "Trilogy" Sonata: II. Act III (from Satyagraha)
- "Trilogy" Sonata: III. Dance (from Akhnaten)
- Closing (from Glassworks)
Metamorphosis - The Hours
Released 2012- Opening Piece From Glassworks
- Metamorphosis One - Moderate
- Metamorphosis Two - Flowing
- Metamorphosis Three - Moderately Fast
- Metamorphosis Four - Flowing
- Metamorphosis Five - Moderate
- The Hours - The Poet Acts
- The Hours - Something She Has to Do
- The Hours - I'm Going to Make a Cake
- The Hours - An Unwelcome Friend
- The Hours - Closing Life
- The Hours - The Hours
Phaedra, Modern Love Waltz and 21 Robert Moran Orchestrations
Released 2011- Phaedra: Scene 2
- Phaedra: Scene 4
- Phaedra: Scene 6
- Phaedra: Scene 14
- Phaedra: Scene 15a
- Modern Love Waltz
- Modern Love Waltz with 2 drummers
- Modern Love Waltz with 3 marimbas
- Modern Love Waltz with 5 vibraphones
- Modern Love Waltz with 2 drummers and 3 marimbas
- Modern Love Waltz with 6 strings
- Modern Love Waltz with 2 drummers and 5 vibraphones
- Modern Love Waltz with 3 marimbas and 5 vibraphones
- Modern Love Waltz with 8 keyboards
- Modern Love Waltz with 10 percussionists
- Modern Love Waltz with 11 winds
- Modern Love Waltz with 6 strings and 8 keyboards
- Modern Love Waltz with 6 strings and 10 percussionists
- Modern Love Waltz with 6 strings and 11 winds
- Modern Love Waltz with 8 keyboards and 10 percussionists
- Modern Love Waltz with 8 keyboards and 11 winds
- Modern Love Waltz with 10 percussionists and 11 winds
- Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists
- Modern Love Waltz with 6 strings, 8 keyboards and 11 winds
- Modern Love Waltz with 6 strings, 10 percussionists and 11 winds
- Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds
- Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds
Works for Saxophone Quartet
Released 2011- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): I. 1957: Award Montage
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): II. November 25: Ichigaya
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): III. Grandmother and Kimitake
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): IV. 1962: Body Building
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): V. Blood Oath
- String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): VI. Mishima / Closing (End Credits)
- Saxophone Quartet: I. -
- Saxophone Quartet: II. -
- Saxophone Quartet: III. -
- Saxophone Quartet: IV. -
- Songs for Tony: I. -
- Songs for Tony: II. -
- Songs for Tony: III. -
- Songs for Tony: IV. -
In the Penal Colony
Released 2011- In the Penal Colony: The Machine
- In the Penal Colony: Prologue
- In the Penal Colony: Scene 1
- In the Penal Colony: Scene 2
- In the Penal Colony: Scene 3
- In the Penal Colony: Scene 4
- In the Penal Colony: Scene 5
- In the Penal Colony: Scene 6
- In the Penal Colony: Scene 7
- In the Penal Colony: Scene 8
- In the Penal Colony: Scene 9
- In the Penal Colony: Scene 10
- In the Penal Colony: Scene 11
- In the Penal Colony: Scene 12
- In the Penal Colony: Scene 13
- In the Penal Colony: Scene 14
- In the Penal Colony: Scene 15
- In the Penal Colony: Scene 16
- In the Penal Colony: Epilogue
The Concerto Project, Volume IV: Double Concerto for Violin, Cello & Orchestra / Tirol Concerto for Piano & Orchestra
Released 2011- Double Concerto for Violin, Cello & Orchestra: Duet No. 1
- Double Concerto for Violin, Cello & Orchestra: Part 1
- Double Concerto for Violin, Cello & Orchestra: Duet No. 2
- Double Concerto for Violin, Cello & Orchestra: Part 2
- Double Concerto for Violin, Cello & Orchestra: Duet No. 3
- Double Concerto for Violin, Cello & Orchestra: Part 3
- Double Concerto for Violin, Cello & Orchestra: Duet No. 4
- Tirol Concerto for Piano & Orchestra: I
- Tirol Concerto for Piano & Orchestra: II
- Tirol Concerto for Piano & Orchestra: III
From the Philip Glass Recording Archive, Volume VI: The Music of Philip Glass and Foday Musa Suso
Released 2011Glassworks + Music in Similar Motion (Signal feat. conductor: Brad Lubman, keyboards: Michael Riesman)
Released 2011Orphée
Released 2010- Orphée: Act I, Scene I. "le Café" (The Café)
- Orphée: Act I, Scene II. "la Route" (The Road)
- Orphée: Act I, Scene III. "le Chalet" (The Chalet)
- Orphée: Act I, Scene IV. "Chez Orphée" (Orphée's House)
- Orphée: Act I, Scene V. "la Chambre d'Orphée" (Orphée's Bedroom)
- Orphée: Act I, Scene VI. "le Studio d'Orphée" (Orphée's Studio)
- Orphée: Act I, Scene VII. "le Bureau du Commissaire" (Commissioner's Office)
- Orphée: Act I, Scene VIII. "la Poursuite" (The Chase)
- Orphée: Act I, Scene IX. "Chez Orphée" (Orphée's House)
String Quartets nos. 1-4
Released 2010- String Quartet no. 2 "Company": I
- String Quartet no. 2 "Company": II
- String Quartet no. 2 "Company": III
- String Quartet no. 2 "Company": IV
- String Quartet no. 3 "Mishima": I. 1957: Award Montage
- String Quartet no. 3 "Mishima": II. November 25: Ichigaya
- String Quartet no. 3 "Mishima": III. Grandmother and Kimitake
- String Quartet no. 3 "Mishima": IV. 1962: Body Building
- String Quartet no. 3 "Mishima": V. Blood Oath
- String Quartet no. 3 "Mishima": VI. Mishima / Closing
- String Quartet no. 1: I
- String Quartet no. 1: II
- String Quartet no. 4 "Buczak": I
- String Quartet no. 4 "Buczak": II
- String Quartet no. 4 "Buczak": III
Violin Concerto No. 2: The American Four Seasons
Released 2010- Violin Concerto No. 2 "The American Four Seasons": Prologue
- Violin Concerto No. 2 "The American Four Seasons": I
- Violin Concerto No. 2 "The American Four Seasons": Song No. 1
- Violin Concerto No. 2 "The American Four Seasons": II
- Violin Concerto No. 2 "The American Four Seasons": Song No. 2
- Violin Concerto No. 2 "The American Four Seasons": III
- Violin Concerto No. 2 "The American Four Seasons": Song No. 3
- Violin Concerto No. 2 "The American Four Seasons": IV
The Orange Mountain Music Philip Glass Sampler, Volume I
Released 2010- Etudes for Solo Piano, Volume I, Nos. 1-10: II. Etude No.2
- Candyman: Music Box
- Saxophone: Concerto for Saxophone Quartet
- The Thin Blue Line: Help Me
- Orphée Suite for Solo Piano: Orphée's Bedroom
- The Fog of War: 100,000 People
- Channels & Winds
- The Hours Solo Piano: Escape!
- Concerto Fantasy: Movement 1
- Undertow: The Chase
- Etude No.2 (Superveille)
- Analog: Etoile Polaire
- Piano Concerto No.2 "The Vision": Movement 1
- The Witches of Venice: The Plant-Boy's Song
- Dracula Solo Piano: Renfield
- Funeral of Amenhotep III (Edited)
- Cassandra's Dream: A Drive in the Country
- Waiting for the Barbarians: Dreamscape No.3
- Molly Is a Dreamer
- Neverwas: Neverwas Restored
- Koyaanisqatsi: The Grid (edit)
The Juniper Tree
Released 2009- The Juniper Tree: Prologue
- The Juniper Tree: Act One: Scene One
- The Juniper Tree: Scene Two
- The Juniper Tree: Scene Three
- The Juniper Tree: Bird Song
- The Juniper Tree: Epilogue
- The Juniper Tree: Act Two: Scene One
- The Juniper Tree: Interlude
- The Juniper Tree: Scene Two
- The Juniper Tree: Final Scene - Trio
Symphony No. 7 "Toltec" (Bruckner Orchester Linz & Linz Opera Chorus, conductor: Dennis Russell Davies)
Released 2009Piano Music: Four Movements for Two Pianos / Etudes for Piano / The Hours
Released 2009- Four Movements for Two Pianos: I.
- Four Movements for Two Pianos: II.
- Four Movements for Two Pianos: III.
- Four Movements for Two Pianos: IV.
- Etude no. 1 (original 1994 version)
- Etude no. 2 (original 1994 version)
- Etude no. 3 (original 1994 version)
- Etude no. 4 (original 1994 version)
- Etude no. 5 (original 1994 version)
- Etude no. 6 (original 1994 version)
- The Hours: Morning Passages
- The Hours: Escape!
- The Hours: The Poet Acts
Another Look at Harmony, Part IV
Released 2008- Another Look at Harmony, Part IV: I. Opening section - choral plainchant in minims
- Another Look at Harmony, Part IV: II. Choral plainchant elaborated with quaver movement
- Another Look at Harmony, Part IV: III. Harmonic and rhythmic exploration leading to
- Another Look at Harmony, Part IV: 4. Oscillating and repeated chords - then new melodic line added
- Another Look at Harmony, Part IV: V. Organ interlude on C pedal with gentle cross-rhythms
- Another Look at Harmony, Part IV: VI. Choral re-entry in repeated sequences with organ obligato
- Another Look at Harmony, Part IV: VII. Final section - choir and organ with shifting harmonic roots
From the Philip Glass Recording Archive, Volume 4: Neverwas
Released 2008- Main Title Neverwas
- "I Want the Job"
- "Hi Gabriel"
- Meeting Maggie
- First Patient
- Records Room
- The Pierson Estate
- Remembering Thomas
- "I Am the King"
- "Weirder and Weirder"
- "You're a Reporter!"
- Dungeon Break
- The Riverknight
- Discovering Neverwas/Ghastly Arrives
- The Castle / "My Name Is Zachary Small"
- End Titles
- Neverwas Restored
Waiting for the Barbarians
Released 2008- Waiting for the Barbarians: Act 1. Prelude
- Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison"
- Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1
- Waiting for the Barbarians: Act 1, Scene Three. "You sent for me."
- Waiting for the Barbarians: Act 1, Scene Four. "You're working late."
- Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture..."
- Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap"
- Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2
- Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?"
- Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians"
- Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?"
- Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3
- Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?"
- Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains)
- Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?"
Les Animaux amoureux
Released 2008- Swans Take Flight
- The Bath
- The Gaze, the Scents
- The Battle
- Ballet of the Birds
- The Birth of the Fawn
- The Peacock and the Japanese Cranes
- The Grebe's Race on Water
- The Kangaroos
- From Insects to Whales
- The Happy Couples
- The Orangutans and the Small Ducks
- From Gazelles to Kangaroos
- The Return of the Animals
- The Swans Return / End Title
Complete String Quartets
Released 2008- String Quartet No. 3 "Mishima": I. 1957: Award Montage
- String Quartet No. 3 "Mishima": II. November 25: Ichigaya
- String Quartet No. 3 "Mishima": III. 1934: Grandmother and Kimitake
- String Quartet No. 3 "Mishima": IV. 1962: Body Building
- String Quartet No. 3 "Mishima": V. Blood Oath
- String Quartet No. 3 "Mishima": VI. Mishima/Closing
- String Quartet No. 2 "Company": I
- String Quartet No. 2 "Company": II
- String Quartet No. 2 "Company": III
- String Quartet No. 2 "Company": IV
- String Quartet No. 4 "Buczak": I
- String Quartet No. 4 "Buczak": II
- String Quartet No. 4 "Buczak": III
From the Philip Glass Recording Archive, Volume 1: Theater Music
Released 2007- The Sound of a Voice: Suite
- In the Summer House
- "My One and Only Hope..."
- Gertrude's Paradise
- Mr. Solares' Picnic Lunch
- "Molly Is a Dreamer."
- Enter Vivian
- The Beach / Lionel and Molly
- Vivian's Death / Two Marriages
- "Life Is Tragic, Mrs. Constable."
- Gertrude Leaves the Summer House
- Left Alone...
- The Lobster Bowl
- Back to Sad Things
- Gertrude Returns
- "I Knew You'd Come Back."
- A Choice
- Lionel Departs
- "When I Was a Little Girl..."
Dracula
Released 2007- Dracula
- Journey to the Inn
- The Inn
- The Crypt
- Carriage Without a Driver
- The Castle
- The Drawing Room
- Excellent, Mr. Renfield
- The Three Consorts of Dracula
- The Storm
- Horrible Tragedy
- London Fog
- In the Theatre
- Lucy's Bitten
- Seward Sanatorium
- Renfield
- In His Cell
- When the Dream Comes
- Dracula Enters
- Or a Wolf
- Women in White
- Renfield in the Drawing Room
- Dr. Van Helsing and Dracula
- Mina on the Terrace
- Mina's Bedroom/The Abbey
- The End of Dracula
- Dracula Epilogue
Best of Philip Glass
Released 2007- Songs From Liquid Days: Lightning
- Glassworks: Facades
- Satyagraha: Evening Song
- The Photographer: A Gentleman's Honor (vocal)
- Akhnaten: Hymn to the Sun
- Metamorphosis Four
- Songs From Liquid Days: Open the Kingdom
- In the Upper Room: Dance II
- Glassworks: Glasspiece No. 1: Rubric
- Songs From Liquid Days: Changing Opinion
Theater Music, Volume 1
Released 2007- The Sound of a Voice - Suite
- In the Summer House
- "My One and Only Hope..."
- Gertrude's Paradise
- Mr. Solares' Picnic Lunch
- "Molly Is a Dreamer."
- Enter Vivian
- The Beach/Lionel and Molly
- Vivian's Death/Two Marriages
- "Life Is Tragic, Mrs. Constable."
- Gertrude Leaves the Summer House
- Left Alone...
- The Lobster Bowl
- Back to Sad Things
- Gertrude Returns
- "I Knew You'd Come Back."
- A Choice
- Lionel Departs
- "When I Was a Little Girl..."
Symphony No. 4, "Heroes" / The Light (Bournemouth Symphony Orchestra feat. conductor: Marin Alsop)
Released 2007Analog
Released 2006- Étoile Polaire
- Victor's Lament (From Étoile Polaire)
- River Run (From Étoile Polaire)
- Mon Père, Mon Père (From Étoile Polaire)
- Are Years What? (For Marianne Moore)
- Lady Day (From Étoile Polaire)
- Ange Des Orages (From Étoile Polaire)
- Ave (From Étoile Polaire)
- Ik-Ook (From Étoile Polaire)
- Montage (From Étoile Polaire)
- Part IV (From Dressed Like an Egg)
- Part V (From Dressed Like an Egg)
- Part VI (From Dressed Like an Egg)
- Mad Rush for organ
The Witches of Venice
Released 2006- The Lagoon
- The Philosophers Have Arrived
- No Solution
- The Fairies
- "Life Is Hard"
- "I'm Not a Fool"
- The Plant-Boy's Song
- The Witches Rush In
- The Wind Blows
- The Witches Palace
- Inside the Palace
- Ghosts and Skeletons!
- The Ogre
- Ogre's Song
- Plant-Boy Flees
- Dance of the Witches
- Witch Mother
- Gondolas Bringing Guests
- "Away Pigeon, Away!"
- Plant-Boy's Tears
- In the Chandelier
- Glorious Escape!
- A Happy Ending
- Life Is Hard, a Good Red Wine
The Illusionist
Released 2006- The Illusionist
- Do You Know Me?
- Chance Encounter
- The Locket
- The Orange Tree
- The Mirror
- Wish I Would See You Again
- The Sword
- Meeting in the Carriage
- Sophie
- The Secret Plot
- Sophie's Ride to the Castle
- The Accident
- The New Theater
- Frankel Appears
- A Shout From the Crowd
- Eisenheim Disappears
- The Search
- The Missing Gem
- The Chase
- Life in the Mountains
Dennis Russell Davies Performs Philip Glass: Tirol Concerto for Piano and Orchestra and Selections from Passages
Released 2004The Concerto Project, Volume I (Royal Liverpool Philharmonic feat. conductor: Gerard Schwarz)
Released 2004- Concerto for Cello and Orchestra: I
- Concerto for Cello and Orchestra: II
- Concerto for Cello and Orchestra: III
- Concerto Fantasy for Two Timpanists and Orchestra: I
- Concerto Fantasy for Two Timpanists and Orchestra: II
- Concerto Fantasy for Two Timpanists and Orchestra: Cadenza
- Concerto Fantasy for Two Timpanists and Orchestra: III
Music from Dunvagen
Released 1995- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Compassion in Exile
- Passages
- Passages
- Closing
- Facades
- Phaedra
- Phaedra
- Company
- Company
- Company
- Mindwalk
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- In the summer house
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Pieces for a ballet
- Love divided by
- Love divided by
- Love divided by
- In The Upper Room
- In The Upper Room
- In The Upper Room
- In The Upper Room
- Tse
- Tse
- Harris (Thin blue line)
- Comets & vegas (Thin blue line)
- Strange & abstract (Thin blue line)
- Civil Wars (Köln)
- A brief history of time
- A brief history of time
- A brief history of time
- A brief history of time
- A brief history of time
- Dressed like an egg
- Floe 87
Barber / Dvořák / Glass
Released 1993- String Quartet, Op. 11: I. Molto allegro e appassionato
- String Quartet, Op. 11: IIa. Molto adagio
- String Quartet, Op. 11: IIb. Molto allegro (come prima)
- String Quartet in F major "American", Op. 96: I. Allegro ma non troppo
- String Quartet in F major "American", Op. 96: II. Lento
- String Quartet in F major "American", Op. 96: III. Molto vivace
- String Quartet in F major "American", Op. 96: IV. Finale - vivace ma non troppo
- String Quartet No. 1: Part One
- String Quartet No. 1: Ambient Pause
- String Quartet No. 1: Part Two
The World of Philip Glass
- I "Subterraneans" from "Low" Symphony
- Land of the Dead (from Music from "The Screens")
- Said's Treason (from Music from "The Screens")
- The Orchard (from Music from "The Screens")
- Night on the Balcony (from Music from "The Screens")
- Concerto for Violin and Orchestra
- Amazon River from "Aguas da Amazonia"
- "Heroes" Symphony: II. "Abdulmajid"
- "Heroes" Symphony: IV. "V2 Schneider"
2001-xx-xx: Metropolitan Opera, New York City, NY, USA (Metropolitan Opera)
- [introduction]
- [introduction (continued)]
- Act 1: Leo Tolstoy: On the Kuru Field of Justice
- Act 1: Leo Tolstoy: Tolstoy Farm (1910)
- Act 1: Leo Tolstoy: The Vow (1906)
- [applause] / [outro]
- [introduction]
- Act 2: Rabindranath Tagore: Confrontation and Rescue (1896)
- Act 2: Rabindranath Tagore: Indian Opinion (1906)
- Act 2: Rabindranath Tagore: Protest (1908)
- [applause] / [outro]
- [introduction]
- Act 3: Martin Luther King, Jr.: New Castle March (1913): a.
- Act 3: Martin Luther King, Jr.: New Castle March (1913): b.
- Act 3: Martin Luther King, Jr.: New Castle March (1913): c.
- [applause] / [outro]
2009-08-12: Prom 37: Royal Albert Hall, Westminster, London, UK
- Violin Concerto No. 1: I. quarter note = 104 — quarter note = 120
- Violin Concerto No. 1: II. quarter note = ca. 108
- Violin Concerto No. 1: III. quarter note = ca. 150 — Coda: Poco meno quarter note = 104
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": I. "The Corn"
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": II. "The Hikuri (the Sacred Root)"
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": III. "The Blue Deer"
-
"The Poet Acts" from The Hours, Philip Glass
A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours. The filmscore is heartbraking as the life itself. Simple facts expressed with beautiful melancholy. Addictive. Graphics and Video by Ritva Nybacka Wikipedia: The Hours is a 2002 drama film directed by Stephen Daldry, and starring Nicole Kidman, Meryl Streep, Julianne Moore, and Ed Harris. The screenplay by David Hare is based on the 1999 Pulitzer Prize-winning novel of the same title by Michael Cunningham. The film's score by Philip Glass won the BAFTA Award for Best Film Music .
published: 10 Mar 2010 -
Midori Takada - Through The Looking Glass
This is the vinyl rip for Midori Takada - Through The Looking Glass One of the most enticing and truly intoxicating pieces of recent years, Midori Takada's Through The Looking Glass is a very dreamlike journey in 4 chapters. Beyond its very impressive soundscapes and overall atmosphere, it's well known for its innovative recording techniques. Here's some information about how the tracks came to be: ------------------------------ The title of the album, Through The Looking Glass, was adopted from Lewis Carroll's Alice In Wonderland. In the logic of Lewis Carroll, who was also a mathematician, one can discern a word beyond personal expression that has no relation to personal sentiment of desire. Sound separates itself from personal expression and in sound itself lies the possibility of sub...
published: 12 Aug 2017 -
Cream by David Firth
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_user=doki66 MERCH https://saladfingersstore.com (WE HAVE PLUSH TOYS!!) PATREON https://www.patreon.com/davidfirth TWITTER http://twitter.com/david_firth INSTAGRAM https://www.instagram.com/davidfirth66/ FACEBOOK https://www.facebook.com/DFsaladfingers/ The time has come for CREAM - the latest product that will fix your life. This is the story of Dr. Bellifer, a scientific genius, who after years of smashing particles together, reveals his revolutionary new product: a cream with the power to fix all of the world’s problems. This launch is made possible by my lovely Patreon supporters: https://www.patreon.com/davidfirth Thanks to the super Patroids. You will see their names in the credits. Please jo...
published: 30 May 2017 -
Mystery of Prince Rupert's Drop at 130,000 fps - Smarter Every Day 86
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: http://bit.ly/PrinceRupert READ THE ADDITIONAL INFO HERE! (Click "Show More"!) Please help me justify putting this much time and effort into a video by clicking "LIKE" and SHARING this as much as possible. Click the following: Tweet: http://bit.ly/TweetRupert Facebook: http://bit.ly/PrinceRupert Please share with any science blogs or outlets you think would enjoy it. Videos like this don't just happen. They require lots of time, and lots of favors from very smart and kind people willing to help me and you learn. PLEASE take a moment and read the following information and support those who supported me. This is the camera we used for the ultra-high speed shots. It has the "FAST" option. http...
published: 23 Mar 2013 -
Devonté Hynes And Philip Glass Compare Notes
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes by THOMAS HUIZENGA At first glance, Devonté Hynes and Philip Glass might appear like musical opposites. Hynes, the 31-year-old British producer and songwriter who performs under the name Blood Orange, makes hit records with Solange and Carly Rae Jepson. Glass, the 80-year-old Baltimore-born New Yorker who writes operas and film scores, is one of classical music's legendary artists. But walk into Hynes' third floor loft in New York's Chinatown and you'll find a photo of Glass on his piano. Hynes, it turns out, is a fan. He discovered Glass' music by chance as a London teenager, when he bought the 1982 album Glassworks on the strength of its crystalline cover image alone. What he heard after he brought it home t...
published: 21 Sep 2017
developed with YouTube
3:46
"The Poet Acts" from The Hours, Philip Glass
- Order: Reorder
- Duration: 3:46
- Uploaded Date: 10 Mar 2010
- views: 22936
A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours.
The filmscore is heartbraking as the life itself. Simple facts expressed w...
A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours.
The filmscore is heartbraking as the life itself. Simple facts expressed with beautiful melancholy. Addictive. Graphics and Video by Ritva Nybacka
Wikipedia: The Hours is a 2002 drama film directed by Stephen Daldry, and starring Nicole Kidman, Meryl Streep, Julianne Moore, and Ed Harris. The screenplay by David Hare is based on the 1999 Pulitzer Prize-winning novel of the same title by Michael Cunningham.
The film's score by Philip Glass won the BAFTA Award for Best Film Music .
https://wn.com/The_Poet_Acts_From_The_Hours,_Philip_Glass
A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours.
The filmscore is heartbraking as the life itself. Simple facts expressed with beautiful melancholy. Addictive. Graphics and Video by Ritva Nybacka
Wikipedia: The Hours is a 2002 drama film directed by Stephen Daldry, and starring Nicole Kidman, Meryl Streep, Julianne Moore, and Ed Harris. The screenplay by David Hare is based on the 1999 Pulitzer Prize-winning novel of the same title by Michael Cunningham.
The film's score by Philip Glass won the BAFTA Award for Best Film Music .
- published: 10 Mar 2010
- views: 22936
42:06
Midori Takada - Through The Looking Glass
- Order: Reorder
- Duration: 42:06
- Uploaded Date: 12 Aug 2017
- views: 349496
This is the vinyl rip for Midori Takada - Through The Looking Glass
One of the most enticing and truly intoxicating pieces of recent years, Midori Takada's Thr...
This is the vinyl rip for Midori Takada - Through The Looking Glass
One of the most enticing and truly intoxicating pieces of recent years, Midori Takada's Through The Looking Glass is a very dreamlike journey in 4 chapters. Beyond its very impressive soundscapes and overall atmosphere, it's well known for its innovative recording techniques. Here's some information about how the tracks came to be:
------------------------------
The title of the album, Through The Looking Glass, was adopted from Lewis Carroll's Alice In Wonderland. In the logic of Lewis Carroll, who was also a mathematician, one can discern a word beyond personal expression that has no relation to personal sentiment of desire. Sound separates itself from personal expression and in sound itself lies the possibility of substance. Midori says: "Within the tracks, numbers are intertwined symbolically - they are fluid while the tempo is ever-changing. On the reverse side, all the melodies are overturned. Through this process, it is constructed and formulated into a system. As the structure of this music became more system-based, I tried to disengage it from any self-expression. That is why I named this album Through The Looking Glass. The reflection on the mirror seems to show something, but I did not want to indulge in that. I wanted rather to force discernment of my true self that was beyond the reflection."
The "different directions" she used to explore that concept are ingenious. On the first track, "Mr. Henri Rousseau's Dream," she created a three-dimensional sound sculpture by carefully taking the distance between the microphone and each instrument into account. Takada says that she was trying to construct a perspective in sound." On "Crossing", Takada overdubbed an initial rhythm over a new rhythm, placing two performances that were still physically reverberating through the performer on top of one another, constructing a minimal, but heavy, percussive edifice. On the track "Trompe-l'oeil", Takada used offset rhythms to blur and expand that percussive resonance of the instruments, thickening the sound color. This track is also notable for the fact that Takada performed this composition using only a Cole bottle, bells, and a reed organ with a foot pedal! She describes the final track, "Catastrophe ε" as "an accelerando from start to finish, without allowing tempo and time to slip into one place". That Accelerando is thhe most aggressive progression on the album. As the tempo gradually increases, the piano and reed organ slowly build a wall of sound. The acceleration directs the listener's attention inward, towards the music itself, as opposed to its performance.
------------------------------
I was very pleasantly surprised to find this little rarity on display on some shelf in a new nifty little boutique record store in my town, and picked it up right away as I was searching for it for quite a while. To me this is one of the most astounding, ground breaking records of our era. The history and the process of making this record and how carefully it was crafted (whether it's the philosophy of it or the fact that each instrument was layered infinitely to compensate any errors that could not be erased since it was recorded analogically) just add to the mix. If you will - give it a good listen with a good headset or system, in a dark room, and wait till the nearly Koyaanisquatsi-ish ending will make your heart pound with the force of a thousand suns.
Perfect for: M E D I T A T I O N
Format: LP
Please support the artists! If you dug it as much as I did when I first heard it on YouTube as well, please consider supporting the artist by getting it here: http://paltoflats.com/release/midori-takada-through-the-looking-glass
All materials presented on this channel are copyrighted by their respective copyright owners, and are subject to use for informational purposes only. If you want this removed, please contact me and I will remove it as soon as possible.
https://wn.com/Midori_Takada_Through_The_Looking_Glass
This is the vinyl rip for Midori Takada - Through The Looking Glass
One of the most enticing and truly intoxicating pieces of recent years, Midori Takada's Through The Looking Glass is a very dreamlike journey in 4 chapters. Beyond its very impressive soundscapes and overall atmosphere, it's well known for its innovative recording techniques. Here's some information about how the tracks came to be:
------------------------------
The title of the album, Through The Looking Glass, was adopted from Lewis Carroll's Alice In Wonderland. In the logic of Lewis Carroll, who was also a mathematician, one can discern a word beyond personal expression that has no relation to personal sentiment of desire. Sound separates itself from personal expression and in sound itself lies the possibility of substance. Midori says: "Within the tracks, numbers are intertwined symbolically - they are fluid while the tempo is ever-changing. On the reverse side, all the melodies are overturned. Through this process, it is constructed and formulated into a system. As the structure of this music became more system-based, I tried to disengage it from any self-expression. That is why I named this album Through The Looking Glass. The reflection on the mirror seems to show something, but I did not want to indulge in that. I wanted rather to force discernment of my true self that was beyond the reflection."
The "different directions" she used to explore that concept are ingenious. On the first track, "Mr. Henri Rousseau's Dream," she created a three-dimensional sound sculpture by carefully taking the distance between the microphone and each instrument into account. Takada says that she was trying to construct a perspective in sound." On "Crossing", Takada overdubbed an initial rhythm over a new rhythm, placing two performances that were still physically reverberating through the performer on top of one another, constructing a minimal, but heavy, percussive edifice. On the track "Trompe-l'oeil", Takada used offset rhythms to blur and expand that percussive resonance of the instruments, thickening the sound color. This track is also notable for the fact that Takada performed this composition using only a Cole bottle, bells, and a reed organ with a foot pedal! She describes the final track, "Catastrophe ε" as "an accelerando from start to finish, without allowing tempo and time to slip into one place". That Accelerando is thhe most aggressive progression on the album. As the tempo gradually increases, the piano and reed organ slowly build a wall of sound. The acceleration directs the listener's attention inward, towards the music itself, as opposed to its performance.
------------------------------
I was very pleasantly surprised to find this little rarity on display on some shelf in a new nifty little boutique record store in my town, and picked it up right away as I was searching for it for quite a while. To me this is one of the most astounding, ground breaking records of our era. The history and the process of making this record and how carefully it was crafted (whether it's the philosophy of it or the fact that each instrument was layered infinitely to compensate any errors that could not be erased since it was recorded analogically) just add to the mix. If you will - give it a good listen with a good headset or system, in a dark room, and wait till the nearly Koyaanisquatsi-ish ending will make your heart pound with the force of a thousand suns.
Perfect for: M E D I T A T I O N
Format: LP
Please support the artists! If you dug it as much as I did when I first heard it on YouTube as well, please consider supporting the artist by getting it here: http://paltoflats.com/release/midori-takada-through-the-looking-glass
All materials presented on this channel are copyrighted by their respective copyright owners, and are subject to use for informational purposes only. If you want this removed, please contact me and I will remove it as soon as possible.
- published: 12 Aug 2017
- views: 349496
12:22
Cream by David Firth
- Order: Reorder
- Duration: 12:22
- Uploaded Date: 30 May 2017
- views: 17340804
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_user=doki66
MERCH https://saladfingersstore.com (WE HAVE PLUSH TOYS!!)
P...
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_user=doki66
MERCH https://saladfingersstore.com (WE HAVE PLUSH TOYS!!)
PATREON https://www.patreon.com/davidfirth
TWITTER http://twitter.com/david_firth
INSTAGRAM https://www.instagram.com/davidfirth66/
FACEBOOK https://www.facebook.com/DFsaladfingers/
The time has come for CREAM - the latest product that will fix your life. This is the story of Dr. Bellifer, a scientific genius, who after years of smashing particles together, reveals his revolutionary new product: a cream with the power to fix all of the world’s problems.
This launch is made possible by my lovely Patreon supporters:
https://www.patreon.com/davidfirth
Thanks to the super Patroids. You will see their names in the credits. Please join us for more wonderful content.
OFFICIAL SALAD FINGERS STORE: https://saladfingers.shop/
https://www.patreon.com/davidfirth
https://twitter.com/DAVID_FIRTH
http://www.fat-pie.com
https://wn.com/Cream_By_David_Firth
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_user=doki66
MERCH https://saladfingersstore.com (WE HAVE PLUSH TOYS!!)
PATREON https://www.patreon.com/davidfirth
TWITTER http://twitter.com/david_firth
INSTAGRAM https://www.instagram.com/davidfirth66/
FACEBOOK https://www.facebook.com/DFsaladfingers/
The time has come for CREAM - the latest product that will fix your life. This is the story of Dr. Bellifer, a scientific genius, who after years of smashing particles together, reveals his revolutionary new product: a cream with the power to fix all of the world’s problems.
This launch is made possible by my lovely Patreon supporters:
https://www.patreon.com/davidfirth
Thanks to the super Patroids. You will see their names in the credits. Please join us for more wonderful content.
OFFICIAL SALAD FINGERS STORE: https://saladfingers.shop/
https://www.patreon.com/davidfirth
https://twitter.com/DAVID_FIRTH
http://www.fat-pie.com
- published: 30 May 2017
- views: 17340804
6:39
Mystery of Prince Rupert's Drop at 130,000 fps - Smarter Every Day 86
- Order: Reorder
- Duration: 6:39
- Uploaded Date: 23 Mar 2013
- views: 13491148
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: http://bit.ly/PrinceRupert
READ THE ADDITIONAL INFO HERE! (Click "Show...
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: http://bit.ly/PrinceRupert
READ THE ADDITIONAL INFO HERE! (Click "Show More"!)
Please help me justify putting this much time and effort into a video by clicking "LIKE" and SHARING this as much as possible. Click the following: Tweet: http://bit.ly/TweetRupert Facebook: http://bit.ly/PrinceRupert Please share with any science blogs or outlets you think would enjoy it.
Videos like this don't just happen. They require lots of time, and lots of favors from very smart and kind people willing to help me and you learn. PLEASE take a moment and read the following information and support those who supported me.
This is the camera we used for the ultra-high speed shots. It has the "FAST" option.
http://www.visionresearch.com/v16102/
You absolutely have to check out the stuff Cal Makes. We're just goofing off in this video, but the guy is some type of glass wizard genius. It would make me happy if you bought something from him and he felt like the audience appreciated all the time he donated to this video. He basically gave me 2 entire nights of his entire shop.
http://orbixhotglass.com/
I feel like we're friends at this point, and he is open to the idea of doing more videos in the future and teach me more about what he knows about glass. Let's make it worth his time.
I'm a HUGE FAN of the song Gordon wrote for this video. His landlord would really appreciated if you downloaded it so he could make rent this month.
http://ashellinthepit.bandcamp.com/track/manta
It looks like he's assembling a new album that I may like more than Mammals:
http://ashellinthepit.bandcamp.com/album/hydrophile-in-progress
Show him some love.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This video involved about 2 months of research, and me reaching out to several individuals. I would like to thank everyone who took time out of their schedule to contribute to my wacky research. A big thanks to the following people:
My wife and kids. I'm sorry this took so long and I wasn't the kind of active father I want to be during the 5 weeks it took to make this.
Dr. Martyn Poliakoff for getting me access to documents which details experiments on the Prince Rupert's Drop by the Royal Society
http://rsnr.royalsocietypublishing.org/content/41/1/1.full.pdf+html (behind a pay wall)
Being able to calculate the failure front velocity of a Prince Rupert's drop is a pretty big deal. For years this was a scientific mystery. High speed camera technology is only recently fast enough to provide data like this. Thanks to Vision Research for letting me use the V1610 to try to unravel this mystery for the public in general.
Rob Kuefner for reaching out to me and offering to convert certain equations into LaTeX format for me.
Dr. Jeff Evans from UAH. A friend and neighbor who just happens to have a PhD and be an expert in fracture mechanics. http://bit.ly/YLezDA Thank you for helping me by pointing me in the right direction in the early stages of my research. It's time we hangout again.
Brian: thanks for letting me use your green screen and telling me about Orbix in the first place. I stayed up there til about 1 or 2 am two nights in a row acting stupid in front of of the camera all alone. Now that I look back at that footage without the context of this video, it's all very strange.
Thanks to Loïc Samuel for taking time to make the custom TNT Degradation graphic!
P.S. There was some old guy walking around the track at the park when I was filming me jumping on the bridge railing. I'm pretty sure you kept walking until I was done just to make sure you wouldn't have to take me to the hospital if I broke my leg. I'll never meet you again, but I'm grateful for this kind gesture you didn't know I noticed.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GET STUFF SECTION:
(If I did this right these should be working Amazon affiliate links to purchase the stuff I like to use. When people purchase from these links it will support Smarter Every Day.)
Things I use and like:
📷Camera I use : https://amzn.to/2VSiruw
Favorite Lens: https://amzn.to/2KPDQ1a
On-camera Mic: https://amzn.to/3aVVbjz
Lav Mic: https://amzn.to/3aRek6r
Hot shoe mount for Lav Receiver: https://amzn.to/35m6uAo
My Tripod: https://amzn.to/2Yl6RtJ
Favorite SD Card: https://amzn.to/2KQ3Edz
🥽Goggle Up! : https://amzn.to/2zG754g
Also, if you’re interested in a Smarter Every Day shirt etc. they’re really soft and you can get there here: https://www.smartereveryday.com/store
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tweet ideas to me @SmarterYouTube
Instead of saving for my kids' college, I make videos using the money I would have saved.
The thought is it will help educate the world as a whole, and one day generate enough revenue to pay for their education. Until then if you appreciate what you've learned in this video and the effort that went in to it, please SHARE THE VIDEO!
https://wn.com/Mystery_Of_Prince_Rupert's_Drop_At_130,000_Fps_Smarter_Every_Day_86
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: http://bit.ly/PrinceRupert
READ THE ADDITIONAL INFO HERE! (Click "Show More"!)
Please help me justify putting this much time and effort into a video by clicking "LIKE" and SHARING this as much as possible. Click the following: Tweet: http://bit.ly/TweetRupert Facebook: http://bit.ly/PrinceRupert Please share with any science blogs or outlets you think would enjoy it.
Videos like this don't just happen. They require lots of time, and lots of favors from very smart and kind people willing to help me and you learn. PLEASE take a moment and read the following information and support those who supported me.
This is the camera we used for the ultra-high speed shots. It has the "FAST" option.
http://www.visionresearch.com/v16102/
You absolutely have to check out the stuff Cal Makes. We're just goofing off in this video, but the guy is some type of glass wizard genius. It would make me happy if you bought something from him and he felt like the audience appreciated all the time he donated to this video. He basically gave me 2 entire nights of his entire shop.
http://orbixhotglass.com/
I feel like we're friends at this point, and he is open to the idea of doing more videos in the future and teach me more about what he knows about glass. Let's make it worth his time.
I'm a HUGE FAN of the song Gordon wrote for this video. His landlord would really appreciated if you downloaded it so he could make rent this month.
http://ashellinthepit.bandcamp.com/track/manta
It looks like he's assembling a new album that I may like more than Mammals:
http://ashellinthepit.bandcamp.com/album/hydrophile-in-progress
Show him some love.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This video involved about 2 months of research, and me reaching out to several individuals. I would like to thank everyone who took time out of their schedule to contribute to my wacky research. A big thanks to the following people:
My wife and kids. I'm sorry this took so long and I wasn't the kind of active father I want to be during the 5 weeks it took to make this.
Dr. Martyn Poliakoff for getting me access to documents which details experiments on the Prince Rupert's Drop by the Royal Society
http://rsnr.royalsocietypublishing.org/content/41/1/1.full.pdf+html (behind a pay wall)
Being able to calculate the failure front velocity of a Prince Rupert's drop is a pretty big deal. For years this was a scientific mystery. High speed camera technology is only recently fast enough to provide data like this. Thanks to Vision Research for letting me use the V1610 to try to unravel this mystery for the public in general.
Rob Kuefner for reaching out to me and offering to convert certain equations into LaTeX format for me.
Dr. Jeff Evans from UAH. A friend and neighbor who just happens to have a PhD and be an expert in fracture mechanics. http://bit.ly/YLezDA Thank you for helping me by pointing me in the right direction in the early stages of my research. It's time we hangout again.
Brian: thanks for letting me use your green screen and telling me about Orbix in the first place. I stayed up there til about 1 or 2 am two nights in a row acting stupid in front of of the camera all alone. Now that I look back at that footage without the context of this video, it's all very strange.
Thanks to Loïc Samuel for taking time to make the custom TNT Degradation graphic!
P.S. There was some old guy walking around the track at the park when I was filming me jumping on the bridge railing. I'm pretty sure you kept walking until I was done just to make sure you wouldn't have to take me to the hospital if I broke my leg. I'll never meet you again, but I'm grateful for this kind gesture you didn't know I noticed.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GET STUFF SECTION:
(If I did this right these should be working Amazon affiliate links to purchase the stuff I like to use. When people purchase from these links it will support Smarter Every Day.)
Things I use and like:
📷Camera I use : https://amzn.to/2VSiruw
Favorite Lens: https://amzn.to/2KPDQ1a
On-camera Mic: https://amzn.to/3aVVbjz
Lav Mic: https://amzn.to/3aRek6r
Hot shoe mount for Lav Receiver: https://amzn.to/35m6uAo
My Tripod: https://amzn.to/2Yl6RtJ
Favorite SD Card: https://amzn.to/2KQ3Edz
🥽Goggle Up! : https://amzn.to/2zG754g
Also, if you’re interested in a Smarter Every Day shirt etc. they’re really soft and you can get there here: https://www.smartereveryday.com/store
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tweet ideas to me @SmarterYouTube
Instead of saving for my kids' college, I make videos using the money I would have saved.
The thought is it will help educate the world as a whole, and one day generate enough revenue to pay for their education. Until then if you appreciate what you've learned in this video and the effort that went in to it, please SHARE THE VIDEO!
- published: 23 Mar 2013
- views: 13491148
6:23
Devonté Hynes And Philip Glass Compare Notes
- Order: Reorder
- Duration: 6:23
- Uploaded Date: 21 Sep 2017
- views: 176692
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes
by THOMAS HUIZENGA
At first glance, Devonté Hynes and Philip Glass might appear ...
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes
by THOMAS HUIZENGA
At first glance, Devonté Hynes and Philip Glass might appear like musical opposites. Hynes, the 31-year-old British producer and songwriter who performs under the name Blood Orange, makes hit records with Solange and Carly Rae Jepson. Glass, the 80-year-old Baltimore-born New Yorker who writes operas and film scores, is one of classical music's legendary artists.
But walk into Hynes' third floor loft in New York's Chinatown and you'll find a photo of Glass on his piano. Hynes, it turns out, is a fan. He discovered Glass' music by chance as a London teenager, when he bought the 1982 album Glassworks on the strength of its crystalline cover image alone. What he heard after he brought it home transfixed him. Today, he says Glass' influence "seeps" into his music — the interlocking marimba parts in "Best to You" or the feather light ostinato that ignites "Better Than Me." Last year, he surprised a few ears when he played excerpts from Glass' solo piano suite Metamorphosis during a live session on SiriusXM.
This spring, Hynes invited Glass to his apartment where they sat at a piano, compared chords and traded stories. Ninety minutes later, their wide ranging conversation had touched on the pulse of New York City, the pains of striking out on your own as a musician, what role the arts play in society today and Hamilton. Plus about a hundred other ideas.
Perhaps the most potent virtue Hynes and Glass share is an instinctive ear for collaboration. Glass has worked with everyone from Ravi Shankar and Paul Simon to dozens of filmmakers, dancers, poets and visual artists. Hynes moves adroitly, too. These days he pairs up with Sky Ferreira, FKA Twigs, Haim and ballet dancer Maria Kochetkova, but in his teens he joined a dance-punk band named Test Icicles, then moved on to the quirky folk-pop of Lightspeed Champion.
Maybe it's that willingness to let something unknown percolate into a new idea. And maybe that's why these two musicians, some 50 years apart in age, decided to meet on a cloudy April afternoon in Chinatown to let yet another intriguing collaboration blossom.
https://wn.com/Devonté_Hynes_And_Philip_Glass_Compare_Notes
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes
by THOMAS HUIZENGA
At first glance, Devonté Hynes and Philip Glass might appear like musical opposites. Hynes, the 31-year-old British producer and songwriter who performs under the name Blood Orange, makes hit records with Solange and Carly Rae Jepson. Glass, the 80-year-old Baltimore-born New Yorker who writes operas and film scores, is one of classical music's legendary artists.
But walk into Hynes' third floor loft in New York's Chinatown and you'll find a photo of Glass on his piano. Hynes, it turns out, is a fan. He discovered Glass' music by chance as a London teenager, when he bought the 1982 album Glassworks on the strength of its crystalline cover image alone. What he heard after he brought it home transfixed him. Today, he says Glass' influence "seeps" into his music — the interlocking marimba parts in "Best to You" or the feather light ostinato that ignites "Better Than Me." Last year, he surprised a few ears when he played excerpts from Glass' solo piano suite Metamorphosis during a live session on SiriusXM.
This spring, Hynes invited Glass to his apartment where they sat at a piano, compared chords and traded stories. Ninety minutes later, their wide ranging conversation had touched on the pulse of New York City, the pains of striking out on your own as a musician, what role the arts play in society today and Hamilton. Plus about a hundred other ideas.
Perhaps the most potent virtue Hynes and Glass share is an instinctive ear for collaboration. Glass has worked with everyone from Ravi Shankar and Paul Simon to dozens of filmmakers, dancers, poets and visual artists. Hynes moves adroitly, too. These days he pairs up with Sky Ferreira, FKA Twigs, Haim and ballet dancer Maria Kochetkova, but in his teens he joined a dance-punk band named Test Icicles, then moved on to the quirky folk-pop of Lightspeed Champion.
Maybe it's that willingness to let something unknown percolate into a new idea. And maybe that's why these two musicians, some 50 years apart in age, decided to meet on a cloudy April afternoon in Chinatown to let yet another intriguing collaboration blossom.
- published: 21 Sep 2017
- views: 176692
3:46
"The Poet Acts" from The Hours, Philip Glass
A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours.
The ...
published: 10 Mar 2010
"The Poet Acts" from The Hours, Philip Glass
"The Poet Acts" from The Hours, Philip Glass
- Report rights infringement
- published: 10 Mar 2010
- views: 22936
A graphical interpretation of the filmscore "The Poet Acts" from the film The Hours.
The filmscore is heartbraking as the life itself. Simple facts expressed with beautiful melancholy. Addictive. Graphics and Video by Ritva Nybacka
Wikipedia: The Hours is a 2002 drama film directed by Stephen Daldry, and starring Nicole Kidman, Meryl Streep, Julianne Moore, and Ed Harris. The screenplay by David Hare is based on the 1999 Pulitzer Prize-winning novel of the same title by Michael Cunningham.
The film's score by Philip Glass won the BAFTA Award for Best Film Music .
42:06
Midori Takada - Through The Looking Glass
This is the vinyl rip for Midori Takada - Through The Looking Glass
One of the most entic...
published: 12 Aug 2017
Midori Takada - Through The Looking Glass
Midori Takada - Through The Looking Glass
- Report rights infringement
- published: 12 Aug 2017
- views: 349496
This is the vinyl rip for Midori Takada - Through The Looking Glass
One of the most enticing and truly intoxicating pieces of recent years, Midori Takada's Through The Looking Glass is a very dreamlike journey in 4 chapters. Beyond its very impressive soundscapes and overall atmosphere, it's well known for its innovative recording techniques. Here's some information about how the tracks came to be:
------------------------------
The title of the album, Through The Looking Glass, was adopted from Lewis Carroll's Alice In Wonderland. In the logic of Lewis Carroll, who was also a mathematician, one can discern a word beyond personal expression that has no relation to personal sentiment of desire. Sound separates itself from personal expression and in sound itself lies the possibility of substance. Midori says: "Within the tracks, numbers are intertwined symbolically - they are fluid while the tempo is ever-changing. On the reverse side, all the melodies are overturned. Through this process, it is constructed and formulated into a system. As the structure of this music became more system-based, I tried to disengage it from any self-expression. That is why I named this album Through The Looking Glass. The reflection on the mirror seems to show something, but I did not want to indulge in that. I wanted rather to force discernment of my true self that was beyond the reflection."
The "different directions" she used to explore that concept are ingenious. On the first track, "Mr. Henri Rousseau's Dream," she created a three-dimensional sound sculpture by carefully taking the distance between the microphone and each instrument into account. Takada says that she was trying to construct a perspective in sound." On "Crossing", Takada overdubbed an initial rhythm over a new rhythm, placing two performances that were still physically reverberating through the performer on top of one another, constructing a minimal, but heavy, percussive edifice. On the track "Trompe-l'oeil", Takada used offset rhythms to blur and expand that percussive resonance of the instruments, thickening the sound color. This track is also notable for the fact that Takada performed this composition using only a Cole bottle, bells, and a reed organ with a foot pedal! She describes the final track, "Catastrophe ε" as "an accelerando from start to finish, without allowing tempo and time to slip into one place". That Accelerando is thhe most aggressive progression on the album. As the tempo gradually increases, the piano and reed organ slowly build a wall of sound. The acceleration directs the listener's attention inward, towards the music itself, as opposed to its performance.
------------------------------
I was very pleasantly surprised to find this little rarity on display on some shelf in a new nifty little boutique record store in my town, and picked it up right away as I was searching for it for quite a while. To me this is one of the most astounding, ground breaking records of our era. The history and the process of making this record and how carefully it was crafted (whether it's the philosophy of it or the fact that each instrument was layered infinitely to compensate any errors that could not be erased since it was recorded analogically) just add to the mix. If you will - give it a good listen with a good headset or system, in a dark room, and wait till the nearly Koyaanisquatsi-ish ending will make your heart pound with the force of a thousand suns.
Perfect for: M E D I T A T I O N
Format: LP
Please support the artists! If you dug it as much as I did when I first heard it on YouTube as well, please consider supporting the artist by getting it here: http://paltoflats.com/release/midori-takada-through-the-looking-glass
All materials presented on this channel are copyrighted by their respective copyright owners, and are subject to use for informational purposes only. If you want this removed, please contact me and I will remove it as soon as possible.
12:22
Cream by David Firth
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_us...
published: 30 May 2017
Cream by David Firth
Cream by David Firth
- Report rights infringement
- published: 30 May 2017
- views: 17340804
If you're new to my stuff then SUBSCRIBE http://www.youtube.com/subscription_center?add_user=doki66
MERCH https://saladfingersstore.com (WE HAVE PLUSH TOYS!!)
PATREON https://www.patreon.com/davidfirth
TWITTER http://twitter.com/david_firth
INSTAGRAM https://www.instagram.com/davidfirth66/
FACEBOOK https://www.facebook.com/DFsaladfingers/
The time has come for CREAM - the latest product that will fix your life. This is the story of Dr. Bellifer, a scientific genius, who after years of smashing particles together, reveals his revolutionary new product: a cream with the power to fix all of the world’s problems.
This launch is made possible by my lovely Patreon supporters:
https://www.patreon.com/davidfirth
Thanks to the super Patroids. You will see their names in the credits. Please join us for more wonderful content.
OFFICIAL SALAD FINGERS STORE: https://saladfingers.shop/
https://www.patreon.com/davidfirth
https://twitter.com/DAVID_FIRTH
http://www.fat-pie.com
6:39
Mystery of Prince Rupert's Drop at 130,000 fps - Smarter Every Day 86
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: ...
published: 23 Mar 2013
Mystery of Prince Rupert's Drop at 130,000 fps - Smarter Every Day 86
Mystery of Prince Rupert's Drop at 130,000 fps - Smarter Every Day 86
- Report rights infringement
- published: 23 Mar 2013
- views: 13491148
"Goggle Up! Science is about to happen...Share by Tweet: http://bit.ly/YAsk8M Facebook: http://bit.ly/PrinceRupert
READ THE ADDITIONAL INFO HERE! (Click "Show More"!)
Please help me justify putting this much time and effort into a video by clicking "LIKE" and SHARING this as much as possible. Click the following: Tweet: http://bit.ly/TweetRupert Facebook: http://bit.ly/PrinceRupert Please share with any science blogs or outlets you think would enjoy it.
Videos like this don't just happen. They require lots of time, and lots of favors from very smart and kind people willing to help me and you learn. PLEASE take a moment and read the following information and support those who supported me.
This is the camera we used for the ultra-high speed shots. It has the "FAST" option.
http://www.visionresearch.com/v16102/
You absolutely have to check out the stuff Cal Makes. We're just goofing off in this video, but the guy is some type of glass wizard genius. It would make me happy if you bought something from him and he felt like the audience appreciated all the time he donated to this video. He basically gave me 2 entire nights of his entire shop.
http://orbixhotglass.com/
I feel like we're friends at this point, and he is open to the idea of doing more videos in the future and teach me more about what he knows about glass. Let's make it worth his time.
I'm a HUGE FAN of the song Gordon wrote for this video. His landlord would really appreciated if you downloaded it so he could make rent this month.
http://ashellinthepit.bandcamp.com/track/manta
It looks like he's assembling a new album that I may like more than Mammals:
http://ashellinthepit.bandcamp.com/album/hydrophile-in-progress
Show him some love.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This video involved about 2 months of research, and me reaching out to several individuals. I would like to thank everyone who took time out of their schedule to contribute to my wacky research. A big thanks to the following people:
My wife and kids. I'm sorry this took so long and I wasn't the kind of active father I want to be during the 5 weeks it took to make this.
Dr. Martyn Poliakoff for getting me access to documents which details experiments on the Prince Rupert's Drop by the Royal Society
http://rsnr.royalsocietypublishing.org/content/41/1/1.full.pdf+html (behind a pay wall)
Being able to calculate the failure front velocity of a Prince Rupert's drop is a pretty big deal. For years this was a scientific mystery. High speed camera technology is only recently fast enough to provide data like this. Thanks to Vision Research for letting me use the V1610 to try to unravel this mystery for the public in general.
Rob Kuefner for reaching out to me and offering to convert certain equations into LaTeX format for me.
Dr. Jeff Evans from UAH. A friend and neighbor who just happens to have a PhD and be an expert in fracture mechanics. http://bit.ly/YLezDA Thank you for helping me by pointing me in the right direction in the early stages of my research. It's time we hangout again.
Brian: thanks for letting me use your green screen and telling me about Orbix in the first place. I stayed up there til about 1 or 2 am two nights in a row acting stupid in front of of the camera all alone. Now that I look back at that footage without the context of this video, it's all very strange.
Thanks to Loïc Samuel for taking time to make the custom TNT Degradation graphic!
P.S. There was some old guy walking around the track at the park when I was filming me jumping on the bridge railing. I'm pretty sure you kept walking until I was done just to make sure you wouldn't have to take me to the hospital if I broke my leg. I'll never meet you again, but I'm grateful for this kind gesture you didn't know I noticed.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GET STUFF SECTION:
(If I did this right these should be working Amazon affiliate links to purchase the stuff I like to use. When people purchase from these links it will support Smarter Every Day.)
Things I use and like:
📷Camera I use : https://amzn.to/2VSiruw
Favorite Lens: https://amzn.to/2KPDQ1a
On-camera Mic: https://amzn.to/3aVVbjz
Lav Mic: https://amzn.to/3aRek6r
Hot shoe mount for Lav Receiver: https://amzn.to/35m6uAo
My Tripod: https://amzn.to/2Yl6RtJ
Favorite SD Card: https://amzn.to/2KQ3Edz
🥽Goggle Up! : https://amzn.to/2zG754g
Also, if you’re interested in a Smarter Every Day shirt etc. they’re really soft and you can get there here: https://www.smartereveryday.com/store
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tweet ideas to me @SmarterYouTube
Instead of saving for my kids' college, I make videos using the money I would have saved.
The thought is it will help educate the world as a whole, and one day generate enough revenue to pay for their education. Until then if you appreciate what you've learned in this video and the effort that went in to it, please SHARE THE VIDEO!
6:23
Devonté Hynes And Philip Glass Compare Notes
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes
by THOMAS H...
published: 21 Sep 2017
Devonté Hynes And Philip Glass Compare Notes
Devonté Hynes And Philip Glass Compare Notes
- Report rights infringement
- published: 21 Sep 2017
- views: 176692
'When You Gonna Get A Real Job': Philip Glass And Devonté Hynes Compare Notes
by THOMAS HUIZENGA
At first glance, Devonté Hynes and Philip Glass might appear like musical opposites. Hynes, the 31-year-old British producer and songwriter who performs under the name Blood Orange, makes hit records with Solange and Carly Rae Jepson. Glass, the 80-year-old Baltimore-born New Yorker who writes operas and film scores, is one of classical music's legendary artists.
But walk into Hynes' third floor loft in New York's Chinatown and you'll find a photo of Glass on his piano. Hynes, it turns out, is a fan. He discovered Glass' music by chance as a London teenager, when he bought the 1982 album Glassworks on the strength of its crystalline cover image alone. What he heard after he brought it home transfixed him. Today, he says Glass' influence "seeps" into his music — the interlocking marimba parts in "Best to You" or the feather light ostinato that ignites "Better Than Me." Last year, he surprised a few ears when he played excerpts from Glass' solo piano suite Metamorphosis during a live session on SiriusXM.
This spring, Hynes invited Glass to his apartment where they sat at a piano, compared chords and traded stories. Ninety minutes later, their wide ranging conversation had touched on the pulse of New York City, the pains of striking out on your own as a musician, what role the arts play in society today and Hamilton. Plus about a hundred other ideas.
Perhaps the most potent virtue Hynes and Glass share is an instinctive ear for collaboration. Glass has worked with everyone from Ravi Shankar and Paul Simon to dozens of filmmakers, dancers, poets and visual artists. Hynes moves adroitly, too. These days he pairs up with Sky Ferreira, FKA Twigs, Haim and ballet dancer Maria Kochetkova, but in his teens he joined a dance-punk band named Test Icicles, then moved on to the quirky folk-pop of Lightspeed Champion.
Maybe it's that willingness to let something unknown percolate into a new idea. And maybe that's why these two musicians, some 50 years apart in age, decided to meet on a cloudy April afternoon in Chinatown to let yet another intriguing collaboration blossom.
Philip Glass
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Philip_Glass
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"The Poet Acts" from The Hours, Philip Glass...
Midori Takada - Through The Looking Glass...
Cream by David Firth...
Mystery of Prince Rupert's Drop at 130,000 fps - S...
Devonté Hynes And Philip Glass Compare Notes...
Trial 1: All Men Are Equal
"In this court, all men are equal." You have heard
those words many times before. "All men are equal." But
what about all women ? Are women the equal of men ?
There are those who tell us that they are.
Last week, an auspicious meeting of women was held in
Kalamazoo. The meeting was addressed by a very
prominent lady who is noted for her modesty. She is so
modest that she blindfolds herself when taking a bath.
Modesty runs in her family. She has a nephew who is
just ten years of age. Sometimes, the nephew says "I'm
going to the forbidden name store." The little fellow
is too modest to say "I'm going to the A & P." Well,
here is what that modest lady said to the gathering of
women in Kalamazoo :
"My sisters : Thetime has come when we must stand up
and declare ourselves. For too long have we been
trodden under the feet of men. For too long have we
been treated as second-class citizens by men who say
that we are only good for cooking their meals, mending
their socks, and raising their babies.
"You have a boyfriend, and he calls you his queen.
Then, when he marries you, he crowns you. These are the
kind of men who, when they become romantic or, I should
say, when they are in a certain mood, they want to kiss
you and kiss you and kiss you again.
"My sisters, I say to you : Put your faces against it,
and, if the man takes from you without your permission,
look him squarely in the face, roll your eyes at him,
and say to him ‘How dare you, you male chauvinist pig !
You put that kiss right back where you got it from.’
"My sisters, we are in bondage, and we need to be
liberated. Liberation is our cry. Just yesterday, I
talked with a woman who is the mother of fifteen
children. She said ‘Yes, I want to be liberated from
the bedroom.’
"And so, my sisters, the time has come when we must let
this male chauvinist understand that the hand that
changes the diapers is the hand that shall rule the
world.
"And now, my sisters, let us stand and sing our
national song. For the benefit of you who have not yet
memorized the words, here they are :
The woman's day is drawing near, it's written in the
stars
The fall of men is very near, proclaim it from your
cars.
Sisters, rise ! You flags unfurl ! Don't be a little
girl.
Say "Down with men, their power must end : Women shall