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John Ireland - Piano Concerto in E-flat major
John Ireland (1879 - 1962) - Piano Concerto in E-flat major (1930)
I. In tempo moderato [0:00]
II. Lento espressivo [9:07]
III. Allegretto giocoso [16:38]
John Lenehan, piano
Royal Liverpool Philharmonic Orchestra, John Wilson (2011)
John Ireland's Piano Concerto is a work in three movements and typically lasts around 25 minutes. It is his only concerto; a planned second piano concerto eventually became his Legend for piano and orchestra.
"The concerto was written in the spring and summer of 1930 and it was seen at the time as a British response to Prokofiev’s Third Piano Concerto, and was thought terribly modern for its use of fibre dance band mutes by the trumpets. Advance publicity for the concerto harped on the dance band connection, possibly suggesting Ireland to be another Gershw...
published: 17 Apr 2021
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John Ireland - Downland Suite
John Ireland - Downland Suite (for String Orchestra)
1. Prelude 00:00
2. Elegy 04:14
3. Minuet 09:41
4. Rondo 14:07
David Garforth (cond.) English Chamber Orchestra
[Rec: London, December 1983]
NO INFRINGEMENT OF COPYRIGHT IS INTENDED.
ArsX YouTube Channel:
https://www.youtube.com/user/opus888dei/videos
ArsX Facebook Page:
https://www.facebook.com/pages/ArsX/139774319506703
ArsX Website:
https://arsx.org/
#JohnIreland #DownlandSuite #DavidGarforth
published: 30 Aug 2018
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John Ireland ‒ Decorations
John Ireland (1879 - 1962), Decorations (1912 - 1913)
Performed by John Lenehan
00:00 - No. 1 The Island Spell
03:50 - No. 2 Moonglade
07:15 - No. 3 The Scarlet Ceremonies
The three piecesa that constitute Decorations were published in 1915 and reflect earlier visits to the Channel Islands. The first of the set, The Island Spell, was started during a holiday in Jersey in 1912 inspired by Le Fauvic beach. After work on the piece at home in Chelsea, he completed it in Jersey the following year, along with the rest of the set. Arthur Symons and Arthur Machen are quoted in two of the pieces.
The set was reviewed by the Monthly Musical Record in August 1915, as follows:
"These three pieces are well named, since they are the most successful pieces of pictorial writing we have encountered si...
published: 30 Apr 2016
-
I like - John Ireland
1982 Hit for South African Artist John Ireland
published: 06 Jun 2020
-
John Ireland - I Like (Barron Remix)
published: 23 Nov 2020
-
The Life and Sad Ending of John Ireland
John Benjamin Ireland (January 30, 1914 – March 21, 1992) was a Canadian-American actor and film director. He was nominated for an Academy Award for his performance in All the King's Men (1949), making him the first Vancouver-born actor to receive an Oscar nomination.
published: 22 Mar 2021
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John Ireland : Concertino Pastorale for string orchestra (1939)
I. Eclogue
II. Threnody
III. Toccata.
Performed by the London Philharmonic Orchestra conducted by Sir Adrian Boult.
published: 24 Mar 2017
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JOHN IRELAND TRIBUTE
published: 25 Jun 2017
-
Gunslinger 1956 Western John Ireland Beverly Garland Martin Kingsley
Brought to you by Hangtown Express Western Movies.
Gunslinger 1956 Western John Ireland Beverly Garland Martin Kingsley
Duration: 1 Hr 15 Min.
Summary:
After her husband is gunned down, Rose Hood takes his place temporarily as Marshal of a small Western town.
Please subscribe and you will be notified when more videos
are uploaded, thanks.
Hangtown Express
If you liked the audio samples at the end of this video,
Please check out the links below:
Archaic Proviso - Progressive Rock/Jazz Fusion Music
http://archaicproviso.com
New project: Blue Expresso
A mix of Progressive Rock, Jazz Fusion & Ambient music
Available for download at:
https://music.apple.com/us/album/the-meeting-place/1508554161
CD coming soon.
2 new Christmas by Archaic Proviso songs available for download & CD now.
Do...
published: 30 Dec 2020
-
John Ireland - Fantasy Sonata for Clarinet and Piano (1943)
Fantasy-Sonata, for clarinet and piano (1943)
A single-movement chamber work for clarinet and piano by English composer John Ireland (1879-1962). Ireland composed this piece in 1943 while staying with Rev. Paul Walde in Little Sampford rectory, Essex, after fleeing Guernsey in 1940 before the German invasion. The sonata is dedicated to the prominent British clarinettist Frederick "Jack" Thurston (1901-1953), for whom numerous composers such as Bax, Bliss, Maconchy, Howells and Malcolm Arnold composed music. Ireland considered the clarinet the greatest woodwind instrument, and his love of the instrument is evident in this work.
If you have access to the JSTOR database, you can find an analysis of the Fantasy-Sonata by Scott Goddard here:
http://www.jstor.org/stable/942741
Clarinet: Emma ...
published: 13 Dec 2010
24:48
John Ireland - Piano Concerto in E-flat major
John Ireland (1879 - 1962) - Piano Concerto in E-flat major (1930)
I. In tempo moderato [0:00]
II. Lento espressivo [9:07]
III. Allegretto giocoso [16:38]
Joh...
John Ireland (1879 - 1962) - Piano Concerto in E-flat major (1930)
I. In tempo moderato [0:00]
II. Lento espressivo [9:07]
III. Allegretto giocoso [16:38]
John Lenehan, piano
Royal Liverpool Philharmonic Orchestra, John Wilson (2011)
John Ireland's Piano Concerto is a work in three movements and typically lasts around 25 minutes. It is his only concerto; a planned second piano concerto eventually became his Legend for piano and orchestra.
"The concerto was written in the spring and summer of 1930 and it was seen at the time as a British response to Prokofiev’s Third Piano Concerto, and was thought terribly modern for its use of fibre dance band mutes by the trumpets. Advance publicity for the concerto harped on the dance band connection, possibly suggesting Ireland to be another Gershwin, and it attracted a large audience. To us apparent resonances of Ravel’s G major concerto merely record something that was in the air, for the Ravel had not then been completed and would not be heard in London for another eighteen months.
Although Ireland’s concerto is customarily described as being in three movements, only two are marked in the score, the music moving straight on from the slow movement into what is de facto the high spirited finale, Allegretto giocoso. The first movement opens with a ten-bar reflective orchestral introduction, the theme on strings perhaps an echo of the plainsong he would have known in church, and the magical distant horns at the fourth bar seeming to be heralding some far-off world coming slowly into view. This forms a sort of motto, becoming a resource for later invention and is incorporated into the first main theme in the piano solo that follows. It is entirely characteristic of Ireland that when the piano joins, instead of fiery figurations he gives us what is to all intents and purposes the opening of one of his evocative piano miniatures. However he also knows when to stop, and the music accelerates to the catchy faster theme first presented on trumpet and clarinets which is heard many times during the movement. The concerto is notable for the way Ireland links extended passages of unaccompanied piano with orchestral colour and only uses the full orchestra at the climaxes.
A slow version of the second theme of the first movement opens the second movement and is followed, as in the first, by a solo passage that could be one of Ireland’s evocative miniatures. It would not be too fanciful to describe this movement, with its yearning falling sevenths in the strings, as a love song. Eventually a side drum tattoo breaks the reverie and with a miniature cadenza leads into the energetic finale. To a British audience at the time the use of Chinese block to rap out the rhythm must have seemed cutting-edge. Here the slower second subject includes one of Ireland’s motivic references, in this case a figure of four semiquavers quoted from Spring will not wait and We’ll to the woods no more, both works dedicated to Arthur Miller, an earlier constant companion. Themes from the earlier movements return, and with the second the solo violin sings a regretful counter-melody. This tune is said to be from a student string quartet written by Helen Perkin, but the allusion to his pianist seems to have been more elusive, and wherever it appears he thoroughly disguised it."
(source: Hyperion)
https://wn.com/John_Ireland_Piano_Concerto_In_E_Flat_Major
John Ireland (1879 - 1962) - Piano Concerto in E-flat major (1930)
I. In tempo moderato [0:00]
II. Lento espressivo [9:07]
III. Allegretto giocoso [16:38]
John Lenehan, piano
Royal Liverpool Philharmonic Orchestra, John Wilson (2011)
John Ireland's Piano Concerto is a work in three movements and typically lasts around 25 minutes. It is his only concerto; a planned second piano concerto eventually became his Legend for piano and orchestra.
"The concerto was written in the spring and summer of 1930 and it was seen at the time as a British response to Prokofiev’s Third Piano Concerto, and was thought terribly modern for its use of fibre dance band mutes by the trumpets. Advance publicity for the concerto harped on the dance band connection, possibly suggesting Ireland to be another Gershwin, and it attracted a large audience. To us apparent resonances of Ravel’s G major concerto merely record something that was in the air, for the Ravel had not then been completed and would not be heard in London for another eighteen months.
Although Ireland’s concerto is customarily described as being in three movements, only two are marked in the score, the music moving straight on from the slow movement into what is de facto the high spirited finale, Allegretto giocoso. The first movement opens with a ten-bar reflective orchestral introduction, the theme on strings perhaps an echo of the plainsong he would have known in church, and the magical distant horns at the fourth bar seeming to be heralding some far-off world coming slowly into view. This forms a sort of motto, becoming a resource for later invention and is incorporated into the first main theme in the piano solo that follows. It is entirely characteristic of Ireland that when the piano joins, instead of fiery figurations he gives us what is to all intents and purposes the opening of one of his evocative piano miniatures. However he also knows when to stop, and the music accelerates to the catchy faster theme first presented on trumpet and clarinets which is heard many times during the movement. The concerto is notable for the way Ireland links extended passages of unaccompanied piano with orchestral colour and only uses the full orchestra at the climaxes.
A slow version of the second theme of the first movement opens the second movement and is followed, as in the first, by a solo passage that could be one of Ireland’s evocative miniatures. It would not be too fanciful to describe this movement, with its yearning falling sevenths in the strings, as a love song. Eventually a side drum tattoo breaks the reverie and with a miniature cadenza leads into the energetic finale. To a British audience at the time the use of Chinese block to rap out the rhythm must have seemed cutting-edge. Here the slower second subject includes one of Ireland’s motivic references, in this case a figure of four semiquavers quoted from Spring will not wait and We’ll to the woods no more, both works dedicated to Arthur Miller, an earlier constant companion. Themes from the earlier movements return, and with the second the solo violin sings a regretful counter-melody. This tune is said to be from a student string quartet written by Helen Perkin, but the allusion to his pianist seems to have been more elusive, and wherever it appears he thoroughly disguised it."
(source: Hyperion)
- published: 17 Apr 2021
- views: 909
17:34
John Ireland - Downland Suite
John Ireland - Downland Suite (for String Orchestra)
1. Prelude 00:00
2. Elegy 04:14
3. Minuet 09:41
4. Rondo 14:07
David Garforth (cond.) English Cham...
John Ireland - Downland Suite (for String Orchestra)
1. Prelude 00:00
2. Elegy 04:14
3. Minuet 09:41
4. Rondo 14:07
David Garforth (cond.) English Chamber Orchestra
[Rec: London, December 1983]
NO INFRINGEMENT OF COPYRIGHT IS INTENDED.
ArsX YouTube Channel:
https://www.youtube.com/user/opus888dei/videos
ArsX Facebook Page:
https://www.facebook.com/pages/ArsX/139774319506703
ArsX Website:
https://arsx.org/
#JohnIreland #DownlandSuite #DavidGarforth
https://wn.com/John_Ireland_Downland_Suite
John Ireland - Downland Suite (for String Orchestra)
1. Prelude 00:00
2. Elegy 04:14
3. Minuet 09:41
4. Rondo 14:07
David Garforth (cond.) English Chamber Orchestra
[Rec: London, December 1983]
NO INFRINGEMENT OF COPYRIGHT IS INTENDED.
ArsX YouTube Channel:
https://www.youtube.com/user/opus888dei/videos
ArsX Facebook Page:
https://www.facebook.com/pages/ArsX/139774319506703
ArsX Website:
https://arsx.org/
#JohnIreland #DownlandSuite #DavidGarforth
- published: 30 Aug 2018
- views: 4350
10:05
John Ireland ‒ Decorations
John Ireland (1879 - 1962), Decorations (1912 - 1913)
Performed by John Lenehan
00:00 - No. 1 The Island Spell
03:50 - No. 2 Moonglade
07:15 - No. 3 The Scarl...
John Ireland (1879 - 1962), Decorations (1912 - 1913)
Performed by John Lenehan
00:00 - No. 1 The Island Spell
03:50 - No. 2 Moonglade
07:15 - No. 3 The Scarlet Ceremonies
The three piecesa that constitute Decorations were published in 1915 and reflect earlier visits to the Channel Islands. The first of the set, The Island Spell, was started during a holiday in Jersey in 1912 inspired by Le Fauvic beach. After work on the piece at home in Chelsea, he completed it in Jersey the following year, along with the rest of the set. Arthur Symons and Arthur Machen are quoted in two of the pieces.
The set was reviewed by the Monthly Musical Record in August 1915, as follows:
"These three pieces are well named, since they are the most successful pieces of pictorial writing we have encountered since the advent of Maurice Ravel, whose style they somewhat resemble as regards technique. Magic seas and fairy woods are evoked by the subtlest art in the first piece, “The Island Spell”. Is it by accident that one conjures up the magic music of Shakespeare’s “Tempest”? An all-pervading mood is here, as with the best types of decorative music. There is a curious compelling charm and feeling of remoteness about the “Moon-Glade”, also written over a poem of Arthur Symons commencing “Why are you so sorrowful in dreams?” This piece is pure impressionism. The fading tonality at the close, so like the stuff dreams are made of, is a wonderful piece of tone-artistry. The third movement entitled “The Scarlet Ceremonies” is the most striking of the set. It is founded on a quotation from Arthur Machen’s “The House of Souls”. Against a continuously palpitating pattern in the right hand a trumpet-like theme is given out by the left. The whole movement is evolved from the first twelve bars or so. The theme passes to the right hand later on, appearing over a fluttering figure of fourths in the bass. There is an original “pedal-point” effect at the end, and a new double glissando of white and black notes which will be responsible for many grazed fingers. Originality breathes in every bar of the Decorations, and the composer evidently possesses peculiar magic powers in the world of sound."
https://wn.com/John_Ireland_‒_Decorations
John Ireland (1879 - 1962), Decorations (1912 - 1913)
Performed by John Lenehan
00:00 - No. 1 The Island Spell
03:50 - No. 2 Moonglade
07:15 - No. 3 The Scarlet Ceremonies
The three piecesa that constitute Decorations were published in 1915 and reflect earlier visits to the Channel Islands. The first of the set, The Island Spell, was started during a holiday in Jersey in 1912 inspired by Le Fauvic beach. After work on the piece at home in Chelsea, he completed it in Jersey the following year, along with the rest of the set. Arthur Symons and Arthur Machen are quoted in two of the pieces.
The set was reviewed by the Monthly Musical Record in August 1915, as follows:
"These three pieces are well named, since they are the most successful pieces of pictorial writing we have encountered since the advent of Maurice Ravel, whose style they somewhat resemble as regards technique. Magic seas and fairy woods are evoked by the subtlest art in the first piece, “The Island Spell”. Is it by accident that one conjures up the magic music of Shakespeare’s “Tempest”? An all-pervading mood is here, as with the best types of decorative music. There is a curious compelling charm and feeling of remoteness about the “Moon-Glade”, also written over a poem of Arthur Symons commencing “Why are you so sorrowful in dreams?” This piece is pure impressionism. The fading tonality at the close, so like the stuff dreams are made of, is a wonderful piece of tone-artistry. The third movement entitled “The Scarlet Ceremonies” is the most striking of the set. It is founded on a quotation from Arthur Machen’s “The House of Souls”. Against a continuously palpitating pattern in the right hand a trumpet-like theme is given out by the left. The whole movement is evolved from the first twelve bars or so. The theme passes to the right hand later on, appearing over a fluttering figure of fourths in the bass. There is an original “pedal-point” effect at the end, and a new double glissando of white and black notes which will be responsible for many grazed fingers. Originality breathes in every bar of the Decorations, and the composer evidently possesses peculiar magic powers in the world of sound."
- published: 30 Apr 2016
- views: 108781
3:58
I like - John Ireland
1982 Hit for South African Artist John Ireland
1982 Hit for South African Artist John Ireland
https://wn.com/I_Like_John_Ireland
1982 Hit for South African Artist John Ireland
- published: 06 Jun 2020
- views: 2008
8:41
The Life and Sad Ending of John Ireland
John Benjamin Ireland (January 30, 1914 – March 21, 1992) was a Canadian-American actor and film director. He was nominated for an Academy Award for his perform...
John Benjamin Ireland (January 30, 1914 – March 21, 1992) was a Canadian-American actor and film director. He was nominated for an Academy Award for his performance in All the King's Men (1949), making him the first Vancouver-born actor to receive an Oscar nomination.
https://wn.com/The_Life_And_Sad_Ending_Of_John_Ireland
John Benjamin Ireland (January 30, 1914 – March 21, 1992) was a Canadian-American actor and film director. He was nominated for an Academy Award for his performance in All the King's Men (1949), making him the first Vancouver-born actor to receive an Oscar nomination.
- published: 22 Mar 2021
- views: 20884
19:51
John Ireland : Concertino Pastorale for string orchestra (1939)
I. Eclogue
II. Threnody
III. Toccata.
Performed by the London Philharmonic Orchestra conducted by Sir Adrian Boult.
I. Eclogue
II. Threnody
III. Toccata.
Performed by the London Philharmonic Orchestra conducted by Sir Adrian Boult.
https://wn.com/John_Ireland_Concertino_Pastorale_For_String_Orchestra_(1939)
I. Eclogue
II. Threnody
III. Toccata.
Performed by the London Philharmonic Orchestra conducted by Sir Adrian Boult.
- published: 24 Mar 2017
- views: 5582
1:48:25
Gunslinger 1956 Western John Ireland Beverly Garland Martin Kingsley
Brought to you by Hangtown Express Western Movies.
Gunslinger 1956 Western John Ireland Beverly Garland Martin Kingsley
Duration: 1 Hr 15 Min.
Summary:
After...
Brought to you by Hangtown Express Western Movies.
Gunslinger 1956 Western John Ireland Beverly Garland Martin Kingsley
Duration: 1 Hr 15 Min.
Summary:
After her husband is gunned down, Rose Hood takes his place temporarily as Marshal of a small Western town.
Please subscribe and you will be notified when more videos
are uploaded, thanks.
Hangtown Express
If you liked the audio samples at the end of this video,
Please check out the links below:
Archaic Proviso - Progressive Rock/Jazz Fusion Music
http://archaicproviso.com
New project: Blue Expresso
A mix of Progressive Rock, Jazz Fusion & Ambient music
Available for download at:
https://music.apple.com/us/album/the-meeting-place/1508554161
CD coming soon.
2 new Christmas by Archaic Proviso songs available for download & CD now.
Download Here: https://archaicproviso.bandcamp.com
CD Available Here: http://archaicproviso.com
The JMS Project - Progressive Rock/Jazz Fusion Music
http://www.thejmsproject.com
Copyright owners if you would like this movie taken down please contact me first before submitting a notice and I will gladly comply, thanks.
https://wn.com/Gunslinger_1956_Western_John_Ireland_Beverly_Garland_Martin_Kingsley
Brought to you by Hangtown Express Western Movies.
Gunslinger 1956 Western John Ireland Beverly Garland Martin Kingsley
Duration: 1 Hr 15 Min.
Summary:
After her husband is gunned down, Rose Hood takes his place temporarily as Marshal of a small Western town.
Please subscribe and you will be notified when more videos
are uploaded, thanks.
Hangtown Express
If you liked the audio samples at the end of this video,
Please check out the links below:
Archaic Proviso - Progressive Rock/Jazz Fusion Music
http://archaicproviso.com
New project: Blue Expresso
A mix of Progressive Rock, Jazz Fusion & Ambient music
Available for download at:
https://music.apple.com/us/album/the-meeting-place/1508554161
CD coming soon.
2 new Christmas by Archaic Proviso songs available for download & CD now.
Download Here: https://archaicproviso.bandcamp.com
CD Available Here: http://archaicproviso.com
The JMS Project - Progressive Rock/Jazz Fusion Music
http://www.thejmsproject.com
Copyright owners if you would like this movie taken down please contact me first before submitting a notice and I will gladly comply, thanks.
- published: 30 Dec 2020
- views: 309135
14:27
John Ireland - Fantasy Sonata for Clarinet and Piano (1943)
Fantasy-Sonata, for clarinet and piano (1943)
A single-movement chamber work for clarinet and piano by English composer John Ireland (1879-1962). Ireland compo...
Fantasy-Sonata, for clarinet and piano (1943)
A single-movement chamber work for clarinet and piano by English composer John Ireland (1879-1962). Ireland composed this piece in 1943 while staying with Rev. Paul Walde in Little Sampford rectory, Essex, after fleeing Guernsey in 1940 before the German invasion. The sonata is dedicated to the prominent British clarinettist Frederick "Jack" Thurston (1901-1953), for whom numerous composers such as Bax, Bliss, Maconchy, Howells and Malcolm Arnold composed music. Ireland considered the clarinet the greatest woodwind instrument, and his love of the instrument is evident in this work.
If you have access to the JSTOR database, you can find an analysis of the Fantasy-Sonata by Scott Goddard here:
http://www.jstor.org/stable/942741
Clarinet: Emma Johnson
Piano: Malcolm Martineau
https://wn.com/John_Ireland_Fantasy_Sonata_For_Clarinet_And_Piano_(1943)
Fantasy-Sonata, for clarinet and piano (1943)
A single-movement chamber work for clarinet and piano by English composer John Ireland (1879-1962). Ireland composed this piece in 1943 while staying with Rev. Paul Walde in Little Sampford rectory, Essex, after fleeing Guernsey in 1940 before the German invasion. The sonata is dedicated to the prominent British clarinettist Frederick "Jack" Thurston (1901-1953), for whom numerous composers such as Bax, Bliss, Maconchy, Howells and Malcolm Arnold composed music. Ireland considered the clarinet the greatest woodwind instrument, and his love of the instrument is evident in this work.
If you have access to the JSTOR database, you can find an analysis of the Fantasy-Sonata by Scott Goddard here:
http://www.jstor.org/stable/942741
Clarinet: Emma Johnson
Piano: Malcolm Martineau
- published: 13 Dec 2010
- views: 67956