Jesus Lizard may refer to:
The Jesus Lizard was an American rock band formed in 1987 in Austin, Texas and based in Chicago, Illinois. They were "a leading noise rock band in the American independent underground…[who] turned out a series of independent records filled with scathing, disembowelling, guitar-driven pseudo-industrial noise, all of which received positive reviews in underground music publications and heavy college-radio play."
After a brief run as a recording-only project based in Austin, founding vocalist David Yow, bassist David Wm. Sims and guitarist Duane Denison relocated to Chicago, Illinois in 1989, finding kindred spirits in recording engineer Steve Albini and the Touch and Go Records imprint. With the addition of drummer Mac McNeilly, they began operating as a live band, expanding their following beyond Chicago's alternative scene into an international audience. Drummer Jim Kimball replaced McNeilly late in 1996, and was himself replaced by Brendan Murphy two years later.
Despite releasing a split single with leading alt-rockers Nirvana and signing to Capitol Records, the band failed to find commercial success amid the alternative rock explosion of the 1990s, and disbanded in 1999. Their reunion tour ten years later enjoyed positive responses from audiences and critics.
The Jesus Lizard is the third EP by The Jesus Lizard. It was released in 1998 on Jetset Records. The album was produced by former The Velvet Underground member John Cale.
Jesus is a 1999 Biblical television film that retells the story of Jesus. It was shot in Morocco and Malta. It stars Jeremy Sisto as Jesus, Jacqueline Bisset as Mary of Nazareth, Debra Messing as Mary Magdalene and Gary Oldman as Pontius Pilate.
The film's chronology entails a cinematic blending of the Four Gospels with the addition of extra-biblical elements not found in the New Testament Accounts. It provides a down to earth approach through its focus on the human aspect of Jesus. Compared to more solemn and divine portrayals in earlier films, Jesus expresses emotions weeping at Joseph’s funeral, throwing stones in Lake Galilee upon meeting Simon Peter and James son of Zebedee, dancing at the wedding at Cana, and starting a water-splashing fight with his disciples.
While the film mainly presented familiar Christian Episodes, it provides extra-biblical scenes such as flashbacks of his first trip to Jerusalem with John as well as scenes of war and destruction waged in the name of Jesus during the medieval and modern times. Likewise, the film's Satan comes in two different forms: a visual exemplification of a modern man and a woman in red, instead of the traditional snake that can be found in most films. The film also adds a composite character, an apocryphal Roman historian named “Livio” who watches and comments as events unfold; he is presumably named after Livy.
Love Out Loud is an album by Jaci Velasquez released on March 18, 2008.
On the heels of the tenth-year anniversary celebration of her debut platinum selling album, Heavenly Place, Velasquez returned to the studio to write and record Love Out Loud. Velasquez once again teamed-up with Mark Heimermann, the producer of her first three albums. The lead single is "Love Out Loud" that speaks of putting one's words into action to show others God's love through us.
Queen is the eponymous debut studio album by British rock band Queen, released in July 1973. It was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker (as Roy Baker), John Anthony and Queen.
The album was influenced by the hard rock, progressive rock and heavy metal of the day. It covers subjects such as folklore ("My Fairy King") and religion ("Jesus"). Lead singer Freddie Mercury composed five of the ten tracks, guitarist Brian May composed four songs, (including "Doing All Right", which was co-written by Smile band-mate Tim Staffell), and drummer Roger Taylor composed and sang "Modern Times Rock and Roll". The final song on the album is a short instrumental version of "Seven Seas of Rhye". The band included on the album sleeve the comment "And nobody played synthesiser", a purist principle of May's, as some listeners had mistaken their elaborate multi-tracking and effects processed by guitar and vocal sounds as synthesisers. Bassist John Deacon was credited on the sleeve notes of the original vinyl release as "Deacon John", but after its release, he asked to be referred to by his real name.
They got him drunk as hell
They caught him way off balance
He could not walk or stand
So they thought they could take him
They had a plan to trip him
As he stumbled by and kick him
Their tiny brains were bubbling
His filthy mouth was mumbling
Get
Get
Get off my horse
He's in the trunk and still now
Unconscious and he's bleeding
They cut him wide open
Several times they stabbed him
He had burned his brothers
As if they were not of his family
Dug deep enough for covering
The hole where they'd be lowering
Get
Get
Get off my horse
After they sunk his body
And covered up their tracks
They thought of ways or means
To lie about what they had done
They told their pa
The he had gone off into the woods
By himself
The got old ma to worrying
But not about some burying
Get
Get
Get off my horse