- published: 19 Jun 2008
- views: 14019798
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Title : Gioachino Antonio Rossini , The Barber Of Seville (El Barbero de Sevilla ) - Overture
You may heard this overture in bugs bunny
Date : 1821
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.
Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.
Tracklist:
Aberturas de Óperas Cômicas
1. Il Barbiere Di Siviglia
2. La Scalada Di Seta
3. L´Italiana In Algeri
4. Il Signor Bruschino
5. Il Turco In Italia
6. La Cenerentola
7. La Cambiale Di Matrimonio
8. La Pietra Del Paragone
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
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- published: 24 May 2013
- views: 2167796
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez.
It was first performed on 31 May 1817 at La Scala, Milan.
- published: 22 Sep 2011
- views: 3552326
The exciting ending to Rossini's fantastic overture to William Tell.
- published: 12 Jul 2008
- views: 26487072
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhelm Tell. Based on the legend of William Tell, this opera was Rossini's last, even though the composer lived for nearly forty more years. The William Tell Overture, with its famous finale, is a major part of the concert and recording repertoire.
While it was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829.
- published: 22 Sep 2011
- views: 906355
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville (1775), which was originally an opéra comique, or a mixture of spoken play with music. The première (under the title Almaviva, or the Useless Precaution) took place on 20 February 1816, at the Teatro Argentina, Rome. It was one of the earliest Italian operas to be performed in America and premiered at the Park Theater in New York City on 29 November 1825.
- published: 22 Sep 2011
- views: 1083149
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro, Italia, el 29 de febrero de 1792 y fallecido en París, Francia, el 13 de noviembre de 1868). Compositor italiano, conocido especialmente por sus óperas cómicas (en un famoso encuentro con Beethoven, éste le indicó que siguiese componiendo muchos "Barberos de Sevilla"), pero con numerosas aportaciones también en el mundo de la ópera seria (la bellísima obra "Tancredi", por ejemplo).
Todo ello le hizo asumir el "trono" de la opera italiana, del bel canto de principios del siglo XIX, género que realza la belleza de la línea melódica por encima del drama o la profundidad emocional y por encima del interés armónico.
A medida que avanzan sus composiciones, éstas van adquiriendo un mayor grado de dificultad vocal, tanto que desde mediados del siglo XIX hasta los años setenta del siglo XX, muchas de sus obras se creían imposibles de cantar, (sobre todo para la cuerda de tenor, hasta la irrupción de "superhombres" como Chris Merritt y Rockwell Blake, y otros importantes como William Matteuzzi, Ernesto Palacio, Ramón Vargas, Raúl Giménez, etc., que emulan a los grandes Giovanni Davide y Andrea Nozzari. Hoy en día destaca Juan Diego Flórez); como bajos, destacan cantantes del siglo XX como Samuel Ramey, Enzo Dara, Paolo Montarsolo y Ruggero Raimondi. Entre las señoras, en la cuerda de mezzosoprano, la incomparable Marilyn Horne y otras muchas como Teresa Berganza, Cecilia Bartoli o Ewa Podles; entre las sopranos, han destacado Katia Ricciarelli, Lella Cuberli, Montserrat Caballé y Maria Callas.
- published: 29 Feb 2008
- views: 3386159
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00:00:00 Sonata #1 In G
00:10:52 Sonata #2 In A
00:27:00 Sonata #3 In C
00:37:31 Sonata #4 In B Flat
00:57:28 Sonata #5 In E Flat
01:09:43 Sonata #6 In D
Ezio Rojatti & Haydn Philharmonia Soloists
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- published: 28 Feb 2021
- views: 22448
Opera overtures:
00:00 The barber of Seville / Il Barbiere di Siviglia
07:10 Semiramide
18:40 Cinderella / La Cenerentola
26:25 The silk stairway / La scala di seta
32:22 Segnior Bruschino / Il signor Bruschino
37:17 The marriage bill / La cambiale di matrimonio
42:33 The thieving magpie / La gazza ladra
52:24 Guillaume Tell
Artists: The Moscow Chamber Orchestra,
Conductor - Constantine Orbelian.
- published: 05 Aug 2016
- views: 7535
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
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8 Famous Overtures
1. Il barbiere di Siviglia (1816) (0:00)
2. La scala di seta (1812) (6:57)
3. Il turco in Italia (1814) (13:08)
4. Il Signor Bruschino (1813) (21:42)
5. L'italiana in Algeri (1813) (26:19)
6. La Cenerentola (1817) (34:24)
7. La cambiale di matrimonio (1810) (42:30)
8. La pietra del paragone (1812) (47:56)
The Royal Philharmonic conducted by Evelino Pido
1. The Sinfonia (overture) of the Barber of Seville was originally composed in 1813 for Aureliano in Palmira, then employed for the 1815 premiere of Elisabetta, regina d'Inghilterra in Naples before being used for the present opera, which has been its chief association ever since.
The Barber of Seville, or The Useless Precaution is an opera buffa in two acts with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
2. La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic farsa comica in one act to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire.
3. Il turco in Italia (The Turk in Italy) is an opera in two acts. The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [de] in 1788.
4. Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813.
5. L'Italiana in Algeri; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
6. La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
7. La cambiale di matrimonio; The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, Il matrimonio per lettera di cambio. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice. It had a run of thirteen performances at Teatro San Moisè.
8. La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, to an original Italian libretto by Luigi Romanelli. La pietra del paragone was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season.
- published: 26 Aug 2019
- views: 161262
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Gioachino Rossini
Gioachino Antonio Rossini (Italian: [dʒoaˈkiːno anˈtɔːnjo rosˈsiːni]; 29 February 1792 – 13 November 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces.
His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart".
Until his retirement in 1829, Rossini had been the most popular opera composer in history. He is quoted as joking, "Give me the laundress' bill and I will even set that to music."
Early life
Gioachino Antonio Rossini was born into a family of musicians in Pesaro, a town on the Adriatic coast of Italy which was then part of the Papal States. His father, Giuseppe, was a horn player and inspector of slaughterhouses. His mother, Anna, was a singer and a baker's daughter. Rossini's parents began his musical training early, and by the age of six he was playing the triangle in his father's musical group.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gioachino_Rossini
'Gioachino rossini' is featured as a movie character in the following productions:
Casa Ricordi (1954)
Actors: Antoine Balpêtré (actor), Mimo Billi (actor), Georges Bréhat (actor), Manlio Busoni (actor), Julien Carette (actor), Memmo Carotenuto (actor), Andrea Checchi (actor), Giovanni Checchi (actor), Mario Del Monaco (actor), Claudio Ermelli (actor), Aldo Ferracuti (actor), Aldo Ferraguti (actor), Gabriele Ferzetti (actor), Enrico Formichi (actor), Roland Alexandre (actor),
Plot: Nel 1807, a Milano, Giovanni Ricordi, dopo aver comprato a Lipsia una nuova stampante, in cambio dell'impegno a lavorare gratis per il Teatro La Scala, ottiene tutti i manoscritti musicali che giacciono negli scantinati del Teatro. Ha inizio così la dinastia musicale della Casa Ricordi che vediamo svolgersi per tutto l'ottocento con Giovanni e Tito e Giulio e con i grandi dell'opera italiana: da Rossini a Bellini con la sua morte precoce, da Donizetti a Verdi e alla sua crisi all'avvento della musica nuova di Wagner, per finire il secolo con Puccini all'ombra della torre Eiffel.
Keywords: composer, family-relationships, italian-music, italy, music-publisher, musical-number, opera, opera-singer, printer, record-companyGenres: Biography, Drama, Music, Romance,
La sonnambula (1941)
Actors: Angelo Alessi (actor), Ernesto Conte (actor), Ermano Filano (actor), Loris Gizzi (actor), Felice Minotti (actor), Umberto Mozzato (actor), Giacomo Osella (actor), Carlo Tamberlani (actor), Osvaldo Valenti (actor), Roberto Villa (actor), Guido Zago (actor), Luisella Beghi (actress), Dina De Rossi (actress), Anita Farra (actress), Desiderata Ferrero (actress),
Genres: Comedy,Rossini, Gioachino Filmography
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2014, role: composer
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2014, role: composer
Gioachino Rossini
ALBUMS
- Complete Overtures 4 released: 2014
- Complete Overtures 2 released: 2013
- Complete Overtures 3 released: 2013
- Il Convegno released: 2013
- Complete Overtures 1 released: 2012
- BBC Music, Volume 21, Number 1: Bartók: Concerto for Orchestra / Stravinsky: Petrushka / Rossini: Willam Tell Overture released: 2012
- Duo Trio Quartet released: 2012
- Petite Messe Solennelle (Ambrosian Singers, Claudio Scimone) / Preghiara, Mosè in Egitto Atto III (Philharmonia Orchestra, feat. conductor: Claudio Scimone) released: 2011
- Guillaume Tell (conductor: Antonio Pappano; orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia) released: 2011
- Karen Geoghegan plays Mozart, Rossini, Kreutzer, Crusell released: 2010
- Il Barbiere di Siviglia released: 2010
- Stabat Mater (Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia feat. conductor: Antonio Pappano) released: 2010
- L'Italiana in Algeri (I Solisti Veneti feat. conductor Claudio Scimone, choir: Praque Philharmonic Choir) released: 2010
- Colbran, the Muse released: 2009
- Ermione released: 2009
- Comic Overtures (Royal Philharmonic Orchestra feat. conductor: Evelino Pidò) released: 2009
- Harmoniemusik for Wind Quintet: La Cenerentola / Tancredi (Ma'alot Quintet) released: 2009
- Grandes compositores da música clássica, Volume 20: Rossini released: 2009
- Mosè in Egitto released: 2008
- Stabat Mater released: 2007
- L'Italiana in Algeri released: 2007
- Ouvertures released: 2006
- Rossini: Ouvertures / Bizet: Carmen Preludes & Ballet Music released: 2006
- La Cenerentola released: 2005
- Coleção Folha de música clássica, volume 8: Gioachino Rossini released: 2005
- Guillaume Tell (Chor und Orchester der Wiener Staatsoper feat. conductor: Fabio Luisi) released: 2005
- The String Sonatas released: 2005
- Le Comte Ory (Orchestra del Teatro Comunale di Bologna feat. conductor: Jesús López-Cobos) released: 2004
- Zelmira (Scottish Chamber Orchestra feat. conductor: Maurizio Benini) released: 2004
- Stabat Mater released: 2003
- Dukas: The Sorcerer's Apprentice / Saint-Saëns: Danse macabre / Rossini/Respighi: La Boutique fantasque released: 2003
- Bianca e Falliero (Coro Filarmonico di Praga, The London Sinfonietta Opera Orchestra, feat. conductor Donato Renzetti, singers: Ricciarelli, Horne, Merrit, Surjan, Orciani) released: 2003
- Petite Messe solennelle released: 2003
- Essential Rossini released: 2002
- Il Barbiere di Siviglia released: 2002
- Sonate a quattro (Ensemble Explorations feat. director: Roel Dieltiens) released: 2002
- Rossini: String Sonatas nos. 1, 2 and 3 / Donizetti: Allegro for Strings in C major released: 1999
- Il barbiere di Seviglia (Orchestra e coro Rossini di Napoli, feat. conductor: Silivio Varvisio, singers: Benelli, Corena, Berganza) released: 1999
- Otello released: 1999
- Stabat Mater (Maggio Musicale Fiorentino Orchestra and Chorus feat. conductor: Riccardo Muti, sopranos: Catherine Malfitano, Agnes Baltsa, tenor: Robert Gambill, bass: Gwynne Howell) released: 1999
- The Best of Rossini released: 1998
- Il barbiere di Siviglia (Coro e Orchestra del Teatro alla Scala, feat. conductor: Norberto Mola, singers: Callas, Canali, Alva, Gobbi, Luise, Rossi-Lemeni) released: 1998
- Il Turco in Italia released: 1998
- Petite Messe Solennelle / Stabat Mater (Coro Polifonico del Teatro alla Scala feat. conductor: Romano Gandolgi, London Symphony Orchestra & Chorus feat. conductor: István Kertész) released: 1998
- The Best of Rossini released: 1997
- String Sonatas released: 1997
- Opera 4 Hands - Vol. 2 released: 1997
- La cenerentola (Rundfunk-Sinfoniorchester Berlin, feat. conductor: Piero Bellugi, singers: Casoni, di Rocco, Rocchino, Davià, Bruscantini) released: 1997
- Greatest Hits released: 1997
- Il barbiere di Siviglia (Chorus and Orchestra of the Romanian Opera Bucharest, feat. conductor: Mihai Bredicianu, singers: Teodorian, Ianculescu, Herlea) released: 1996
- Gioacchino Rossini: Overture to "The Barber of Seville" / Hector Berlioz: Symphonie fantastique released: 1996
- Stabat Mater (Wiener Philharmoniker feat. conductor: Myung-Whun Chung) released: 1996
- Stabat Mater released: 1995
- Tancredi (Collegium Instrumentale Brugense feat. Alberto Zedda) released: 1995
- Zürich Live 1986 released: 1994
- Le temps des castrats released: 1994
- La cenerentola (Querschnitt) (Chor und Orchester des Maggio Musicale Fiorentino: feat. conductor: Oliviero de Fabritiis, singers: Simionato, Benelli, Bruscantini, Montarsolo) released: 1994
- Mosè (Coro e Orchestra del Teatro di San Carlos di Napoli, feat. conductor: Tullio Serafin, singers: Rossi-Lameni, Lazzari, Taddei, Filippeschi) released: 1994
- Stabat Mater (The Ambrosian Singers, I Solisti Veneti, feat. conductor: Claudio Scimione, singers: Gasdia, Zimmermann, Merritt, Carcia) released: 1994
- Rossini Overtures (Atlanta Symphony Orchestra. Conductor: Yoel Levi) released: 1994
- Il viaggio a Reims (Rundfunkchor Berlin, Berliner Philharmoniker, feat. conductor Claudio Abbado, singers: McNair, Terrani, Serra, Studer, Gimenez) released: 1993
- Semiramide (Coro Filarmonico di Praga, Orchestra del Teatro Communale di Bologna, feat. conductor: Alberto Zedda, singers: Tamar, Scalchi, Pertusi, Kunde, Valenti) released: 1993
- Il Signor Bruschino (English Chamber Orchestra feat. conductor: Ion Marin) released: 1993
- La donna del lago released: 1992
- Il Turco in Italia released: 1992
- Operaconcert released: 1992
- Duets for Cello and Double Bass released: 1992
- Le Salon de Rossini released: 1992
- Rossini - 8 Overtures released: 1992
- Otello (Ambrosian Opera Chorus & Philharmonia Orchestra, feat. conductor Jesús López Cobos, singers: Carreras, von Stade, Patine, Fisichella) released: 1992
- Le Comte Ory (Glyndebourne Festival Orchestra and Chorus feat. conductor: Vittorio Gui) released: 1992
- Overtures released: 1992
- Rossinissimo! released: 1991
- Overtures (The London Classical Players feat. conductor: Roger Norrington) released: 1991
- Arias released: 1990
- Zelmira released: 1990
- Petite Messe Solennelle released: 1990
- Overtures released: 1990
- Il barbiere di Siviglia released: 1989
- La scala di seta (Orchestra del Teatro Communale di Bologna, feat. conductor: Gabriele Ferro, singers: Serra, Bartoli, Matteuzzi, Coviello, de Carolis, di Credico) released: 1988
- 5 Overtures (Bamberg Symphony feat. conductor: Jonel Perlea) released: 1988
- Overtures (Academy of St. Martin-in-the-Fields feat. conductor: Sir Neville Marriner) released: 1988
- Guglielmo Tell released: 1988
- Il Turco in Italia (Orchestra del Teatro alla Scala, feat. conductor: Gianandrea Gavazzeni) released: 1987
- Emma Johnson / English Chamber Orchestra / Sir Charles Groves released: 1986
- Il Barbiere di Siviglia released: 1986
- Sechs Quartette für Flöte, Klarinette, Horn und Fagott (Consortium Classicum) released: 1986
- Rossini Famous Overtures released: 1985
- Il viaggio a Reims (The Chamber Orchestra of Europe feat. conductor: Claudio Abbado) released: 1985
- Rossini: Stabat Mater - Riccardo Muti released: 1982
- Weber: Clarinet Concerto No. 1 / Weber: Concertino / Rossini: Theme and Variations released: 1969
- Der Barbier von Sevilla (Il Barbiere di Siviglia) released: 1959
- L'italiana in Algeri (Wiener philarmoniker feat. conductor: Claudio Abbado) released:
- String Sonatas released:
- Le barbier de Séville released:
- Opera Favourite Highlights: Bizet / Gounod / Rossini released:
- Ouvertüren released:
- Petite Messe Solennelle released:
- Messa di Gloria released:
- Offenbach: Gaîté Parisienne / Rossini-Respighi: La boutique fantasque released:
Il Convegno
Released 2013- Konzertstück Nr. 1 f-moll op. 113 für Klarinette, Bassetthorn und Orchester: I. Allegro molto
- Konzertstück Nr. 1 f-moll op. 113 für Klarinette, Bassetthorn und Orchester: II. Andante
- Konzertstück Nr. 1 f-moll op. 113 für Klarinette, Bassetthorn und Orchester: III. Allegro molto
- "Ein Sommernachtstraum": 7. Nocturne
- Konzertstück Nr. 2 d-moll op. 114 für Klarinette, Bassetthorn und Orchester: I. Presto
- Konzertstück Nr. 2 d-moll op. 114 für Klarinette, Bassetthorn und Orchester: II. Andante
- Konzertstück Nr. 2 d-moll op. 114 für Klarinette, Bassetthorn und Orchester: III. Allegro grazioso
- "Titus": Ouverture
- Quintettsatz A-Dur, KV Anhang 90
- Konzertstück Nr. 2 für 2 Klarinetten und Orchester
- "Die diebische Elster": Ouvertüre
- Divertimento für 2 Klarinetten und Orchester "Il Convegno": 1. Allegro
- Divertimento für 2 Klarinetten und Orchester "Il Convegno": 2. Andante
- Divertimento für 2 Klarinetten und Orchester "Il Convegno": 3. Allegro
BBC Music, Volume 21, Number 1: Bartók: Concerto for Orchestra / Stravinsky: Petrushka / Rossini: Willam Tell Overture
Released 2012- Concerto for Orchestra: I. Introduzione
- Concerto for Orchestra: II. Presentando le coppie
- Concerto for Orchestra: III. Elegia
- Concerto for Orchestra: IV. Internmezzo interotto
- Concerto for Orchestra: V. Finale
- Petrushka: The Shrovetide Fair
- Petrushka: Petrushka's Room
- Petrushka: The Moor's Room
- Petrushka: The Shrovetide Fair (Toward evening)
- William Tell: Overture
Duo Trio Quartet
Released 2012- Piano trio in B-flat major, HOB XV:20: Allegro
- Piano trio in B-flat major, HOB XV:20: Andante cantabile
- Piano trio in B-flat major, HOB XV:20: Finale. Allegro
- Duo for cello and double bass: Allegro
- Duo for cello and double bass: Andante molto
- Duo for cello and double bass: Allegro
- String quartet, No. 14 in, D minor D 810: Death and the maiden: Allegro
- String quartet, No. 14 in, D minor D 810: Death and the maiden: Andante con moto
- String quartet, No. 14 in, D minor D 810: Death and the maiden: Scherzo. Allegro molto
- String quartet, No. 14 in, D minor D 810: Death and the maiden: Presto
Petite Messe Solennelle (Ambrosian Singers, Claudio Scimone) / Preghiara, Mosè in Egitto Atto III (Philharmonia Orchestra, feat. conductor: Claudio Scimone)
Released 2011Guillaume Tell (conductor: Antonio Pappano; orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia)
Released 2011- Overture
- Quel jour serein le ciel pressage!
- Accours dans ma nacelle
- Ranz des vaches
- On etend des montagnes / Salut, honneur, homage
- Pasteurs, que vos accents s'unissent
- Pres des torrents qui grodent
- Contre les feux du jour
- Il me parle d'hymen!
- Ou vas-tu?
- Di Danger quand sonnera l'heure
- O Ciel! Tu sais si Mathilde m'est chere!
- Sur nos tetes le soleil brille
- Quel tableau
- Hymenee, ta journee fortunee
- Divertissement - Pas de six
- Glorie, honneur au fils de Tell... Enfants de la nature
- Pale et tremblant / Arnold a disparu
- Dieu de bonte, Dieu tout-puissant
- Restez! Il est plus d'un coupable
- Comme lui nous aurions du faire
Karen Geoghegan plays Mozart, Rossini, Kreutzer, Crusell
Released 2010- Bassoon Concerto, KV 191: I. Allegro
- Bassoon Concerto, KV 191: II. Andante ma adagio
- Bassoon Concerto, KV 191: III. Rondo. Tempo di Menuetto
- Bassoon Concerto: I. (Allegro)
- Bassoon Concerto: II. Largo -
- Bassoon Concerto: III. (Rondo)
- Fantasie for Bassoon and Orchestra: Introduction Theme, Variations I and II
- Fantasie for Bassoon and Orchestra: Variation III
- Fantasie for Bassoon and Orchestra: Polacca
- Bassoon Concertino: I. Allegro brillante - Poco adagio -
- Bassoon Concertino: II. Allegro moderato [Theme and Variations] -
- Bassoon Concertino: III. Polacca
Il Barbiere di Siviglia
Released 2010- Il barbiere di Siviglia: Overture
- Il barbiere de Siviglia: Atto I, Scena I. No. 1 Introduzione "Piano, pianissimo" (Fiorello, Coro, Conte)
- Il barbiere de Siviglia: Atto I, Scena I. Cavatina "Ecco ridente in cielo" (Conte)
- Il barbiere de Siviglia: Atto I, Scena I. Recitativo "Gente indiscreta!" (Conte, Fiorello, Figaro)
- Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina "Largo al factotum" (Figaro)
- Il barbiere de Siviglia: Atto I, Scena III. Recitativo "Ah, ah! che bella vita!" (Figaro, Conte, Bartolo)
- Il barbiere de Siviglia: Atto I, Scena V. No. 4 Duetto "All'idea die quel metallo" (Figaro, Conte)
- Il barbiere de Siviglia: Atto I, Scena V. No. 5 "Una voce poco fa" (Rosina)
- Il barbiere de Siviglia: Atto I, Scene V-VII. Rectitativo "Sì, sì, la vincerò" (Rosina, Figaro, Bartolo, Basilio)
- Il barbiere de Siviglia: Atto I, Scena VIII. No. 6 "La calunnia è un venticello" (Basilio)
- Il barbiere de Siviglia: Atto I, Scena IX. Recitativo "Ah che ne dite?" (Basilio, Bartolo, Figaro, Rosina)
- Il barbiere de Siviglia: Atto I, Scena IX. No. 7 Duetto "Dunque io son" (Rosina, Figaro)
- Il barbiere de Siviglia: Atto I, Scena X. Recitativo "Ora mi sento meglio" (Rosina, Bartolo)
- Il barbiere de Siviglia: Atto I, Scena XI. No. 8 Aria "A un dottor della mia sorte" (Bartolo)
Stabat Mater (Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia feat. conductor: Antonio Pappano)
Released 2010- Introduzione: Stabat Mater dolorosa
- Aria: Cujus animam gementem
- Duetto: Quis est homo
- Aria: Pro peccatis suae gentis
- Coro e Recitativo: Eja, Mater, fons amoris
- Quartetto: Sancta mater, istud agas
- Cavatina: Fac, ut portem Christi mortem
- Aria e Coro: Inflammatus et accensus
- Quartetto: Quando corpus morietur
- Finale: Amen. In sempiterna saecula
L'Italiana in Algeri (I Solisti Veneti feat. conductor Claudio Scimone, choir: Praque Philharmonic Choir)
Released 2010- L'Italiana in Algeri: Act I, Sinfonia
- L'Italiana in Algeri: Act I, Scene I. "Serenate il mesto ciglio" / "Delle donne l´arroganza"
- L'Italiana in Algeri: Act I, SceneI. Recitativo "Ritiratevi tutti"
- L'Italiana in Algeri: Act I, Scene II. Recitativo "Il mio schiavo"
- L'Italiana in Algeri: Act I, Scene III. "Languir per una bella"
- L'Italiana in Algeri: Act I, Scene III. Recitativo "Senti, italiano, vo' darti moglie"
- L'Italiana in Algeri: Act I, Scene III. Duetto "Se inclinassi a prender moglie"
- L'Italiana in Algeri: Act I, Scene IV. Coro e Cavatina "Quanta roba! quanti schiavi!"
- L'Italiana in Algeri: Act I, Scene IV. Recitativo "Giá ci siam. Tanto fa. Convien portarla con gran disinvoltura"
- L'Italiana in Algeri: Act I, Scene V. Recitativo "Ah! Isabella ... siam giunti a mal partito"
- L'Italiana in Algeri: Act I, Scene V. Duetto "Ai capricci della sorte io so far l'indifferente"
- L'Italiana in Algeri: Act I, Scene VII. Recitativo "Ascoltami, italiano"
- L'Italiana in Algeri: Act I, Scene VIII. Recitativo "Dunque degg'io lasciarvi?"
- L'Italiana in Algeri: Act I, Scene VIII. Aria "Giá d'insolito ardore nel petto agitare, avvampare mi sento"
- L'Italiana in Algeri: Act I, Scene X. "Viva, viva il flagel delle donne"
- L'Italiana in Algeri: Act I, Scene XI. "Oh! che muso, che figura! ...."
- L'Italiana in Algeri: Act I, Scene XII. "Vo' star con mia nipote"
- L'Italiana in Algeri: Act I, Scene XIII. "Pria di dividerci da voi, Signore, veniamo a esprimervi il nostro core ..." / Dite "chi è quella femmina? ... Nella testa ho un campanello"
Colbran, the Muse
Released 2009- Armida, 2. Akt - D'Amor al dolce impero
- La donna del lago, 1. Akt, 1. Szene - Oh mattutinit albori!
- La donna del lago, 2. Akt, Scena ultima - Tanti affetti in talmomento
- La donna del lago, 1. Akt, 3. Szene - Fra il padre, e fra l'amante
- Maometto II, 1. Akt, 3. Szene - Giusto ciel, in tal periglio
- Elisabetta, reginad'Inghilterra, 1. Akt, 2. Szene - Quant'è frato all'alma mia
- Semiramide, 1. Akt, 9. Szene - Serena i vaghi rai
- Semiramide, 1. Akt, 9. Szene - Bel raggio lusinghier
- Otello, 3. Akt - Ah! Dagli afanni oppressa
- Otello, 3. Akt - Nessun maggior dolore
- Otello, 3. Akt - Oh come infino al core
- Otello, 3. Akt - Assisa appiè d'un salice
- Otello, 3. Akt - Deh calma, o ciel, nel sonno
- Armida, 3. Akt, 9. Szene - Se al mie crudel tormento
- Armida, 3. Akt, 10. Szene - Dove son io!
- Armida, 3. Akt, 10. Szene - È ver... gode quest'anima
Ermione
Released 2009- Ermione: Act I. Sinfonia (Chorus)
- Ermione: Act I, Scene I. Chor D'Intro "Troja! qual fosti un di!" (Fenicio, Andromaca, Cefisa, Attalo)
- Ermione: Act I, Scene I. Cavatina "Mia delizia! un solo istante" (Andromaca, Cefisa, Fenicio, Attalo, Chorus)
- Ermione: Act I, Scene I. Scena "All' ombra del tuo sposo" (Attalo, Fenicio, Andromaca, Cefisa)
- Ermione: Act I, Scene II. Allegro Vivace "Dall'Oriente l'astro del giorno" (Chorus)
- Ermione: Act I, Scene II. Recitativo "A tante cure, o amiche" (Ermione, Pirro)
- Ermione: Act I, Scene II. Duetto "Non proseguir" (Ermione, Pirro)
- Ermione: Act I, Scene II. Allegro Vivace "Sul lido di Agamennone" (Chorus)
- Ermione: Act I, Scene II. Scena "Venga il Greco Orator" (Pirro, Ermione)
- Ermione: Act I, Scene III. Recit "Reggia abborrita!" (Oreste, Pilade)
- Ermione: Act I, Scene III. Cavatina "Che sorda al mesto pianto"
- Ermione: Act I, Scene III. Cavatina "Ah! come nascondere" (Oreste, Pilade)
- Ermione: Act I, Scene III. Cavatina "Che fai di te" (Pilade, Oreste)
- Ermione: Act I, Scene IV. Marcia marziale
- Ermione: Act I, Scene IV. Recit "Mi guarda, e impallidisce!" (Ermione, Pilade, Oreste, Andromaca, Pirro, Fenicio)
- Ermione: Act I, Scene IV. Aria "Balena in man del figlio" (Pirro, Ermione, Andromaca, Pilade, Oreste, Fenicio, Chorus)
- Ermione: Act I, Scene IV. Andante "Deh serena i mesti rai" (Pirro, Ermione)
- Ermione: Act I, Scene IV. Allegro "Non pavento : quest'alma" (Pirro, Chorus, Ermione, Andromaca, Oreste, Pilade, Attalo, Fenicio)
- Ermione: Act I, Scene IV. Scena "Periglioso e il restar" (Pilado, Andromaca, Fenicio)
- Ermione: Act I, Scene V. Recit "E Pirro ancor" (Cleone, Ermione, Oreste)
- Ermione: Act I, Scene V. Duetto "Amarti?" (Ermione, Oreste)
Harmoniemusik for Wind Quintet: La Cenerentola / Tancredi (Ma'alot Quintet)
Released 2009- Tancredi (arranged for wind quintet): Sinfonia
- Tancredi (arranged for wind quintet): Introduzione e Cavatina (Amenaide)
- Tancredi (arranged for wind quintet): Cavatina "Di tanti palpiti" (Tancredi)
- Tancredi (arranged for wind quintet): Finale primo
- Tancredi (arranged for wind quintet): Scena (Amenaide)
- Tancredi (arranged for wind quintet): Coro "Plaudite o popoli"
- Tancredi (arranged for wind quintet): Duetto "Lasciami"
- Tancredi (arranged for wind quintet): Aria "Torni alfin ridente" (Roggiero)
- Tancredi (arranged for wind quintet): Finale secondo
- La Cenerentola (arranged for wind quintet): Sinfonia
- La Cenerentola (arranged for wind quintet): Canzone "Miei rampolli femminini" e Duetto "Un soave non so che"
- La Cenerentola (arranged for wind quintet): Quintetto "Signore, una parola"
- La Cenerentola (arranged for wind quintet): Aria "Sì, ritrovarla io giuro" (Don Ramiro)
- La Cenerentola (arranged for wind quintet): Canzone "Miei rampolli femminini" e Temporale
- La Cenerentola (arranged for wind quintet): Finale
Grandes compositores da música clássica, Volume 20: Rossini
Released 2009- O barbeiro de Sevilha: Sinfonia (abertura)
- O barbeiro de Sevilha: Ato I. Cavatina "Ecco, ridente in cielo"
- O barbeiro de Sevilha: Ato I No. 2. Cavatina "Largo al factotum della città"
- O barbeiro de Sevilha: Ato I No. 5. Cavatina "Una voce poco fa"
- O barbeiro de Sevilha: Ato I No. 6. Aria "La calunnia è un venticello"
- O barbeiro de Sevilha: Ato I No. 7. Duetto "Dunque io son..."
- O barbeiro de Sevilha: Ato I No. 8. Aria "A un dottor della mia sorte"
- O barbeiro de Sevilha: Ato I. Stretta del finale I "Ma, signor..."
- O barbeiro de Sevilha: Ato II No. 10. Duetto "Pace e gioia sia con voi"
- O barbeiro de Sevilha: Ato II No. 11. Aria "Contro un cor che accende amore"
- O barbeiro de Sevilha: Ato II No. 16. Terzetto "Ah! Qual colpo inaspettato!"
- O barbeiro de Sevilha: Ato II No. 18. Finaletto Il "Di si felice innesto serbiam memoria eterna?"
Mosè in Egitto
Released 2008- Mosè in Egitto: Atto I, No. 1 Introduzione "Ah! Chi ne aiuta! Oh ciel!"
- Mosè in Egitto: Atto I, No. 2 Recitativo "Mano ultrice d'un Dio"
- Mosè in Egitto: Atto I, No. 3 Invocazione "Eterno! immenso!"
- Mosè in Egitto: Atto I, No. 4 Quintetto "Celeste man placata!"
- Mosè in Egitto: Atto I, No. 4 Quintetto "Egizi!" - "Faraone!"
- Mosè in Egitto: Atto I, No. 4 Quintetto "Voci di giubilo"
- Mosè in Egitto: Atto I, No. 5 Recitativo "E avete, avverse stelle"
- Mosè in Egitto: Atto I, No. 6 Duetto "Ah! se puoi così lasciarmi"
- Mosè in Egitto: Atto I, No. 6 Duetto Non è ver che stringa il cielo"
- Mosè in Egitto: Atto I, No. 6 Duetto "Ah! quel suon già d'Israele"
- Mosè in Egitto: Atto I, No. 7 Recitativo "Ah! dov'è Faraone?"
- Mosè in Egitto: Atto I, No. 8 Aria "Cade dal ciglio il velo"
- Mosè in Egitto: Atto I, No. 8bis Recitativo "Ove m'ascondo?"
- Mosè in Egitto: Atto I, No. 9 Finale I "All'etra, al ciel"
- Mosè in Egitto: Atto I, No. 10 Duetto "Tutto mi ride intorno"
- Mosè in Egitto: Atto I, No. 11 Finale (continuazione) "Che narri?" / "Il ver"
- Mosè in Egitto: Atto I, No. 11 Finale (continuazione) "All'idea di tanto eccesso"
- Mosè in Egitto: Atto I, No. 11 Finale (continuazione) "Padre..." / "Signor..."
- Mosè in Egitto: Atto II, No. 12 Recitativo "Ecco in tua mano, Aronne"
- Mosè in Egitto: Atto II, No. 13 Duetto "Parlar, spiegar non posso"
- Mosè in Egitto: Atto II, No. 13 Duetto "Non merta più consiglio..."
Stabat Mater
Released 2007- Stabat Mater: I. Introduzione "Stabat Mater dolorosa"
- Stabat Mater: II. Aria "Cujus animam gementem"
- Stabat Mater: III. Duetto "Quis est homo, qui non fleret"
- Stabat Mater: IV. Aria "Pro peccatis suae gentis"
- Stabat Mater: V. Coro e Recitativo "Eja Mater, fons amoris"
- Stabat Mater: VI. Quartetto "Sancta Mater, istud agas"
- Stabat Mater: VII. Cavatina "Fac, ut portem Christi mortem"
- Stabat Mater: VIII. Aria e Coro "Inflammatus et accensus"
- Stabat Mater: IX. Quartetto "Quando corpus morietur"
- Stabat Mater: X. Finale "In sempiterna saecula. Amen"
L'Italiana in Algeri
Released 2007- L'Italiana in Algeri: Overture
- L'Italiana in Algeri: Act I. "Serenate il mesto ciglio"
- L'Italiana in Algeri: Act I. "Ritiratevi tutti"
- L'Italiana in Algeri: Act I. "Languir per una bella"
- L'Italiana in Algeri: Act I. "Ah, quando fia ch'io possa in Italia tomar?"
- L'Italiana in Algeri: Act I. "Se inclinassi a prender moglie"
- L'Italiana in Algeri: Act I. "Quanto roba! amor tiranno!"
- L'Italiana in Algeri: Act I. "'Cruda sorte! Amor tiranno!'"
- L'Italiana in Algeri: Act I. "Già ci siam. Tanto fa."
- L'Italiana in Algeri: Act I. "Ai capricci della sorte"
- L'Italiana in Algeri: Act I. "Dunque degg'io lasciarvi?"
- L'Italiana in Algeri: Act I. "Già d'insolito andore"
- L'Italiana in Algeri: Act I. "Viva, viva, il flagel delle donne"
- L'Italiana in Algeri: Act I. "Oh, che muso, che figura!"
- L'Italiana in Algeri: Act I. "Vo' star con mia nipote"
- L'Italiana in Algeri: Act I. "Dite: chi è quella femmina?"
Rossini: Ouvertures / Bizet: Carmen Preludes & Ballet Music
Released 2006- La Scala di seta: Overture
- Semiramide: Overture
- Il Signor Bruschino: Sinfonia
- L'italiana in Alegri: Overture
- Tancredi: Overture
- La gazza ladra: Overture
- Il barbiere di Siviglia: Overture (Sinfonia)
- Il viaggio a Reims: Overture
- Carmen: Prélude I
- Carmen: Entr'acte I
- Carmen: Entr'acte II
- Carmen: Entr'acte III
- Carmen: Farandole
- Carmen: Pastorale
- Carmen: Danse bohemienne
- Carmen: Marche
La Cenerentola
Released 2005- La Cenerentola: Overture
- La Cenerentola: Act I, Scene 1. Introduction "No, no, no: non v'e" (Clorinda, Tisbe, Cenerentola, Alidoro, Chorus)
- La Cenerentola: Act I, Scene 1. Recitative "Date lor mezzo scudo" (Clorinda, Cenerentola, Alidoro, Tisbe)
- La Cenerentola: Act I, Scene 1. Cavatina "Miei rampolli femmini" (Magnifico)
- La Cenerentola: Act I, Scene 1. Recitative "Sappiate che fra poco" (Clorinda, Tisbe, Magnifico)
- La Cenerentola: Act I, Scene 1. Scena and Duet "Tutto e deserto" (Ramiro, Cenerentola)
- La Cenerentola: Act I, Scene 1. Recitative "Non so che dir" (Ramiro, Magnifico)
- La Cenerentola: Act I, Scene 1. Chorus "Scegli la sposa" / Cavatina "Come un’ape ne’giorni d’aprile" (Chorus, Dandini, Clorinda, Tisbe, Magnifico, Ramiro)
- La Cenerentola: Act I, Scene 1. Recitative "Allegrissimamante" (Dandini, Clorinda, Magnifico, Ramiro, Tisbe)
- La Cenerentola: Act I, Scene 1. Recitative and Quintet "Signor, una parola" (Cenerentola, Ramiro, Dandini, Magnifico, Alidoro)
- La Cenerentola: Act I, Scene 1. Recitative "Si, tutto cangera" (Alidoro, Cenerentola)
- La Cenerentola: Act I, Scene 1. Aria "La del ciel nel’arcano profondo" (Alidoro)
- La Cenerentola: Act I, Scene 2. Recitative "Ma bravo! Ma bravo!" (Dandini, Magnifico, Ramiro, Clorinda, Tisbe)
- La Cenerentola: Act I, Scene 3. Chorus "Conciossiacosacche" (Chorus, Magnifico)
- La Cenerentola: Act I, Scene 3. Duet and Finale "Zitto, zitto, piano, piano" (Ramiro, Dandini, Clorinda, Tisbe)
Guillaume Tell (Chor und Orchester der Wiener Staatsoper feat. conductor: Fabio Luisi)
Released 2005- Ouverture
- Acte I : Quel jour serein le ciel
- Acte I : Accours dans ma nacelle
- Acte I : On entend des montagnes
- Acte I : Pasteurs que vos accens
- Acte I : Près des torrens qui grondent
- Acte I : Contre les feus du jour
- Acte I : Gesler est là
- Acte I : Sur nos têtes le soleil brille
- Acte I : Encor Gesler !
- Acte I : Pas de six
- Acte I : Gloire, honneur au fils de Tell
- Acte I : Pâle et tremblant, se soutenant à peine
- Acte I : Dieu de bonté
- Acte I : Comme lui nous aurions du faire
The String Sonatas
Released 2005- String Sonata No. 1 in G major: I. Moderato
- String Sonata No. 1 in G major: II. Andante
- String Sonata No. 1 in G major: III. Allegro
- String Sonata No. 2 in A major: I. Allegro
- String Sonata No. 2 in A major: II. Andante
- String Sonata No. 2 in A major: III. Allegro
- String Sonata No. 3 in C major: I. Allegro
- String Sonata No. 3 in C major: II. Andante
- String Sonata No. 3 in C major: III. Moderato
- String Sonata No. 4 in B-flat major: I. Allegro vivace
- String Sonata No. 4 in B-flat major: II. Andante
- String Sonata No. 4 in B-flat major: III. Allegretto
- String Sonata No. 5 in E-flat major: I. Allegro vivace
- String Sonata No. 5 in E-flat major: II. Andante
- String Sonata No. 5 in E-flat major: III. Allegretto
- String Sonata No. 6 in D major: I. Allegro spiritoso
- String Sonata No. 6 in D major: II. Andante assai
- String Sonata No. 6 in D major: III. Allegro Tempesta
Le Comte Ory (Orchestra del Teatro Comunale di Bologna feat. conductor: Jesús López-Cobos)
Released 2004- Le Comte Ory : Act I. Prélude
- Le Comte Ory : Act I. Introduction - Jouvenelles, venez vite
- Le Comte Ory : Act I. Que les destins prospères
- Le Comte Ory : Act I. Moi, je réclame
- Le Comte Ory : Act I. De grâce, encore un mot
- Le Comte Ory : Act I. Je ne puis plus longtemps
- Le Comte Ory : Act I. Veiller sans cesse
- Le Comte Ory : Act I. Vous, notre appui
- Le Comte Ory : Act I. Cette aventure fort singulière
- Le Comte Ory : Act I. Cet ermite, ma belle enfant
- Le Comte Ory : Act I. Une dame de haut parage
- Le Comte Ory : Act I. Isolier dans ces lieux
- Le Comte Ory : Act I. En proie à la tristesse
- Le Comte Ory : Act I. Vous avez entendu sa touchante prière
- Le Comte Ory : Act I. O bon ermite
- Le Comte Ory : Act I. C'est bien
- Le Comte Ory : Act I. Ciel! - O terreur, ô peine extrême
- Le Comte Ory : Act I. Cet écrit, noble châtelaine
- Le Comte Ory : Act I. Venez amis, retirons-nous
Zelmira (Scottish Chamber Orchestra feat. conductor: Maurizio Benini)
Released 2004- Zelmira: Act I. “Oh sciagura!” (Coro)
- Zelmira: Act I. “Ciel! che avvene?” (Leucippo)
- Zelmira: Act I. Cavatina “Che vidi! amici! oh eccesso!” (Antenore)
- Zelmira: Act I. Scena “In te il sua vindice” (Leucippo, Coro)
- Zelmira: Act I. Cabaletta “Sorte secondami!” (Antenore)
- Zelmira: Act I. Recitative “Della tenda real” (Antenore, Leucippo)
- Zelmira: Act I. Scena “Non fuggirmi…” (Zelmira, Emma)
- Zelmira: Act I. Cavatina “Ah! già trascorse il dì…” (Polidoro)
- Zelmira: Act I. Recitative “Ma m’illude il desio?” (Polidoro, Emma, Zelmira)
- Zelmira: Act I. Terzetto “Soave conforto” (Polidoro, Zelmira, Emma)
- Zelmira: Act I. Stretta “Se trova in te scampo” (Polidoro, Zelmira, Emma)
- Zelmira: Act I. Recitative “Cessa il clamor” (Zelmira, Emma, Polidoro)
- Zelmira: Act I. Coro “S’intessano agli allori”
- Zelmira: Act I. Cavatina “Terra amica” (Ilo, Coro)
- Zelmira: Act I. Cabaletta “Cara! deh attendimi!” (Ilo)
- Zelmira: Act I. Recitative “Godi, o Signor” (Eacide, Ilo, Zelmira)
- Zelmira: Act I. Duetto “A che quei tronchi accenti?” (Ilo, Zelmira)
- Zelmira: Act I. Andante “Ah se caro a te son io” (Ilo, Zelmira)
- Zelmira: Act I. Allegro “Dimmi al tuo padre” (Ilo, Zelmira, Emma, Coro)
- Zelmira: Act I. Stretta “Che mai pensar? che dir?” (Ilo, Zelmira, Emma, Coro)
Dukas: The Sorcerer's Apprentice / Saint-Saëns: Danse macabre / Rossini/Respighi: La Boutique fantasque
Released 2003- The Sorcerer's Apprentice
- Danse macabre, op. 40
- La Boutique fantasque: I. Overture
- La Boutique fantasque: II. Tarantella
- La Boutique fantasque: III. Mazurka
- La Boutique fantasque: IV. Danse cosaque (Cossack Dance)
- La Boutique fantasque: V. Can-Can
- La Boutique fantasque: VI. Valse lente
- La Boutique fantasque: VII. Nocturne
- La Boutique fantasque: VIII. Galop
Bianca e Falliero (Coro Filarmonico di Praga, The London Sinfonietta Opera Orchestra, feat. conductor Donato Renzetti, singers: Ricciarelli, Horne, Merrit, Surjan, Orciani)
Released 2003- Bianca e Falliero: Atto II, Scena VII. "Ah, qual notte"
- Bianca e Falliero: Atto II, Scena VIII. "Qual funebre apparato"
- Bianca e Falliero: Atto II, Scena VIII. "Vieni, Signore"
- Bianca e Falliero: Atto II, Scena X. "Il tuo nome ..."
- Bianca e Falliero: Atto II, Scena XI. "Donna, chi sei?"
- Bianca e Falliero: Atto II, Scena XI. "Parla dunque"
- Bianca e Falliero: Atto II, Scena XIII. "Vieni"
- Bianca e Falliero: Atto II, Scena Ultima. "Bianca"
- Bianca e Falliero: Atto II, Scena Ultima. "Teco io resto"
Petite Messe solennelle
Released 2003- Petite Messe solennelle: I. Kyrie
- Petite Messe solennelle: II. Gloria: Gloria in excelsis Deo
- Petite Messe solennelle: II. Gloria: Gratis agimus tibi
- Petite Messe solennelle: II. Gloria: Domine Deus
- Petite Messe solennelle: II. Gloria: Qui tollis peccata mundi
- Petite Messe solennelle: II. Gloria: Quoniam tu solus Sanctus
- Petite Messe solennelle: II. Gloria: Cum Sancto Spiritu
- Petite Messe solennelle: III. Credo: Credo in unum Deum
- Petite Messe solennelle: III. Credo: Crucifixus
- Petite Messe solennelle: III. Credo: Et resurrexit
- Petite Messe solennelle: IV. Prélude religieux
- Petite Messe solennelle: V. Sanctus
- Petite Messe solennelle: VI. O salutaris hostia
- Petite Messe solennelle: VII. Agnus Dei
Essential Rossini
Released 2002- Overture "William Tell"
- Passo a sei - William Tell
- Resta immobile - William Tell
- Overture "Semiramide"
- Bel raggio lusinghier (Semiramide)
- Overture "The Barber of Seville"
- Ecco ridente in cielo - The Barber of Seville
- Largo al factotum della citta - The Barber of Seville
- Una voce poco fa (The Barber of Seville)
- La calunnia e un venticello - The Barber of Seville
- Overture 'La Scala di seta'
- La Danza - Les Soirees Musicales
Il Barbiere di Siviglia
Released 2002- Il Barbiere di Siviglia: Sinfonia
- Il Barbiere di Siviglia: Atto I - 'Piano, pianissimo'
- Il Barbiere di Siviglia: Atto I - 'Ecco ridente in cielo... Ehi, Fiorello?'
- Il Barbiere di Siviglia: Atto I - 'Gente indiscreta!'
- Il Barbiere di Siviglia: Atto I - 'Largo al factotum'
- Il Barbiere di Siviglia: Atto I - 'Ah Ah! Che bella vita!' - 'Se il mio nome saper voi bramate'
- Il Barbiere di Siviglia: Atto I - 'All'idea di quel metallo'
- Il Barbiere di Siviglia: Atto I - 'Una voce poco fa'
- Il Barbiere di Siviglia: Atto I - 'Si, Si, la vincero... Ah... Qua Don Basilio!'
- Il Barbiere di Siviglia: Atto I - 'La calunnia e un venticello'
- Il Barbiere di Siviglia: Atto I - 'Ah che ne dite?... Ma bravi! Ma benone!'
- Il Barbiere di Siviglia: Atto I - 'Dunque io son... Tu non m'inganni?'
- Il Barbiere di Siviglia: Atto I - 'Ora mi sento meglio'
- Il Barbiere di Siviglia: Atto I - 'A un dottor della mia sorte'
Sonate a quattro (Ensemble Explorations feat. director: Roel Dieltiens)
Released 2002- Sonate No. 1 en Sol majeur: I. Moderato
- Sonate No. 1 en Sol majeur: II. Andante
- Sonate No. 1 en Sol majeur: III. Allegro
- Sonate No. 4 en Si bémol majeur: I. Allegro vivace
- Sonate No. 4 en Si bémol majeur: II. Andante
- Sonate No. 4 en Si bémol majeur: III. Allegretto
- Sonate No. 2 en La majeur: I. Allegro
- Sonate No. 2 en La majeur: II. Andante
- Sonate No. 2 en La majeur: III. Allegro
- Sonate No. 5 en Mi bémol majeur: I. Allegro vivace
- Sonate No. 5 en Mi bémol majeur: II. Andante
- Sonate No. 5 en Mi bémol majeur: III. Allegretto
Rossini: String Sonatas nos. 1, 2 and 3 / Donizetti: Allegro for Strings in C major
Released 1999- String Sonata no. 1 in G major: I. Moderato
- String Sonata no. 1 in G major: II. Andantino
- String Sonata no. 1 in G major: III. Allegro
- String Sonata no. 2 in A major: I. Allegro
- String Sonata no. 2 in A major: II. Andante
- String Sonata no. 2 in A major: III. Allegro
- String Sonata no. 3 in C major: I. Allegro
- String Sonata no. 3 in C major: II. Andante
- String Sonata no. 3 in C major: III. Moderato
- Allegro for Strings in C major
Il barbiere di Seviglia (Orchestra e coro Rossini di Napoli, feat. conductor: Silivio Varvisio, singers: Benelli, Corena, Berganza)
Released 1999- Il barbiere di Siviglia: Sinfonia
- Il barbiere di Siviglia: Atto I. "Piano, pianissimo"
- Il barbiere di Siviglia: Atto I. "Ecco, ridente in cielo"
- Il barbiere di Siviglia: Atto I. "Gente indiscreta"
- Il barbiere di Siviglia: Atto I. "Largo al factotum"
- Il barbiere di Siviglia: Atto I. "E'desso, o pur m'inganno?"
- Il barbiere di Siviglia: Atto I. "All'idea di quel metallo"
- Il barbiere di Siviglia: Atto I. "Una voce poco fa"
- Il barbiere di Siviglia: Atto I. "Qua, Don Basilio; giungete a tempo!"
- Il barbiere di Siviglia: Atto I. "La callunnia è un venticello"
- Il barbiere di Siviglia: Atto I. "Ah! che ne dite?"
- Il barbiere di Siviglia: Atto I. "Dunque io son - Tu non m' inganni?"
- Il barbiere di Siviglia: Atto I. "Ora mi sento meglio"
- Il barbiere di Siviglia: Atto I. "A un dottor della mia sorte"
Otello
Released 1999- Act I: Sinfonia
- Act I: Viva Otello!
- Act I: Vincemmo, o pordi
- Act I: Ah sì, per voi già sento
- Act I: Amor, dirada il nembo
- Act I: Rodrigo!
- Act I: No, non temer
- Act I: Inutile è quel pianto
- Act I: Vorrei, che il tuo pensiero
- Act I: Ma che miro?
- Act I: Santo Imen!
- Act I: Dove son? Che mai veggio?
- Act I: Nel cor d'un padre
- Act I: Ti parli l'amore
- Act I: L'infida, ahimè! che miro!
- Act I: Incerta l'anima
- Act I: Parti, crudel
Stabat Mater (Maggio Musicale Fiorentino Orchestra and Chorus feat. conductor: Riccardo Muti, sopranos: Catherine Malfitano, Agnes Baltsa, tenor: Robert Gambill, bass: Gwynne Howell)
Released 1999The Best of Rossini
Released 1998- La Gazza Ladra (The Thieving Magpie): Overture
- The Barber of Seville: Overture
- The Barber of Seville: Rosina's Aria
- The Barber of Seville: Figaro's Cavatin
- La Scala di Seta (The Silken Ladder): Overture
- La Cenerentola (Cinderella): Overture
- L'Italiana in Algeri (The Italian Girl in Algiers): Overture
- La Cambiale di Matrimonio: Overture
- Guillaume Tell (William Tell): Overture
Il barbiere di Siviglia (Coro e Orchestra del Teatro alla Scala, feat. conductor: Norberto Mola, singers: Callas, Canali, Alva, Gobbi, Luise, Rossi-Lemeni)
Released 1998- Il barbiere di Siviglia: Atto I, Sinfonia
- Il barbiere di Siviglia: Atto I, "Piano, pianissimo, senza parlar,..." (Fiorello, Coro, Conte)
- Il barbiere di Siviglia: Atto I, "Ecco, ridente in cielo..." (Conte, Fiorello)
- Il barbiere di Siviglia: Atto I, "Largo al factotum..." (Figaro, Conte, Rosina, Bartolo)
- Il barbiere di Siviglia: Atto I, "Se il mio nome saper voi bramate..." (Conte, Rosina, Figaro)
- Il barbiere di Siviglia: Atto I, "Un voce poco fa..." (Rosina, Figaro, Bartolo, Basilio)
- Il barbiere di Siviglia: Atto I, "La calunnia e un venticello,..." (Basilio, Bartolo, Figaro, Rosina)
- Il barbiere di Siviglia: Atto I, "Donque io son..." (Rosina, Figaro, Bartolo)
- Il barbiere di Siviglia: Atto I, "A un dottor della mia sorte" (Bartolo, Rosina)
Il Turco in Italia
Released 1998- Il Turco in Italia, Overture (Sinfonia)
- Il Turco in Italia, Act I. "Nostra patria è il mondo intero"
- Il Turco in Italia, Act I. "Ho da far un dramma buffo"
- Il Turco in Italia, Act I. "Ah! se di questi zingari l'arrivo"
- Il Turco in Italia, Act I. "Vado in traccia d'una Zingara"
- Il Turco in Italia, Act I. "Chi vuol far si astrologar"
- Il Turco in Italia, Act I. "Ah! mia moglie"
- Il Turco in Italia, Act I. "Brava! Intesi ogni cosa"
- Il Turco in Italia, Act I. "Non si dà follia maggiore"
- Il Turco in Italia, Act I. "Voga, voga"
- Il Turco in Italia, Act I. "Bella Italia, alfin ti miro"
- Il Turco in Italia, Act I. "Che bel Turco! avviciniamoci"
- Il Turco in Italia, Act I. "Serva..."
- Il Turco in Italia, Act I. "Della Zingara amante"
- Il Turco in Italia, Act I. "Un marito scimunito!"
- Il Turco in Italia, Act I. "Olà: tosto il caffè"
- Il Turco in Italia, Act I. "Siete dei Turchi"
- Il Turco in Italia, Act I. "Io stupisco, mi sorprende"
- Il Turco in Italia, Act I. "Come! Sì grave torto"
- Il Turco in Italia, Act I. "Sono arrivato tardi"
- Il Turco in Italia, Act I. "Per piacere alla signora"
- Il Turco in Italia, Act I. "No mia vita, mio tesoro"
- Il Turco in Italia, Act I. "Ho quasi del mio dramma"
- Il Turco in Italia, Act I. "Gran maraviglie"
- Il Turco in Italia, Act I. "Per la fuga è tutto lesto"
- Il Turco in Italia, Act I. "Perché mai se non tradito"
- Il Turco in Italia, Act I. "Evviva d'amore"
- Il Turco in Italia, Act I. "Chi servir non brama amor"
- Il Turco in Italia, Act I. "Qui mia moglie ha da venire"
- Il Turco in Italia, Act I. "Ah! che il cor non m'ingannava"
- Il Turco in Italia, Act I. "Vada via: si guardi bene"
- Il Turco in Italia, Act I. "Quanto il vento"
Petite Messe Solennelle / Stabat Mater (Coro Polifonico del Teatro alla Scala feat. conductor: Romano Gandolgi, London Symphony Orchestra & Chorus feat. conductor: István Kertész)
Released 1998- Petite Messe solennelle: Kyrie eleison
- Petite Messe solennelle: Gloria in excelsis Deo
- Petite Messe solennelle: Gratias agimus tibi
- Petite Messe solennelle: Domine Deus
- Petite Messe solennelle: Qui tollis peccata mundi
- Petite Messe solennelle: Quoniam tu solus Sanctus
- Petite Messe solennelle: Cum Sancto Spiritu
- Petite Messe solennelle: Credo in unum Deum
- Petite Messe solennelle: Crucifixus etiam pro nobis
- Petite Messe solennelle: Et resurrexit
- Petite Messe solennelle: Preludio religioso
- Petite Messe solennelle: Sanctus
The Best of Rossini
Released 1997- La Gazza ladra: Overture
- String Sonata no. 1 in G major: Moderato
- String Sonata no. 1 in G major: Allegro
- Le Cenerentola: Overture
- Le Cenerentola: "Nacqui all'affanno" (Cinderella)
- String Sonata no. 2 in A major: Allegro
- Il barbiere di Siviglia: Overture
- Il barbiere di Siviglia: "Largo al factotum" (Figaro)
- Il barbiere di Siviglia: "Una voce poco fa" (Rosina)
- Il barbiere di Siviglia: "Ma, signor..." (Bartolo)
- String Sonata no. 3 in C major: Moderato
- Guillaume Tell: Overture
String Sonatas
Released 1997- String Sonata no. 1 in G major: I. Moderato
- String Sonata no. 1 in G major: II. Andantino
- String Sonata no. 1 in G major: III. Allegro
- String Sonata no. 4 in B-flat major: I. Allegro vivace
- String Sonata no. 4 in B-flat major: II. Andantino
- String Sonata no. 4 in B-flat major: III. Allegretto
- String Sonata No 5 in E-flat major: I. Allegro vivace
- String Sonata No 5 in E-flat major: II. Andantino
- String Sonata No 5 in E-flat major: III. Alegretto
- String Sonata No 6 in D major: I. Allegro spiritoso
- String Sonata No 6 in D major: II. Andante assai
- String Sonata No 6 in D major: III. Tempesta. Allegro
- Symphony in C major, P.13: I. Allegro molto
- Symphony in C major, P.13: II. Andante
- Symphony in C major, P.13: III. Menuetto
- Symphony in C major, P.13: IV. Finale. Presto
Opera 4 Hands - Vol. 2
Released 1997- Guillaume Tell - Overture (arr. for two pianos Joseph Rummel)
- Faust - Ballet Music, I. Allegretto (arr. for two pianos André Wormser)
- Faust - Ballet Music, II. Adagio (arr. for two pianos André Wormser)
- Faust - Ballet Music, III. Allegretto (arr. for two pianos André Wormser)
- Faust - Ballet Music, IV. Moderato maestoso (arr. for two pianos André Wormser)
- Faust - Ballet Music, V. Moderato con moto (arr. for two pianos André Wormser)
- Faust - Ballet Music, VI. Allegretto (arr. for two pianos André Wormser)
- Faust - Ballet Music, VII. Allegro vivo (arr. for two pianos André Wormser)
- Salome - Dance of the Seven Veils (arr. for two pianos Otto Taubmann)
- Du und Du Waltz (on themes from Die Fledermaus), op. 367
- Il Trovatore - Morceau de Concert by Claude Molnette, op. 117
- Réminiscences de Don Juan (W. A. Mozart) for two pianos, S. 656
La cenerentola (Rundfunk-Sinfoniorchester Berlin, feat. conductor: Piero Bellugi, singers: Casoni, di Rocco, Rocchino, Davià, Bruscantini)
Released 1997- La cenerentola: Atto I. Recitativo "Figlia? Figlia voi mi chiamate?"
- La cenerentola: Atto I. Duetto e Finale I "Zitto, zitto, piano, piano"
- La cenerentola: Atto I. Finale I "Signor Altezza in tavola"
- La cenerentola: Atto II. Recitativo, Scena e Aria: "Ma non fuggir...E allor se non ti spiaccio...si ritrovar"
- La cenerentola: Atto II. Recitativo: "La notte è ormai vicino"
- La cenerentola: Atto II. Duetto: "Un segreto d'importanza"
- La cenerentola: Atto III. Canzone: "Una volta c'era un re"
- La cenerentola: Atto III. Recitativo: "Quanto sei caro"
- La cenerentola: Atto III. Temporale
- La cenerentola: Atto III. Recitativo: "Scusate amico"
- La cenerentola: Atto III. Sestetto: "Siete voi?"
- La cenerentola: Atto III. Recitativo: "La pillola è un po'dura"
- La cenerentola: Atto III. Coro, Scena e Rondo Finale: "Della fortuna instabile...Sposa - Signore, perdona...Nacqui all'affano"
Greatest Hits
Released 1997- The Barber of Seville - Overture
- The Barber of Seville - Largo al factotum
- The Barber of Seville - Una voce poco fa
- La Gazza Ladra - Overture
- La boutique fantasque - Tarantella
- The Barber of Seville - Dunque io son
- La scala di seta - Overture
- L'italiana in Algieri - Overture
- Semiramide - Overture
- William Tell - Dance for Six
- William Tell Overture
Il barbiere di Siviglia (Chorus and Orchestra of the Romanian Opera Bucharest, feat. conductor: Mihai Bredicianu, singers: Teodorian, Ianculescu, Herlea)
Released 1996- Il barbiere di Siviglia: Sinfonia
- Il barbiere di Siviglia: Atto I. Introduzione "Piano, pianissimo"
- Il barbiere di Siviglia: Atto I. Cavatina "Ecco, ridente in cielo" / Recitativo "Eh, Fiorello?" / "Mio signore" / Coro "Mille grazie..."
- Il barbiere di Siviglia: Atto I. Recitativo "Gente indiscreta"
- Il barbiere di Siviglia: Atto I. Cavatina "Largo al factotum"
- Il barbiere di Siviglia: Atto I. Recitativo "Ah, ah! Che bella vita" / Canzone "Se il mio nome saper..." / Recitativo "Oh cielo!"
- Il barbiere di Siviglia: Atto I. Duetto "All'idea di quel metallo"
- Il barbiere di Siviglia: Atto I. Cavatina "Una voce poco va..."
- Il barbiere di Siviglia: Atto I. Recitativo "Si, si, la vicero"
- Il barbiere di Siviglia: Atto I. Aria "La columnia e un venticello"
- Il barbiere di Siviglia: Atto I. Recitativo "Ah, che ne dite?"
- Il barbiere di Siviglia: Atto I. Duetto "Dunque io son... tu non m'inganni"
- Il barbiere di Siviglia: Atto I. Recitativo "Ora mi sento meglio"
- Il barbiere di Siviglia: Atto I. Aria "A un dotter della mia sarte"
Gioacchino Rossini: Overture to "The Barber of Seville" / Hector Berlioz: Symphonie fantastique
Released 1996Stabat Mater (Wiener Philharmoniker feat. conductor: Myung-Whun Chung)
Released 1996- Stabat Mater: 1. Introduzione. "Stabat mater dolorosa" (Coro, Soli)
- Stabat Mater: 2. Aria. "Cujus animam gementem" (Tenore)
- Stabat Mater: 3. Duetto. "Quis est homo" (Soprano I/II)
- Stabat Mater: 4. Aria. "Pro peccatis suae gentis" (Basso)
- Stabat Mater: 5. Coro e Recitativo. "Eja, mater, fons amoris" (Coro a cappella, Basso)
- Stabat Mater: 6. Quartetto. "Sancta mater, istud agas" (Soli)
- Stabat Mater: 7. Cavatina. "Fac, ut portem Christi mortem" (Soprano II)
- Stabat Mater: 8. Aria e Coro. "Inflammatus et accensus" (Soprano I, Coro)
- Stabat Mater: 9. Quartetto. "Quando corpus morietur" (Coro a cappella, Soli)
- Stabat Mater: 10. Finale. "Amen. In sempiterna saecula" (Coro, Soli)
Tancredi (Collegium Instrumentale Brugense feat. Alberto Zedda)
Released 1995- Tancredi: Overture
- Tancredi: Act I, Scene I. "Pace, onore, fede, amore" (Coro)
- Tancredi: Act I, Scene II. "Ed ecco, o prodi Cavalier" (Argirio)
- Tancredi: Act I, Scene III. "Più dolci e placide spirano l'aure" (Coro)
- Tancredi: Act I, Scene III. "È già deciso, o figlia" (Argirio)
- Tancredi: Act I, Scene IV. "O patria! dolce, e ingrata patria!" (Tancredi)
- Tancredi: Act I, Scene IV. "D'Amenaide ecco il soggiorno" (Tancredi)
- Tancredi: Act I, Scene VII. "La morte!" (Amenaide)
- Tancredi: Act I, Scene VII. "Pensa, pensa che sei mia figlia" (Argirio)
- Tancredi: Act I, Scene VIII. "Che feci! incauta!" (Amenaide)
- Tancredi: Act I, Scene VIII. "Oh qual scegliestii terribil ora!" (Amenaide)
- Tancredi: Act I, Scene VIII. "L'aura che intorno spiri" (Amenaide)
- Tancredi: Act I, Scene X. "Alla gloria, al trionfo, agli allori" (Guerrieri)
- Tancredi: Act I, Scene XI. "Amici, Cavalieri, al Tempio!" (Argirio)
- Tancredi: Act I, Scene XII. "Da chi? perché..." (Tancredi)
- Tancredi: Act I, Scene XII. "Ciel! che feci! fier cimento!" (Amenaide)
- Tancredi: Act 2, Scene I. "Vedesti?" (Orbazzano)
- Tancredi: Act 2, Scene II. "Oh, Dio! Crudel! qual nome" (Argirio)
- Tancredi: Act 2, Scene II. "Ah! segnar invano io tento" (Argirio)
Le temps des castrats
Released 1994- Xerxès, récit et air de Xerxès : "Frondi tenere... Ombra mai fu"
- Jules César, air de Ptolémée : "Upstart, barbarian and traitor"
- Le Choix d'Hercule, air d'Hercule : "Lead Goddess, lead the way"
- Saül, air de David : "O Lord, whose mercies numberless"
- Admeto, air d'Admeto : "Amor, qual nova fiamma... La tigre arde di sdegno"
- Le Messie : "He Was Despised"
- The Fairy Queen : "Hark How All Things"
- Ode à la reine Mary "Love goddess sure" : duo "Sweetness of nature"
- Messe en si mineur, BWV 232 : "Agnus Dei"
- Oratorio de Noël, BWV 248 : "Schließe, mein Herze, dies selige Wunder"
- Cleofide, air d'Alessandro : "Se trova perdono"
- Cleofide, air de Poro : "Dov'e? Si affretti"
- Solfeggio pour Farinelli
- Cantate pour alto, "Soffri mio caro Alcino"
- Orfeo ed Euridice, air d'Orfeo : "Che farò senza Euridice"
- Mitridate, Re di Ponto, air de Farnace : "Va, va, l'error mio palesa"
- Petite messe solennelle : "Crucifixus"
La cenerentola (Querschnitt) (Chor und Orchester des Maggio Musicale Fiorentino: feat. conductor: Oliviero de Fabritiis, singers: Simionato, Benelli, Bruscantini, Montarsolo)
Released 1994- La cenerentola: Atto I. "Una volta c'era un re"
- La cenerentola: Atto I. "Un soave non so che"
- La cenerentola: Atto I. "Come un' ape ne'giorni d'aprile"
- La cenerentola: Atto I. "Signore, una parola... Nel volto estatico"
- La cenerentola: Atto I. "Zitto, zitto: piano piano"
- La cenerentola: Atto II. "Signor ... Altezza, è in tavola"
- La cenerentola: Atto II. "Sia qualunque delle figlie"
- La cenerentola: Atto II. "Si, ritrovarla io giuro"... / "Pegno adorato e caro"
- La cenerentola: Atto II. "Un segreto d'importanza"
- La cenerentola: Atto II. "Nacqui all' affanno..." / "Non più mesta"
Mosè (Coro e Orchestra del Teatro di San Carlos di Napoli, feat. conductor: Tullio Serafin, singers: Rossi-Lameni, Lazzari, Taddei, Filippeschi)
Released 1994- Mosè: Atto I, Scena I. Preludio
- Mosè: Atto I, Scena I. "Ah! Dell'empio al potere feroce"
- Mosè: Atto I, Scena II. "Impaziente pel ritorno io sono"
- Mosè: Atto I, Scena III. "Dio possente in pace e in guerra"
- Mosè: Atto I, Scena III. "La dolce aurora"
- Mosè: Atto I, Scena III. "Cadran, cadran quet'oggi i ceppi nostri"
- Mosè: Atto I, Scena IV. "Ah! Se puoi così lasciarmi"
- Mosè: Atto I, Scena IV. "Per comando del Re tutti gli Ebrei"
- Mosè: Atto I, Scena V. "All'etra, al ciel"
- Mosè: Atto I, Scena V. "Tutto sorride intorno"
- Mosè: Atto I, Scena VI. "Che narri?"
- Mosè: Atto I, Scena VII. "Tu all'idea di tanto eccesso"
- Mosè: Atto I, Scena VII. "Padre"
- Mosè: Atto II, Scena I. "Ah! chi ne aita?"
- Mosè: Atto II, Scena II. "La tua voce mi chiama, ebben... che vuoi?"
- Mosè: Atto II, Scena II. "Celeste man placata!"
- Mosè: Atto II, Scena II. "Egizi!"
Stabat Mater (The Ambrosian Singers, I Solisti Veneti, feat. conductor: Claudio Scimione, singers: Gasdia, Zimmermann, Merritt, Carcia)
Released 1994- Stabat Mater: I. Introduzione "Stabat Mater dolorosa"
- Stabat Mater: II. Aria "Cujus animam gementem"
- Stabat Mater: III. Duetto "Quis est homo, qui non fleret"
- Stabat Mater: IV. Aria "Pro peccatis suae gentis"
- Stabat Mater: V. Coro e Recitativo "Eja Mater, fons amoris"
- Stabat Mater: VI. Quartetto "Sancta Mater, istud agas"
- Stabat Mater: VII. Cavatina "Fac, ut portem Christi mortem"
- Stabat Mater: VIII. Aria e Coro "Inflammatus et accensus"
- Stabat Mater: IX. Quartetto "Quando corpus morietur"
- Stabat Mater: X. Finale "In sempiterna saecula. Amen"
Il viaggio a Reims (Rundfunkchor Berlin, Berliner Philharmoniker, feat. conductor Claudio Abbado, singers: McNair, Terrani, Serra, Studer, Gimenez)
Released 1993- No.4 Scena e Aria di Lord Sidney - 'Milord, una parola'
- No.5 Recitativo e Duetto di Corina e del Cavaliere - 'Sola ritrovo alfin la bella Dèa'
- No.5 Recitativo e Duetto di Corina e del Cavaliere - 'Nel suodivin sembiante'
- No.5 Recitativo e Duetto di Corina e del Cavaliere - 'Dunque non v'è speranza?'
- No.5 Recitativo e Duetto di Corina e del Cavaliere - 'Bravo il signor Ganimede!'
- No.6 Aria di Don Profondo - 'Io! Don Profondo'
- No.6 Aria di Don Profondo - 'Vedeste il Cavaliere?'
- No.7 Gran Pezzo Concertato a 14 Voci - 'Ah! A tal colpo inaspettato'
- No.7 Gran Pezzo Concertato a 14 Voci - 'Signor, Signori, eccouna lettera'
- 'No.7 Gran Pezzo Concertato a 14 Voci - Fra dolci e cari palpiti'
- No.7 Gran Pezzo Concertato a 14 Voci - 'Savio della Contessail consiglio mi pare'
- No.8 Scena e Duetto del Conte e della Marchesa - 'Di che sonreo?'
- No.8 Scena e Duetto del Conte e della Marchesa - 'D'alma celeste, o Dio!'
- No.8 Scena e Duetto del Conte e della Marchesa - 'Al barbarorigore'
- No.8 Scena e Duetto del Conte e della Marchesa - 'Madama quimi manda'
- No.9 Finale - Ritornello (Balletto)
- No.9 Finale - 'L'allegria è un sommo bene'
- No.9 Finale - 'Or, secondo l'uso'
- No.9 Finale - Inno tedesco 'or che regna fra le genti'
- No.9 Finale - Polacca 'Ai prodi guerrieri'
- No.9 Finale - Inno Russo 'Onore, gloria ed alto omaggio'
- No.9 Finale - Canzone Spagnola 'Omaggio all'Augusto Duce'
- No.9 Finale - Inno Inglese 'Dell'aurea pianta'
- No.9 Finale - Canzone Francese 'Madre del nuovo Enrico'
- No.9 Finale - Tirolese 'Più vivace e Più fecondo'
- No.9 Finale - 'Corinna, or spetta a voi'
- No.9 Finale - Improvviso di Corinna 'All'ombra amena'
- No.9 Finale - 'Viva il diletto'
Semiramide (Coro Filarmonico di Praga, Orchestra del Teatro Communale di Bologna, feat. conductor: Alberto Zedda, singers: Tamar, Scalchi, Pertusi, Kunde, Valenti)
Released 1993- Semiramide: Sinfonia
- Semiramide: Atto I, Scena I. "Sì... gran Nume... t'intesi"
- Semiramide: Atto I, Scena II. "Belo si celebri"
- Semiramide: Atto I, Scena II. "Là dal Gange a te primiero"
- Semiramide: Atto I, Scena II. "Di plausi qual clamore"
- Semiramide: Atto I, Scena III. "Ah! già il sacro foco è spento"
- Semiramide: Atto I, Scena III. "Oh tu de' Magi venerabil capo"
- Semiramide: Atto I, Scena V. "Eccomi alfine in Babilonia"
- Semiramide: Atto I, Scena V. "Ah! quel giorno ognor rammento"
- Semiramide: Atto I, Scena V. "Ministri, al gran Pontefice annunziate"
- Semiramide: Atto I, Scena VII. "Bella imago degli Dei"
- Semiramide: Atto I, Scena VII. "Io tremar? di te?"
- Semiramide: Atto I, Scena VIII. "Oh me felice!"
- Semiramide: Atto I, Scena VIII. "Ah dov'è, dov'è il cimento?"
- Semiramide: Atto I, Scena VIII. "Se non avesse e meritasse Arsace"
Il Signor Bruschino (English Chamber Orchestra feat. conductor: Ion Marin)
Released 1993- Il Signor Bruschino: Sinfonia
- Il Signor Bruschino: No. 1 Intro Aria "Deh tu m'assisti amore" - Duettino "Marianna! Voi signore!"
- Il Signor Bruschino: Recitativo "A voi lieto ritorno, cara Sofia"
- Il Signor Bruschino: No. 2 Duetto "Io danari vi daro!"
- Il Signor Bruschino: Recitativo "A noi. Su trasformiamoci"
- Il Signor Bruschino: No. 3 Cavatina "Nel teatro del gran mondo"
- Il Signor Bruschino: Recitativo "Ho trovato a Sofia un buon partito"
- Il Signor Bruschino: No. 4 Terzetto "Per un figlio gia pentito"
- Il Signor Bruschino: Recitativo "Impaziente son io"
- Il Signor Bruschino: No. 5 Recitativo ed Aria "Ah! voi condur volete" - "Ah! donate il caro sposo"
- Il Signor Bruschino: Recitativo "Qui convien finirla"
- Il Signor Bruschino: No. 6 Aria "Ho la testa o e andata via?"
- Il Signor Bruschino: Recitativo "Va tutto ben"
- Il Signor Bruschino: No. 7 Duetto "E un bel nodo che due cori"
- Il Signor Bruschino: Recitativo "Ah che scoperta!"
- Il Signor Bruschino: No. 8 Finale "Ebben, ragion, dovere" - "E tornato Filiberto"
La donna del lago
Released 1992- La donna del lago, Act I. N. 1 Sinfonia e Introduzione "Del dì la mesaggiera" (Coro)
- La donna del lago, Act I. N. 1 Sinfonia e Introduzione "Oh mattutini albori!" (Elena)
- La donna del lago, Act I. N. 1 Sinfonia e Introduzione "Qual suon!" (Elena, Uberto)
- La donna del lago, Act I. N. 1 Sinfonia e Introduzione "Uberto! ah! dove t'ascondi?" (Coro)
- La donna del lago, Act I. Recitativo "Sei già nel tetto mio" (Elena, Uberto)
- La donna del lago, Act I. N. 2 Coro e duetto "D'Inibaca donzella" (Coro, Uberto, Elena)
- La donna del lago, Act I. N. 2 Coro e duetto "Sei già sposa?" (Uberto, Elena)
- La donna del lago, Act I. N. 2 Coro e duetto "(Quali acccenti!)" (Uberto, Elena)
- La donna del lago, Act I. N. 2 Coro e duetto "(Ma non sorpreso)" (Uberto, Elena, Coro)
- La donna del lago, Act I. Scena "Muri felici" (Malcolm)
- La donna del lago, Act I. N. 3 Cavatina "Elena! oh tu, che chiamo!" (Malcolm)
- La donna del lago, Act I. N. 3 Cavatina "Oh quante lacrime" (Malcolm)
- La donna del lago, Act I. Recitativo "Figlia, è così" (Douglas, Malcolm, Elena)
- La donna del lago, Act I. N. 4 Aria "Taci, lo voglio" (Douglas)
- La donna del lago, Act I. Recitativo "E nel fatal conflitto" (Elena, Malcolm)
- La donna del lago, Act I. N. 5 Duettino "Vivere io non potrò" (Elena, Malcolm)
- La donna del lago, Act I. N. 6 Coro e Cavatina "Qual rapido torrente" (Coro)
- La donna del lago, Act I. N. 6 Coro e Cavatina "Eccomi a voi, miei prodi" (Rodrigo, Coro)
- La donna del lago, Act I. N. 6 Coro e Cavatina "Ma dov'è colei" (Rodrigo, Coro)
- La donna del lago, Act I. N. 6 Coro e Cavatina "Se a' miei voti amor sorride" (Rodrigo, Coro)
Il Turco in Italia
Released 1992- Il Turco in Italia. Sinfonia
- Il Turco in Italia, Act I. N. 1 Introduzione "Nostra patria è il mondo intero" (Coro, Zaida, Albazar, Poeta)
- Il Turco in Italia, Act I. Recitativo "Ah! se di questi zingari l'arrivo" (Poeta)
- Il Turco in Italia, Act I. N. 2 Cavatina "Vado in traccia d'una zingara" (Geronio, Zaida, Coro)
- Il Turco in Italia, Act I. Recitativo "Brava! intesi ogni cosa" (Poeta, Zaida, Albazar)
- Il Turco in Italia, Act I. N. 3 Cavatina "Non si dà follia maggiore" (Fiorilla)
- Il Turco in Italia, Act I. N. 3 Coro "Voga, voga, a terra, a terra" (Coro, Fiorilla)
- Il Turco in Italia, Act I. N. 3 Cavatina e Duettino "Bella Italia, alfin ti miro" (Selim, Fiorilla) / "Che bel turco! avviciniamoci" (Fiorilla, Selim)
- Il Turco in Italia, Act I. Recitativo "Della zingara amante" (Poeta, Narciso)
- Il Turco in Italia, Act I. Recitativo "Amici... soccorretemi" (Geronio, Narciso, Poeta)
- Il Turco in Italia, Act I. N. 4 Terzetto "Un marito scimunito!" (Poeta, Geronio, Narciso)
- Il Turco in Italia, Act I. Recitativo "Olà: presto il caffè" (Fiorilla, Selim)
- Il Turco in Italia, Act I. Nr. 5 Quartetto "Siete turchi: non vi credo" (Fiorilla, Selim, Geronio, Narciso)
- Il Turco in Italia, Act I. Recitativo "(Sono arrivato tardi)" (Poeta, Geronio)
- Il Turco in Italia, Act I. Recitativo "Il Poeta ha ragione" (Geronio, Fiorilla)
- Il Turco in Italia, Act I. N. 6 Duetto "Per piacere alla signora" (Geronio, Fiorilla)
- Il Turco in Italia, Act I. Recitativo "Ho quasi del mio dramma" (Poeta)
- Il Turco in Italia, Act I. Finale I "Gran meraviglie" (Coro, Zaida)
- Il Turco in Italia, Act I. Finale I "Per la fuga è tutto lesto" (Selim, Poeta, Zaida)
- Il Turco in Italia, Act I. Finale I Romanza: "Perché mai se son tradito" (Narciso)
- Il Turco in Italia, Act I. Finale I "Evviva d'amore" (Coro, Fiorilla, Selim, Geronio, Narciso, Poeta, Zaida)
Operaconcert
Released 1992- Semiramide: ouverture
- Semiramide: aria con coro van Idreno - 'La speranza più soave'
- La Pietra del Paragone: grande aria e cabaletta van Clarice - 'Se per voi le care io torno'
- Zelmira: aria van Emma - 'Ciel pietoso, ciel clemente'
- L'Italiana in Algeri: aria van Lindoro - 'Languir per una bella'
- Il Barbiere di Siviglia: aria van Rosina - 'Una voce poco fa'
- Otello: grande aria van Rodrigo - 'Che ascolto'
- La Gazza Ladra: ouverture
Duets for Cello and Double Bass
Released 1992- Concerto no. 13 for two Cellos: I. Prélude
- Concerto no. 13 for two Cellos: II. Air
- Concerto no. 13 for two Cellos: III. Sarabande
- Concerto no. 13 for two Cellos: IV. Chaconne
- Concerto no. 13 for two Cellos: V. Le je-ne-scay quoy
- Sonate à deux for two cellos: I. Andante
- Sonate à deux for two cellos: II. Adagio
- Sonate à deux for two cellos: III. Presto
- Three Fugues for Cello and Double Bass: No. 1 in E major
- Three Fugues for Cello and Double Bass: No. 2 in E flat major
- Three Fugues for Cello and Double Bass: No. 3 in C major
- Duetto for Cello and Double Bass: I. Allegro
- Duetto for Cello and Double Bass: II. Andante molto
- Duetto for Cello and Double Bass: III. Allegro
- Sonata for Cello and Double Bass: I. Thema
- Sonata for Cello and Double Bass: II. Più svelto
- Sonata for Cello and Double Bass: III. Allegro
- Sonata for Cello and Double Bass: IV. Tranquillo
- Sonata for Cello and Double Bass: V. Sarabande
- Sonata for Cello and Double Bass: VI. Presto
- Sonata for Cello and Double Bass: VII. Adagio
- Sonata for Cello and Double Bass: VIII. Vivace
- Sonata for Cello and Double Bass: IX. Thema
- Duo di Basso for Cello and Double Bass: I. Preludium
- Duo di Basso for Cello and Double Bass: II. Scherzo
- Duo di Basso for Cello and Double Bass: III. Postludium
Otello (Ambrosian Opera Chorus & Philharmonia Orchestra, feat. conductor Jesús López Cobos, singers: Carreras, von Stade, Patine, Fisichella)
Released 1992- Otello: Introduzione
- Otello: Atto I, Scena I. "Viva Otello"
- Otello: Atto I, Scena I. Marcia
- Otello: Atto I, Scena II. "Vincemmo, o prodi"
- Otello: Atto I, Scena II. "Ah! sì, per voi già sento"
- Otello: Atto I, Scena III. "Roderigo!"
- Otello: Atto I, Scena III. "No, non temer"
- Otello: Atto I, Scena IV. "Inutile è quel pianto"
- Otello: Atto I, Scena IV. "Vorrei, che il tuo pensiero"
- Otello: Atto I, Scena V. "Ma che miro?"
- Otello: Atto I, Scena V. "Santo Imen!"
- Otello: Atto I, Scena V. "Dove son? Che mai veggio?"
- Otello: Atto I, Scena V. "Nel cor d'un padre amante"
- Otello: Atto I, Scena V. "Ti parli d'amore"
- Otello: Atto I, Scena V. "L'infida, ahimè che miro?"
- Otello: Atto I, Scena V. "Incerta l'anima"
- Otello: Atto II, Scena VI. "Lasciami"
- Otello: Atto II, Scena VI. "Che ascolto?"
Le Comte Ory (Glyndebourne Festival Orchestra and Chorus feat. conductor: Vittorio Gui)
Released 1992- Ouverture
- Le Comte Ory: Premier Acte. Jouvencelels, venez vite
- Le Comte Ory: Premier Acte. Quand Madame la Comtesse
- Le Comte Ory: Premier Acte. Que le destins prospères
- Le Comte Ory: Premier Acte. Je viens à vous
- Le Comte Ory: Premier Acte. Moi, je reclame pour que sa femme
- Le Comte Ory: Premier Acte. Je puis longtemps voyager de la sorte
- Le Comte Ory: Premier Acte. Vous, Notre appui et notre ami
- Le Comte Ory: Premier Acte. Cette aventure fort singuliére
- Le Comte Ory: Premier Acte. Je vais revoir la beauté
- Le Comte Ory: Premier Acte. Une dame de haute parage
- Le Comte Ory: Premier Acte. Isolier dans ces lieux
- Le Comte Ory: Premier Acte. En proie à la tristesse
- Le Comte Ory: Premier Acte. Vous avez antendu
- Le Comte Ory: Premier Acte. O bon ermite
- Le Comte Ory: Premier Acte. C'est bien, je suis content
- Le Comte Ory: Premier Acte. Ciel!... O terreur
- Le Comte Ory: Premier Acte. Cet écrit, noble chatelaine
- Le Comte Ory: Premier Acte. Venez, amis, retirons-nous
Rossinissimo!
Released 1991- The Barber of Seville: Ouverture
- The Barber of Seville: Largo al factotum
- The Barber of Seville: Una voce poco fa
- The Barber of Seville: La calunnia e un venticello
- William Tell: Overture
- Cinderella: Siete voi / Questo e un nodo avviluppato
- Cinderella: Della fortuna instabile
- Cinderella: Sposa… / Signor, perdona / Nacqui all'affanno, al pianto
- The Italian Girl in Algiers: Ouverture
- The Italian Girl in Algiers: Se inclinassi a prender moglie
- The Italian Girl in Algiers: Quanta Roba! Quanti schivai! / Cruda sorte! Amor tiranno!
- The Thieving Magpie: Ouverture
Overtures (The London Classical Players feat. conductor: Roger Norrington)
Released 1991- La scala di seta: Allegro vivace - Andantino - Allegro
- Il signor Bruschino: Allegro
- L'Italiana in Algieri: Andante - Allegro
- Il barbiere di Siviglia: Andante maestoso - Allegro con brio -Più mosso
- La gazza ladra: Maestoso marziale - [Allegro] -Più mosso
- Semiramide: Allegro vivace - Andantino - Allegro
- Guillaume Tell: Andante - Allegro - Andantino -Allegro vivace
Arias
Released 1990- L'italiana in Algeri: Act I. Coro e cavatina "Cruda sorte! Amor tiranno!" (Isabella)
- La donna del lago: Act I. Scena e cavatina "Mura felici" (Malcolm)
- Il signor Bruschino: Scene 9. Recitativo ed aria "Ah, donate il caro sposo" (Sofia)
- Adelaide di Borgogna: Act II. Coro di soldati "Salve Italia un di regnante"
- Adelaide di Borgogna: Act I. Recitativo e cavatina "Soffri la tua sventura" (Ottone)
- Otello: Act III. Cavatina "Assisa appie d'un salice" (Desdemona): Scene 1
- Otello: Act III. Cavatina "Assisa appie d'un salice" (Desdemona): Scene 2
- Il barbiere di Siviglia: Act I. Cavatina "Una voce poco fa" (Rosina)
- Bianca e Falliero: Act II. Cavatina "Tu non sai qual colpo atroce" (Falliero)
- La Cenerentola: Act II. Coro, scena e rondò, finale "Nacqui all' affanno" (Cenerentola)
Zelmira
Released 1990- Act 1. Scene 1. Introduzione. Oh sciagura!
- Act 1. Scene 1. Aria. Che vidi amici!
- Act 1. Scene 1. Della tenda real
- Act 1. Scene 2. Non fuggirmi...
- Act 1. Scene 3. Cavatina. Ah! gia trascorse il dì
- Act 1. Scene 4. Ma m'illude il desio¿
- Act 1. Scene 5. S'intessano agli allori
- Act 1. Scene 5. Terra amica
- Act 1. Scene 5. Godi, o Signor
- Act 1. Scene 6. O cielo! Egli è fra suoi
- Act 1. Scene 6. Dimmi... al tuo padre
- Act 1. Scene 7. T'intendo, istabil Diva
- Act 1. Scene 7. Mentre qual fiera ingorda
- Act 1. Scene 7. Di luce sfavillante
- Act 1. Scene 8. Emma fedel
- Act 1. Scene 8. Duettino. Perche mi guardi
- Act 1. Scene 9. Finale. Si sparga di fiori
Petite Messe Solennelle
Released 1990- Petite Messe Solennelle: I. Kyrie
- Petite Messe Solennelle: II. Gloria
- Petite Messe Solennelle: III. Gratias agimus tibi
- Petite Messe Solennelle: IV. Domine Deus
- Petite Messe Solennelle: V. Qui tollis peccata mundi
- Petite Messe Solennelle: VI. Quoniam tu solus sanctus
- Petite Messe Solennelle: VII. Cum Sancto Spiritu
- Petite Messe Solennelle: VIII. Credo
- Petite Messe Solennelle: IX. Crucifixus
- Petite Messe Solennelle: X. Et resurrexit
- Petite Messe Solennelle: XI. Preludio religioso
- Petite Messe Solennelle: XII. Sanctus
- Petite Messe Solennelle: XIII. O salutaris hostia
- Petite Messe Solennelle: XIV. Agnus Dei
Il barbiere di Siviglia
Released 1989- Overture (Sinfonia)
- No.1 Introduzione: "Piano, pianissimo"
- Cavatina: "Ecco, ridente in cielo"
- Recitativo: "Gente indiscreta"
- No.2 Cavatina: "Largo al factotum"
- Recitativo: "Ah, ah! che bella vita" - No.3 Canzone: "Se il mio nome saper voi bramate" - Recitativo: "Oh cielo!" - "Nella stanza"
- No.4 Duetto: "All'idea di quel metallo"
- No.5 Cavatina: "Una voce poco fa" - "Io sono docile"
La scala di seta (Orchestra del Teatro Communale di Bologna, feat. conductor: Gabriele Ferro, singers: Serra, Bartoli, Matteuzzi, Coviello, de Carolis, di Credico)
Released 1988- La scala di seta: Sinfonia
- La scala di seta: Scena I, Introduzione "Va sciocco"
- La scala di seta: Scena II, "Siamo sicure, uscite"
- La scala di seta: Scena III, "Egli è sceso... respiro"
- La scala di seta: Scena IV, "Signor padron"
- La scala di seta: Scena IV, Duetto "Io so ch'hai buon core"
- La scala di seta: Scena V, Recitativo "Oh senza cerimonie"
- La scala di seta: Scena VI, Recitativo "Distorglielo tentiam"
- La scala di seta: Scena VI, Recitativo "Tu vuoi?"
- La scala di seta: Scena VI, Aria "Vedrò qual sommo incanto"
- La scala di seta: Scena VII, Recitativo "Io non so conquistare"
- La scala di seta: Scena VII, Quartetto "Si che unito"
Guglielmo Tell
Released 1988- Ouverture - Atto primo
- Introduzione - E il ciel seren
- Romanza e quartettino - Il piccol legno ascendi
- Coro - Oh! quale alta d'intorno / Sestetto - Pastori intorno ergete il canto!
- Stretta - Al fremer del torrente
- Scena - Contro l'ador del giorno
- Scena - Il mio giuro egli disse
- Duetto - Arresta! qual dolor
- Marcia e scena - Sul nostro capo il sole brilla
- Invocazione - Ciel che del mondo
- Scena - Ah! Vien gessler!
- Coro accompagnato da danza - Cinto il crine di bei fiori
- Passo a sei - Orchestra
- Voi lo sapete, o mamma - Gloria e onore al giovinetto
- Scena - Ergo e tremante
- Finale I. Preghiera - Nume pietoso
- Quintetto - Che senso, ohimè!
- Scena e Stretta - Ciò ch'ei fece
Il Turco in Italia (Orchestra del Teatro alla Scala, feat. conductor: Gianandrea Gavazzeni)
Released 1987- Sinfonia
- Il Turco in Italia: Atto I, Scena I. "Nostra patria è il mondo intero"
- Il Turco in Italia: Atto I, Scena I. "Ho da fare un dramma buffo"
- Il Turco in Italia: Atto I, Scena I. "Ah! se di questi Zingari I'arrivo"
- Il Turco in Italia: Atto I, Scena I. "Vado in traccia di una Zingara"
- Il Turco in Italia: Atto I, Scena I. "Chi vuol farsi astrologar?"
- Il Turco in Italia: Atto I, Scena I. "Ah, mia moglie, san chi sono"
- Il Turco in Italia: Atto I, Scena I. "Non si dà follia maggiore"
- Il Turco in Italia: Atto I, Scena I. "Voga, voga, a terra, a terra"
- Il Turco in Italia: Atto I, Scena I. "Bella Italia, alfin ti miro"
- Il Turco in Italia: Atto I, Scena I. "Serva..." "Servo..."
- Il Turco in Italia: Atto I, Scena I. "Amici...soccorretemi"
- Il Turco in Italia: Atto I, Scena I. "Un marito-scimunito!"
- Il Turco in Italia: Atto I, Scena II. "Olà: tosto il caffè. Sedete"
- Il Turco in Italia: Atto I, Scena II. "Siete Turchi, non vi credo"
- Il Turco in Italia: Atto I, Scena II. "Io stupisco, mi sorprende"
- Il Il Turco in Italia: Atto I, Scena II. "Come! sì grave scomo soffrir potete in pace?"
- Il Turco in Italia: Atto I, Scena II. "Un vecchio far non può maggior follia"
- Il Turco in Italia: Atto I, Scena II. "Per Piacere alla signora"
- Il Turco in Italia: Atto I, Scena III. "No, mia vita, mio tesoro"
- Il Turco in Italia: Atto I, Scena III. "Gran meraviglie"
- Il Turco in Italia: Atto I, Scena III. "Per la fuga è tutto lesto"
Emma Johnson / English Chamber Orchestra / Sir Charles Groves
Released 1986- Concerto No 2 for Clarinet and Orchestra: First Movement Allegro
- Concerto No 2 for Clarinet and Orchestra: Second Movement Andante Pastorale
- Concerto No 2 for Clarinet and Orchestra: Third Movement Rondo
- Concertino for Clarinet and Strings Op. 26
- Adagio in D Flat for Clarinet and Strings
- Introduction, Theme and Variations for Clarinet and Orchestra
Il Barbiere di Siviglia
Released 1986- Il Barbiere Di Siviglia: Atto primo: XVIII. Aria: "A un dottor della mia sorte"
- Il Barbiere Di Siviglia: Atto primo: XIX. Recitativo: "Finora in questa camera"
- Il Barbiere Di Siviglia: Atto primo: XX. Finale I: "Ehi, di casa, maladetti!"
- Il Barbiere Di Siviglia: Atto primo: XXI. Finale I: "Che cosa accadde"
- Il Barbiere Di Siviglia: Atto primo: XXII. Finale I: "Zitti, chè bussano"
- Il Barbiere Di Siviglia: Atto primo: XXIII. Finale I: "Fredda ed immobile"
- Il Barbiere Di Siviglia: Atto primo: XXIV. Finale I: "Ma singor...ma un dottor"
- Il Barbiere Di Siviglia: Atto secondo: I. Recitativo: "Ma vedi il mio destino!"
- Il Barbiere Di Siviglia: Atto secondo: II. Duetto: "Pace e gioia sia con voi"
- Il Barbiere Di Siviglia: Atto secondo: III. Recitativo: "Insomma, mi signore, chi è lei?"
- Il Barbiere Di Siviglia: Atto secondo: IV. Aria: "Conto un chor che accende amore"
- Il Barbiere Di Siviglia: Atto secondo: V. Recitativo: "Bella voce! Bravissima!"
- Il Barbiere Di Siviglia: Atto secondo: VI. Arietta: "Quando mi sei vicina"
- Il Barbiere Di Siviglia: Atto secondo: VII. Recitativo: "Bravo, signor barbiere,ma bravo !"
- Il Barbiere Di Siviglia: Atto secondo: VIII. Quintetto: "Don Basilio!..."
- Il Barbiere Di Siviglia: Atto secondo: IX. Quintetto: "Buona sera, mio signore"
- Il Barbiere Di Siviglia: Atto secondo: X. Recitativo: "Che vecchio sospettoso!"
- Il Barbiere Di Siviglia: Atto secondo: XI. Aria: "Il vecchietto cerca moglie"
- Il Barbiere Di Siviglia: Atto secondo: XII. Temporale
- Il Barbiere Di Siviglia: Atto secondo: XIII. Recitativo: "Alfine eccoci qua"
- Il Barbiere Di Siviglia: Atto secondo: XIV. Terzetto: "Ah, qual colpo inaspettato!"
- Il Barbiere Di Siviglia: Atto secondo: XV. Recitativo: "Ah, disgraziati noi!"
- Il Barbiere Di Siviglia: Atto secondo: XVI. Finaletto II: "Di sì felice innesto"
Sechs Quartette für Flöte, Klarinette, Horn und Fagott (Consortium Classicum)
Released 1986- Quartett Nr. 1 in F-Dur: Allegro moderato
- Quartett Nr. 1 in F-Dur: Andante
- Quartett Nr. 1 in F-Dur: Rondo
- Quartett Nr. 2 in G-Dur: Moderato
- Quartett Nr. 2 in G-Dur: Andante
- Quartett Nr. 2 in G-Dur: Allegro
- Quartett Nr. 3 in F-Dur: Allegro
- Quartett Nr. 3 in F-Dur: Andante
- Quartett Nr. 3 in F-Dur: Allegretto
- Quartett Nr. 4 in B-Dur: Allegro vivace
- Quartett Nr. 4 in B-Dur: Andante
- Quartett Nr. 4 in B-Dur: Rondo
- Quartett Nr. 5 in D-Dur: Allegro spiritoso
- Quartett Nr. 5 in D-Dur: Andante assai
- Quartett Nr. 5 in D-Dur: Rondo
- Quartett Nr. 6 in F-Dur: Andante
- Quartett Nr. 6 in F-Dur: Thema und Variationen: Allegretto
Il viaggio a Reims (The Chamber Orchestra of Europe feat. conductor: Claudio Abbado)
Released 1985- Scene 1 - Presto, presto, su coraggio
- Scene 2 - Benché grazie al mio talento
- Scene 3 - Di vaghi raggi adorno
- Scene 4 - Partire io pur vorrei
- Scene 5 - Amabil Contessina
- Scene 6 - Che accade
- Ahimè! sta in gran pericolo
- Partir, oh ciel! desio
- Scene 7 - Che miro! ah! qual sorpressa
- Scene 8 - Eh! senti, mastro Antonio
- Sì, di matti una gran gabbia
- Scene 9 - La mia quota a voi consegno
- Scene 10 - Donna ingrata
- Scene 11 - Naturale è l'impazienza
- Non pavento alcun periglio
- Arpa gentil
- Zitti. Non canta più...Simbol di pace e gloria
- Scene 12 - Gelsomin non ritorna
- Ah! perché la conobbi¿...Invan strappar dal core
- Scene 13-14 - Milord, una parola
Weber: Clarinet Concerto No. 1 / Weber: Concertino / Rossini: Theme and Variations
Released 1969- Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: I. Allegro
- Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: II. Adagio, ma non troppo
- Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: III. Rondo (Allegretto)
- Concertino for Clarinet and Orchestra in E-flat, op. 26: I. Adagio, ma non troppo
- Concertino for Clarinet and Orchestra in E-flat, op. 26: II. Tema con Variazioni (Andante)
- Concertino for Clarinet and Orchestra in E-flat, op. 26: III. Allegro
- Introduction and Variations for Clarinet and Orchestra
Der Barbier von Sevilla (Il Barbiere di Siviglia)
Released 1959- Mir Fällt Ein Stein Vom Herzen
- Einen Doktor meinesgleichen
- He, ihr Leute
- Dieser Wüterich von Soldaten
- Ist mir doch, als wär ich im Kopfe
- Verdammte Scherereien
- Und kurz und gut
- Oh, diese Glut in Blicken
- Seh ich die holde Miene
- Wie, Basilio?
- Pechvogel, der ich bin
- Temporale - Nun endlich sind wir am Ziel
- Ist er's wirklich?
- Oh, um Gottes Willen
- Nur Mut und List und Liebe
L'italiana in Algeri (Wiener philarmoniker feat. conductor: Claudio Abbado)
- L'Italiana in Algeri: Overture
- L'Italiana in Algeri: Act I. No. 1 "Serenate il mesto ciglio"
- L'Italiana in Algeri: Act I. No. 1 "Ritiratevi tutti"
- L'Italiana in Algeri: Act I. No. 2 "Languir per una bella"
- L'Italiana in Algeri: Act I. No. 2 "Ah, quando fia ch'io possa"
- L'Italiana in Algeri: Act I. No. 3 "Se inclinassi a prender moglie"
- L'Italiana in Algeri: Act I. No. 4 "Quanta roba! Quanti schiavi!" / "Cruda sorte! Amor tiranno!"
- L'Italiana in Algeri: Act I. No. 4 "Già ci siam"
- L'Italiana in Algeri: Act I. No. 4 "Ah! Isabella...siam giunti a mal partito"
- L'Italiana in Algeri: Act I. No. 5 "Ai capricci della sorte"
- L'Italiana in Algeri: Act I. No. 5 "Ascoltami, Italiano"
- L'Italiana in Algeri: Act I. No. 5 "Dunque degg'io lasciarvi?"
- L'Italiana in Algeri: Act I. No. 6 "Già d'insolito ardore"
- L'Italiana in Algeri: Act I. No. 6 "Vi dico il ver"
- L'Italiana in Algeri: Act I. No. 7 "Viva, viva il flagel delle donne"
- L'Italiana in Algeri: Act I. No. 7 "Pria di dividerci da voi, Signore" / "Va sossopra il mio cervello"
String Sonatas
- Sonata no. 1 in G major: I. Moderato
- Sonata no. 1 in G major: II. Andante
- Sonata no. 1 in G major: III. Allegro
- Sonata no. 2 in A major: I. Allegro
- Sonata no. 2 in A major: II. Andante
- Sonata no. 2 in A major: III. Allegro
- Sonata no. 3 in C major: I. Allegro
- Sonata no. 3 in C major: II. Andante
- Sonata no. 3 in C major: III. Moderato
- Sonata no. 4 in B-flat major: I. Allegro vivace
- Sonata no. 4 in B-flat major: II. Andante
- Sonata no. 4 in B-flat major: III. Allegretto
Le barbier de Séville
- Sinfonia
- Acte I - "Ecco, Ridente in Cielo","Ehi, Fiorello ?"
- Acte I - Largo Al Factotum
- Acte I - Una Voce Poco Fa
- Acte I - La Catunnia E Un Venticello
- Acte I - a Un Dottor Della Mia Sorte
- Acte II - Pace E Gioia
- Acte II - Contro Un Cor
- Acte II - Musique D'Orage
- Acte II - Ah! Qual Colpo Inaspettato
- Acte II - Di Si Felice Innesto
Opera Favourite Highlights: Bizet / Gounod / Rossini
- Carmen: La voilà ... L'amour est un oiseau rebelle
- Carmen: Près des ramparts de Séville
- Carmen: Toreador's Song (Votre toast)
- The Pearl Fishers: Au fond du temple saint
- Faust: Quel trouble inconnu ... Salut! Demeure chaste et pure
- Faust: Un bouquet ... O Dieu, que de bijoux. Ah! Je ris (Jewel Song)
- Faust: Ainsi que la brise légère (Waltz)
- Faust: Gloire immortel de nos aïeux (Soldiers' Chorus)
- The Barber of Seville: Largo al factotum
- The Barber of Seville: Ecco ridente in cielo
- The Barber of Seville: Dunque io Son
- The Barber of Seville: A un dottor della mia sorte
Offenbach: Gaîté Parisienne / Rossini-Respighi: La boutique fantasque
- Gaîté Parisienne: I. Allegro
- Gaîté Parisienne: II. Allegro brillante
- Gaîté Parisienne: III. Polka
- Gaîté Parisienne: IV. Ländler. Allegro
- Gaîté Parisienne: V. Mazurka
- Gaîté Parisienne: VI. Valse
- Gaîté Parisienne: VII. Allegro
- Gaîté Parisienne: VIII. Polka
- Gaîté Parisienne: IX. Valse
- Gaîté Parisienne: X. Tempo di marcia
- Gaîté Parisienne: XI. Valse
- Gaîté Parisienne: XII. Allegro vivo
- Gaîté Parisienne: XIII. Valse
- Gaîté Parisienne: XIV. Allegro vivace – Misterioso
- Gaîté Parisienne: XV. Valse
- Gaîté Parisienne: XVI. Allegro vivo
- Gaîté Parisienne: XVII. Cancan
- Gaîté Parisienne: XVIII. Quadrille
- Gaîté Parisienne: XIX. Allegro moderato
- Gaîté Parisienne: XX. Allegro
- Gaîté Parisienne: XXI. Vivo
- Gaîté Parisienne: XXII. Vivo
- Gaîté Parisienne: XXIII. Barcarolle
- La Boutique fantasque: I. Overture
- La Boutique fantasque: II. Tarantelle
- La Boutique fantasque: III. Vivo
- La Boutique fantasque: IV. Mazurka
- La Boutique fantasque: V. Danse Cosaque
- La Boutique fantasque: VI. Cancan
- La Boutique fantasque: VII. Valse lente
- La Boutique fantasque: VIII. Nocturne
- La Boutique fantasque: IX. Galop
Born: 1792-02-29
Died: 1868-11-13
-
Gioachino Rossini : The Barber Of Seville - Overture
Discuss/review/recommend the work at https://classicalmusiconly.com/work/gioachino-rossini/the-barber-of-seville-ov7n Title : Gioachino Antonio Rossini , The Barber Of Seville (El Barbero de Sevilla ) - Overture You may heard this overture in bugs bunny Date : 1821
published: 19 Jun 2008 -
The Best of Rossini
Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were...
published: 24 May 2013 -
Gioacchino Rossini - La gazza ladra - Overture
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez. It was first performed on 31 May 1817 at La Scala, Milan.
published: 22 Sep 2011 -
Rossini: William Tell Overture: Final
The exciting ending to Rossini's fantastic overture to William Tell.
published: 12 Jul 2008 -
Gioacchino Rossini - Guglielmo Tell - Overture
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhelm Tell. Based on the legend of William Tell, this opera was Rossini's last, even though the composer lived for nearly forty more years. The William Tell Overture, with its famous finale, is a major part of the concert and recording repertoire. While it was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829.
published: 22 Sep 2011 -
Gioacchino Rossini - Il barbiere di Siviglia - Overture
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville (1775), which was originally an opéra comique, or a mixture of spoken play with music. The première (under the title Almaviva, or the Useless Precaution) took place on 20 February 1816, at the Teatro Argentina, Rome. It was one of the earliest Italian operas to be performed in America and premiered at the Park Theater in New York City on 29 November 1825.
published: 22 Sep 2011 -
Gioacchino Rossini - El Barbero de Sevilla
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro, Italia, el 29 de febrero de 1792 y fallecido en París, Francia, el 13 de noviembre de 1868). Compositor italiano, conocido especialmente por sus óperas cómicas (en un famoso encuentro con Beethoven, éste le indicó que siguiese componiendo muchos "Barberos de Sevilla"), pero con numerosas aportaciones también en el mundo de la ópera seria (la bellísima obra "Tancredi", por ejemplo). Todo ello le hizo asumir el "trono" de la opera italiana, del bel canto de principios del siglo XIX, género que realza la belleza de la línea melódica por encima del drama o la profundidad emocional y por encima del interés armónico. A medida que avanzan sus composiciones, éstas van adquiriendo un mayor grado de dif...
published: 29 Feb 2008 -
Gioachino Rossini | Sonata A Quattro Per Archi No.1-6
Subscribe and turn on notifications to be alerted of our uploads! https://bit.ly/3l3yzDc 00:00:00 Sonata #1 In G 00:10:52 Sonata #2 In A 00:27:00 Sonata #3 In C 00:37:31 Sonata #4 In B Flat 00:57:28 Sonata #5 In E Flat 01:09:43 Sonata #6 In D Ezio Rojatti & Haydn Philharmonia Soloists All Rights Reserved P+C NAR International Srl Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief: https://www.youtube.com/playlist?list=PLeCgNh_ukabo3oZ8xmbCMEiCl1etWkEdr https://www.youtube.com/playlist?list=PLeCgNh_ukabrG6_r9eD1BbJe9-X6Q4uny https://www.youtube.com/playlist?list=PLeCgNh_ukabpJ687Nu6HKN3_HdSKpOckA Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Hand...
published: 28 Feb 2021 -
Romantic Classic - Gioachino Rossini
Opera overtures: 00:00 The barber of Seville / Il Barbiere di Siviglia 07:10 Semiramide 18:40 Cinderella / La Cenerentola 26:25 The silk stairway / La scala di seta 32:22 Segnior Bruschino / Il signor Bruschino 37:17 The marriage bill / La cambiale di matrimonio 42:33 The thieving magpie / La gazza ladra 52:24 Guillaume Tell Artists: The Moscow Chamber Orchestra, Conductor - Constantine Orbelian.
published: 05 Aug 2016 -
Gioachino Rossini - 8 Famous Overtures (1810-17)
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Please support my channel: https://ko-fi.com/bartjebartmans 8 Famous Overtures 1. Il barbiere di Siviglia (1816) (0:00) 2. La scala di seta (1812) (6:57) 3. Il turco in Italia (1814) (13:08) 4. Il Signor Bruschino (1813) (21:42) 5. L'italiana in Algeri (1813) (26:19) 6. La Cenerentola (1817) (34:24) 7. La cambiale di matrimonio (1810) (42:30) 8. La pietra del paragone (1812) (47:56) The Royal Philharmonic conduct...
published: 26 Aug 2019
developed with YouTube
7:48
Gioachino Rossini : The Barber Of Seville - Overture
- Order: Reorder
- Duration: 7:48
- Uploaded Date: 19 Jun 2008
- views: 14019798
Discuss/review/recommend the work at https://classicalmusiconly.com/work/gioachino-rossini/the-barber-of-seville-ov7n
Title : Gioachino Antonio Rossini , The B...
Discuss/review/recommend the work at https://classicalmusiconly.com/work/gioachino-rossini/the-barber-of-seville-ov7n
Title : Gioachino Antonio Rossini , The Barber Of Seville (El Barbero de Sevilla ) - Overture
You may heard this overture in bugs bunny
Date : 1821
https://wn.com/Gioachino_Rossini_The_Barber_Of_Seville_Overture
Discuss/review/recommend the work at https://classicalmusiconly.com/work/gioachino-rossini/the-barber-of-seville-ov7n
Title : Gioachino Antonio Rossini , The Barber Of Seville (El Barbero de Sevilla ) - Overture
You may heard this overture in bugs bunny
Date : 1821
- published: 19 Jun 2008
- views: 14019798
53:28
The Best of Rossini
- Order: Reorder
- Duration: 53:28
- Uploaded Date: 24 May 2013
- views: 2167796
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also w...
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.
Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.
Tracklist:
Aberturas de Óperas Cômicas
1. Il Barbiere Di Siviglia
2. La Scalada Di Seta
3. L´Italiana In Algeri
4. Il Signor Bruschino
5. Il Turco In Italia
6. La Cenerentola
7. La Cambiale Di Matrimonio
8. La Pietra Del Paragone
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Rossini
https://wn.com/The_Best_Of_Rossini
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.
Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.
Tracklist:
Aberturas de Óperas Cômicas
1. Il Barbiere Di Siviglia
2. La Scalada Di Seta
3. L´Italiana In Algeri
4. Il Signor Bruschino
5. Il Turco In Italia
6. La Cenerentola
7. La Cambiale Di Matrimonio
8. La Pietra Del Paragone
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Rossini
- published: 24 May 2013
- views: 2167796
10:05
Gioacchino Rossini - La gazza ladra - Overture
- Order: Reorder
- Duration: 10:05
- Uploaded Date: 22 Sep 2011
- views: 3552326
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie v...
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez.
It was first performed on 31 May 1817 at La Scala, Milan.
https://wn.com/Gioacchino_Rossini_La_Gazza_Ladra_Overture
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez.
It was first performed on 31 May 1817 at La Scala, Milan.
- published: 22 Sep 2011
- views: 3552326
3:24
Rossini: William Tell Overture: Final
- Order: Reorder
- Duration: 3:24
- Uploaded Date: 12 Jul 2008
- views: 26487072
The exciting ending to Rossini's fantastic overture to William Tell.
The exciting ending to Rossini's fantastic overture to William Tell.
https://wn.com/Rossini_William_Tell_Overture_Final
The exciting ending to Rossini's fantastic overture to William Tell.
- published: 12 Jul 2008
- views: 26487072
12:10
Gioacchino Rossini - Guglielmo Tell - Overture
- Order: Reorder
- Duration: 12:10
- Uploaded Date: 22 Sep 2011
- views: 906355
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhe...
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhelm Tell. Based on the legend of William Tell, this opera was Rossini's last, even though the composer lived for nearly forty more years. The William Tell Overture, with its famous finale, is a major part of the concert and recording repertoire.
While it was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829.
https://wn.com/Gioacchino_Rossini_Guglielmo_Tell_Overture
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhelm Tell. Based on the legend of William Tell, this opera was Rossini's last, even though the composer lived for nearly forty more years. The William Tell Overture, with its famous finale, is a major part of the concert and recording repertoire.
While it was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829.
- published: 22 Sep 2011
- views: 906355
7:41
Gioacchino Rossini - Il barbiere di Siviglia - Overture
- Order: Reorder
- Duration: 7:41
- Uploaded Date: 22 Sep 2011
- views: 1083149
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with ...
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville (1775), which was originally an opéra comique, or a mixture of spoken play with music. The première (under the title Almaviva, or the Useless Precaution) took place on 20 February 1816, at the Teatro Argentina, Rome. It was one of the earliest Italian operas to be performed in America and premiered at the Park Theater in New York City on 29 November 1825.
https://wn.com/Gioacchino_Rossini_Il_Barbiere_Di_Siviglia_Overture
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville (1775), which was originally an opéra comique, or a mixture of spoken play with music. The première (under the title Almaviva, or the Useless Precaution) took place on 20 February 1816, at the Teatro Argentina, Rome. It was one of the earliest Italian operas to be performed in America and premiered at the Park Theater in New York City on 29 November 1825.
- published: 22 Sep 2011
- views: 1083149
6:45
Gioacchino Rossini - El Barbero de Sevilla
- Order: Reorder
- Duration: 6:45
- Uploaded Date: 29 Feb 2008
- views: 3386159
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro, Italia, el 29 de febrero de 1792 y fallecido en París, Francia, el 1...
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro, Italia, el 29 de febrero de 1792 y fallecido en París, Francia, el 13 de noviembre de 1868). Compositor italiano, conocido especialmente por sus óperas cómicas (en un famoso encuentro con Beethoven, éste le indicó que siguiese componiendo muchos "Barberos de Sevilla"), pero con numerosas aportaciones también en el mundo de la ópera seria (la bellísima obra "Tancredi", por ejemplo).
Todo ello le hizo asumir el "trono" de la opera italiana, del bel canto de principios del siglo XIX, género que realza la belleza de la línea melódica por encima del drama o la profundidad emocional y por encima del interés armónico.
A medida que avanzan sus composiciones, éstas van adquiriendo un mayor grado de dificultad vocal, tanto que desde mediados del siglo XIX hasta los años setenta del siglo XX, muchas de sus obras se creían imposibles de cantar, (sobre todo para la cuerda de tenor, hasta la irrupción de "superhombres" como Chris Merritt y Rockwell Blake, y otros importantes como William Matteuzzi, Ernesto Palacio, Ramón Vargas, Raúl Giménez, etc., que emulan a los grandes Giovanni Davide y Andrea Nozzari. Hoy en día destaca Juan Diego Flórez); como bajos, destacan cantantes del siglo XX como Samuel Ramey, Enzo Dara, Paolo Montarsolo y Ruggero Raimondi. Entre las señoras, en la cuerda de mezzosoprano, la incomparable Marilyn Horne y otras muchas como Teresa Berganza, Cecilia Bartoli o Ewa Podles; entre las sopranos, han destacado Katia Ricciarelli, Lella Cuberli, Montserrat Caballé y Maria Callas.
https://wn.com/Gioacchino_Rossini_El_Barbero_De_Sevilla
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro, Italia, el 29 de febrero de 1792 y fallecido en París, Francia, el 13 de noviembre de 1868). Compositor italiano, conocido especialmente por sus óperas cómicas (en un famoso encuentro con Beethoven, éste le indicó que siguiese componiendo muchos "Barberos de Sevilla"), pero con numerosas aportaciones también en el mundo de la ópera seria (la bellísima obra "Tancredi", por ejemplo).
Todo ello le hizo asumir el "trono" de la opera italiana, del bel canto de principios del siglo XIX, género que realza la belleza de la línea melódica por encima del drama o la profundidad emocional y por encima del interés armónico.
A medida que avanzan sus composiciones, éstas van adquiriendo un mayor grado de dificultad vocal, tanto que desde mediados del siglo XIX hasta los años setenta del siglo XX, muchas de sus obras se creían imposibles de cantar, (sobre todo para la cuerda de tenor, hasta la irrupción de "superhombres" como Chris Merritt y Rockwell Blake, y otros importantes como William Matteuzzi, Ernesto Palacio, Ramón Vargas, Raúl Giménez, etc., que emulan a los grandes Giovanni Davide y Andrea Nozzari. Hoy en día destaca Juan Diego Flórez); como bajos, destacan cantantes del siglo XX como Samuel Ramey, Enzo Dara, Paolo Montarsolo y Ruggero Raimondi. Entre las señoras, en la cuerda de mezzosoprano, la incomparable Marilyn Horne y otras muchas como Teresa Berganza, Cecilia Bartoli o Ewa Podles; entre las sopranos, han destacado Katia Ricciarelli, Lella Cuberli, Montserrat Caballé y Maria Callas.
- published: 29 Feb 2008
- views: 3386159
1:32:31
Gioachino Rossini | Sonata A Quattro Per Archi No.1-6
- Order: Reorder
- Duration: 1:32:31
- Uploaded Date: 28 Feb 2021
- views: 22448
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00:00:00 Sonata #1 In G
00:10:52 Sonata #2 In A
00:27:00 Sonata #3 In C...
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00:00:00 Sonata #1 In G
00:10:52 Sonata #2 In A
00:27:00 Sonata #3 In C
00:37:31 Sonata #4 In B Flat
00:57:28 Sonata #5 In E Flat
01:09:43 Sonata #6 In D
Ezio Rojatti & Haydn Philharmonia Soloists
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00:00:00 Sonata #1 In G
00:10:52 Sonata #2 In A
00:27:00 Sonata #3 In C
00:37:31 Sonata #4 In B Flat
00:57:28 Sonata #5 In E Flat
01:09:43 Sonata #6 In D
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Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more:
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We also have a fine selection with the best Baroque Music:
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- published: 28 Feb 2021
- views: 22448
1:03:32
Romantic Classic - Gioachino Rossini
- Order: Reorder
- Duration: 1:03:32
- Uploaded Date: 05 Aug 2016
- views: 7535
Opera overtures:
00:00 The barber of Seville / Il Barbiere di Siviglia
07:10 Semiramide
18:40 Cinderella / La Cenerentola
26:25 The silk stairway / La ...
Opera overtures:
00:00 The barber of Seville / Il Barbiere di Siviglia
07:10 Semiramide
18:40 Cinderella / La Cenerentola
26:25 The silk stairway / La scala di seta
32:22 Segnior Bruschino / Il signor Bruschino
37:17 The marriage bill / La cambiale di matrimonio
42:33 The thieving magpie / La gazza ladra
52:24 Guillaume Tell
Artists: The Moscow Chamber Orchestra,
Conductor - Constantine Orbelian.
https://wn.com/Romantic_Classic_Gioachino_Rossini
Opera overtures:
00:00 The barber of Seville / Il Barbiere di Siviglia
07:10 Semiramide
18:40 Cinderella / La Cenerentola
26:25 The silk stairway / La scala di seta
32:22 Segnior Bruschino / Il signor Bruschino
37:17 The marriage bill / La cambiale di matrimonio
42:33 The thieving magpie / La gazza ladra
52:24 Guillaume Tell
Artists: The Moscow Chamber Orchestra,
Conductor - Constantine Orbelian.
- published: 05 Aug 2016
- views: 7535
54:13
Gioachino Rossini - 8 Famous Overtures (1810-17)
- Order: Reorder
- Duration: 54:13
- Uploaded Date: 26 Aug 2019
- views: 161262
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, so...
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
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8 Famous Overtures
1. Il barbiere di Siviglia (1816) (0:00)
2. La scala di seta (1812) (6:57)
3. Il turco in Italia (1814) (13:08)
4. Il Signor Bruschino (1813) (21:42)
5. L'italiana in Algeri (1813) (26:19)
6. La Cenerentola (1817) (34:24)
7. La cambiale di matrimonio (1810) (42:30)
8. La pietra del paragone (1812) (47:56)
The Royal Philharmonic conducted by Evelino Pido
1. The Sinfonia (overture) of the Barber of Seville was originally composed in 1813 for Aureliano in Palmira, then employed for the 1815 premiere of Elisabetta, regina d'Inghilterra in Naples before being used for the present opera, which has been its chief association ever since.
The Barber of Seville, or The Useless Precaution is an opera buffa in two acts with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
2. La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic farsa comica in one act to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire.
3. Il turco in Italia (The Turk in Italy) is an opera in two acts. The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [de] in 1788.
4. Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813.
5. L'Italiana in Algeri; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
6. La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
7. La cambiale di matrimonio; The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, Il matrimonio per lettera di cambio. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice. It had a run of thirteen performances at Teatro San Moisè.
8. La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, to an original Italian libretto by Luigi Romanelli. La pietra del paragone was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season.
https://wn.com/Gioachino_Rossini_8_Famous_Overtures_(1810_17)
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Please support my channel:
https://ko-fi.com/bartjebartmans
8 Famous Overtures
1. Il barbiere di Siviglia (1816) (0:00)
2. La scala di seta (1812) (6:57)
3. Il turco in Italia (1814) (13:08)
4. Il Signor Bruschino (1813) (21:42)
5. L'italiana in Algeri (1813) (26:19)
6. La Cenerentola (1817) (34:24)
7. La cambiale di matrimonio (1810) (42:30)
8. La pietra del paragone (1812) (47:56)
The Royal Philharmonic conducted by Evelino Pido
1. The Sinfonia (overture) of the Barber of Seville was originally composed in 1813 for Aureliano in Palmira, then employed for the 1815 premiere of Elisabetta, regina d'Inghilterra in Naples before being used for the present opera, which has been its chief association ever since.
The Barber of Seville, or The Useless Precaution is an opera buffa in two acts with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
2. La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic farsa comica in one act to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire.
3. Il turco in Italia (The Turk in Italy) is an opera in two acts. The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [de] in 1788.
4. Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813.
5. L'Italiana in Algeri; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
6. La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
7. La cambiale di matrimonio; The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, Il matrimonio per lettera di cambio. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice. It had a run of thirteen performances at Teatro San Moisè.
8. La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, to an original Italian libretto by Luigi Romanelli. La pietra del paragone was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season.
- published: 26 Aug 2019
- views: 161262
7:48
Gioachino Rossini : The Barber Of Seville - Overture
Discuss/review/recommend the work at https://classicalmusiconly.com/work/gioachino-rossini...
published: 19 Jun 2008
Gioachino Rossini : The Barber Of Seville - Overture
Gioachino Rossini : The Barber Of Seville - Overture
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- published: 19 Jun 2008
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Title : Gioachino Antonio Rossini , The Barber Of Seville (El Barbero de Sevilla ) - Overture
You may heard this overture in bugs bunny
Date : 1821
53:28
The Best of Rossini
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an ...
published: 24 May 2013
The Best of Rossini
The Best of Rossini
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- published: 24 May 2013
- views: 2167796
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.
Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.
Tracklist:
Aberturas de Óperas Cômicas
1. Il Barbiere Di Siviglia
2. La Scalada Di Seta
3. L´Italiana In Algeri
4. Il Signor Bruschino
5. Il Turco In Italia
6. La Cenerentola
7. La Cambiale Di Matrimonio
8. La Pietra Del Paragone
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Rossini
10:05
Gioacchino Rossini - La gazza ladra - Overture
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gio...
published: 22 Sep 2011
Gioacchino Rossini - La gazza ladra - Overture
Gioacchino Rossini - La gazza ladra - Overture
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- published: 22 Sep 2011
- views: 3552326
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez.
It was first performed on 31 May 1817 at La Scala, Milan.
3:24
Rossini: William Tell Overture: Final
The exciting ending to Rossini's fantastic overture to William Tell.
published: 12 Jul 2008
Rossini: William Tell Overture: Final
Rossini: William Tell Overture: Final
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- published: 12 Jul 2008
- views: 26487072
The exciting ending to Rossini's fantastic overture to William Tell.
12:10
Gioacchino Rossini - Guglielmo Tell - Overture
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etien...
published: 22 Sep 2011
Gioacchino Rossini - Guglielmo Tell - Overture
Gioacchino Rossini - Guglielmo Tell - Overture
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- published: 22 Sep 2011
- views: 906355
Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhelm Tell. Based on the legend of William Tell, this opera was Rossini's last, even though the composer lived for nearly forty more years. The William Tell Overture, with its famous finale, is a major part of the concert and recording repertoire.
While it was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829.
7:41
Gioacchino Rossini - Il barbiere di Siviglia - Overture
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile...
published: 22 Sep 2011
Gioacchino Rossini - Il barbiere di Siviglia - Overture
Gioacchino Rossini - Il barbiere di Siviglia - Overture
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- published: 22 Sep 2011
- views: 1083149
The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville (1775), which was originally an opéra comique, or a mixture of spoken play with music. The première (under the title Almaviva, or the Useless Precaution) took place on 20 February 1816, at the Teatro Argentina, Rome. It was one of the earliest Italian operas to be performed in America and premiered at the Park Theater in New York City on 29 November 1825.
6:45
Gioacchino Rossini - El Barbero de Sevilla
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro...
published: 29 Feb 2008
Gioacchino Rossini - El Barbero de Sevilla
Gioacchino Rossini - El Barbero de Sevilla
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- published: 29 Feb 2008
- views: 3386159
Gioachino Rossini o Gioacchino Rossini (nacido como Gioavacchino Antonio Rossini en Pesaro, Italia, el 29 de febrero de 1792 y fallecido en París, Francia, el 13 de noviembre de 1868). Compositor italiano, conocido especialmente por sus óperas cómicas (en un famoso encuentro con Beethoven, éste le indicó que siguiese componiendo muchos "Barberos de Sevilla"), pero con numerosas aportaciones también en el mundo de la ópera seria (la bellísima obra "Tancredi", por ejemplo).
Todo ello le hizo asumir el "trono" de la opera italiana, del bel canto de principios del siglo XIX, género que realza la belleza de la línea melódica por encima del drama o la profundidad emocional y por encima del interés armónico.
A medida que avanzan sus composiciones, éstas van adquiriendo un mayor grado de dificultad vocal, tanto que desde mediados del siglo XIX hasta los años setenta del siglo XX, muchas de sus obras se creían imposibles de cantar, (sobre todo para la cuerda de tenor, hasta la irrupción de "superhombres" como Chris Merritt y Rockwell Blake, y otros importantes como William Matteuzzi, Ernesto Palacio, Ramón Vargas, Raúl Giménez, etc., que emulan a los grandes Giovanni Davide y Andrea Nozzari. Hoy en día destaca Juan Diego Flórez); como bajos, destacan cantantes del siglo XX como Samuel Ramey, Enzo Dara, Paolo Montarsolo y Ruggero Raimondi. Entre las señoras, en la cuerda de mezzosoprano, la incomparable Marilyn Horne y otras muchas como Teresa Berganza, Cecilia Bartoli o Ewa Podles; entre las sopranos, han destacado Katia Ricciarelli, Lella Cuberli, Montserrat Caballé y Maria Callas.
1:32:31
Gioachino Rossini | Sonata A Quattro Per Archi No.1-6
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0...
published: 28 Feb 2021
Gioachino Rossini | Sonata A Quattro Per Archi No.1-6
Gioachino Rossini | Sonata A Quattro Per Archi No.1-6
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- published: 28 Feb 2021
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1:03:32
Romantic Classic - Gioachino Rossini
Opera overtures:
00:00 The barber of Seville / Il Barbiere di Siviglia
07:10 Semiramid...
published: 05 Aug 2016
Romantic Classic - Gioachino Rossini
Romantic Classic - Gioachino Rossini
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- published: 05 Aug 2016
- views: 7535
Opera overtures:
00:00 The barber of Seville / Il Barbiere di Siviglia
07:10 Semiramide
18:40 Cinderella / La Cenerentola
26:25 The silk stairway / La scala di seta
32:22 Segnior Bruschino / Il signor Bruschino
37:17 The marriage bill / La cambiale di matrimonio
42:33 The thieving magpie / La gazza ladra
52:24 Guillaume Tell
Artists: The Moscow Chamber Orchestra,
Conductor - Constantine Orbelian.
54:13
Gioachino Rossini - 8 Famous Overtures (1810-17)
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer wh...
published: 26 Aug 2019
Gioachino Rossini - 8 Famous Overtures (1810-17)
Gioachino Rossini - 8 Famous Overtures (1810-17)
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- published: 26 Aug 2019
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Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
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8 Famous Overtures
1. Il barbiere di Siviglia (1816) (0:00)
2. La scala di seta (1812) (6:57)
3. Il turco in Italia (1814) (13:08)
4. Il Signor Bruschino (1813) (21:42)
5. L'italiana in Algeri (1813) (26:19)
6. La Cenerentola (1817) (34:24)
7. La cambiale di matrimonio (1810) (42:30)
8. La pietra del paragone (1812) (47:56)
The Royal Philharmonic conducted by Evelino Pido
1. The Sinfonia (overture) of the Barber of Seville was originally composed in 1813 for Aureliano in Palmira, then employed for the 1815 premiere of Elisabetta, regina d'Inghilterra in Naples before being used for the present opera, which has been its chief association ever since.
The Barber of Seville, or The Useless Precaution is an opera buffa in two acts with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy Le Barbier de Séville (1775). The première of Rossini's opera (under the title Almaviva, o sia L'inutile precauzione) took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
2. La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic farsa comica in one act to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire.
3. Il turco in Italia (The Turk in Italy) is an opera in two acts. The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [de] in 1788.
4. Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813.
5. L'Italiana in Algeri; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
6. La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
7. La cambiale di matrimonio; The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, Il matrimonio per lettera di cambio. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice. It had a run of thirteen performances at Teatro San Moisè.
8. La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, to an original Italian libretto by Luigi Romanelli. La pietra del paragone was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season.
Gioachino Rossini
Gioachino Antonio Rossini (Italian: [dʒoaˈkiːno anˈtɔːnjo rosˈsiːni]; 29 February 1792 – 13 November 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces.
His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart".
Until his retirement in 1829, Rossini had been the most popular opera composer in history. He is quoted as joking, "Give me the laundress' bill and I will even set that to music."
Early life
Gioachino Antonio Rossini was born into a family of musicians in Pesaro, a town on the Adriatic coast of Italy which was then part of the Papal States. His father, Giuseppe, was a horn player and inspector of slaughterhouses. His mother, Anna, was a singer and a baker's daughter. Rossini's parents began his musical training early, and by the age of six he was playing the triangle in his father's musical group.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gioachino_Rossini
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30 Oct 2021
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30 Oct 2021
Friday night, they found beauty in abundance for the opening of Giaochino Rossini’s “The Silken Ladder” (“La scala di seta”), which runs through Nov ... Boyd has a perfect voice for Rossini and embodies his characters well ... There is a reason why Rossini overtures are box office favorites ... By Gioachino Rossini.
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28 Oct 2021
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Sarasota Herald-Tribune
28 Oct 2021
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The Post and Courier
27 Oct 2021
My Charleston Weekend: Ghouls, spirits and historic ghosts are coming out
The Post and Courier
27 Oct 2021
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Sarasota Herald-Tribune
22 Oct 2021
Love blossoms at the Sarasota Opera
Sarasota Herald-Tribune
22 Oct 2021
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Independent Record
21 Oct 2021
Around the Town: Helena-area arts and entertainment news published Thursday, Oct. 21
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21 Oct 2021
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Barber of Seville
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Independent Record
14 Oct 2021
Around the Town: Helena-area arts and entertainment news published Thursday, Oct. 14
Independent Record
14 Oct 2021
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08 Oct 2021
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Petoskey News-Review
08 Oct 2021
The concert will also feature Gioachino Rossini’s “Il Barbiere de Siviglia Overture” (The Barber of Seville) and Joseph Haydn’s “Cello Concerto in C Major” ... 7th symphony (1811-12), to Rossini’s opera from 1816,” said Ondras.
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Published. 8.00 a.m. Facebook Share. Twitter Share. By Johnathan Croyle . jcroyle@syracuse.com. This coming weekend is the first one of autumn ... Where. 490 Restoration Way. When. Sunday, from 7 p.m ... 5. Plus, Tai Murray performs Tchaikovsky’s Violin Concerto, and Gioachino Rossini’s charming Overture to Semiramide starts the Masterworks series on the right note.
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