It's a Hard Life

"It's a Hard Life" is a song by the British rock band Queen, written by lead singer Freddie Mercury. It was featured on their 1984 album The Works, and it was the third single from that album. It reached number 6 in the UK Singles Chart and was their third consecutive Top 10 single from the album. It also reached number 2 in the Republic of Ireland and number 20 in the Netherlands. It also came 19th on a poll, The Nation's Favourite Queen Song broadcast on ITV on Tuesday 11 November 2014.

Composition

The opening lyric and melody of "It's a Hard Life" is based on the line "Ridi, Pagliaccio, sul tuo amore infranto!" (Laugh, clown, at your broken love!) from "Vesti la giubba", an aria from Ruggero Leoncavallo's opera Pagliacci.

Musically, the song recreates the feel of "Play the Game" in order to update the story, utilising Mercury's piano playing and the band's characteristic technique of layered harmonies. It is recorded very much with the ethos of earlier Queen albums in that it features 'no synthesizers'. By that time the band had been using synths on record since 1980's The Game and the gesture of returning to the traditional Queen sound was comforting to some fans.

La vita agra

La vita agra, known in English-speaking countries as It's a Hard Life, is a novel by Luciano Bianciardi published in 1962 by Rizzoli. It became a best-seller in Italy and it is considered one of the most important novels in contemporary Italian literature.

In 1962, when the novel was released it was praised by the public and the critics. It became a best-seller and was translated into English, French, German and Spanish. Italo Calvino wrote a review in which he regarded the novel positively and compared it to other works of the so-called letteratura industriale (Industrial literature), a current which spread at the beginning of the Italian economic miracle, such as Paolo Volponi's Memoriale and Giovanni Arpino's Una nuvola d'ira. He praised the all-encompassing language that succeeds masterfully in expressing and representing the industrial reality in a more complex way, even if he saw some weaknesses connected to the book's uncontainable autobiography that is limited, in his opinion, to a "private anarchist protest".