TP
Tandem Press
Madison
Medium
Condition
Pristine
Signature
Hand-signed by artist, Front, bottom right
Certificate of authenticity
Included (issued by gallery)
Publisher
Tandem Press

In spectacular staged photographs and dazzling patchwork paintings made from acrylic, rhinestones, and enamel, Mickalene Thomas celebrates female beauty, sexuality, desire, and power. Her compositions often focus on Black female subjects and feature 1970s-style patterns, bold pops of color, and references to art historical figures including Picasso and Manet. Such juxtapositions allow Thomas to explore Black women’s relationships to both art history and contemporary culture at large. The artist has enjoyed solo exhibitions at the Brooklyn Museum, the Bass Museum in Miami, the Hara Museum of Contemporary Art in Tokyo, and the Institute of Contemporary Art, Boston, among other institutions. At auction, Thomas’s work can command upwards of seven figures. Along with her fine-art practice, Thomas has shot for such publications as _W_, Out, and T: The New York Times Style Magazine. She has also constructed elaborate installations to showcase her works.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
Figuring History: Robert Colescott, Kerry James Marshall, Mickalene ThomasSeattle Art Museum
0.10 RELOADED: Avantgarde 2018Galerie Sabine Knust | Knust Kunz Gallery Editions
2016
Mickalene Thomas: Do I Look Like a Lady?MOCA
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July 1977, 2019

Relief, screen print, intaglio, wood veneer, archival inkjet, gold and copper foil stamping, chine collé, collage
41 × 34 in
104.1 × 86.4 cm
Edition of 25
.
Contact for Price
Location
Madison
Certificate
This work includes a certificate of authenticity.
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TP
Tandem Press
Madison
Medium
Condition
Pristine
Signature
Hand-signed by artist, Front, bottom right
Certificate of authenticity
Included (issued by gallery)
Publisher
Tandem Press

In spectacular staged photographs and dazzling patchwork paintings made from acrylic, rhinestones, and enamel, Mickalene Thomas celebrates female beauty, sexuality, desire, and power. Her compositions often focus on Black female subjects and feature 1970s-style patterns, bold pops of color, and references to art historical figures including Picasso and Manet. Such juxtapositions allow Thomas to explore Black women’s relationships to both art history and contemporary culture at large. The artist has enjoyed solo exhibitions at the Brooklyn Museum, the Bass Museum in Miami, the Hara Museum of Contemporary Art in Tokyo, and the Institute of Contemporary Art, Boston, among other institutions. At auction, Thomas’s work can command upwards of seven figures. Along with her fine-art practice, Thomas has shot for such publications as _W_, Out, and T: The New York Times Style Magazine. She has also constructed elaborate installations to showcase her works.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)

Series by this artist

Other works by Mickalene Thomas