Shane Danielsen

Jane Campion’s new film takes to a 1920s Montana ranch for its story of repressed sexuality

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

Films by Eric Gravel, Bogdan George Apetri and Gábor Fabricius are among the stand-outs in a program of unusual abundance

Steven Soderbergh’s Detroit crime movie is another formal experiment with commercial trappings

Emma Seligman’s funny but tense film is a triumph of writing and performance over spectacle

Provocative Palme d’Or winner ‘Titane’ addresses sexuality, body-horror and gender construction

Films by Emmanuel Carrère, Panah Panahi and Joachim Trier are among the best from a festival changed by the pandemic

A comedian’s isolated self-examination is more profound than Edson Oda’s confused film about what makes a good life

Molly Reynolds’s beautiful documentary is a fitting tribute to David Gulpilil, at the end of his singular life

Stanley Tucci and Colin Firth star in Harry Macqueen’s quiet elegy to a loving relationship in its twilight

New films by Céline Sciamma, Dénes Nagy and Ryusuke Hamaguchi are stand-outs in an unusually robust program

Told from an unexpected perspective, Shaka King’s film is one of the best recent-historical dramas

This year’s Berlin Film Festival presented its strongest line-up in a decade

The award-winning film about America’s itinerants steers away from the darker stories of the working poor

New artistic director Vanja Kaludjercic has shaken up the event’s programming ethos