In this work, Wielebinski creates a large tapestry from multiple ‘scarves.’ Printed on the textiles, Wielebinski layers found imagery with their drawings of monstrous figures to create ambiguous narratives. The imagery oscillates between beauty and the grotesque, creating new possibilities of embodiment. Collage is an …
- Medium
- Signature
- Not signed
- Frame
- Not included
Among the recurring subjects in Gray Wielebinski’s wide-ranging practice are interests in mythology and everyday materials, and how those disparate subjects can reflect and shape our identities. These preoccupations have a way of colliding in playful and arresting ways in Wielebinski’s work—like, for instance, the artist’s July 2019 solo show at London gallery Seager. That show’s centerpiece was a sprawling sculpture fusing the mythological figure of the sphinx and the astrologically charged image of the scorpion. At once cartoonish and ominous, the hybrid creature was stitched together from fragments of clothing, including leather and denim. Wielebinski’s works often have an irreverent quality, but they are also bristling with intensity and charged with the many (often conflicting) associations of the materials they fuse into exciting new forms. Wielebinski is featured in The Artsy Vanguard 2020.
- 2021
- Oil and Water, Hales Gallery
- 2020
- Our ashes make great fertilizer, PUBLIC Gallery
- 2019
- Young Monsters, Lychee One
Liquid Gold, 2021
Learn more.
In this work, Wielebinski creates a large tapestry from multiple ‘scarves.’ Printed on the …
- Medium
- Signature
- Not signed
- Frame
- Not included
Among the recurring subjects in Gray Wielebinski’s wide-ranging practice are interests in mythology and everyday materials, and how those disparate subjects can reflect and shape our identities. These preoccupations have a way of colliding in playful and arresting ways in Wielebinski’s work—like, for instance, the artist’s July 2019 solo show at London gallery Seager. That show’s centerpiece was a sprawling sculpture fusing the mythological figure of the sphinx and the astrologically charged image of the scorpion. At once cartoonish and ominous, the hybrid creature was stitched together from fragments of clothing, including leather and denim. Wielebinski’s works often have an irreverent quality, but they are also bristling with intensity and charged with the many (often conflicting) associations of the materials they fuse into exciting new forms. Wielebinski is featured in The Artsy Vanguard 2020.