NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

Recently at the Fanhita: Our Continuing Quests for Decolonization, I and the several hundred other attendees received updates on Puerto Rico from Wilma Reveron-Collazo. Her presentation "Puerto Rico Actually" provided a powerful genealogy of Puerto Rico's movement for decolonization, as well as American attempts to keep the island colonized or to hide its continuing colonization.  Puerto Rico occupies an interesting place in the imaginary of Guam. It is a place very distant from us in geographic terms, but we nonetheless share a similar history of Spanish colonialism and a similar present of American colonialism. At a time when Puerto Rico and Cuba were developing their own nationalist and revolutionary movements, the same movements, albeit on a smaller level, were also developing on Guam. Both Guam and Puerto Rico exist in territorial/colonial relationships with the US, although they have different names. Puerto Rico is referred to as a commonwealth, although you wo

For a few hours on the last day of the UN C24 Regional Seminar, we were given a tour of some historic locations around Kingstown, the capitol of St. Vincent and the Grenadines. This image is from a canon in Fort Charlotte, which was built high atop a hill overlooking the capitol by the British in the late 18th century. As we toured the fort, our Vincentian guide shared many colorful, sometimes humorous and sometime tragic stories about his island's colonization. He connected the struggles today, to those of the past. He echoed what so many had told us over the week we and other experts and foreign delegates were in the country, that everywhere you go, you see the legacies of native genocide and African slavery. From the fort's battlements he showed us failing banana plantations, areas where underground economies are surging, the divisions between rich and poor neighborhoods around Kingstown and even incorporated some Caribbean musical lyrics as well. When I took this pi

The start of each UN Committee of 24 Regional Seminar usually begins with a type of plenary or keynote speech/statement. This is usually a prominent political leader or activist from the country or region that is hosting the seminar or a high-ranking elected official of the host government. As this year's seminar is in St. Vincent and the Grenadines, attendees were treated to a speech by the country's Prime Minister Ralph Gonsalves. His speech moved in and out of a variety of different topics, although there was one part that struck closest to home for me. Early on in his remarks he discussed his country achieving their independence almost 40 years earlier. He said that while he was a child raised in colonialism, he had grown into maturity through fighting for independence. For many countries, the birth of their nationhood is far in the past and so those who invoke it, do so across great temporal and rhetorical distance. But for a variety of former colonies, your independence

I am currently in St. Vincent and the Grenadines for the United Nations Committee of 24 Regional Seminar. I was invited to intend to speak as an expert on the situation in Guam and the Chamorro people's ongoing quest for self-determination and decolonization. This is my fourth time to be invited to speak at the UN C24 Regional Seminar, as I attended once in Ecuador in 2013 and then twice in Nicaragua in 2015 and 2016. I have never been to this part of the world before, meaning the Caribbean, and so I am excited not only to represent Guam, but also to learn more about the struggles for independence and decolonization that have ta ken place on these many islands. I'll be writing about the happenings of the regional seminar and my experiences under the theme of "Decolonization in the Caribbean." Watch this space over the next few weeks to read my posts.

  I don't paint as much as I used to, but I'm still an artist gi korason-hu. Achokka' ti mamementa yu' kada diha, manhahasso yu' todu tiempo put pinenta yan atte.  I have been inspired by many artists over the years, especially when I was an undergraduate and graduate student at UOG. At that time, I was painting a great deal and displaying and selling my artwork around the island.  One of the biggest influences on me, and something which made me the butt of a great deal of "måtai na pepenta" na jokes, was my looking up to Jean-Michel Basquiat.  He was one of the consummate bohemian artists, who challenged artist norms in his time, was used by the artworld during his short life, and then died.  When I first created an email account for myself in 1998, I was so enamored with Basquiat, that I didn't use my name, but instead blended our names together. Rather than mlbevacqua, I instead entered mlbasquiat.