NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

The Toujin Grave or Toujin Tombs is a very interesting site. It features a large monument which is unmistakably and almost guadily Chinese. There are always things through Okinawa and Japan that you can point to as being Chinese in origin or being part of Chinese influence, but often times Japanese chafe at such connections seeking to hide the history of contact or the genealogy of cultural evolution. But this monument is meant to absolutely be Chinese. While for mainland Japan the signifier "China" is something to be wary of. For centuries it has evoked a gathering threat, just on the other side of the sea, a force to be reckoned with. Something that Japan draws much of its culture from but also resists admitting to because of the general feeling of antagonism. China was always a potential military threat, always looming and leering in a way that it could perhaps swallow up Japan. In World War II the Japanese got to act out a lot of their pent up national aggression or r

I recently watched The Green Inferno from Eli Roth, which is a disturbing film to say the least. It follows in the vein of Cannibal Holocaust and other gore-filled flicks from the past. Many of these films have no real merit to them, as they are simply meant to shock or horrify. But in some rare cases there is the intent to have some real intellectual or political teeth behind them. In some cases films of this genre, which seem to only prey on the poorest instincts of people, end up making remarkably strong appeals to human ethics. They may do so in ways to appall us, but that on its own can be a good reminder about the flexibility of ideology. How one position, which may feel so secure and true in one moment can have the theoretical floor fall from beneath it the next. Eli Roth was heavily criticized for his portrayal of indigenous peoples as savages and evil, mindless cannibals. His response was to say that to worry about a movie and its portrayal of indigenous people while actual