Posts

Showing posts with the label Guinife

Mad Boy's Love Song

Image
Mad Boy's Love Song (After Mad Girl's Love Song) I close my eyes and the world drops dead The curtain of blackness falls, blanketing a cruel reminder that I think I made you up inside my head You as a thunderbird is all I see roaring, splitting silence Trailing behind you twinkling smiling newborn stars thatform a shower up above In your afterglow, I hear the stars trickle down the blackcurtain of a world dropped dead I feel them fill the lines in my face, finding their way into the strings that tie together my life, dripping along and spiraling deeper and deeper until my every moment becomes bewitched When I lift my lids, all is born again, but now water-colored with you instead  The straining of my grocery bags, is the crinkling of your skirt The scratch on my car hood, follows the curves of your leg   Every bump in the road, is my eyes tracing the tempting lines of your fingertips The red of the shampoo bottle, glistens with the faintness of your lips White sheets of paper,

Mensahi ginen i Gehilo' #16: Kao Siña ta Yamak i Chi-ta Siha?

Image
I asunton decolonization gof takhilo' gi halacha na tiempo giya Guahan. Magof yu' put este, sa' esta mas ki dies na sakkan hu kekechonnek este. Lao, kada na manli'e' yu' kombetsaion pat diniskuti gi kumunidat put este, ha na'annok na ti manlisto hit. Put hemplo, gi ma'pos na simana, humuyong na tinige' gi PDN put i salape' federat iya Guahan ha risisibi kada sakkan, ya put este na salape' siempre ti sina manindependente hit. Esta manoppe ham yan si Victoria Leon Guerrero. In kattayi i editor para i PDN, ya esta mana'huyong i tinige'-mami. Kada humalom yu' gi este na klasen diniskuti, hu huhungok i meggai na chinatkinemprende put decolonization yan i matulaika-ña i estao-ta pulitikat. I mas takhilo' pat i mas atdet na prublema, ti i salape' federat, ti put taimanu na para ta difenden maisa hit, ti put taimanu na para ta na'ladangkolo i ekonomia-ta. Todu enao siha, hunggan prublema, lao ti sen atdet. Guah

Mensahi Ginen i Gehilo' #12: The Pacific is Not Complete Without Guam...

Image
In just 50 days, more than two dozen Pacific Island nations will gather in Guam for the 12th Festival of Pacific Arts or FESTPAC. Although geographically Guam's presence in the Pacific cannot be questioned, culturally and politically due to its history of colonization, the island and its native people, the Chamorros are regularly treated differently. As if they are a part of the Pacific, yet also exist apart from it as well. There’s a great website out there for those who are colonialism and political status geeks such as myself called Overseas Territories Review . It features regular updates on different currently-existing-colonies out there in the world (most of which are small islands like Guam in the Caribbean or the Pacific) and some commentary on what sort of challenges they might face as they try to change their colonial status. The website is run by Dr. Carlyle Corbin, an expert on decolonization and the various remaining colonies in the world, who

James Baldwin and Audre Lorde

Image
Audre Lorde and James Baldwin interview Essence 1984 JB: One of the dangers of being a Black American is being schizophrenic, and I mean ‘schizophrenic’ in the most literal sense. To be a Black American is in some ways to be born with the desire to be white. It’s a part of the price you pay for being born here, and it affects every Black person. We can go back to Vietnam, we can go back to Korea. We can go back for that matter to the First World War. We can go back to W.E.B. Du Bois – an honorable and beautiful man – who campaigned to persuade Black people to fight in the First World War, saying that if we fight in this war to save this country, our right to citizenship can never, never again be questioned – and who can blame him? He really meant it, and if I’d been there at that moment I would have said so too perhaps. Du Bois believed in the American dream. So did Martin. So did Malcolm. So do I. So do you. That’s why we’re sitting here. AL: I don’t, honey. I’

The Death of Misty Upham

Image
Misty Upham: The Tragic Death and Unscripted Life of Hollywood's Rising Star Kristen Millares Young The Guardian 6/30/15 W hen Misty Upham was 12, she announced herself to a Seattle classroom of aspiring performers. “My name is Misty Upham, and someday you will know that name as the best living Native American actress.” Years later and against all odds, her prophecy became true. She acted alongside some of Hollywood’s best: Meryl Streep, Julia Roberts, Benicio Del Toro. Last October Misty was found dead, skull and ribs broken, flies abuzz, in a wooded ravine in Auburn, Washington. Her body lay just above the turbulence of the White river. She was 32. This story is about her demise. How she went missing for 11 days. How she was found by folks enlisted by her family, and not by the police. How she was mocked when she most needed help. How she survived rapes. How she inspired kids. And how as an indigenous woman, she was not alone in facing injustice. Born on

Quest for Decolonization #3: Small Lands, Big Dreams

Image
The person in charge of this year's UN Regional Seminar is Xavier Lasso Mendoza, Chairman of the Special Committee, who is from Ecuador. He gave a short speech which began the first day, where he outlined the tasks we hope to accomplish and gave us some words of encouragement. He quoted part of the poem "Retorno" by Nicaraguan poet Ruben Dario. The words have stuck with me the entire time I've been here. "Si pequeña es la Patria, unu grande la sueña" This translates to, "If the homeland is small, one dreams it large."  This is an important reminder for the Non-Self-Governing Territories or colonies of today, as many of them are small islands, with small populations who by the way most people (including those in those islands) tend to see the world today, are far too small and too faraway to ever become independent or achieve decolonization. As colonies we are bred to see ourselves as the stuck, dependent, lower end of every binary and regar

Tuleti

Image
I was racking my brain recently to determine what was the first ever Chamorro song that was featured in a motion picture. Noon Sunday was the first every motion picture to be filmed primarily on Guam, prior to that some minor filming had been done on Guam for World War II and Godzilla films but nothing substantial. Noon Sunday was not set in Guam, but it was the first film to feature extensively the island of Guam. Guam was the locale for a fictional Pacific island that was being taken over by a menacing Asian power. Almost all the speaking roles went to people from off-island (from the US or the Philippines), and Chamorros ended up playing most of the "extra" roles. As a result the film didn't feature any Chamorro music. You do find documentaries and television programs, all locally produced that feature Chamorro songs of at least Chamorros singing songs. Guam's History Through Songs, made by the late Carmen Santos is a perfect example of this. For those of you u

Chamorro California Tour

Image
Last month I did a quick “Chamorro” tour of southern California. While flying to a UN conference in Quito, Ecuador, I stopped off in California for a few days to visit family, friends and the lively network of Chamorro groups that have formed in recent years. I flew into San Francisco and over three days drove 1000 miles from the Bay Area, to Los Angeles, Long Beach and San Diego. For people who live in the states, this may not seem like a great distance, but for people on Guam, this is the equivalent of driving from the northern to the southern tips of the island 15 times. This tour was a personally enriching experience as I got to catch up with people I had worked with before and see projects that I supported at the beginning see completion and success. In Long Beach, I visited the Guam Communications Network and spent the afternoon with the staff there. GCN is the oldest Chamorro non-profit in the states. It was first started following a typhoon in the early 90’s, when communi

Mes Chamoru

Image
(Kada sakkan gi este na mes, hu tuge' este na post ta'lo. Hu fa'nuebu didide'. Este na mas kabales na hinasso-ku put Mes Chamoru) It’s Chamorro month again, or mes Chamorro ta’lo. That means that the landscape of Guam changes in some small and large ways, to bring out more of the island’s “Chamorro side.” It’s the only month of the year that you might see more Guam flags than American flags. It’s the only month that you can actually hear a large group of young people, actively debating and creating in the Chamorro language. Its also the month during which communication between grand kids, great-grand kids and their respective elders is usually at an all time high due to class assignments about Guam history. I imagine there is an increased demand for Chamorro related tattoos. Lastly, it’s also the third most important time period for t-shirt vendors on Guam, after election season and the month of July (Liberation Day). It can be both an exciting and depr