The St. Louis band’s fourth album scrapes away their unwieldy experimentalism in favor of the approachable, frustratingly anonymous sounds of 2010s festival rock.
Guided by detailed coaching from Kanye West, the Chicago duo embrace an urge to restore a kind of lyrical conscious rap that has never been lost.
Taken individually, the pieces on this album from the Los Angeles-based accordion player can be moving, but their similar construction yields transcendence and tedium in equal measure.
The Kingston-based dancehall crew’s fourth album presents a world of inside jokes and outsize characters set to slyly experimental beats that show exacting attention to detail.
In this Rising interview, the North Carolina artist talks about holding nothing back in her songwriting, her stunning new album, and, um, the unique pleasure of sitting on cakes.
The best under-the-radar finds in hip-hop, rock, dance, and more
Billie Eilish also rates being a teenager, Avril Lavigne, and more in this episode of Over/Under.
The Detroit rapper and the famed producer rejoin forces for a spare, melancholy, and psychedelic album, solidifying their partnership as one of the most rewarding team-ups in hip-hop.
Bored by the status quo and excited by everything he hasn’t tried yet, the Queens rapper is unafraid to take risks and get weird on his latest EP.
Buoyed by Afrobeats producer Sarz’ nostalgic, ’80s-influenced production, the Nigerian-born, London-based singer turns his attention to romance, exploring a gentler side of his voice.
On her solo debut, the double bassist largely lets her instrument play a supporting role for her distinctive soprano vocals, working through deep feelings via quietly adventurous songwriting.