- published: 11 Dec 2010
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Fantasy was a British pulp science fiction magazine which published three issues in 1938 and 1939. The editor was T. Stanhope Sprigg; when the war started, he enlisted in the RAF and the magazine was closed down. The publisher, George Newnes Ltd, paid respectable rates, and as a result Sprigg was able to obtain some good quality material, including stories by John Wyndham, Eric Frank Russell, and John Russell Fearn.
The first U.S. science fiction (sf) magazine, Amazing Stories, was imported into the U.K. from its launch in 1926, and other magazines from the U.S. market were also available in the U.K. from an early date. However, no British sf magazine was launched until 1934, when Pearson's launched Scoops, a weekly in tabloid format aimed at the juvenile market. Soon Haydn Dimmock, Scoops' editor, began to receive more sophisticated stories, targeted at an adult audience; he tried to change the magazine's focus to include more mature fiction but within twenty issues falling sales led Pearson's to kill the magazine. The failure of Scoops gave British publishers the impression that Britain could not support a science fiction publication.
Fantasy is an urban pop vocal group based in New York who scored several hits on the Hot Dance Music/Club Play chart, including "You're Too Late", which hit number one in 1981.
Group members include Ken Roberson, Fonda Rae, Tami Hunt, Rufus Jackson and Carolyn Edwards. The groups' producer, Tony Valor, continued to use the name in 1985 when they released an Italo disco-influenced single called "He's My Number One."
"You're Too Late" was a number-one dance hit in the United States. It had a five week reign at the top of the Billboard Hot Dance Club Play chart in early 1981. It also reached the top 30 on the Soul Singles chart.
In 1982, the band released a pop-soul number entitled "Hold On Tight", which peaked at number 35 on the Dance Club chart, followed by "Live the Life I Love", boogie song that had reached #41 position on the same chart by 1983.
Their last successful track titled "He's Number One" reached #37 on the Dance chart in 1986.
Fantasy is a Mexican luchador enmascarado, or masked professional wrestler currently working for the Mexican professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL) in their Mini-Estrella division, which does not necessarily mean that Fantasy is a dwarf as several wrestlers who are just shorter in stature work in the "Mini" division. Fantasy's real name is not a matter of public record, as is often the case with masked wrestlers in Mexico where their private lives are kept a secret from the wrestling fans. He has also been referred to as Fantasy, Jr. and Mini Fantasy to distinguish himself from his father, who wrestled under the name "Fantasy" as well.
Fantasy trained for his professional wrestling career under his father, a former Luchador himself who also used the ring name Fantasy. He made his debut on November 11, 2003 under the name "Fantasy, Jr." and did not work as a Mini-Estrella in his debut match. At the time a different wrestler was working under the name Fantasy in the Mexican professional wrestling promotion International Wrestling Revolution Group (IWRG), but changed name in 2005 to Sensei. Once the confusion over the name was cleared the Son of Fantasy began competing simply as Fantasy, or sometimes "Mini Fantasy" since he was a regular of the Mini-Estrellas division at that point. Fantasy does actually not have dwarfism and has during interviews stated his desire to bulk up a little and join the "regular" division.
Mine, mines, or miners may refer to:
"Mine" is the second and final single from Taproot's second studio album Welcome. Along with "Poem", the song is one of the band's most successful singles. A music video was released for the song and was directed by System of a Down bassist Shavo Odadjian.
Mine 3 was a station on the Port Authority of Allegheny County's light rail network, located in Bethel Park, Pennsylvania. The small station was located directly adjacent to an industrial park and was designed mainly as a way to provide access for workers at the associated businesses.
Mine 3 was one of eleven stops closed on June 25, 2012 as part of a system-wide consolidation effort.
The station's name is a historical reference to a coal mine that was once operated on the site of the current industrial area. Pittsburgh Terminal No. 3 Mine (Mollenaur / Mollenauer Mine) was opened by the Pittsburgh Terminal Railroad & Coal Company in 1903 and was still producing coal in 1938.
"Dreams" is a song written by singer Stevie Nicks, for the group Fleetwood Mac's 1977 album, Rumours. It is the only U.S. No. 1 hit for the group where it sold over a million copies, and remains one of their best known songs.
The members of Fleetwood Mac were experiencing emotional upheavals while recording Rumours. Drummer Mick Fleetwood was going through a divorce. Bassist John McVie was separating from his wife, keyboardist Christine McVie. Guitarist Lindsey Buckingham and lead singer Stevie Nicks were ending their eight-year relationship. "We had to go through this elaborate exercise of denial," explained Buckingham to Blender magazine, "keeping our personal feelings in one corner of the room while trying to be professional in the other."
Nicks wrote the song at the Record Plant studio in Sausalito, California, in early 1976. "One day when I wasn't required in the main studio," remembers singer Stevie Nicks to Blender, "I took a Fender Rhodes piano and went into another studio that was said to belong to Sly, of Sly & the Family Stone. It was a black-and-red room, with a sunken pit in the middle where there was a piano, and a big black-velvet bed with Victorian drapes."
For all of those who remember. And for all of those who don't. The artists homepage nowadays: http://www.espengulbrandsen.com/
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- "Reconnected" - "Two that were never ment to meet." "All the piece's lie where they fell." "Where they wait for him." - "A scattered dream that's like a far-off memory." "A far-off memory that's like a scattered dream." "I want to line a pieces up-- "Your's & mine." ________________________________________________ It's hard to belive that it's been 10 year's since I bought the first Kingdom Heart's ; A ; , I remember it as clear as day..I'm so happy that I grew up with this game series , It amazes me how much this whole game series has impacted my life & how it opened my eye's , Tetsuya Nomura is by far , one of the best game director's of my time & in my opion will be a legend remembered for many year;s to come , not only is his Kingdom Heart's game's amazing , but also his...
A piano improvisation that pretty much built itself into a fantasy piece. Recorded live is: Vocals & Guitar. The rest are instruments played on my keyboard. I wasn't really planning anything when I created this song. It took me two nights to complete it. I hope you will enjoy it! :) I decided to call it "This Little Fantasy World of Mine" because that as everyone already know, I like to spend everyday in my studio, creating music. Composing is something that feels very natural to me (even though this doesn't stop me from being hard on myself with my art). I often do stupid mistakes just because I am always distracted or too often daydreaming. Music is always so more simpler, and everything just seem to make sense. I do enjoy to come out of the studio, travel, an all kind of things, but ...
Fantasy was a British pulp science fiction magazine which published three issues in 1938 and 1939. The editor was T. Stanhope Sprigg; when the war started, he enlisted in the RAF and the magazine was closed down. The publisher, George Newnes Ltd, paid respectable rates, and as a result Sprigg was able to obtain some good quality material, including stories by John Wyndham, Eric Frank Russell, and John Russell Fearn.
The first U.S. science fiction (sf) magazine, Amazing Stories, was imported into the U.K. from its launch in 1926, and other magazines from the U.S. market were also available in the U.K. from an early date. However, no British sf magazine was launched until 1934, when Pearson's launched Scoops, a weekly in tabloid format aimed at the juvenile market. Soon Haydn Dimmock, Scoops' editor, began to receive more sophisticated stories, targeted at an adult audience; he tried to change the magazine's focus to include more mature fiction but within twenty issues falling sales led Pearson's to kill the magazine. The failure of Scoops gave British publishers the impression that Britain could not support a science fiction publication.