The elusive UK group’s third album in just over a year—to be made available online for only 99 days—renders Black trauma in the eerie, sing-song cadences of children’s rhymes.
The noisy, cosmic trio of Philadelphia DIY lifers returns with an unearthed studio album. It’s an upgrade in fidelity and a shit-ton of fun.
Once united in their status as industry misfits, the four-man supergroup has reassembled for a fan-service album that hinges upon a certain taste for bars.
The New Jersey singer-songwriter’s five-song EP tries out different frames for her strikingly powerful voice, variously exploring reggaetón, futuristic Americana, and psychedelic club pop.
From Doja Cat duets to angsty anthems to hot girl bangers, we take the temperature on 12 of this year’s contenders.
A fixture of New York’s art and experimental music communities, Taja Cheek envisions a decidedly uncategorizable world of sound as L’Rain.
Billie Eilish also rates being a teenager, Avril Lavigne, and more in this episode of Over/Under.
A gloomier companion to 2020’s Getting Into Knives, John Darnielle’s latest is patient, tense, and full of empathy.
Despite its grand scope and good intentions, the latest album from M.C. Taylor is the sound of an artist beginning to repeat himself: lite music for dark times.
The Flint-raised, Houston-based rapper is known for his outrageous punchlines, but the engine of his raps is the personality-filled flow and the piano-driven Michigan beat.
Equally indebted to pioneering girl groups and her punk heroes, the New York singer-songwriter’s debut is a fiery exploration of love, anger, and coming-of-age.