Universal House music with: Sun Kin – Vishvarupa #House #Electronic

•June 21, 2021 • Leave a Comment

He’s got the whole world in his hands went the song. But in Vishvarupa’s case it’s kind of true. Vishvarupa is considered the supreme form of Vishnu, where the whole Universe is described as contained in him. The universe of house is what you get in the track of the same name from Sun Kin.

For those like me not up on the ins and outs of Hinduism, Wiki explains that, “Vishvarupa (“Universal-form”), also known popularly as Vishvarupa Darshan, Vishwaroopa and Virata rupa, is an iconographical form and theophany of the Hindu god Vishnu or his avatar Krishna. Though there are multiple Vishvarupa theophanies, the most celebrated is in the Bhagavad Gita, “the song of God”, given by Krishna in the epic Mahabharata, which was told to Pandava Prince Arjuna on the battlefield of Kurukshetra in the war in the Mahabharata between the Pandavas and Kauravas.”

Sun Kin is Los Angeles based producer Kabir Kumar. Born in Bombay, India and raised in five different countries. His work takes from folk, acid house and R&B. That gives it an indefinable quality. Vishvarupa is the final track from the After The House album.

It’s a vibrant house track that revels in early acid house’s magpie tendencies and wastes no time in getting going. There are some Rhodes chords but soon followed by bass ridden almost 80s style beats and all manner of electronic accessories and chimes. It was written “on the hottest day ever recorded.” but manages to avoid getting over-heated or all hot and bothered. The whole thing has a beatific smile on its face as beats and chimes chase themselves round the track. The gods should look kindly on this track.

Ambient Sunday with: UniQorn, and Ogi feel the Beat #Ambient #Downtempo

•June 20, 2021 • Leave a Comment

Staying European with Ambient Sunday. Tracks by UniQorn from the Netherlands, and Ogi feel the Beat from Serbia.

UniQorn offers that she is, “a female electronic music artist from Amsterdam, living her dream by creating electronic dance, lounge and chill-out music tuned in 432 Hz.” I didn’t understand the reference to 432 Hz but a bit of Googling unearths that this is ‘nature’s healing frequency.’

The featured track is Entheon, which sounds as though it has an ancient Greek root. But seems to relate to a trans-denominational church and is a, “place to discover the Creator within” All getting a bit too new age for me. But the track is a rather lovely ambient tune. It starts with an electronic hum before gentle harp-like keyboards come in. Beats shuffle shiftily in the background. Everything is sunlit and light and airy. It really is all terribly contemplative and, say it softly, contemplative. Perfect for a Sunday.

Also operating in the meditative space but more aligned to 90s ambient house, here’s Ogi feel the Beat (Brnić Oleg) from Paracin, Serbia and Rewind Memory from the Layering Meditation 1 album.

The track has a gentle chilled and slightly dubbed feel. But it also manages to have an almost acid ambient feel to it. Electronic strings and piano open the track in a tickle of anticipation. And then an acid line comes wandering by. The beats are slow and insistent stopping this ever becoming too contemplative. There’s an aim for your feet as well as your third eye. The keyboard hook over the acid gives the track an optimistic and cheering feel to set your day off to the best of starts.

PREMIERE: Elephant Trainer – Lockdown #Downtempo #Electronic #Chill

•June 19, 2021 • Leave a Comment

The pandemic and lockdown will influence music, as with much else, for some time to come. Here’s Elephant Trainer with Lockdown from The Elephant Trainer EP. It’s a chilled piece of static electronic wonder.

Elephant Trainer is Luc Glaister based in Istanbul, Turkey. He explains that, “The first weekend of the lockdown in Istanbul separated from my (now ex) girlfriend by closed borders and 12 hours of time difference, I went into the studio on Friday and set myself the task of writing and finishing a song that weekend. And I did and so Elephant Trainer was born, training the elephant in the room that is the solitude that we have all had to deal with this past year.”

Perhaps inevitably Lockdown is the centrepiece of the EP. A five minute stand and stare type of track. It combines piano and taut strings against a shuffly trip hop set of beats. There’s keening electronics that strain at loss and wanting something unattainable. It’s a sad sound, as often the best trip hop is. There are moments of drifting concentration as the tinkling piano distracts but always ultimately drawn back to the downsides.

We shouldn’t forget these moments of contemplation about ourselves, our loved ones and the pain and suffering the pandemic has visited on so many.

PS: I know the picture isn’t an elephant but they don’t exist in Star Wars universe.

THe morning after the night before: arc rae – Primitive #IDM #Ambient #Electronic

•June 18, 2021 • Leave a Comment

For anyone who follows Northern Ireland yesterday was a bit of a day.

A deal was done to keep the Government running in the early hours. The First Minister was nominated at lunchtime despite a vote against within the DUP. The leader resigned come the evening after a vote of no confidence but the First minister is still in place. But for how long and who knows what comes next?

I’m assuming that there will be some sore heads this morning, so I’m recommending you have a listen to arc rae’s new album Primitive and consider your next move carefully.

arc rae is a Berlin-based electronic artist and sound designer. The album is available on stream, download and vinyl. It opens with Honest Mistake, an ambient tune of IDM glitches and crackles. Despite the electronic noise it’s also a tune of Boards of Canada like warmth and feeling. Wistful and melancholic. This is followed by Atlas, a track that more consciously stumbles amid the xylophone sounds and burbling beats.

Pick Your Poison is an album highlight. It offers gentle dub techno beats and throbs alongside an IDM glitchiness. It has little shards of guitar and a deliciously dangerous swirl about it that envelops you. Spirit Animal hums away in ambient fashion before Body Language takes over with slow woodblocks and Rhodes ripples.

Fossils allows more guitar into the picture in an almost ne age moment. Life Cycle brings the electronic back to focus with a track of held tones and an almost drone feeling. It’s all waiting on the shore until exquisite strings arrive to give voice to the emotion held within. The album closes with Wasted Time, a hazy wavy melancholic, downbeat ending. Just perfect.

Arc rae has delivered a beautiful album of quiet ambient and IDM moments for contemplation of life’s uncertainties and vagaries.

Back to the old school with: Kokko Perelli – Forse #House #Eighties #OldSchool

•June 15, 2021 • Leave a Comment

Delivering an old school track is a tough ask. How does it sound contemporary but still evoke the sounds of days gone by? Kokko Perelli has the answer on Forse.

Kokko Perelli is Chilean DJ/Producer, Cristóbal Peña Perelli who was born in Santiago, 1993. His work takes classic house and disco grooves and turns them into something new. Forse is a perfect example of that apporach.

Forse is built around two elements. First some soft piano chords with that old school house vibe. The second is a perfect 80s disco funk bass with a real sense of elasticity. This is all rounded out with some bassified samples. Kokko explains that, “The samples used in this track are part of and old Pino D’Angio interview.” I must confess I’d never heard of him. But Wiki explains that, “Pino D’Angiò (born Giuseppe D. Chierchia, August 14, 1952 in Pompei, Italy) is an Italo disco artist. He is best known for his hit 1980 song, “Ma Quale Idea”, which sold over 2 million copies in Europe.”

Forse delivers both ends of the 80s working together from the early 80s disco bass and the late 80s piano. This tune grooves the discotheque with its shirt unbuttoned to the waist. It’s a glitterball swirl of a track. Has a slinky and sinuous grace with the Italian samples giving it a bit of sultriness. Beautiful music for beautiful people.

Dances with Aliens on: Artefact by Johan Agebjörn & Mikael Ögren #Techno #Ambient @johanagebjorn

•June 14, 2021 • Leave a Comment

A new album from Johan Agebjörn & Mikael Ögren takes you on a journey to explore space and space techno in all its dimensions from ambient to a more retro-futuristic harder edged version.

The album is called Artefact and is inspired by Arthur C. Clarke’s 1973 novel Rendezvous with Rama. According to Wiki, the story involves a 50-by-20-kilometre (31 by 12 mi) cylindrical alien starship that enters the Solar System. The story is told from the point of view of a group of human explorers who intercept the ship in an attempt to unlock its mysteries.

The album opens with the ominous IDM space rumble of Extravehicular Activity before coming to the ambient wonder of Passing The Gates. This moves on to alien strangeness and awe on The Plain and then The Storm That Passed. In Flight Over The Sea there’s a cavernous slightly echoed opening before light retro synths get an elastic outing.

Static Air offers the first vestiges of humanity with the astronaut element amid anticipatory synths that bobble around. Octapod marks a pivot in the album, where the spaced elements give way to an edgier, more frantic and paranoid set of bass ridden sounds. Threats and pleasures lurk around every corner. There’s more of the latter in Monitoring the Zooids, a track that tinkles away with optimistic synths and sounds.

The album’s penultimate track the rather wonderful and best thing on the album Space Travel. This is a lovely space techno tune with a bit of retro-futurism and even builds itself up to some late 80s / early 90s wide-eyed Beltram feeling. There’s an accompanying comedown on the joyous Final Sight.

Do take this journey but whatever you do don’t miss out on Space Travel.

Also available on CD and d/l

Ambient Sunday: At The Psychedelic Circus – Kala Nag #Dub #Ambient #IDM #Experimental

•June 13, 2021 • Leave a Comment

Ambient Sunday returns with something more challenging than usual in the form of At The Psychedelic Circus’ experimental IDM. There’s shades of The Orb but on a bad trip.

At The Psychedelic Circus are an audio visual collective from Utrecht, Netherlands. Their mission statement is, “We bring you atmospheric psychedelic electronica. A fusion of the wandering human mind and our electronic reality.”

The track is Kala Nag. I’m assuming given the video that the title comes from the elephant in Toomai of the Elephants by Rudyard Kipling (of Jungle Book fame) albeit Kala Nag translates as Black Snake. But this is no Disneyfied track. It’s takes the essence of freedom and confinement for the elephant in the story through to the sounds. It’s a swirling psychedelic set of sounds and samples of India but set against an ominous low bass ridden thudding of dubbed beats. A slow stately march into the jungle. It’s danceable but in a paranoid way whilst wading through treacle. This is a dangerous trip to see the elephants dance that’s worth the experience.

Get your techno groove on with: Ias Ferndale – Zawbiea (Extended Mix) #MelodicTechno #ProgHouse

•June 12, 2021 • Leave a Comment

All too often these days tracks are two minutes or so. It’s therefore a delight when some thing big and bold hoves into view confident enough to be approaching nine minutes. That’s what Ias Ferndale has delivered on the melodic techno groover Zawbiea.

Ias Ferndale is from Berlin, Germany and that’s about all I know. Zawbiea, however, is his second single. The title means زوبعة which translates as whirlwind. This is a massively confident track. It uses an uplifting prog house template but restrains it with a bit of techno darkness.

It opens with throbbing sounds and a bit of wailing that isn’t too obviously Middle Eastern. And that’s a good thing to stop it slipping into cliché. It maintains a taut tempo and atmosphere as it starts to wind itself up. There are airy synths that give it a rippling, furling sound.

The track oozes self-confidence, even to avoid a traditional break. And yet it maintains tension, anticipation and a rolling, galloping pace through to the end. There’s a shorter six minute edit on Spotify but the get the full effect, stick with the Soundcloud version. Superb whirling, swirling, grooving prog techno joyfest.

Are you an owl or a lark? Listen to Project AER – Lark Rise #Chill #Downtempo @ProjectAER

•June 11, 2021 • Leave a Comment

Are you an owl or a lark? I’m a lark usually. But this morning I’m up early but struggling to stay awake. Project AER’s Lark Rise is lulling me back to bed with its downtempo charms.

Project AER is the new project for the UK’s Alex Reade who has been making music for a decade now. His current venture is described as a, “blend of ambience and guitar-driven beats.” And Lark Rise pretty much fits that description.

Lark Rise is the first single taken from forthcoming album Motions which is out in the middle of next month. It’s a two and a half minute swirl of the most exquisite chill. Opening with a slow piano line and a little tinkling anticipation it rises with the day and some wood block beats. Rosy fingered dawn is here. A guitar line comes snaking to give it the central melody to face the coming day. There are ethereal washes that keep the stresses and strains of reality at bay. Time to sneak back to bed with another cup of coffee before I face the in-box.

Big bad boom bap with: Joe Nora – Far Out (feat. G Mills) #Chill #HipHop #StudyBeats

•June 10, 2021 • Leave a Comment

Pre-Friday vibes are ready for some head nodding to get through a hectic day. Joe Nora is along for the musical accompaniment with a big bad boom bap chill track.

Joe Nora’s explanation for his name is rather sweet. He says, “The backstory of my name is that before I was born my parents decided they would call me Nora if I was a girl and Joey if I was a boy. Not wanting to know until the day of, they called me Joey Nora up until I was born and they found out I was a boy. It is the kind of balance that I liked about it, the sort of yin and yang of my name and of me.”

Far Out is taken from his Rainfall EP, inspired by the only week of rain in LA this year. He should be so lucky. The track starts with a little surface noise and some jazzy smooth Rhodes chords before the live beats (courtesy of G Mills) come in. They’re allowed to be on the heavy side and roll slow. Gives the whole thing a really slowed down vibe. All you can do is slowly nod your head to the beats as the chords wash over you and in so doing wash away your cares. Surrender to the unhurried beats and draw solace from the Rhodes. Everything else today can just wait a while. Tell the world you’ll be back soon.