The Tuareg guitarist and his bandmates deliver the fullest picture of his gifts yet. Recorded piecemeal during tour breaks, the album captures the group’s easy chemistry and explosive energy.
The Danny Brown collective’s new album is a solid extension of their brand of gully Detroit music delivered with a crooked snarl.
Following the camp-infused club music of 2017’s Shaneera, Al Qadiri once again examines questions of gender and representation in the Arab world, this time invoking women poets of the Middle Ages.
Developed in collaboration with the Alias dance company, Fernando Corona’s newest solo album is a swirling miasma of ominous drone and murky rhythm that hums like an electrical substation.
A day in the life of the budding rap star as he travels around his home borough, from the corner store to the barbershop to the studio.
Skeptics like ANOHNI and Zola Jesus as well as believers like Mick Jenkins and Pussy Riot sound off on the good, the bad, and the ugly of the digital collectible game.
Dua Lipa also rates Eternal Sunshine of the Spotless Mind, bagels, Bernie Sanders, and more in this episode of Over/Under.
Annie Clark brings the glammy sounds of the ’70s to an album about mothers and daughters, fathers and prison. It’s an audacious and deeply personal record occasionally beset by clunky choices.
The NYC rapper’s latest is a 22-minute blast of dank, dingy, experimental rhymes that feels too fleeting to be a long-term stylistic shift.
With stripped-back instrumentation and poignant emotion, the English singer’s latest release is a stopgap EP that punches above its weight.
Amid the humble Florida rapper’s croons and raps about life and pain, there’s a unique voice that’s starting to emerge.