A Quietus Interview:
Black Midi
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Deep Forest: Ackroyd & Harvey On Planting Beuys' Oaks
Ralph Waldo Emerson was talking about history and the individual when he mentioned “the creatio...
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Sticky Fingers: Artists' Cut-Ups On World Collage Day
Ed Dowie ‘Untitled’ With the complete cessation of performance, collaboration, and exhibition, ...
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Round & Round, You're Turning Me: An Interview with Rachel Maclean
The imagery is often violent – tongues get cut out, noses yanked off, human limbs cannibalised....
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Seeing In Fragments: The Misshapes & Monuments Of Robert Mangold
Installation view, Robert Mangold: A Survey 1981–2008, April 12 – May 22, 2021, Pace Gallery, Lo...
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There’s A Ghost In My House: An Interview With Rachel Whiteread
RACHEL WHITEREAD, Doppelgänger, 2021 (detail) Corrugated iron, beech, pine, oak, household paint...
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The Machine Stops: Marie Staggat & Timo Stein Capture The Silent Clubs Of Berlin
All photos by Marie Staggat EM Forster’s early twentieth-century novella, The Machine Stops ope...
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From Zap To Zwirner: Robert Crumb's Comix Legacy
Crumb’s World, 2021. Photo by Alex Casto. Courtesy of David Zwirner Books In 2016 Fantagraphics...
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Hyperunionisation: Cultural Workers Fighting Precarity
Photo by Jaime Rory Lucy © PCS Tate United Branch Across Europe, arts workers are bringing atte...
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Irreal Deal: Anthony Mannix & The Trouble With 'Outsider Art'
To explain his objection to the term ‘outsider art’, Anthony Mannix is describing an old episod...
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The City & The City: An Interview With John Smith
Citadel by John Smith, courtesy MUBI Artistic and philosophical responses to lockdown appeared ...
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