Annie Clark brings the glammy sounds of the ’70s to an album about mothers and daughters, fathers and prison. It’s an audacious and deeply personal record occasionally beset by clunky choices.
The NYC rapper’s latest is a 22-minute blast of dank, dingy, experimental rhymes that feels too fleeting to be a long-term stylistic shift.
With stripped-back instrumentation and poignant emotion, the English singer’s latest release is a stopgap EP that punches above its weight.
Amid the humble Florida rapper’s croons and raps about life and pain, there’s a unique voice that’s starting to emerge.
Skeptics like ANOHNI and Zola Jesus as well as believers like Mick Jenkins and Pussy Riot sound off on the good, the bad, and the ugly of the digital collectible game.
Armed with a handheld recorder and a reverence for environmental sounds, the Kenyan artist is carving out a unique place in electronic music.
Dua Lipa also rates Eternal Sunshine of the Spotless Mind, bagels, Bernie Sanders, and more in this episode of Over/Under.
On J. Cole’s refreshing and lively new album, the rapper relaxes his grip around the mic and thrives when he’s collaborating, not when he’s making deadly serious legacy raps.
The producer and luxury furniture seller gathers the biggest names in rap once again for a market-researched album that’s as repetitive as his catchphrases.
The Philadelphia-born, Berlin-based producer, a former GHE20G0TH1K affiliate, follows a run of incendiary mixtapes with a four-track EP of lacerating, irresistibly kink-positive techno.
The South Carolina vocalist and producer presents an attainable vision of R&B on his latest EP, an unpretentious suite of pure bedroom music greater than the sum of its vibes.