A Tournament Frozen in Time: The Wonderful Randomness of the European Cup Winners Cup by Steven Scragg (Pitch Publishing 2019)

 

Dinamo Tbilisi will mean nothing to an entire generation of football watchers, yet to my generation they will elicit an enigmatic smile and maybe even a moistening of the eye. It might sound strange to the uninitiated, but you’d be amazed just how many British football supporters go misty-eyed with joy at the memory of seeing their team of choice being knocked out of European competition by what would colloquially be referred to as a ‘crack eastern European outfit’.

Of those great unknown sides to emerge from behind the Iron Curtain, Dinamo Tbilisi were one of the most clinical and unremitting. Fast and precise, they hit you on the break and they hit you hard. For those who saw them, they were unforgettable.

In the quarter-finals, at the beginning of March 1981, West Ham United were systematically dismantled by Dinamo Tbilisi at Upton Park.

Slicing straight through the West Ham midfield and defence time and time again, they enabled Aleksandre Chivadze, Vladimir Gutsaev and Ramaz Shengelia to score goals that were as beautiful as they were devastating. Ray Stewart, the West Ham right-back and penalty-taker extraordinaire was particularly tormented by the Dinamo Tbilisi offensive. He was caught in precarious possession of the ball for the second goal, when ludicrously left to man the West Ham defence all on his own.

What made the situation so ludicrous was that Stewart’s team-mates had piled forward, as if chasing a last-minute equaliser, when instead, the first leg of the game was only 31 minutes old. Everything was still to play for. 

West Ham had fallen a goal behind a mere seven minutes earlier and even by the standards of March 1981 this was an admirably gung-ho approach from John Lyall and his players.

One botched corner, a lofted Dinamo Tbilisi clearance, an ill-advised header from Stewart and a flash of the white-shirted Gutsaev later, and the ball was once again in the back of Phil Parkes’s net. It was as shocking as it was swift.

Nick's Trip by George Pelecanos (Back Bay Books 1993)

 

The night Billy Goodrich walked in I was tending bar at a place called the Spot, a bunker of painted cinder block and forty-watt bulbs at the northwest corner of Eighth and G in Southeast. The common wisdom holds that there are no neighborhood joints left in D.C., places where a man can get lost and smoke cigarettes down to the filter and drink beer backed with whiskey. The truth is you have to know where to find them. Where you can find them is down by the river, near the barracks and east of the Hill.

An Arctic wind had dropped into town that evening with the suddenness of a distaff emotion, transforming a chilly December rain into soft, wet snow. At first flake’s notice most of my patrons had bolted out of the warped and rotting door of the Spot, and now, as the snow began to freeze and cover the cold black streets, only a few hard drinkers remained.

One of them, a gin-drenched gentleman by the name of Melvin, sat directly in front of me at the bar. Melvin squinted and attempted to read the titles of the cassettes behind my back. I wiped my hands lethargically on a blue rag that hung from the side of my trousers, and waited with great patience for Melvin to choose the evening’s next musical selection.

Melvin said, “Put on some Barry.”

Charlie Savage by Roddy Doyle (Vintage 2019)

 

Talk to Joe.

–I will in me hole!

It’s not a sudden thing, or a late vocation. I’ve been shouting at the eejits on the radio all my life. Some men learn how to play the uilleann pipes from their fathers; others are taught how to mend fishing nets, how to keep bees or maim cattle. My da showed me how to shout.

He spent long happy hours instructing me on the correct use of the word ‘gobshite’. He didn’t know he was doing this; I was just looking at him, and listening. But, nevertheless, that was what he did. I sat in the kitchen with him and learnt all about the different categories of gobshite. There was the ‘bloody’ gobshite, the ‘out and out’ gobshite, and the ‘complete and utter’ gobshite. There was a gobshite for every occasion, a label for every man he shouted at. A younger man just starting out in his career as a gobshite – a newly elected TD, say, or an economist just home from America who wore a cravat instead of a tie – he had ‘the makings of a gobshite’. There was still hope for him, but not much. The makings of a gobshite almost always rose through the ranks to become a complete and utter gobshite.

He never shouted at women. Now, there weren’t many women on the wireless back then but he wouldn’t have shouted at them anyway. In my father’s world there was no such thing as a female gobshite.

Shoedog by George Pelecanos (Little, Brown and Company 1994)

 

“Hold on a second,” Constantine said. “There’s something I gotta know.”

“What?” Polk said.

“In the meeting, you told Grimes that if something happened to you, your share would go to me.” Constantine stared into the bright blue of Polk’s eyes. “Why?”

Polk smiled. “It’s simple, Connie. That day I picked you up hitchhiking—I asked you for a smoke. Well, you probably don’t remember, but you gave me your last one. It was a small thing to do, I know. But it’s been a long time since someone’s done that. It meant something. It meant something, to me.” Polk smiled at Constantine.

“Take it easy, Polk.”

“You too, kid.”

Before We Was We: The Making of Madness by Madness (with Tom Doyle) (Virgin Books 2019)

 

LEE: Roxy Music were a big influence. Myself, Mike and Chris went to see them at the Rainbow in Finsbury Park when the Stranded album had just come out. We saw David Essex going in, with a blonde lady friend, and they were dressed to the nines. Our mate John Jones goes, ‘He’s got a bit of a flash car.’ He had some convertible Merc and I can’t remember if the roof was down or not, but I know we got in it. Inside, he had one of those new-fangled eight-track tape players. We thought, ‘Oh, they must cost a fortune.’ So, we ended up having several of his eight-track tapes away.

Then, we bunked into the gig. Supporting was Leo Sayer. I got on someone’s shoulders – probably Mike’s, because he’s tall – and hauled myself up onto a window ledge, because I’d noticed it was on the latch. As I climbed up and looked in this window, there’s Leo Sayer, putting his makeup on. He’s got that clown’s outfit on that he wore around that time. He had all the gear on and one red cheek. He turned round, and I went, ‘Can you let us in?’ He was like, ‘Sorry, I can’t.’ I’m going, ‘We’ve come to see you, though, Leo …’ Have we fuck! But he said, ‘I can’t, obviously,’ and I descended back down.

MARK: Lee always told me that Leo Sayer mimed, ‘I can’t let you in,’ in Marcel Marceau style …

A Song for the Dark Times by Ian Rankin (Orion 2020)

 

But it wasn’t his need to pee that woke him at 5 a.m. It was a call. He fumbled for both his phone and the bedside lamp, waking Brillo in the process. He couldn’t quite focus on the screen but pressed the phone to his ear anyway.

‘Dad?’ His daughter Samantha’s urgent voice.

‘What’s wrong?’ he asked, sitting up, growing more awake by the second.

‘Your landline – it’s been cut off.’

‘I meant to tell you about that … '

'About what?’

‘My landline’s not the reason you’re calling at this hour. Is it Carrie?’

‘She’s fine.’

‘What then? Are you all right?’

‘It’s Keith.’

Her partner; Carrie’s father. Rebus swallowed. ‘What’s happened?’ He listened as Samantha began to sob quietly. Her voice cracked when she spoke.

‘He’s gone.’

‘The bastard … ’

‘Not like that … I don’t think so anyway.’ She sniffed. ‘I mean, I don’t really know. He’s disappeared. It’s been two days.’

‘And things were all right at home?’

‘No worse than usual.’

‘But you don’t think he’s just – I don’t know – maybe gone on a bender somewhere?’

‘He’s not like that.’

‘You’ve reported him missing?’

‘They’re sending someone to talk to me.’

‘They probably told you two days isn’t long?’

‘Yes. But his phone just goes to voicemail.’

‘And he didn’t pack a bag or anything?’

‘No. We’ve got a joint bank account – I looked online and he’s not bought anything or taken money out. His car was left in the lay-by near the church.'

 

The Quiet Assassin: The Davie Hay Story by Davie Hay with Alex Gordon (Black and White Publishing 2009)

Then, inexplicably. Big Jock dropped Geordie for the final and put him on the substitutes' bench. He went with the two in midfield - Murdy and Bertie - that had worked so wonderfully well in Lisbon in 1967. This was a different game, though. Feyenoord were exceptionally strong across the middle of the park where their main man was Wim van Hanagem, who was dismissed by Jock as being a 'poor man's Jim Baxter'. It was unlike our boss to misread a situation, but on this occasion he got it wrong; very wrong. Our line-up played right into their hands. We had Jinky, Willie Wallace, John Hughes and Bobby Lennox as a four-man frontline, but with the Dutch's stranglehold in the middle of the park, they were starved of any reasonable service. Normally, I could get forward when Jinky was buzzing, but the wee man was being suffocated by their defence. They double-banked and even treble-banked on him. They tried to force him inside into an already cluttered midfield where they had players waiting to pick him off.

Feyenoord played a pressing game all over the park and we were struggling to get into any sort of rhythm. They worked our defence well and didn't give us a moment's respite. Ove Kind vail, their Swedish striker, was keeping Billy McNeill occupied while Jim Brogan had picked up an early foot injury that curtailed his movement a bit. Tommy Gemmell was getting forward, as usual, but our cavalier fullback also had his work cut out deep in his own territory.

The Devil Met a Lady by Stuart M. Kaminsky (Mysterious Press 1993)

“If I remain in this room for five more minutes, I will surely go mad, mad, mad,” Bette Davis said, grabbing the sleeve of my jacket as I reached for the door.

She looked into my eyes. Hers were large and determined. Mine were red and beady.

I couldn’t blame her. She’d been holed up in a small room in the Great Palms Hotel on Main for almost twenty-four hours with nothing to eat but room-service ham-and-cheese on white and nothing to drink but water and Ruppert Mellow Light Beer. She had the bed. I had the undersized sofa.”

The Great Palms Hotel was a good place to get lost—not in the top twenty-five percent and not in the bottom ten, usually hovering not far from respectable mediocrity.

The Melting Clock by Stuart M. Kaminsky (Mysterious Press 1991)

“Grasshoppers,” Salvador Dali whispered, shrinking back as I opened the door. He didn’t say “grasshoppers” exactly, it was more like “grah-zoppairs,” but I understood the word as he repeated it, his eyes open wide, his long, dark waxed mustaches curled upward at the end like sharp-pointed black surgical needles.

“A giant monk with an ax is coming through that door behind you in about ten seconds,” I said.

The door I was pointing to shuddered.

“Make that five, Sal. What’ll it be, a couple of grasshoppers outside or a split personality?”

Dali, dressed in a white rabbit suit, removed the deerstalker hat perched on his head and pointed at the splintering door with one hand. Then he did a little dance from foot to foot as if he had to find a toilet.

Poor Butterfly by Stuart M. Kaminsky (Mysterious Press 1990)

The overture ended. Stokowski sighed, shook his head, and said, “Oboe. You, oboe.”

The oboe player, a very old man, looked up, ready to accept the ax.

“When I coax you with my hand like this,” said Stokowski, demonstrating the hand movement “I want you to play, to help. The flutes were lost. They have improved in quality in the last ten minutes but lost in volume.”

“But,” said the bewildered oboe player, his instrument cradled lovingly in his arms, “there was no music when you “pointed at me to play.”

“I am the conductor,” said Stokowski. “If I point at you, coax you, it is because I need you, and you will play even if there is no part for you.”

“You want me to improvise on Puccini?” asked the stunned old man, looking in the general direction of the string section.

“Yes,” said Stokowski. “Yes. Yes if I need it.”

“You want me to play … jazz?”

“I don’t care what you call it,” said Stokowski. “Just do it. Can you do it?”

“Yes,” said the old man.

“Good,” said Stokowski. “Practice.”

“Practice what?” asked the old man.

“Creative flexibility.”

Buried Caesars by Stuart M. Kaminsky (Mysterious Press 1989)

And we went. Seidman trusted me enough to let me drive my Crosley ahead of him. We got to the Wilshire Station in fifteen minutes, bucking the traffic. The Wilshire had been the hotbed of police activity back in 1923 when my brother Phil joined the force. Phil had come in during Prohibition when the department was at its most corrupt. He became a cop the same month the city fathers appointed August Vollmer, the father of police science, to a one-year term to clean up the L.A.P.D. Vollmer, a clean-living police chief from Berkeley, got nowhere, and when his term was about to expire in September of 1924, billboards began to appear all over the city, saying: “THE FIRST OF SEPTEMBER WILL BE THE LAST OF AUGUST.” And it was. I remember seeing the signs and asking Phil what they meant. I remember he rapped me in the head and told me to shut up.

Think Fast, Mr. Peters by Stuart M. Kaminsky (Mysterious Press 1987)

Jeremy, who had placed himself between Lorre and the glass doors, nodded and said, “I suggest we move away from these glass doors into a more protected area. It is one thing to accept our fate and quite another to tempt it.”

“But,” said Lorre, surreptitiously pulling out a silver case and removing a cigarette, “if our fate is written then we cannot tempt it, only fruitlessly seek to avoid it, in which case we become a source of amusement for the gods.”

“But,” Jeremy said solemnly, “as Schopenhauer said, ‘We must live and act as if we have a choice, a control over our futures, or we will simply sit in the corner and wait for death.’”

“Or,” said Lorre blowing out a puff of smoke, “enter into a state of meditation like certain Buddhist priests who attain the blissful state of Nirvana.”

“Hey, guys,” I said. “This is great, fascinating, but until that great come-and-get-it day, I’d like to keep my client alive, save a dentist, and eat regular. Let’s get this going.”

“As you wish,” said Lorre.”

Smart Moves by Stuart M. Kaminsky (Mysterious Press 1986)

The bathroom was small, a towel on the floor, the medicine cabinet partly opened. I opened it all the way and found an old straight razor, with a pearl handle and something written on it in German. I lathered, shaved without cutting my throat, looked at myself in the mirror, wiped the drops of soap from my shirt and grinned a horrible lopsided grin at the pug in the mirror who looked as if he were having a good time. It was then I decided for the two-hundredth time that the guy in the mirror was some kind of looney. My ex-wife Anne had seen it in my face long before I did, that young-old face with dancing brown eyes and a smashed nose, smiling when things were complicated and people with assorted weapons were trying to take him apart for scrap.

“This is what it’s all about,” I told the grinning fool in the mirror, not knowing what I was talking about but knowing I meant it and it was the truth. I waited for an echo to answer “Fraud,” or “Nevermore,” but there was no echo and no answer.

The Man Who Shot Lewis Vance by Stuart M. Kaminsky (1986)

When I opened my eyes, I saw John Wayne pointing a .38 at my chest. It was my .38. I closed my eyes.

The inside of my head seemed to be filled with strawberry cotton candy with little unnamed things crawling through its sickly melting strands. Nausea forced my eyes open again. John Wayne was still there. He was wearing trousers, a white shirt, and a lightweight tan windbreaker. He was lean, dark, and puzzled.

“Don’t close your eyes again, Pilgrim,” he said.

I didn’t close them. He was standing over me and I was slumped in a badly sprung, cheap, understuffed hotel chair. I tried to sit up and speak but my tongue was an inflated, dry pebbly football.

The Fala Factor by Stuart M. Kaminsky (Mysterious Press 1984)

The little black dog on my desk wanted to play, but with a corpse sitting in the corner and a murderer on the way up to my office on the elevator I just wasn’t in the mood. I patted his head, tried not to smell his breath, and said, “Maybe later.”

This didn’t please him. The Scottie lay down, covering the letter telling me where I was to pick up my sugar ration stamp book, put his head on his front paws, and looked up at me sadly. I checked my .38 automatic to be sure it was loaded, aimed it tentatively at the door to my office and hoped that I wouldn’t have to use it,  and, if I did, that it would work. It had never proved particularly reliable in the past.

Down for the Count by Stuart M. Kaminsky (Mysterious Press 1985)

I tried to ignore the shadow over me, but you can’t do that when it belongs to the heavyweight champion of the world.

“He dead?” Joe Louis said, breathing heavily. Louis was wearing blue shorts and an extra-extra large white T-shirt stained with sweat. His feet were bare.

“Down for the count,” I said.

About a quarter-mile down the shore some girls were giggling in the surf, the late sun hitting their tanned bodies, their voices bubbling through the white waves hitting the beach and the corpse I was kneeling next to. I looked away from the girls and out over the ocean at the sun heading for Japan. I wondered how I was going to tell Anne about the massive brown figure in the wet sand casting his shadow over me and the badly beaten body. There wasn’t much face left on the body, but there wasn’t any doubt about who it was.

Ralph Howard had always dressed tastefully, conservatively. Even now with sand, salt water, and pinkish blood staining the tan panama suit, the corpse had Ralph’s touch.

The Wishbones by Tom Perrotta (Harper Perennial 1997)

“This must be a tough time for you,” Stan observed.

“How so?”

“You know.” He pulled the cummerbund out from under his jacket and laid it on the steps. “This thing with Phil. It must have been awful for you.”

Walter worked his cigarette like a baby sucking a bottle. “Phil was an old man. Everybody's got to go sometime.”

“Still, watching a friend die in front of you like that …”

“We had our differences,” Walter said curtly.

“What kind of differences?”

“Creative.” Walter ejected the cigarette from between his lips. It landed on the sidewalk in a small shower of sparks. “I thought the band was starting to get a little stale.”

“How long were you together?”

“Too fucking long. Thirty-three years I took orders from that sonofabitch. I finally feel like I can breathe again.”

Stan didn't bother to pretend he was shocked. He'd been a musician long enough to know how it could come to this. There “were nights when he'd lain awake writing Artie's obituary in loving detail, nights when he'd imagined committing murder.

A Crafty Cigarette – Tales of a Teenage Mod by Matteo Sedazzari (Zani Media 2015)

Luckily for my father Theo did not press charges for criminal damage. Later my mother explained to him about my father’s problem with Charlie Cairoli. Theo, being the wise man that he is, totally understood and told my mother that he was once in The Kinks for a brief time, as 2nd guitar and backing vocals. They did a gig in Acton, this was before they made it big, by the way. Theo broke his strings during a song and Ray Davies never called him again, or so he told my mother. Now Theo can’t listen to any records by The Kinks and has to leave the room the moment their music comes on. 

Shit, both Vinnie’s father and my father could have been huge stars, that’s quite depressing.

He Done Her Wrong by Stuart M. Kaminsky (Mysterious Press 1983)

“A few members of the staff now believe that the constant reign of terror to your anatomy is causing a building up of resistance by your body. Not that you are immune to damage but that your body has somehow said, ‘What the hell, I can take anything.’ Your skull no longer deserves the anatomical right to be referred to as a skull. We are not quite sure what to call it.”

I tried to sit up and made it to one elbow. I was in a hospital gown.

“The closest thing I have seen to what we are laughingly calling your cranium belonged to a punch-drunk fighter named Ramirez who, when his career was finished, made an occasional fifty cents by battering down doors with his head. Mr. Ramirez was incapable of coherent speech by that time and seemed to think he was a robot. Are you following the allegorical level of my tale, Mr. Peters?”

“If I continue to get hit in the head, my brain will turn to Junket pudding,” I said.

“Your brain is almost certainly pudding by now,” said Dr. Melanks. “I simply want you to sign it over to me on your death. I am sixty-seven and suffering from arthritis, a weak heart, mild sclerosis, and a very poor hereditary profile, but I should outlive you by a comfortable margin.”

Confessions of a Bookseller by Shaun Bythell (Profile Books 2019)

FRIDAY, 6 MARCH

Online orders: 2
Orders found: 2

Nicky in. She has hijacked the shop’s Facebook page again and left this typically bewildering post:

Good morning everyone!
With a song in my heart, I skip in to work only to be berated for buying books off a customer for £45, whereas the BGC would have paid £175. Happy customer, happy me, disgruntled tube, sorry, I meant to say ‘boss’.

BGC is Nicky’s current nickname for me, and stands for Big Ginger Conundrum. ‘Tube’, for the uninitiated, is a Scottish insult, the politest interpretation of it being ‘idiot’.”