Culture
Music
Live streaming makes cents, but musicians need more dollars
As the world tilts towards digital streaming, accelerated by the pandemic, it’s vital that performers are properly paid, say arts leaders.
- by Nick Miller
Latest
★★★★
Review
Newcomer could be a younger Tim Minchin
Not Today is billed as a song-cycle, but could just as easily be called a cabaret or one-woman show.
- by Harriet Cunningham
Music reviews: Animal Collective, Charles Mingus and more
Mardi Wilson’s Get Lost, Charles Mingus’s @Bremen 1964 & 1975, Benjamin Grosvenor’s Liszt and Animal Collective’s Crestone.
- by Jessie Cunniffe, John Shand, Barnaby Smith and Barney Zwartz
★★★★
Review
Nightmares and obsession threaded through concerto
Alfred Schnittke’s work for piano and strings is full of bold and striking ideas.
- by Peter McCallum
Amy Shark’s masterstroke was to let down her guard - and write with Ed Sheeran
‘He’s such a legend and the only person I’ve written a song with, lyric for lyric,’ says the chart-topping singer, who is enjoying a purple patch of creativity.
- by Martin Boulton
Daring to dream: New jazz journal kicks off with exhilarating gig
Dingo, a new biannual journal covering the Australian jazz scene, launched at a party starring young players and industry veterans last week.
- by Jessica Nicholas
How do you solve a problem like social distancing? Rely on your unique skills
When you put a group of musicians together, they want to get as close to each other as possible. COVID-19 forced the Australian Brandenburg Orchestra to come up with another plan.
- by Nick Miller
Review
Review
She talks in beauty: Faithfull lends husky tone to Byron, Keats, Wordsworth
Marianne Faithfull’s collaboration with Warren Ellis delivers a brilliant new take on Romantic poems, while Australian Art Orchestra plays personal perspectives of war.
- by Jessie Cunniffe, Barry Divola, Bruce Elder and John Shand
Remembering Anita Lane: much more than Nick Cave’s muse
The enigmatic Australian singer-songwriter has died at 61.
- by Michael Dwyer
★★★★
Review
Kilbey resurrects the Church in a gig that recaptures the magic
Almost With You, Unguarded Moment, even Under the Milky Way ... with a new line-up and renewed energy, the Church played its greatest hits with gusto and joy.
- by Michael Dwyer
In a moment at the foot of Uluru with a cello, everything changed
Melbourne cellist Richard Narroway played at Uluru in 2015 with his feet in the red sand and ever since has tried to recapture that feeling of freedom.
- by Catherine Lambert