Now on his own label, the internet rap originator explores all his favorite styles—warbling rap, theatrical rock and pop—and the results are consistently joyous.
Featuring co-production from Kurt Vile, the classic trio’s latest reunion album is their breeziest and most melodically generous yet.
Pete Kember follows up his first album under the Sonic Boom moniker in 30 years with a remixed version that stands as its own discrete work, as impassioned and cohesive as the original.
The Bay Area trio takes several beats to slow down and expand on a nice EP that mines indie rock and slowcore for its finest components.
In this Rising interview, singer, songwriter, and producer Hayden Anhedönia discusses her witchy alter ego Ethel Cain, her stifling Baptist upbringing, and her desire to soothe listeners even as she unsettles them.
One year after their stages went dark, live music workers from across the country talk about what makes their spaces so important and how you can help them.
Neneh Cherry talks about the one song she wishes she wrote, “Across 110th Street” by Bobby Womack.
Manchester producer Evan Majumdar-Swift mines the history of club music for slippery, enigmatic electro jams that move in unexpected directions, sounding melancholy yet playful.
Celebrated with an elaborate new box set, their 1967 pop-art experiment remains the band’s dark-horse favorite, when they were scrappy enough to laugh at themselves but strong enough to write the music that would define their career.
The peripatetic electronic artist takes inspiration from her Tunisian Berber heritage with her new alias. Full of yawning spaces and dembow-like rhythms, the music explores a space where body music and head music become one.
Accompanied by a like-minded troupe of intergalactic travelers, the Bitchin Bajas member brings together jazz composition with far-out electronic sound design.