Art In Conversation
CANDIDA ALVAREZ with Phong H. Bui
After her first major survey Here at Chicago Cultural Center, Candida Alvarez continues to explore her hybrid space as a boundless pictorial expansion in every possible and direct intimation of art through lived experience.
Art In Conversation
GLADYS NILSSON with Robert R. Shane
Star Trek and opera are among the many sources that have informed Gladys Nilssons hilariously irreverent paintings and collages since her time as a Hairy Who? (19661969) member. Erotic and grotesque characters engaged in humorous plots and subplots populate her densely packed, carnivalesque scenes in acrylic or watercolor.
Art In Conversation
MARK BLOCH with Megan N. Liberty
For over four decades, artist and writer Mark Bloch has been fastidiously building his archive of mail art, a practice he began in the late 70s under the banner of the Postal Art Networkgiving him his artistic pseudonym PAN.
Art In Conversation
MITCH EPSTEIN with Barry Schwabsky
Mitch Epsteins most recent New York exhibition was Property Rights at Sikkema Jenkins last fall. That show led Andrea Scott of The New Yorker to observe that Epstein makes headline-grabbing subjectsimmigration, federal-land protections that have come under threat or already been rolled back, and other abuses of American powerfeel at once urgent and timeless.
Art In Conversation
PIERRE ROSENBERG with Joachim Pisarro and David Carrier
Museums have to contend with increasing numbers of visitors, but how these expansions of the buildings and the collections are supported financially considerably varies from one country to another. Pierre Rosenberg speaks with the Rail about his tenure as director of the Louvre, from 1994 to 2001.
Art In Conversation
HEATHER HUTCHISON with Barbara Rose
Art Historian Barbara Rose talks with Heather Hutchison about her work, the Umbrian landscape, and how natural phenomena inspire her compositions.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiIts impossible these days not to be reminded of American politics as a perpetual and iconic swing of the pendulum: if it swings too far to the left, it will inevitably swing too far to the right.
Editor's Message Guest Critic
Portage Trails and Language, Walking and Communication
By Jessamine BatarioIntellectuals love to walk in the woods. They reach a clearing and their minds clear, becoming receptive to the ideas that sprout on trees. The clearing I wait for signals the proximity of the next lake. Tall trees in my peripheral vision give way to an expanse of the most transparent lake water Ive ever seen. The portage ends, I cast off my pack, I sit again.
Critics Page
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A circle made by walking
– By AB Brown -
Walking as Praxis
– By Julie Poitras Santos -
Desire in Walking and Language
– By Jenna Crowder -
How to Draw a Dog
– By Katie Anania -
Sewing Spaces / Needlework in Meek's Cutoff
– By Taylor Bradley -
Utopics in our time, or, How to walk in Di$neyland
– By Ariel Evans -
24 February 2015
– By Arisa White -
Two Poems
– By Joshua Gottlieb-Miller -
No Boots Required
– By Kathryn Barush -
Walking: Foot as Conduit
– By Brooke Williams -
Sargon's Invasion
– By Breton Langendorfer
ArtSeen
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Ja’Tovia Gary: flesh that needs to be loved
– By Taylor Bradley -
The Moon Seemed Lost
– By Ksenia Soboleva -
Tom McGlynn: At Present
– By Colin Edgington -
Joanna Pousette-Dart
– By Amanda Gluibizzi -
Jack Whitten: Transitional Space, A Drawing Survey
– By Hearne Pardee -
Philip Pearlstein: Nudes and Other Landscapes
– By William Corwin -
Silke Otto-Knapp: In the waiting room
– By Robert R. Shane -
Jonah Bokaer: About An Arabesque
– By William Corwin -
Shaun Leonardo: The Breath of Empty Space
– By Louis Block -
Ellen Lesperance: Velvet Fist
– By Elizabeth Buhe -
Krzysztof Woidczko: A House Divided
– By Dan Cameron -
Sahel: Art and Empires on the Shores of the Sahara
– By David Carrier -
School Photos and their Afterlives
– By Mary K. Coffey -
LaToya Ruby Frazier
– By Alex Jen -
Marino Marini: Arcadian Nudes
– By Brandt Junceau -
Stephen Kaltenbach: The Beginning and the End
– By Hannah Maier-Katkin -
Celebrating 25 Years of Project 59: Irina Danilova
– By Peter Malone -
Michele Zalopany: Nānā i Ke Kumu ‘Pay Attention To The Source’
– By Ann McCoy -
Gothic Spirit: Medieval Art from Europe
– By Susan Yung -
Alfred Jarry: The Carnival of Being
– By Josephine Zarkovich -
David Flaugher: Weekends and Holidays
– By Peter Brock -
Larry Bell: Still Standing
– By Amanda Gluibizzi -
Rachel Klinghoffer: Suspended in My Masquerade
– By Hovey Brock -
Bob Witz: Milk Made
– By Robert C. Morgan -
Purvis Young and Édouard Vuillard: Prophets and Angels
– By Louis Block -
Alberto Giacometti, Herbert Matter, Matthew Monahan, Jonathan Silver
– By Jonathan Goodman -
Harold Mendez: The years now
– By Robert R. Shane -
Radical Figures: Painting in the New Millennium
– By Fraser Brough
Table of Contents
Editor's Message
-
Portage Trails and Language, Walking and Communication
– By Jessamine Batario
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
MITCH EPSTEIN with Barry Schwabsky
-
GLADYS NILSSON with Robert R. Shane
-
MARK BLOCH with Megan N. Liberty
-
CANDIDA ALVAREZ with Phong H. Bui
-
PIERRE ROSENBERG with Joachim Pisarro and David Carrier
-
HEATHER HUTCHISON with Barbara Rose
ArtSeen
-
Ja’Tovia Gary: flesh that needs to be loved
– By Taylor Bradley -
The Moon Seemed Lost
– By Ksenia Soboleva -
Tom McGlynn: At Present
– By Colin Edgington -
Joanna Pousette-Dart
– By Amanda Gluibizzi -
Jack Whitten: Transitional Space, A Drawing Survey
– By Hearne Pardee -
Philip Pearlstein: Nudes and Other Landscapes
– By William Corwin -
Silke Otto-Knapp: In the waiting room
– By Robert R. Shane -
Jonah Bokaer: About An Arabesque
– By William Corwin -
Shaun Leonardo: The Breath of Empty Space
– By Louis Block -
Ellen Lesperance: Velvet Fist
– By Elizabeth Buhe -
Krzysztof Woidczko: A House Divided
– By Dan Cameron -
Sahel: Art and Empires on the Shores of the Sahara
– By David Carrier -
School Photos and their Afterlives
– By Mary K. Coffey -
LaToya Ruby Frazier
– By Alex Jen -
Marino Marini: Arcadian Nudes
– By Brandt Junceau -
Stephen Kaltenbach: The Beginning and the End
– By Hannah Maier-Katkin -
Celebrating 25 Years of Project 59: Irina Danilova
– By Peter Malone -
Michele Zalopany: Nānā i Ke Kumu ‘Pay Attention To The Source’
– By Ann McCoy -
Gothic Spirit: Medieval Art from Europe
– By Susan Yung -
Alfred Jarry: The Carnival of Being
– By Josephine Zarkovich -
David Flaugher: Weekends and Holidays
– By Peter Brock -
Larry Bell: Still Standing
– By Amanda Gluibizzi -
Rachel Klinghoffer: Suspended in My Masquerade
– By Hovey Brock -
Bob Witz: Milk Made
– By Robert C. Morgan -
Purvis Young and Édouard Vuillard: Prophets and Angels
– By Louis Block -
Alberto Giacometti, Herbert Matter, Matthew Monahan, Jonathan Silver
– By Jonathan Goodman -
Harold Mendez: The years now
– By Robert R. Shane -
Radical Figures: Painting in the New Millennium
– By Fraser Brough
Critics Page
-
A circle made by walking
– By AB Brown -
Walking as Praxis
– By Julie Poitras Santos -
Desire in Walking and Language
– By Jenna Crowder -
How to Draw a Dog
– By Katie Anania -
Sewing Spaces / Needlework in Meek's Cutoff
– By Taylor Bradley -
Utopics in our time, or, How to walk in Di$neyland
– By Ariel Evans -
24 February 2015
– By Arisa White -
Two Poems
– By Joshua Gottlieb-Miller -
No Boots Required
– By Kathryn Barush -
Walking: Foot as Conduit
– By Brooke Williams -
Sargon's Invasion
– By Breton Langendorfer
Books
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Jennifer Firestone's Story
– By Rachael Guynn Wilson -
Oceanography
– By Weston Cutter -
Ander Monson's I Will Take the Answer and The Gnome Stories
– By Emma McAleavy -
Deb Olin Unferth's Barn 8
– By Yvonne C. Garrett -
Bohumil Hrabal's All My Cats
– By Zach Davidson -
Girl, Woman, Other
– By John Domini -
MARTÍN ESPADA with Alex Dueben
Music
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March Listings
– By George Grella and Brad Cohan -
ANDREW OUSLEY with George Grella
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CHAYA CZERNOWIN with Ondrej Veselý
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Bang on a Can
– By George Grella -
The Best Band You Never Heard Of: Vanishing Twin's Global Aesthetic
– By John Amen -
Listening In
– By Scott Gutterman -
Brussels Jazz Festival
– By Martin Longley
Dance
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OKWUI OKPOKWASILI with Tara Aisha Willis
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West Side Story: Ill-fated Passion Burns Anew
– By Susan Yung -
“Catch Me, I'm Falling”
– By mj thompson
Film
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MARIAH GARNETT with Shelby Shaw
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Solitary Travels: International Film Festival Rotterdam 2020
– By Beatrice Loayza -
Beyond Contested Memories
– By Donatien Grau
Theater
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Power & Punk: New York's Avant-garde Lifers Mac Wellman with Sara Farrington
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How to Live a Best Life, With Melisa Tien
– By Matthew Paul Olmos -
Is this the real life? Is this just fantasy? OZET Lands at The Brick
– By Adam R. Burnett -
Looking Back, and Forward, as Ma-Yi Celebrates 30 Years of Innovative Work
– By Billy McEntee
Fiction
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Collecting the Body
– By Max Parker -
Black’s Gaslight Village
– By Suzanne McConnell -
The Road to Golgonooza
– By T. Motley and Suko Bruchardeiwitsch -
inSerial: part fifteen The Mysteries of Paris
– By Eugène Sue, translated from French by Robert Bononno -
DAVID MEANS with Alec Niedenthal
Poetry
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Goodnight, Rimbaud
– By Kay Gabriel -
5 poems from Prevailing Conditions
– By MC Hyland -
four
– By Kit Robinson -
5 poems from Summer
– By Johannes Göransson -
the 21st century
– By Connie Mae Oliver -
two
– By Susan Briante
Art Books
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Nancy Princenthals Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s
– By Elene Pasuri -
Robin Richardsons Try Not to Get Too Attached
– By Megan N. Liberty -
dispersed holdings’s Speed of Resin
– By Re'al Christian -
Kathy Acker (19711975)
– By Kathleen Langjahr
ArTonic
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Printed Matter
– By Megan N. Liberty
In Memoriam
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A Tribute to Beverly Pepper
– By Barbara Rose
Field Notes
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Come Hell or High Water
– By Peter St. Clair -
Tar Sands and Genocide
– By Darryl Whetter -
Once More to the Breach
– By John W. W. Zeiser -
ADAM RENSCH with John Collins