![Edward Hopper, ‘The Enchantment of Don Quixote (after Gustave Dore)’, ca. 1899, Thurston Royce Gallery of Fine Art, LTD.](http://web.archive.org./web/20200926192859im_/https://d32dm0rphc51dk.cloudfront.net/4VTz6sDoOmYDw-5qZKtVNQ/large.jpg)
![Edward Hopper, ‘The Enchantment of Don Quixote (after Gustave Dore)’, ca. 1899, Thurston Royce Gallery of Fine Art, LTD.](http://web.archive.org./web/20200926192859im_/https://d32dm0rphc51dk.cloudfront.net/4VTz6sDoOmYDw-5qZKtVNQ/large.jpg)
Edward Hopper
The Enchantment of Don Quixote (after Gustave Dore), ca. 1899
Gustave Doré, the well known author and illustrator, had something of Quixote's chivalry in him …
Gustave Doré, the well known author and illustrator, had something of Quixote's chivalry in him and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's …
![](http://web.archive.org./web/20200926192859im_/https://d7hftxdivxxvm.cloudfront.net/?resize_to=fill&width=100&height=100&quality=80&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FFfOOUVZso4pwuODD-GAHnQ%2Flarge.jpg)
Edward Hopper defined 20th-century realism with his austere, eerie scenes that conveyed the alienation and isolation of modern life. Nighthawks (1942), a painting of three customers sitting at the counter of a diner late at night, is among his most famous works. The illusion of light pervades his paintings, which depict late 19th-century architecture, coastal views, and scenes of the city. Hopper’s characters, even when painted in groups, seem disconnected and lost in thought. "Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world," he said.
![Edward Hopper, ‘The Enchantment of Don Quixote (after Gustave Dore)’, ca. 1899, Thurston Royce Gallery of Fine Art, LTD.](http://web.archive.org./web/20200926192859im_/https://d32dm0rphc51dk.cloudfront.net/4VTz6sDoOmYDw-5qZKtVNQ/large.jpg)
![Edward Hopper, ‘The Enchantment of Don Quixote (after Gustave Dore)’, ca. 1899, Thurston Royce Gallery of Fine Art, LTD.](http://web.archive.org./web/20200926192859im_/https://d32dm0rphc51dk.cloudfront.net/4VTz6sDoOmYDw-5qZKtVNQ/large.jpg)
Gustave Doré, the well known author and illustrator, had something of Quixote's chivalry in him …
Gustave Doré, the well known author and illustrator, had something of Quixote's chivalry in him and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's …
![](http://web.archive.org./web/20200926192859im_/https://d7hftxdivxxvm.cloudfront.net/?resize_to=fill&width=100&height=100&quality=80&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FFfOOUVZso4pwuODD-GAHnQ%2Flarge.jpg)
Edward Hopper defined 20th-century realism with his austere, eerie scenes that conveyed the alienation and isolation of modern life. Nighthawks (1942), a painting of three customers sitting at the counter of a diner late at night, is among his most famous works. The illusion of light pervades his paintings, which depict late 19th-century architecture, coastal views, and scenes of the city. Hopper’s characters, even when painted in groups, seem disconnected and lost in thought. "Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world," he said.