Collage mit 2 Kreuzen‘Construction in Enamel 1, 2 and 3’La CreaciónF 21Street Traffic, MoscowUntitled (Oval form)two & a half gobletsConstructivistGreen WaterUntitled (Yellow, red, green falling strips of paper)CollageOhne Titel (Bewegtes Weiss auf Blau und Gelb) Blue MarbleUntitled (Strips with holes on earth tone field)Mz 30, 41KompositionOhne Titel (Collagierte Bildpostkarte Das Undbild)Linear Construction in Space No.1Constructive FrescoUntitled 4
Collage mit 2 Kreuzen‘Construction in Enamel 1, 2 and 3’La CreaciónF 21Street Traffic, MoscowUntitled (Oval form)two & a half gobletsConstructivistGreen WaterUntitled (Yellow, red, green falling strips of paper)CollageOhne Titel (Bewegtes Weiss auf Blau und Gelb) Blue MarbleUntitled (Strips with holes on earth tone field)Mz 30, 41KompositionOhne Titel (Collagierte Bildpostkarte Das Undbild)Linear Construction in Space No.1Constructive FrescoUntitled 4

Constructivism

Based in Russia in the early 20th century, Constructivism was a radical, influential art movement dedicated to inventing new forms of art that reflected the modern, industrial world. Many of the Constructivists—Vladimir Tatlin, El Lissitzky, and Alexander Rodchenko, among them—considered themselves “artist-engineers,” creating geometric works that combined modern technology with modest materials. On the auction market, record sales for Constructivism include Rodchenko’s Construction No.95 (1919) for $4.5 million, Liubov Popova’s Still Life with Tray for $3.5 million, and Naum Gabo’s Linear Construction in Space No. 3, with Red (1957) for $2.4 million.

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