The bandleader, composer, and pillar of Chicago arts and culture follows up the acclaimed 2019 LP he recorded with the Black Monument Ensemble with another grand and luminous statement.
The Floridian emo band channels a sense of boundless possibility on their new LP, which has the heft of a manifesto despite its compact length.
On a stopgap EP between album projects, the Brooklyn R&B musician sloughs off emotional baggage from a soured relationship.
The Dutch songwriter follows behind-the-scenes work with Rex Orange County, The Free Nationals, and others with a breezy new solo record. Featuring collaborations with Mac Demarco and Emily King, the album does a good job does distilling his charms into a single package.
New releases to look forward to in the coming months, from Dawn Richard, Iceage, Olivia Rodrigo, and others
In this Rising interview, the London art punks discuss their prosaically profound debut LP, their favorite YouTube videos, and why they read the comments.
Neneh Cherry talks about the one song she wishes she wrote, “Across 110th Street” by Bobby Womack.
Taking cues from Miles Davis’ electric period, the Spacebomb Records founder and Alabama sculptor join forces on a mesmerizing album rooted in improvisation, risk-taking, and unlikely musical chemistry.
The Montreal producer fondly glances back at his formative musical memories of the late 1990s: commercial electronica and alternative rock, in all their occasionally kitschy glory.
Fusing elements of free jazz, breakbeat, acid house, dub, ambient, and more, the Tokyo producer’s second full-length album is simultaneously comforting and destabilizing.
The experimental rapper from Richmond, Virginia raps, speaks, and sings over a strange amalgamation of beat sculptures, glitchy melodies, and found audio. The effect is dizzying and alluring.