To enjoy all the benefits of our website
This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies.
Ellen Peirson-Hagger is the New Statesman’s assistant culture editor.
A fierce debate is raging about who should own literary works – and for how long.
The British novelist discusses why our fixation on “wellness” grows as the planet around us decays.
On his sixth album, the Americana musician subtly queries his place in a genre long associated with conservatism.
The musician has been making futuristic music all his life, yet his songs have recently found a new audience with 20-and 30-somethings.
On his debut record, the British electronic producer conjures an environment many of his listeners will have been pining after for eleven months.
The indie-rock artist on freeing her faith – and her songwriting – from the constraints of ideology.
Tom Gray, of the band Gomez, is lobbying the UK government to regulate music streaming.
The brilliant, daring new album from the Manchester alt-pop outfit throbs with a contemporary sonic anxiety.
After the death of their mother in 2018, the three sisters took time away from making music. On their third album, Good Woman, they’re back with a bolder and more fearless sound.
The American writer and journalist on why a whole generation is doomed to exhaustion.
