On her new album, the Memphis singer-songwriter and guitarist pens her most heavy-hearted songs, treating love and loss like old scars, fondly remembered.
Years into her solo career, Larsson is still just a disembodied voice floating over the beat. On her third album, she tries out some different sounds, but the result comes off like a Who's-Who of 2011 radio.
The Chinese-American multi-instrumentalist's works are sensuous and lively but evoke a vast loneliness.
Senegal’s Arouna Kane and Sweden’s Karl Jonas Winqvist, plus a host of musicians on two continents, spin improv sessions and long-distance overdubs into airy, dreamlike music as generous as it is joyous.
In this Rising interview, the New York singer-songwriter talks about making art out of interactions with strangers and how her experiences with the late indie legend David Berman inspired her brilliant new album.
Boosted by the YouTube recommendations algorithm, and now TikTok memes, an American-influenced strain of vintage Japanese music has become a perennial cult hit online. The trend says more about Western perceptions of the East than the other way around.
In this episode of Critical Breakthroughs, Kurt Vile takes us into his head, detailing his creative process, the challenges, and even the migraines that inspire some of his lyrics in songs like “Freeway,” “Dust Bunnies,” and more.
To cut through and leave a lasting impression of Nick Jonas, the artist, would require a vision much bolder than what this album has to offer.
The Egyptian producer’s music is forceful, corrosive, unstable-sounding. His latest EP, a collection of six unrelenting club cuts, is his heaviest record yet.
Filled with sampled ephemera and vintage television clips, the rapper’s latest EP looks to science fiction for a pessimistic, paranoid vision of the present.
On the third release from its ongoing reissue series, the BBE label continues to excavate the hidden wonders of Japan’s post-WWII jazz scene.