On their eighth album, the Followill brothers desperately cling to a sound that has stopped working, trying to write songs that soar but capable only of ones that wallow.
Chicago drill star Lil Durk cedes the floor to his capable crew on a 23-song victory lap that memorializes his own hard-earned fame alongside the memory of his late protégé, King Von.
A new reissue of the UK group’s 1979 album captures David Sylvian and his bandmates as they evolved from their glam-influenced early years into the experimental electronic pop of their final two LPs.
On the heels of a new signing, the singer remerges with a four-track EP that reworks songs from her previous albums, coupling the flexibility of her original compositions with daring musicianship.
In this Rising interview, the New York singer-songwriter talks about making art out of interactions with strangers and how her experiences with the late indie legend David Berman inspired her brilliant new album.
Boosted by the YouTube recommendations algorithm, and now TikTok memes, an American-influenced strain of vintage Japanese music has become a perennial cult hit online. The trend says more about Western perceptions of the East than the other way around.
Neneh Cherry talks about the one song she wishes she wrote, “Across 110th Street” by Bobby Womack.
The duo’s refurbished EP gets the typical sequel treatment, with new characters and a glossy finish that makes you miss the gritty original.
Woods founder Jeremy Earl and Americana veteran Glenn Donaldson team for an effortlessly warm debut that feels alive with a sense of mutual discovery.
Stevie Knipe’s third LP builds layered arrangements and a renewed sense of confidence without sacrificing the earnest, confessional vulnerability of their songwriting.
On their first sustained collaboration since the Squirrel Nut Zippers disbanded, Bird and Mathus draw from a range of old styles, primarily gospel, with the ease of old friends getting together for coffee.