When Amazon made a unilateral decision in early February to
stop accepting documentaries and short films via Prime Video Direct (a policy that also covers "slide shows, vlogs, podcasts, tutorials, filmed conferences, monologues, toy play, music videos, and voiceover gameplay"), the announcement also served as a quiet purge. Amazon also has been dropping long-running documentary titles from the service, with stakeholders receiving no warning or context for the decisions. From a report:
Filmmakers and distributors are aghast, but Amazon Prime Video Direct seems to be egalitarian in how it treats its partners. Whether you're an individual filmmaker or an established specialty distributor, no one can ask an Amazon Prime Video Direct representative for more information; there's no one to ask. All inquiries are submitted via trouble tickets, and everyone receives the same boilerplate response via their Amazon Prime Video direct dashboards: "Unless otherwise indicated," the message says, "removed titles (or titles not selected for licensing) may not be resubmitted or appealed."
"The selections are so random, it feels like a machine is doing this and not humans," said one executive working on films impacted by the decision. "The lack of any human response adds to the frustration. It reminds me of when politicians want to cut PBS funding." Despite Amazon's dystopian approach to customer service, Prime Video Direct has been in a process of evolution from the start. When it launched in May 2016, it was positioned to lure content creators away from YouTube with bonuses and a more premium experience. Anyone could upload content to Amazon either as titles included free with Prime subscriptions (and earn a royalty) or as digital purchases or rentals. Given Amazon's massive reach, and multiple ways to make money, it was positioned as a fierce competitor in the battle for video ad dollars.